Alagna was a fine singer who didn’t get the critical acclaim he deserved. This clip illustrates his abundant talent. Oh, Terfel is also a great singer.
Wonderful rendition. I used to listen to this recording in the car when given the task of learning it. This was the vocal coach's favourite aria and the first she gave us to learn. It is a much more difficult piece to master than people realise.
I think this is great, but it's the eternal hunt for that perfect (to one's own ear) rendition. the fun part is you never find it but you keep looking. it's a bit like golf.
@@dellonman For me a lot of the joy comes in imagining how it sounded in the composer's head. Separated from performance in real life. Pure as it was conceived. Probably not, but maybe up among the stars the music and the words exist and they're nothing to do with how they're performed down here.
Too all those saying that Alagna doesn't match Terfel here - I'd like to disagree respectfully. Just to be sure, I adore Terfel, he is a force of nature and almost always great. But Alagna is superb here, too. I would even go so far as to say that Alagna does a somewhat better job here. First, Alagna's French diction is downright perfect. (Terfel's diction is good for a foreigner, but still lacks sometimes and the vowels are much more muffled throughout). Second, Alagna's legato is far better than Terfel's and much more in line with common Italian/French belcanto singing style. Finally, this duett is arguably more difficult for the Tenor (this is almost always true, because the higher voice has to project both melody and meaning, whereas the lower voice tends to "merely" build the fundament). As such, the tenor has the much wider and more difficult tessitura to cover in this piece, and he also introduces the sudden change in atmosphere (around 4:20). Alagna does all this great! He expresses everything through his sound and doesn't need any overly theatric demeanor. His instrument resonates freely; never does he shout or apply too much pressure (not even in the more dramatic moments, which is very difficult to accomplish). Yes, you may find his voice somewhat too open (I tend to agree), but this is more a matter of style/personal liking; he masters his technique brilliantly in this piece. If anything, Terfel is the one applying too much pressure sometimes (for instance the "ta main repousse ma main" at 4:30, where he goes overboard into falsely understood dramatic demeanor imho). Alagna fully trust his technique and remains strictly within the natural expressability of his voice. In all, there is very much to like about Alagna's performance in my opinion, and he more than matches his mighty singing partner. Final note: I usually do not see much sense in comparing singers like that. But having read so many (in my opinion wrong) statements about Alagna's flaws here, I thought I'd share my insights and perspective. At the end of the day, both singers here are world class, and despite their very different singing styles and techniques, they resonate together beautifully and do this heartwarming duet much justice.
tenchinhanu / Thank you so very much for your Commentary! Thank you for taking the time so ! could enjoy this Masterpiece even more.( Sorry for my Evervescense. I have,maybe too much excitement,for the music!)
i have lived long enough to hear a better performance than Gigli and De Luca it is absolutely divine in many ways a beautiful thing a Welshman and a Sicilian both full of passion which makes this aria from Bizet so beautiful
This so stunningly beautiful at so many levels...the singing, the lyrics, the mystical quality...and the finale'...the reaffirmation of undying friendship! Noble, uplifting, inspirational!
Ohh now I'm all confused. Merrill and Bjorling were always my favourite voices for this duet. I've just followed the link, found this and loved it. Oh sod it,. Who is better than who is purely subjective. I've just added another two superb singers, with a superb rendition to my favourites. Headphones on, beer in hand, listening to the most fabulous music. What a bonus.!
@@brookeggleston9314 No. I don’t. Most modern singers are sub-par, that is a fact. There are, of course, a handful who are great singers, but they are few and far between. And I don’t have a ‘very sad life’ simply because I have a more discerning ear than, say, you do.
Young would-be opera singers, take note! It's possible to sing beautifully without writhing, grimacing, flailing, or screaming. Let the technique do the work. Terfel isn't even breathing heavy at the end. Beautifully balanced rendition; my favorite.
excellent Roberto and Bryn, honestly, the best I've heard, in perfect harmony, no competition, no overdoing. just harmonious flowing of a beautiful song in admiration to a goddess
Did you listen to Jonas Kaufman and Dmitri Hvorostovsky sing this. They do not compete with each other on this area, they just complemented each other.
