Great video. I've seen mixes hi-pass all the way up to 500-600hz saying you don't need the low information. But you dip out near the snare around 200hz. Which means you leave 200hz in your hi-hat sound. Do you just hi-pass up past the kick and bass fundamentals. To my ears it makes sense because their hi-hats always sounded really thin. What your hi-pass on the hi-hats? Great video..🙂👍👍👍
I'm just listening for where the masking frequencies are and pulling those down. These drums were well recorded and live, so I don't want to high pass all that "gluing" sound aka bleed. Just making it so the individual elements like the HH here come through better in their spot in the stereo image.
Really makes that HH stand out!
Thanks for checking it out, Ryan!!
You just help me to solve a recurrent problem! Thank you!
Awesome! You got it, Rick!
Go buy her mixing course and templates
Thanks for all the support, Angel!!
Great video. I've seen mixes hi-pass all the way up to 500-600hz saying you don't need the low information. But you dip out near the snare around 200hz. Which means you leave 200hz in your hi-hat sound. Do you just hi-pass up past the kick and bass fundamentals. To my ears it makes sense because their hi-hats always sounded really thin. What your hi-pass on the hi-hats? Great video..🙂👍👍👍
I'm just listening for where the masking frequencies are and pulling those down. These drums were well recorded and live, so I don't want to high pass all that "gluing" sound aka bleed. Just making it so the individual elements like the HH here come through better in their spot in the stereo image.