The basic principles of Reharmonization - demonstrated on many jazz standards
HTML-код
- Опубликовано: 3 авг 2024
- study guide: bit.ly/3brCfJY
Thanks for supporting this channel through PATREON
/ tonywinston
or
Make a donation with PAYPAL - thanks!
paypal.me/bachlover?locale.x=...
Time Stamps
0:00 Start
0:21 Demonstration of reharm techniques
9:35 Dominant Motion
11:06 Any dominant seventh can be preceded by its relative II chord
14:06 Any chord may follow the I chord
16:38 Tritone substitution
18:30 A bVII half-diminished chord may be substituted for the I chord
20:49 A III-7 may be substituted for the I chord
21:31 A II-7 may be substituted with a V7 chord built on the same root.
25:17 A bV half-diminished me be substituted for the I chord
27:48 The four ways to get to the I chord (II-V-I)
29:51 Using reharm in a solo
31:47 Constant Structure
32:38 I will reharmonize your song !!!!!!
free lead sheets for some of the tunes used in this video
I Should Care: bit.ly/3wf2xgC
I Love You: bit.ly/3udJaBJ
My Romance: bit.ly/3qjxBrI
Ipanema: goo.gl/JhSduV
It Had To Be You: goo.gl/GFvWkT
Satin Doll: bit.ly/3dk1d1p
Many videos about jazz and classical piano can be found in my
PLAYLISTS : bit.ly/3dkbaK2
Rootless Voicings PLAYLIST: bit.ly/3FAfVhA
Jazz Improvisation PLAYLIST: bit.ly/3BxyL6B
Jazz Standards PLAYLIST: bit.ly/3FAUNaO
Block chords and 'Drop 2': bit.ly/3AEaDxF
Even an old guy like me still learns neat, cool & unique things from you. Thanks Professor!!
lifelong learning is where its at, thanks Scott
Very good lesson This is the most thorough lesson on reharmonization I have ever seen. Thank you!
Sir you are such a blessing 👏. Thank you for these great lessons.
Please make more tutorial about simple jazz improvisation like this
So cool, thank you Tony!
I greatly appreciate this work!! It's lessons forever! Eternal lessons!!
In this video there's more than i have learned in a couple years. Thanks a lot my prefer youtube Teacher Tony Winston. Great Professor !
thanks!
Great as always!!
Tony I absolutely love love your channel. It is filled with so much great information. You are a great player and this is a huge contribution thank you.
Bien explicado y ejemplificado. Información muy valiosa . Gracias
Thanks José
Really a great video! Thank you Tony
Glad you enjoyed it
Thanks for this lesson, Tony. God bless!
you play so beautifully, your videos are perfect❤️
Thank you so much
Thank you too!
The Peter Martin example works because the diminished seven chord is a dominant substitute thank you for this insightful video I learned so much
This is an AAA gemstone. I'm learning so much, that it hurts I know so little. Still at the "No idea what I did there" level.
Nice!
Just play Giant Steps on everything.
Love the way you make tutorial like this....
Great Video Tony.
Greetings from Madrid.
Thank you 🎹
This!
Thank you!!!
Now,... practice.
Please make the basic principles of jazz improvisation...Thabks
Continuous enhancement 🛫🚀
Wow! A ton of information in there! I'm a guitarist but that is super helpful and well explained. Thank you.
Hey Tony, this is excellent. My question though is how can altered chords be looked at through these rules? Thanks!
many ways. if you have an unaltered dominand and you use a tritone sub for the bass notes, and dont change anything else in the chord, the result is usually an altered dominant
Thanks
Love you much
love you back
Hey Tony, I’ve tried to get in touch over on Patreon but I think you said in a recent video that it’s better to use RUclips comments to contact you. I’ve got a request for Footprints by Wayne Shorter: the slower version from his Adam’s Apply album. I had a chuckle the other day as I looked back at one of your videos from a few years back when you said you thought the tune was a bit boring! I thought I’d ask you to cover it anyway, hopefully you think it’s worth another go. I’ve been working on this for a few weeks and would value some help on how to handle it as a solo performance. Thanks
Great Lesson. I was wondering about one thing - I believe you said that the pianist could reharm even if the bass player isn't. (hope my understanding was right), do you need to coordinate the reharm chords with other rhythm players, such as a guitarist?
Absolutely you need to coordinate. A few reharms will work without changing what the bass is playing, but most reharms are arrangements that all your band mates should follow.
Sometimes when you're improvising a wild solo you can do a rearmed that nobody else follows
Great job!!! But the pdf can't be downloaded.
Thanks, I'll fix that
FIXED
Love your videos man! How would you reharm a minor turnaround?
20:30 I dont think that is its own rule. To me it just looks like a II V (tritone sub) I to Bb6
Made up on the spot doesn’t necessarily means spontaneous, Chick Corea said
genial enseñanza muy completo y de manera simple amplia nuestro saber
I am elated your surgery went well. Meanwhile, I would like to point out a small error which may cause confusion for a beginning student like myself. On your REHARM video, and an excellent REHARM video it is, you have indicated that III-7 may be substituted for I. However, using commonly agreed upon nomenclature, that is, iii-7 may be substituted for I, will clear up that confusion. Besides that, it is a really great REHARM video. 😊
III-7 is an older style. The dash means minor. Sorry to contribute to the confusion. I was reading a chart the other day where CM7 means C major 7th. Very confusing on a hand written chart where it's hard to distinguish between upper case and lower case M m . I'll remember to use iii7 for a minor 7th. How about this old style VIx7. Do you know what that means?
@@TonyWinston VIx7. Do not know VIx7. When using nomenclature iii7, even the additional - is not necessary, but it does reinforce the iii as in iii-7.♥️😊
@@5to1-w6d VI dominant 7. Used by John Mehegan in his excellent series of books . Volume one published in 1959.
Importante capire bene....
6:40
3:14
Seems like a lot of root position voicings. I assume you don't actually play this way, you are only doing this to make your examples clearer. Also, you seem to always play every single note in the 7th chords - wonder if dropping the 5th (at least some of the time).might provide a more transparent sound.