I've NEVER been a fan of opera (and never will be), but there are two pieces which get me -EVERY single time. This one, and the 'Flower Duet' by Delibes. In both, one of the most striking aspects is the wonderful contrast between the two voices - tenor and baritone, soprano and mezzo-soprano, respectively. It just DOES not work for me if both parts are sung by the same voices. It isn't just a question of performers singing the right notes; without that contrast in timbre, so much of the magic is gone - like seeing a rainbow in black and white. Why so many highly talented brass players - such as Robert and David Childs - insist on playing these pieces with identical instruments just defies belief. It's sheer musical BUTCHERY!
The opera The Pearl Fishers is defined by this spectacular duet, but the remainder of the opera is filled with glorious French music, too. I have seen it three times, the last time at the Metropolitan Opera. Their production was wonderful!
I have just watched this again...and it has gone up in my estimation...1. Within tessitura 2. No competition between singers 3. Acting/living the action (Alagna is palpably SEEING the action) 4.No bloody eggs in their mouths
Lovely! Appreciate the gentle, flowing line, the sweetness of Alagna. Terfel-terrific, of course. Both appropriately passionate as the text & dynamics indicate at app.4.30. A gem of a duo! Opera scheduled for Met Live in HD broadcast 1/16.
By George, I think they've got it........matching tonal qualities and vibratos, goo timing under Levine, and true musicianship.....a felicitous cooperation.
So many wonderful versions of this piece, past and present. Alagna and Terfel have to be close to the top if not thee top. Two marvelous singing actors, wonderful!
Joel Barry The critics are on his singgin of dramatics roles without having the voice for it. He should stay in this kind of roles. Liryc and light roles. His Alfredo on La Traviata is the best.
Stunning version and first time I've seen the video. Roberto Alagna has become my favourite all round tenor - everything he does is stunning...and what more can be said of Terfel.Since hearing this version in the late 90's, I have analysed and enjoyed many versions including the iconic Bjorling/Merrill version. Even though Bjorlings vocal was not as good as Alagna's, and Merrill not as powerful as Terfel (although arguably Merrill was more lyrical), their voices blended better together than any other combination has.Personally because I prefer Alagna's vocal, this is my favourite version.
Another thing I really like about Alagna is his acting ability too and his emoting. I know that might come second to the singing, but when you watch him versus some others in the same role...he's just way more interesting to me than the others. I had the privilege of being in Paris for a year (2015) and made a point to see everything he was in there, while I was there! (I guess it was only three things, Le Cid, Le Roi Arthus and then a concert he gave)...I feel like I'm forgetting one, but anyway...very cool :)
Interesting, compering Bjoerling to Alangna, they are very similar in delivery, Listen to Bjoerlings E la solita storia del pastore, In my judgement the definitive version, power, pitch, legato, emotional projection, it has got it all, its textbook. let me know what you think.....
Roberto Alagna sure does a great impersonation of Jussi Björling. Just heard this tenor for the very first time; I think I’ll need to listen to some more of his work. My goodness.
Absolutely brilliant. After the break at 4:15 they burst into perfect spirit of the song. Alagna sings so comfortably, naturally, and sweetly in French, he enjoyed this as much as the audience. They loved it themselves, you could tell at the end, they knew they nailed it. While I still prefer the sound and the performance of Bjoerling and Merrill, it was better to watch these two on stage. because you knew they were enjoying it themselves.
I totally agree. Bjoerling and Merrill is divine, but this is a joy to watch and hear. My favourite bit starts at 5.06, they harmonise so well. and the look on Bryn's face at the end that just says 'damn, I nailed it!' True love of music, and appreciation for each other's talent.
True griffcats. It is very good. I suspect the chaps studied Bjoerling and Merrill and understand the dialogue. These are two chaps to follow, for sure.
