Thanks for checking out Oscillator Sync with us on this episode of Synth Clips! Give your sound designing skills a leg up with more episodes of Synth Clips by hitting those like and subscribe buttons 👍
Hi Mark. Thanks! I put Clock Sync on the list. This tutorial about Arpeggios might help in the mean time. -_Daniel_ ruclips.net/video/g0ZW7GAMZ58/видео.html
I really like the series! My favorite has been the intervals, with the dark faced Matriarch. I have a Subharmonicon, and I think a continuation of the interval video could really help out with explaining harmonics. If you could show the visual relationship of one order of harmonic, to the next order, and so on? It could help with choosing intervals on the Subharmonicon’s numerous oscillators. Thanks for sharing, these videos are great!
Hey Daniel, loved this vid and the beat frequency one. Gives me some great patch ideas. Thought I would point out though that you can actually change the lfo waveform from the front panel similar to the sync on and lfo target tricks: Glide + LFO rate. The key trigger option is indeed only from the editor i think
Thanks for all these videos. What about a mini series inside "Synth Clips" on FM ? I imagine an intro and a walkthrough on how to program them, and then several videos on creating different types of sound (ex. pianos/koto/marimba/kalimba/etc then other on substractive type sounds, etc etc)
Daniel, i have two questions: If we tune VCO 2 to a third relative to VCO 1 and engage oscillator sync, will VCO 2 harmonically remain a third? And will you do a deep dive on the Collider like the Nemesis? I bought the Nemesis as my first delay after watching your video, and I use it all the time. Thanks! Kent
Hi Kent. When oscillator sync is engaged, one of the strongest overtones is often at the pitch of the second oscillator (if it wasn't sync'd). If you watch videos on both the Nemesis and the Ventris, you'll have a pretty good idea of how the Collider works. -_Daniel_
Hi OMNI_INFINITY. Oscillator Sync is a unique parameter that's unrelated to Unison. It's two oscillators, with the first oscillator controlling when the second oscillator restarts. Since the second oscillator has to restart every time the first oscillator completes a cycle, the second oscillator has harmonic qualities of both oscillators' pitches. When you sweep the pitch of the second oscillator, you can hear the harmonics sweeping even though it retains the first oscillator's fundamental pitch. -_Daniel_
@@sweetwater Ah.Thanks for clarifying! Does the second oscillator start at the same pitch as the first oscillator though when it retriggers every cycle of first oscillator? And why does a silver box that has Roland on it sound as though there is some oscillator synch going on when at "optimal" settings? Thanks in advance for good answers!
PS: Also kinda reminded of the interesting phrases sampled speech makes when at different speeds triggered simultaneously. And obviously the sample used in "Robot Rock" seems to be an oscillator synch. Really like when it has a formant style sound. @@sweetwater
Hey dan, did you know that on every silver knob on a moog, there is a protective plastic film which is meant to be removed? Use a toothpick. Trust me. ✊️
Thanks for checking out Oscillator Sync with us on this episode of Synth Clips! Give your sound designing skills a leg up with more episodes of Synth Clips by hitting those like and subscribe buttons 👍
wow, great video!
I didn't understand until you used the "robotic dog getting knocked over" analogy ;) Thanks!
❤ I do love Daniel’s approach on this with the actual sound.
Thanks Daniel, this series is one of the best resources for us synth-challenged guitarists out there!
Indeed. Daniel is awesome!! Just started playing synths like a a year and a half ago, and I own a dm12 and a few other behringers.
Hi Andre. Please let me know if you have any future Synth Clips ideas. -_Daniel_
You too, Grant. Let me know ;-) -_Daniel_
Sweetwater hi Daniel, I’d love to see you build actual patches from scratch. Anything from leads to evolving pads... thanks!
synth clips.. my new favorite video episodes. .cheers.
Hi Derek. Thanks! I'll make more. Help spread the word with this link:
ruclips.net/p/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf
-_Daniel_
This series is awesome! Informative and inspirational without being dry and boring. Thank you so much Daniel!
Delay makes what you are doing absolutely stunning & otherworldly...
Love the simplicity and right to the magic !
