He's a great player too, Not in a Oscar P sense But John Lewis for example ruclips.net/video/yDdwQFJL-dw/видео.html&ab_channel=LOFTmusic They both play without ego most of the time, tha't isn't easy being at peace an fully attentive with the sonority at the present moment like an toddlers first time pressing a key without the previous knowledge that a sound will appear, the fascination never ends and that's a deep skill , Erik Satie had that too,
Tony, you took the intimidation out of reharming for me. Thank you for the hard copies too! I look forward to your other videos on this topic, as well as others.
The constant structure is synonymous with the parallel movement of chords as pointed out in "the Jazz Harmony Book" but he uses quartal voicings to illustrate it.
Very good sir! Could you make a video explain how you did a reharm in Blue Bossa, I guess you did a video talking about improvisation and you use it a lot reharm over there. Thanks by the way
I have a NASA t-shirt that whimsically says, "Rocket Scientist" on the front. When people jokingly ask, "Are you really a Rocket Scientist"? I answer by saying, "Oh no, I study jazz piano. It is, for sure, as complicated as Rocket Science!" 🤔😂
Hi Tony, great video! In fact, all your videos have given me insight into the process of arranging from a lead sheet. I have a question about the reharm rules from your pdf file. You wrote that "Any II-7 may be substituted with a V7 built on the same root." What does this mean? If I have a Gm7, I can replace this with a G7 (and vice versa)? If so, that means I can have a chord progression going Gm7-G7-C?
Hey Tony! I feel really bad getting so much value from this lesson of yours. Do you have a PayPal links where I can send you a cuppa of coffee? You really should set one up. I've got one on my channel and it's nice to be appreciated. 😊
Yes! 🤣🤣🤣🤣 When I was in music school, we re-named or changed the words to many standards. "Strangers in the night; you think we're strange now, but we're stranger in the night." 🤣🤣
It is so amazing. This video is watched in half an hour, but I need half a year to digest it.
Tony is a great teacher and, above all, a great man who deserves great attention
He's a great player too, Not in a Oscar P sense But John Lewis for example ruclips.net/video/yDdwQFJL-dw/видео.html&ab_channel=LOFTmusic They both play without ego most of the time, tha't isn't easy being at peace an fully attentive with the sonority at the present moment like an toddlers first time pressing a key without the previous knowledge that a sound will appear, the fascination never ends and that's a deep skill , Erik Satie had that too,
Tony, thank you so much for sharing your expertise with us. Regards from Turkey.
Tony, you took the intimidation out of reharming for me. Thank you for the hard copies too! I look forward to your other videos on this topic, as well as others.
It helped me a lot. Thank you very much !
"your room" LOL (I absolutely love your videos, by the way!)
I really like that couch!
Excellent resource. Really appreciate it!
Thank you, you are a very good teacher, i like your videos. I learn a lot. Greethings from México City
Very beautifully explained, wonderfull knowledge👍
The constant structure is synonymous with the parallel movement of chords as pointed out in "the Jazz Harmony Book" but he uses quartal voicings to illustrate it.
Great video. Thanks for that.
Fantastic stuff 👍👍 more please please 😁🙏
Thanks Tony for this.
Great Teacher.
Sweet this is great! I love reharm
Damn, this is a great video! Thank you so much
Cool Open Studio shirt
Many thanks Guru
Very good sir!
Could you make a video explain how you did a reharm in Blue Bossa, I guess you did a video talking about improvisation and you use it a lot reharm over there.
Thanks by the way
Awesome!🥂 June 1 2020
Hello, this is probably not about certainly this video but isn't more comfortable to play Cmaj7 on RH and LH using 1245 instead of 1235?
Hey Tony are you able to do a reharm of It was a very good year by frank sinatra.
“Fly Me to Your Room”???
Genial !!!
Wth that "New Orleans" tune why not begin the second measure with a Db7 for the first three eighth notes then switch to a C maj 7th?
14:00 actually, my neighbour knows a worse one :) unfortunately it's a transcription of one I played
Do you teach privately?
Muito bom. Very good.
14:14 number I😂 great content though, very helpful!
I have a NASA t-shirt that whimsically says, "Rocket Scientist" on the front. When people jokingly ask, "Are you really a Rocket Scientist"? I answer by saying, "Oh no, I study jazz piano. It is, for sure, as complicated as Rocket Science!" 🤔😂
Tony your videos are superb. You look a bit like Barry Manilow, but I doubt he can play as well as you😂
Hi Tony, great video! In fact, all your videos have given me insight into the process of arranging from a lead sheet. I have a question about the reharm rules from your pdf file. You wrote that "Any II-7 may be substituted with a V7 built on the same root." What does this mean? If I have a Gm7, I can replace this with a G7 (and vice versa)? If so, that means I can have a chord progression going Gm7-G7-C?
Yes gm7 can become G7 but not vice versa. At least not according to this rule. A better example is... Dm7-G7-C becomes D7-G7-C
Hey Tony! I feel really bad getting so much value from this lesson of yours. Do you have a PayPal links where I can send you a cuppa of coffee? You really should set one up. I've got one on my channel and it's nice to be appreciated. 😊
Look at description
I put it up there per Jeremy's suggestion
wow
thanks sir how to play blues in scales c means how to choose the tone, rhythm, chords and scalenya sir🙏🙏🙏
Hope you enjoyed the coffee on me, Winston. 🤝 Thank you!
I did! thanks!
I am very curious to know why you have an open studio shirt on sir! Is this a hint of things to come? :-)
Nope, just supporting their company
Hi Tony, is this a Yamaha G3? Sounds like one
G5
Am I the only naive person that at first thought “fly me to your room” was a real standard? 😂
Yes! 🤣🤣🤣🤣 When I was in music school, we re-named or changed the words to many standards. "Strangers in the night; you think we're strange now, but we're stranger in the night." 🤣🤣