"THE WORLD IS WAITING FOR THE SUNRISE": MARTY GROSZ at JAZZ AT CHAUTAUQUA 2012
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- Опубликовано: 20 окт 2024
- Swing it, boys! Marty Grosz (guitar, vocals, stern leadership); Dan Block (clarinet); Andy Schumm (cornet); Kerry Lewis (string bass). Recorded Thursday, September 20, 2012 at Jazz at Chautauqua by Michael Steinman for JAZZ LIVES (www.jazzlives.w...).
Can't get much better than that!!! I especially loved the clarinet solo.
Music is so important and moving, I’m sat hear with tears rolling down my face. I love this rendition.
Absolutely brilliant. This is the first time I've encountered Marty Grosz, and how wonderful a guitarist, musician, and stern bandleader!
I like your swinging version. I especially enjoyed watching your bassist transitioninhg from 1st thru 3rd and 4th positions, and his solosent chills up and down my spine. I, too, play upright but am nowhere near his league.
very nice, It did put a big smile upon my face, thanks. keep it up
Andy Schumm is spectacular!
quel orchestre ! j'adore, et j'ai découvert Dan Block: super choruses à la clarinette: je voudrais bien savoir jouer comme lui: belles phrases...et du swing !.... Bravissimo.
Why does it have to end? I could listen to that clarinet and cornet duet until the end of time. Fantastic stuff.
Allround fantastic new orleans Jazz go on boys
Dan Block, way to play that licorice stick! Loved your solo! And here I thought I only liked Allan Vache. I must keep an open mind yes?! Good stuff!
Uncanny. My dad, Jimmy Gross, played this song at the Chautauqua-related Methodist Campground several times back in the 50s thru 90s. Very different (his banjo blew up at the end). He'd have loved your rendition as much as I did!
Damn the way that guitarist comps blows my mind.... That's a lot of chord extensions
looks like freddie green style, am i mistaken?
Marty Grosz tunes his guitar BbFCGBD which originates from plectrum banjo tuning during the banjo craze of the 1920s Jazz Age. Carl Kress used a similar tuning with fifths on the bottom four to give it a distinct deep and resonant sound - that low Bb works wonders for comping in flat keys. Minor thirds up top(B, D) allows you to extend a chord with your pinky easily and he uses that technique a lot here.
Hi to All”- who wants Amps , & modern technology , when you have guys who are good musicians ‘ who can walk on stage & play like this , playing their instruments as they should be ! , - a nice change I would say . Can ‘ critics do much Better .? I doubt it - cheers to All .
TOPTASTIC comment. . .' what do critics even DO anyway?❓❓❓❓
Amazing
WONDERFUL GENTLEMEN!!!
sobra tanta conversación ,su música: excelente!!!
háháááá a trombitás sem vizet iszik... ez kell stenkerhez... különben nagyon jó szól....
WOW AWESOME!!!!!!!
😊
Maybe a modern resurgence in carved 16” archtops about to happen any minute! Played thusly.
Merely wonderful. And Migos, or whatever their stupid name is, is the biggest whatever in the world. Yes, the world is waiting for the sunrise.
Is that a loar???
A Gibson L5 from the late 20s or early 30s. A very fine instrument in the hands of a very fine musician.