I have never heard (even on RUclips uploads) a 'bad' rendition of this piece. Then, who would truly I be to pass sonic judgement? I have no training or expertise in the matter to judge this as 'good' or 'bad'. What we only offer, is our reaction to it...not its technical execution. We only express personal opinions....
DIVINE VOICES !!! EBRAVO !!! ENDLESS THANKS FOR VERY, VERY, VERY THE BEAUTIFUL EMOTIONS FOR US - THE FANS IN ALL World !!! BRAVO Dear FANS !!! VERY HEART GREETINGS FROM BULGARIA
This is so good, so beautiful, so deep, I literally had goosebumps, and tears. Thank you for the marvelous post. This certainly one of the most beautiful live versions extant!
I agree! I often watch this duet between Alagna and Terfel on the DVD that I have of the concert in which they sung it. I have always loved this opera and, in particular, the duet. I've heard many great tenors and baritones sing it, but I do believe that this rendition is the most beautiful I have ever heard! What magnificent voices! I just doesn't get any better.
Alagna looked scruffy here because he was at the Met performing in La Bohême at the time of the Gala - and the outfit he is wearing is his "wedding suit" because he had gotten married the day before...
ABso;utely wonderfil! One of the best voice combinations for this - and perfectly matched. But I think my favourite is still Gigli and Jussi Bjorling!! But this is definitely right up there!
Ouvi vários duetos dessa ária Les Pêcheurs, as duas que me impressionam é a de Roberto Alagna e Bryn Terfel e Jonas Kauffman com Dmitri Hvorostovsky. Essa peça musical ela é perfeita para um barítono e tenor…é alto nível demais….Acho que ela foi escrita para eles…. É de tirar o fôlego!🇧🇷👏👏👏👏
A few years ago I had initially appreciated this version, but then I eard the Jussi Bioerling and Robert Merrill version, in my opinion so far the ultimate version. Biorling and Merrill, what a togetherness and celestial voices, no forcing, just pure bliss. Just listen to their version, you may also like it.
Good voice pairing with this one, and their sensitivity is equally masterful. My favorite so far, though I know there are still many duets I haven't heard perform this piece.
Stunningly gorgeous duet Music that can move dead men to tears
No matter how many times I listen to this, I get choked up every single time.
My absolute favourite pair to sing this beautiful duet.I love the haunting quality of Roberto’s voice ❤
Alagna was a fine singer who didn’t get the critical acclaim he deserved. This clip illustrates his abundant talent. Oh, Terfel is also a great singer.
One of the most beautiful performances of Bizet's The Pearl Fishermen....Simply Sublime.....
Wonderful rendition.
I used to listen to this recording in the car when given the task of learning it. This was the vocal coach's favourite aria and the first she gave us to learn. It is a much more difficult piece to master than people realise.
The most beautiful bromance song ever written. And this is my new favorite version of it. Bravi, bons messieurs!
Magnifiques interprètes pour ce duo envoûtant!
I pretty much don't care who sings this. Every time I hear it I get goose bumps. They knocked it out of the park!
Wow!!!!!!!!!!
Is there a better male duet anywhere?
What a wonderful instrument Alagna's voice was at its prime!
он и сейчас прекрасно поет. ТОлько голос его не может быть молодым всегда. Это природа.
It touches the core of your humanity; makes you weep with joy and cry with admiration.
Does it really matter who’s best or better? I enjoy this everytime. I can’t do it. A bow🙏🏻
I think this is great, but it's the eternal hunt for that perfect (to one's own ear) rendition. the fun part is you never find it but you keep looking. it's a bit like golf.
@@dellonman For me a lot of the joy comes in imagining how it sounded in the composer's head. Separated from performance in real life. Pure as it was conceived. Probably not, but maybe up among the stars the music and the words exist and they're nothing to do with how they're performed down here.
Beautiful.
Danke liebe Monserat für das Vermitteln in die Oper . Unvergessen❤
What great voices and what a wonderful aria. Thank you.
