DJI Air 3 Colour Grading | Get Your Footage Looking Cinematic With and Without Creative LUTS

Watch this video to find out how I colour grade my DJI Air 3 D-LOG M footage. This is a no BS approach that I use daily.
Color.io (All Products)
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OSIRIS LUTs
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Dji Air 3: The Cinematic Setup You Need For Stunning Videos
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My Gear
Sony A7IV: amzn.to/496RV4c (Amazon)
Sigma 24-70mm F2.8 DG DN Art Sony E Mount: amzn.to/3s6YjrB (Amazon)
Sony 16-35 mm F4.0 Zeiss: amzn.to/3rZmGaN (Amazon)
DJI Mic (2 TX + 1 RX + Charging Case): amzn.to/46SsZMg (Amazon)
DJI Air 3: amzn.to/3Qr8O2h (Amazon)
K&F Concept 82mm Variable ND Filter: amzn.to/45JrqPJ (Amazon)
Gorilla Pod: amzn.to/3rUOhtN (Amazon)
STARTRC ND Filters Set for DJI Air 3: amzn.to/3QsNwBq (Amazon)
DJI RS 2: amzn.to/46IwpkM (Amazon)
00:00 Introduction
03:07 Setting D-Log M Inside the drone
04:01 Finding the D-Log M to REC.709 Converter
05:17 First Steps in Premiere Pro
06:04 Adjustment Layer
06:32 Lumetri
07:01 Basic Correction
08:04 Why you should not just boost the saturation
11:03 Colour grading without creative LUTs
14:30 Using Creating LUTs
18:13 White Balance