Schubert / Liszt / Lazar Berman, 1969: Erlkönig (transcription for piano)
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- Опубликовано: 15 мар 2018
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Lazar Naumovich Berman (February 26, 1930 - February 6, 2005) was a Soviet Russian classical pianist, Honoured Artist of the RSFSR (1988). He was hailed for a huge, thunderous technique that made him a thrilling interpreter of Liszt and Rachmaninoff and a late representative of the grand school of Russian Romantic pianism. Emil Gilels described him as a "phenomenon of the musical world".
Ла́зарь Нау́мович Бе́рман (26 февраля 1930, Ленинград - 6 февраля 2005, Флоренция) - русский пианист, заслуженный артист РСФСР, кавалер ордена Искусств и литературы.
ラザール・ベルマン（ロシア語: Ла́зарь Нау́мович Бе́рман ラーザリ・ナウーマヴィチュ・ビェールマン、ラテン文字の転写例: Lazar' Naumovič Berman、1930年2月26日 レニングラード - 2005年2月6日 フィレンツェ）は、旧ソ連出身のロシア人ピアニスト。日本では慣習的に「ラザール」とフランス語風に表記されているが、ロシア語の発音では第一音節に強勢が置かれるため「ラーザリ」が近い。
Lázar Naúmovich Berman (ruso: Лазарь Наумович Берман, Lasari Naumovič Berman) (San Petersburgo, 26 de febrero de 1930 - Florencia, 6 de febrero de 2005) fue un pianista de música clásica, discípulo de Alexander Goldenweiser. Debutó en el Conservatorio de Moscú en 1940. Debutó en Londres en 1958 y en Nueva York en 1976. Son muy apreciadas sus interpretaciones de Liszt, Schumann, Chaikovski, Skriabin y Rajmáninov.
Schubert / Liszt / Jorge Bolet, 1974: Die Forelle ("The Trout") - Op.32 (D.550) - • Schubert / Liszt / Jor...
Schubert / Liszt / Lazar Berman, 1971: Ave Maria (Arrangement, Liszt) - • Schubert / Liszt / Laz...
Schubert / Liszt - Leonard Pennario, 1955: Ständchen (Serenade), D. 957 - • Schubert / Liszt - Leo...
Schubert / Liszt / Jorge Bolet: Serenade (Hark! Hark! The Lark) - 1974 Recording - • Schubert / Liszt / Jor... 
Видеоклипы
Original left hand ‘Erlkonig motif’ is in single notes
Liszt’s transcription is in octaves - thanks Liszt
Originally it's a violin piece so...
@@Dorlys42 no, it was originally a scored for voice and piano
Octaves on the left hand are easy.
Juvenal Redivius Part of the difficulty in this piece is that it is completely exhausting, and those “easy” left hand octaves don’t help.
@@ryanmanning2319 yea, the octaves themselves aren't too fast, nor difficult, it's just that they're very exhausting
My right arm hurts just looking at the consistently massive effort required to play so many forté tremolo octaves and chords.
Jhamaal Sykes actually pianissimo is even harder
@@crobatchoppurple8728 agree
just flop wrist
I do agree
Guys playing soft is not always harder and I believe this is one of the cases.
somewhere in my head the lyrics are playing
Me too i'm so scared because of the devil and the son😖
i’ve listened to the schubert one so much i still hear “wer reitet so spät...“
Schuberts original version came with lyrics included. In the Liszt version here, the piano is singing the lyrics while accompanying itself which really is quite a difficult thing to do.
@@linhdan_ spoiler alert; the devil wins. 👹
Same
Left hand, you may say your last words
Righty aswell 😭
It didnt really sink in just how hard this piece is until i tried just the opening right hand (which i foolishly thought looked really simple)
This is one of the most difficult pino pieces. The cool thing is that it (listening) seems like a easy piano piece. So the musician that plays it must to be very prepared. I want to learn it in five or six years from now.
You can do it. Keep practicing !
should have known when you see liszt
It's nice to set goals like these but you really shouldn't specify a certain date. Practice and play it whenever you feel ready. It's important to challenge yourself and learn pieces you love and enjoy. Good luck!