Beautiful combination of voices
I'm no expert on the merits of the various singers and versions of this duet, but I get goosebumps every time I watch this.
ditto
Too all those saying that Alagna doesn't match Terfel here - I'd like to disagree respectfully. Just to be sure, I adore Terfel, he is a force of nature and almost always great. But Alagna is superb here, too. I would even go so far as to say that Alagna does a somewhat better job here. First, Alagna's French diction is downright perfect. (Terfel's diction is good for a foreigner, but still lacks sometimes and the vowels are much more muffled throughout). Second, Alagna's legato is far better than Terfel's and much more in line with common Italian/French belcanto singing style. Finally, this duett is arguably more difficult for the Tenor (this is almost always true, because the higher voice has to project both melody and meaning, whereas the lower voice tends to "merely" build the fundament). As such, the tenor has the much wider and more difficult tessitura to cover in this piece, and he also introduces the sudden change in atmosphere (around 4:20). Alagna does all this great! He expresses everything through his sound and doesn't need any overly theatric demeanor. His instrument resonates freely; never does he shout or apply too much pressure (not even in the more dramatic moments, which is very difficult to accomplish). Yes, you may find his voice somewhat too open (I tend to agree), but this is more a matter of style/personal liking; he masters his technique brilliantly in this piece. If anything, Terfel is the one applying too much pressure sometimes (for instance the "ta main repousse ma main" at 4:30, where he goes overboard into falsely understood dramatic demeanor imho). Alagna fully trust his technique and remains strictly within the natural expressability of his voice. In all, there is very much to like about Alagna's performance in my opinion, and he more than matches his mighty singing partner.
Final note: I usually do not see much sense in comparing singers like that. But having read so many (in my opinion wrong) statements about Alagna's flaws here, I thought I'd share my insights and perspective. At the end of the day, both singers here are world class, and despite their very different singing styles and techniques, they resonate together beautifully and do this heartwarming duet much justice.
tenchinhanu GOD I love when smart people say smart things on RUclips!!!
@@matthewharris1660 Enjoy it, it doesn't happen often :)
All of the above and to boot, they are perfectly in sync !
I totally agree with your assertion, Roberto really shines, is more than an equal to Bryn. Together they are superb. What more needs to be said?
tenchinhanu / Thank you so very much for your Commentary! Thank you for taking the time so ! could enjoy this Masterpiece even more.( Sorry for my Evervescense. I have,maybe too much excitement,for the music!)
So beautiful, and the joy does brighten the entire piece. Terrell is dynamic; Alagna sweet and lovely. Perfection.
Sorry about the name mistake. Terfel, of course. Sometimes the auto corrector works against us...
Magnifici interpreti, molto bello. Un piacere ascoltare queste bellissime voci.!!!!!
i have lived long enough to hear a better performance than Gigli and De Luca it is absolutely divine
in many ways a beautiful thing a Welshman and a Sicilian both full of passion which makes this aria from Bizet so beautiful
Not an aria; it's a duet
Two of My Favourite Singers of the 21th Century Long May they Reign.
This so stunningly beautiful at so many levels...the singing, the lyrics, the mystical quality...and the finale'...the reaffirmation of undying friendship! Noble, uplifting, inspirational!
I am Welsh like Terfel. I am a tenor like Alagna (and hopefully one day as good
Ohh now I'm all confused. Merrill and Bjorling were always my favourite voices for this duet. I've just followed the link, found this and loved it. Oh sod it,. Who is better than who is purely subjective. I've just added another two superb singers, with a superb rendition to my favourites. Headphones on, beer in hand, listening to the most fabulous music. What a bonus.!
No, it's not subjective. Alagna and Terfel are mediocre.
@@xxsaruman82xx87 You are terrible! You just run around putting people down, with never a positive word for anyone. You must have a very sad life.😿
@@brookeggleston9314 No. I don’t. Most modern singers are sub-par, that is a fact. There are, of course, a handful who are great singers, but they are few and far between. And I don’t have a ‘very sad life’ simply because I have a more discerning ear than, say, you do.