Hi Dan, loving the series! It would be great to have an episode about getting different devices to clock together. Thanks for all your hard work. 👍
Hi Mark. Thanks! I put Clock Sync on the list. This tutorial about Arpeggios might help in the mean time. -_Daniel_
ruclips.net/video/g0ZW7GAMZ58/видео.html
Daniel is the best. Thanks for doing these!
Thanks kevin! Let me know if you have ideas for a future Synth Clip. -_Daniel_
Thanks for this series! Love my Hydrasynth btw🦾
3:07 W0w! What a nice sound Daniel
Your a great instructor, Daniel.
Great video, thanks!
Many thanks!
Thank You For all your videos Very informative
Thanks, Ronald. Please let us know if you have a topic you'd like covered. -_Daniel_
I really like the series! My favorite has been the intervals, with the dark faced Matriarch. I have a Subharmonicon, and I think a continuation of the interval video could really help out with explaining harmonics. If you could show the visual relationship of one order of harmonic, to the next order, and so on? It could help with choosing intervals on the Subharmonicon’s numerous oscillators. Thanks for sharing, these videos are great!
Didn’t know that history of oscillator sync.
Hey Daniel, loved this vid and the beat frequency one. Gives me some great patch ideas.
Thought I would point out though that you can actually change the lfo waveform from the front panel similar to the sync on and lfo target tricks: Glide + LFO rate. The key trigger option is indeed only from the editor i think
I really like the choppy stuff you do with you right hand around 9:50 :) Nice series to watch, although I don't even play a real synth
Thank You And Thumbs up! :)
Hi Truth Seeker. Please let me know if you have future Synth Clips ideas. -_Daniel_
Thanks for all these videos.
What about a mini series inside "Synth Clips" on FM ? I imagine an intro and a walkthrough on how to program them, and then several videos on creating different types of sound (ex. pianos/koto/marimba/kalimba/etc then other on substractive type sounds, etc etc)
Hi dadodetres. A Synth Clips segment on various FM uses is on the future list. Thanks! -_Daniel_
Out now!
Watch 30, 31, 32:
ruclips.net/p/PLlczpwSXEOybYYaBCTcjxxKz1QmxytbIf
-_Daniel_
@@TheDanielFisher thanks for updating the comments - 2 of those got passed me without noticing!
Daniel,
i have two questions:
If we tune VCO 2 to a third relative to VCO 1 and engage oscillator sync, will VCO 2 harmonically remain a third?
And will you do a deep dive on the Collider like the Nemesis? I bought the Nemesis as my first delay after watching your video, and I use it all the time.
Thanks!
Kent
Hi Kent. When oscillator sync is engaged, one of the strongest overtones is often at the pitch of the second oscillator (if it wasn't sync'd). If you watch videos on both the Nemesis and the Ventris, you'll have a pretty good idea of how the Collider works.
-_Daniel_
So it's basically like modulating the detune of a UNISON?
Hi OMNI_INFINITY. Oscillator Sync is a unique parameter that's unrelated to Unison. It's two oscillators, with the first oscillator controlling when the second oscillator restarts. Since the second oscillator has to restart every time the first oscillator completes a cycle, the second oscillator has harmonic qualities of both oscillators' pitches. When you sweep the pitch of the second oscillator, you can hear the harmonics sweeping even though it retains the first oscillator's fundamental pitch. -_Daniel_
@@sweetwater Ah.Thanks for clarifying! Does the second oscillator start at the same pitch as the first oscillator though when it retriggers every cycle of first oscillator? And why does a silver box that has Roland on it sound as though there is some oscillator synch going on when at "optimal" settings? Thanks in advance for good answers!
PS: Also kinda reminded of the interesting phrases sampled speech makes when at different speeds triggered simultaneously. And obviously the sample used in "Robot Rock" seems to be an oscillator synch. Really like when it has a formant style sound. @@sweetwater
Imagine if this dude was your uncle
Hey dan, did you know that on every silver knob on a moog, there is a protective plastic film which is meant to be removed? Use a toothpick. Trust me. ✊️
"Let's Go!"
I want a Moog Sirin now😍, but Sweetwater doesn't have it. 😭
What is the song at 5:55?? I cannot think of the name
"Let's Go!" by The Cars. Thanks for watching! -_Daniel_
👍🏾
Daniel has sort of a musical way of talking have you noticed?