This is like intermediate level
@@misterling645 it's advanced
As if the pianists accompaniment wasn’t already difficult enough
That is a lot for two hands! Thumbs up to Mr. Berman. I wish the final recitative was not so quiet. It sounds like it cuts out before the final two chords.
The melody is brought out so well!
I saw Lazar Berman play this in recital at Severance Hall in 1978. Simply epic playing of a most difficult score !
The performance of the Liszt-Schubert transcription that sounds the most like the song it's meant to be!
Honestly the hardest part for me is always the erlkonig's parts. The jumps are absolutely enormous, and the voicing is really hard to get right
Yes! I believe this recording doesnt really catch the feeling of the Erlkönig! Its supposed to be convincing but also scary at the same time yk
More Liszt transcriptions:
Schubert / Liszt / Jorge Bolet, 1974: Die Forelle ("The Trout") - Op.32 (D.550) - ruclips.net/video/2wyTO2YFLc0/видео.html
Schubert / Liszt / Lazar Berman, 1971: Ave Maria (Arrangement, Liszt) - ruclips.net/video/GmGEEVFAoDU/видео.html
Schubert / Liszt - Leonard Pennario, 1955: Ständchen (Serenade), D. 957 - ruclips.net/video/e87_SjHDClY/видео.html
Schubert / Liszt / Jorge Bolet: Serenade (Hark! Hark! The Lark) - 1974 Recording - ruclips.net/video/PHZpWG63UTo/видео.html
Thanks for uploading!
This sent my skin creeping across the floor and I scram like mad
1:48
1:40 omg....
Pianist Kim Hanul피아니스트 김하늘 whatttttttttttt???
Wow. That was a beautiful sound!
Glad to see it wasn’t just me :)
ikr like how did he maintain that staccato?
I think we'd call this an arrangement rather than a "mere" transcription
even more like a paraphrase
Someone know where I can find this sheet? It's hard to find only for piano.
IMSLP.org
Imslp
Великая, бессмертная музыка, такие произведения не забудут никогда
He rily studied the piece seeing that he added the original schubert melody in the end which wasn on Liszt's version
Holllly molllyyy I thought that piece was easy but after this...I like it
The Erlkonig's section is oddly simple and seductive when compared to the father and son's futile gallop. Remarkable performance.
안녕하세요.음악학원을 운영하고 있어요. 실례지만 혹시 악보 구할 수 있을까요?
You can find the music on imslp.org
☺☺☺☺☺☺☺☺👏👏👏👏👏👏👏
why does this sound like "Rachmaninov : Prelude op. 23 no. 5 in G minor" or i dont know.
Maybe because it is also in g minor 😉
@@TheMrPeltz ohh
@@TalaR04 Also the many repeated chords
Okkkk... I see...
i play pianista 😭
Very realistic. Don't like to get to the end.
Leider nicht so erregend wie das originale Lied, obwohl die Leistung ausgezeichnet ist.
Ja, Liszt ist nie so erregend wie Schubert
Danke für Ihre Zustimmung.
@Franz Liszt Alles gehört zum Geschmack jedes Zuhörers.
Keine Ahnung wovon ihr da sprecht. Daddy Liszt war immer schon sehr erregend für mich😩🤤😳
@@_PROCLUS ich stimme auch zu. Obwohl Transcriptionen sehr schön sein können, nehmen sie trotzdem eine Art zweiter Klasse. Das ist ganz der Fall fūr mich wenn es sich um vokale Stücke handelt. Nicht jeder kriegt es hin der Melodie treu zu sein. Vor Allem wenn es sich um Pianisten handelt, die wenig oder gar kein deutsch kennen wie mit diesem Schubert Lied. So höre ich lieber jemand wie Dietrich Fiscber-Dieskau als ein Klaviervirtuose der nicht diese Sprache gut versteht und im Grunde nur Tastenakrobatik macht. Aber Liszt ist und war gut in vieler Hinsicht. Hervorragend mit seinen Beethovensinfonientranscriptionen und eigenen Preluden und sinfonische Poems.
another reason why schubert is way more to appreciate than liszt
people like this are everywhere in the bottom of the comment section.