@@xxsaruman82xx87 вам могут угодить только ангелы на небе. И все равно вы будете искать изъяны, а не слушать пение,
@@xxsaruman82xx87 I'm so sorry for you!
Be still. And listen. This is the sound of Heaven on Earth.
No, no. Be still and listen to Bjoerling and Merrill.
lasciamo i dei à pace per favore ...
Can't help it. This brought tears to my eyes.
full harmony great singers of the classic
They really do nail it, so together in the duet.
Young would-be opera singers, take note! It's possible to sing beautifully without writhing, grimacing, flailing, or screaming. Let the technique do the work. Terfel isn't even breathing heavy at the end. Beautifully balanced rendition; my favorite.
Very well said camp.
Absolutely beautiful.
P
Camp Hill Light Opera Experience - CHLOE So True!
Clark Kent ..dann sing selber
excellent Roberto and Bryn, honestly, the best I've heard, in perfect harmony, no competition, no overdoing. just harmonious flowing of a beautiful song in admiration to a goddess
Try Alfredo Kraus and MC Merril!!!!!!
Did you listen to Jonas Kaufman and Dmitri Hvorostovsky sing this. They do not compete with each other on this area, they just complemented each other.
Magnifique en tous points : phrasé, élocution, musicalité, complémentarité des voix : des frissons garantis
Beautifully matched voices, wonderful.
Beautiful
Roberto Alagna excelle dans le répertoire français, diction parfaite. Il mérite toute notre admiration.
I've NEVER been a fan of opera (and never will be), but there are two pieces which get me -EVERY single time. This one, and the 'Flower Duet' by Delibes. In both, one of the most striking aspects is the wonderful contrast between the two voices - tenor and baritone, soprano and mezzo-soprano, respectively. It just DOES not work for me if both parts are sung by the same voices. It isn't just a question of performers singing the right notes; without that contrast in timbre, so much of the magic is gone - like seeing a rainbow in black and white.
Why so many highly talented brass players - such as Robert and David Childs - insist on playing these pieces with identical instruments just defies belief. It's sheer musical BUTCHERY!
The opera The Pearl Fishers is defined by this spectacular duet, but the remainder of the opera is filled with glorious French music, too. I have seen it three times, the last time at the Metropolitan Opera. Their production was wonderful!
Modern Masters both .... a spectacular rendering of this transcendent music ...
I have just watched this again...and it has gone up in my estimation...1. Within tessitura 2. No competition between singers 3. Acting/living the action (Alagna is palpably SEEING the action) 4.No bloody eggs in their mouths
Oh god kaufman hahaha
I love this aria and these two gentlemen did a wonderful job presenting it.
Wonderful wonderful wonderful 💜
BEAUTY !!! FANTASTIC !!! Big, big, big thank You !!! I love You from Sofia - Bulgaria
Stunning performance and angelic voices .
Lovely! Appreciate the gentle, flowing line, the sweetness of Alagna. Terfel-terrific, of course. Both appropriately passionate as the text & dynamics indicate at app.4.30. A gem of a duo! Opera scheduled for Met Live in HD broadcast 1/16.
+Nolatune En duplex dans 162 salles de cinéma en France Samedi 16/01 à 18h50 Voir Pathé-live.fr
+Nolatune I saw that broadcast featuring Matthew Polenzani, Diana Damrau, and Mariusz Kwiecien, and it was abosultely fantastic.
me too, this was in MET
Ich finde: Eine überzeugende Livedarbietung des Duetts - die Stimmen passen gut zusammen.
Magnificent wow I truly love this piece of music and their performances just outstanding wonderful😍😍😍
stunning - outstanding! Love it!!!! Brilliant voices in complete harmony...
By George, I think they've got it........matching tonal qualities and vibratos, goo timing under Levine, and true musicianship.....a felicitous cooperation.
passion in voices uncredible
Another piece of music so astonishingly beautiful one can scarcely believe it.
This is one of my favorite Duets! The Pearl Fishers - what a wonderful Opera! Thanks!
