Bryn Terfel, Thomas Quasthoff - Don Giovanni - 2009 [1-4_34-12_42-57]
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- Опубликовано: 12 сен 2024
- Mozart - Don Giovanni
Запись концертного исполнения
на фестивале в Вербье 20 июля 2009 г.
Leporello - Rene Pape
Donna Anna - Anna Samuil
Don Giovanni - Bryn Terfel
Commendatore - Thomas Quasthoff
Don Ottavio - Michael Schade
Donna Elvira - Annette Dasch
Zerlina - Sylvia Schwartz
Masetto - Robert Gleadow
Verbier Festival Orchestra
Collegiate Chorale
Manfred Honeck, direction
So pleased to have found this clip. I was lucky enough to be in the audience that night at the Verbier Festival. It was absolutely fabulous and this has just brought it all back.
Wonderful and terrific interpretation! The voices are sublime! Very great Thomas Quasthoff!
Such a marvelous blend of dark voices. One of the finest renditions of this scene ever.
What a lineup of dark male voices! This interesting presentation was previously unknown to me. All three voices when singing together are delineated superbly here.
Quasthoff - amazing voice...
Way more exciting drama than most renditions of 'Giovanni' I've seen and the three bases lend a very dark ambiance to the final confrontation and dragging Giovanni into hell. I don't give a rip about Quastoff's size, he more than compensates with a huge voice, full of emotion and color. Bravo to the entire production!
Das Finale von Don Giovanni - wohl das Größte (neben dem Requiem), das Mozart geschrieben hat. Das hat ihm der liebe Gott diktiert. Und alle drei Solisten sind eine absolute Glücksbesetzung. Bravo, und danke fürs Hochladen.
WOW! This is the BEST! Their voices are great together!
Escuchando esta música es lo que te aficiona a la música clásica , te estremeces a los sonidos .
Thanks for uploading!! It gave me the goosebumps!
Incredible! Shivers @ 5:49
This is absolutely outstanding!
Im so Glad i came Cross Sir Thomas while im Still alive😭❤such a blessing.
Eine Sternstunde dieser Szene durch hervorragende Sänger unserer Tage
Квас ход был певцов который заставлял своим голосом содрогаться души. Класс!
W O N D E R F U L ! ! ! Thanks for sharing ;)
abolutely fantastic men!
nachträglich allen beiden die besten Wünsche zum gestrigen Geburtstag !!
Thank you for remarking that both Quasthoff and Terfel were born on a ninth of November - the day the Berlin Wall fell.
Je n'en reviens pas :: Terfel, Quasthoff et Pape ... ensemble ?
einfach nur klasse super - hatte heute morgen das vergnügen im mdr Radio
Increibles voces y la tension dramatica fabulosa
Glorious!
probably the best performance ever ... thank you....
Mr Quasthoff's lungs are miraculous ...
why does this not have more views!!!
Surely this is as good as opera gets?!?! Please post Pape's 'Madamina, il catalogo...' if you have it! cnacu6o 6olshoi!
@YoungPhoenix3191 Meinem Verständnis einer konzertanten Aufführung nach stehen die Sänger bloß vor dem Orchester und singen ihre Rollen - hier findet ja tatsächlich Schauspiel statt, wenn auch ohne Bühnenbild und Kostüme - eben 'halbszenisch'. Das ist es wohl auch, was einige verwirrt und sie denken lässt, es handele sich um eine moderne Inszenierung.
The verb is ‘pasce’, not ‘pace’. Quasthoff is not well prepared and the voice is not dark enough for this part.
@GERMANYFrankie Die Aufführung? Das nennt man wohl halbszenische Aufführung.
Epic !
Epic
классно!
Quasthoff aint got the voice for a comendatore but he sings it very powerfull
I think he is the only one who has.
My God! How can you say he hasn't the voice for the Comendatore? The man may be small but by God, he has the the voice, the tone and the power for the part. And for the performance of all three Bass-Baritones, this finale of Mozart's beats anything three tenors can ever come up with. At any period of music. Long live the Bass singers-they beat tenors any time.
@@grahamnancledra7036 nruclips.net/video/tFFyjSkJ2rY/видео.html Il Commendatore should be sung by a true bass voice, not a lirical (bass-)baritone. It just does not fit.
@@Francescomedardo I'm with you, it feels like a wasted opportunity to have Pape singing Leporello and not Il Commendatore.
Human Center
the gnome appearing really gave me whiplash
Квастхоф простите, устройство мобильное неудачно поправило великую фамилию)
Uuh, dear Thomas, the text at 02:19 should be "non SI PASCE di cibo mortale" and not "non sia pace di cibo...". Well, this may happen. You're an amazing singer and personality anyway. I simply adore many of your performances. Love, A. from Uri, Switzerland
Mr. Quasthoff is a bass-baritone ... an unusual choice for a Commendatore because that means Don Giovanni ends up with a heavier voice in this case ... BUT, somehow it still works, because Mr. Quasthoff is strong enough in voice to be commanding ... an EXCEPTION to the rule that the role does require a a basso profundo ... an occasional exception is excusable!
Riveting!
zwei von ihnen haben bereits Wotan gesungen. Vom dritten wünschte ich es!
mmmhm, ich hab keine Ahnung, nennt man das moderne Oper.
It this called a modern opera?
Ein leichter Bariton ais Komtur?
Das geht ja garnicht!
Wenn der arme Tommasio Quasthoffius das in der Tiefe hätte, was dem in der Höhe fehlt, dann hätte der eine ganz passable Mittellage.
Die sog. Bass-Baritone meinen immer, die könnten alles singen.
Das können die aber nicht.
Es fehlt immer etwas.