So many wonderful versions of this piece, past and present. Alagna and Terfel have to be close to the top if not thee top. Two marvelous singing actors, wonderful!
Alagna has received much criticism in his career but on this night he sang most beautifully. Flawless in my opinion, Of course Terfel is a master.
Joel Barry I agree with you. I've always liked Alagna, despite the criticisms and of course Terfel is a rock!
Joel Barry The critics are on his singgin of dramatics roles without having the voice for it. He should stay in this kind of roles. Liryc and light roles. His Alfredo on La Traviata is the best.
Charles
Stunning version and first time I've seen the video. Roberto Alagna has become my favourite all round tenor - everything he does is stunning...and what more can be said of Terfel.Since hearing this version in the late 90's, I have analysed and enjoyed many versions including the iconic Bjorling/Merrill version. Even though Bjorlings vocal was not as good as Alagna's, and Merrill not as powerful as Terfel (although arguably Merrill was more lyrical), their voices blended better together than any other combination has.Personally because I prefer Alagna's vocal, this is my favourite version.
Another thing I really like about Alagna is his acting ability too and his emoting. I know that might come second to the singing, but when you watch him versus some others in the same role...he's just way more interesting to me than the others. I had the privilege of being in Paris for a year (2015) and made a point to see everything he was in there, while I was there! (I guess it was only three things, Le Cid, Le Roi Arthus and then a concert he gave)...I feel like I'm forgetting one, but anyway...very cool :)
Interesting, compering Bjoerling to Alangna, they are very similar in delivery, Listen to Bjoerlings E la solita storia del pastore, In my judgement the definitive version, power, pitch, legato, emotional projection, it has got it all, its textbook. let me know what you think.....
Roberto Alagna sure does a great impersonation of Jussi Björling. Just heard this tenor for the very first time; I think I’ll need to listen to some more of his work. My goodness.
Excellence sounds like this....heavenly pairing. They seem so natural and harmonize well together.
quel magnifique duo ! deux voix merveilleuse ! !
Bellissimo duetto e due magnifiche voci! Una meraviglia!
Another wonderful version
Really a discovery with these two! 🤩
Absolutely brilliant. After the break at 4:15 they burst into perfect spirit of the song. Alagna sings so comfortably, naturally, and sweetly in French, he enjoyed this as much as the audience. They loved it themselves, you could tell at the end, they knew they nailed it. While I still prefer the sound and the performance of Bjoerling and Merrill, it was better to watch these two on stage. because you knew they were enjoying it themselves.
I totally agree. Bjoerling and Merrill is divine, but this is a joy to watch and hear. My favourite bit starts at 5.06, they harmonise so well. and the look on Bryn's face at the end that just says 'damn, I nailed it!' True love of music, and appreciation for each other's talent.
Eliane792
True griffcats. It is very good. I suspect the chaps studied Bjoerling and Merrill and understand the dialogue.
These are two chaps to follow, for sure.
The VERY BEST duet ever recorded of this piece. Alagna, Terfel, no one has ever been this fantastic. Bravissimo!
Alain Vanzo and Gabriel Bacquier were much more beautiful than this, and better intonation.
+infrantasi i agree for a full 200%
+Konung ?
LOL
Of course the Bjorling/Merrill recording is the standard, but this performance was stellar.
Nope. This is awful.
I have never heard (even on RUclips uploads) a 'bad' rendition of this piece. Then, who would truly I be to pass sonic judgement? I have no training or expertise in the matter to judge this as 'good' or 'bad'. What we only offer, is our reaction to it...not its technical execution. We only express personal opinions....
Enjoy the performance. They are both great!
Beautiful in every way. X
Best version I ever heard so far!!! Magnificent! 👍
Cea mai draga sufletului meu ,arie dintr o opera ..clasica... ma farmeca ....
DIVINE VOICES !!! EBRAVO !!! ENDLESS THANKS FOR VERY, VERY, VERY THE BEAUTIFUL EMOTIONS FOR US - THE FANS IN ALL World !!! BRAVO Dear FANS !!! VERY HEART GREETINGS FROM BULGARIA
This is so good, so beautiful, so deep, I literally had goosebumps, and tears. Thank you for the marvelous post. This certainly one of the most beautiful live versions extant!
I agree! I often watch this duet between Alagna and Terfel on the DVD that I have of the concert in which they sung it. I have always loved this opera and, in particular, the duet. I've heard many great tenors and baritones sing it, but I do believe that this rendition is the most beautiful I have ever heard! What magnificent voices! I just doesn't get any better.
RichardFeynmanRules öl
Gefallen mir Beide sehr gut! Für mich sieht es so aus, als ob sie Beide das Singen lieben, und es kommen unglaublich schöne Ergebnisse heraus!
beautifully matching voices
Eins von den Liedern, die man einmal hört und dann nie mehr vergißt!
Magnifique
Alagna looked scruffy here because he was at the Met performing in La Bohême at the time of the Gala - and the outfit he is wearing is his "wedding suit" because he had gotten married the day before...
No he doesn't look scruffy.
Wales must be very proud
Yes ++
Such a shame that Bizet died so young. What a gift he had.
Dan Shuman u
항상 들어도 아름다운 노래입니다. 귀한 영상 올려주셔서 감사합니다..ㅎ
Magnify duet
This is a beautiful rendition. Fabulous!
A close second to Jonas and Dimitri the very best. Thank you.❤😢
Je suis absolument d'accord , c'était la perfection !
amazing music
ABso;utely wonderfil! One of the best voice combinations for this - and perfectly matched. But I think my favourite is still Gigli and Jussi Bjorling!! But this is definitely right up there!
Jussi Bjorling and Robert Merrill were definetly the best!
I don’t you meant Gigi, who was a tenor as well. Bjorling and Merrill were simply the greatest!
Un duo admirable con marco de una musica apropiada y sublime...
Ouvi vários duetos dessa ária Les Pêcheurs, as duas que me impressionam é a de Roberto Alagna e Bryn Terfel e Jonas Kauffman com Dmitri Hvorostovsky. Essa peça musical ela é perfeita para um barítono e tenor…é alto nível demais….Acho que ela foi escrita para eles….
É de tirar o fôlego!🇧🇷👏👏👏👏
Просто наслаждаюсь и восхищаюсь. !!! Аланья мой любимый певец.
Absolutely beautiful
Always new...always fresh
Beautiful to listen to these two singers
Simply sublime. Bravissimo to both singers for this exquisite rendition of Bizet's masterpiece!
Nul besoin de sous-titres pour comprendre ce que chante Roberto. La pure tradition du beau chant français !
shout out to Roberto Alagna, incredible. ❤❤❤
Absolutely agree!
A few years ago I had initially appreciated this version, but then I eard the Jussi Bioerling and Robert Merrill version, in my opinion so far the ultimate version. Biorling and Merrill, what a togetherness and celestial voices, no forcing, just pure bliss. Just listen to their version, you may also like it.
It's ok to think both versions are gorgeous. As they are.
Bjorling-Merrill is the best. Yes, the togetherness, and Bjorling is among the very greatest tenors of course
Sublime!!!
Absolutely!!! Magnificent!!!!!!!!!!!!!!!!!!!!!
A sztárok egyűtt csodas hangjukkal. Jó hogy ez is fel van. téve az internetre
Wauw thank you for this
So beautiful!!! Very refreshing to listen to. Terfel looks like a giant next to Alagna :)
There is nothing more beautiful...
Une pure merveille, qui me transporte le cœur ❤️🙏🏻🌹
This is so incredible. Thank you
Good voice pairing with this one, and their sensitivity is equally masterful. My favorite so far, though I know there are still many duets I haven't heard perform this piece.
This songs says ''Friends before hoes'' better than any other friendship-telling song.
LMAO!
LOL! That was funny!
Don't you mean bros before hoes?
Damn. Bravo.
Magnifique duo ! Quelle interprétation ! Bravo !
I am choked up an in tears---and they haven't even started to sing yet. Oh the things that come!