So close your eyes For that's a lovely way to be Aware of things your heart alone was meant to see The fundamental loneliness goes whenever two can dream a dream Together You can't deny, don't try to fight the rising sea Don't fight the moon, the stars above, don't fight me The fundamental loneliness goes whenever two can dream a dream Together When I saw you first, the time was half past three When your eyes met mine it was eternity By now we know the wave is on it's way to be Just catch the wave, don't be afraid of loving me The fundamental loneliness goes whenever two can dream a dream Together When I saw you first, the time was half past three When your eyes met mine it was eternity By now we know the wave is on it's way to be Just catch that wave, don't be afraid of loving me The fundamental loneliness goes whenever two can dream a dream Together Together Together
Vou te contar Os olhos já não podem ver Coisas que só o coração pode entender Fundamental é mesmo o amor É impossível ser feliz sozinho O resto é mar É tudo que não sei contar São coisas lindas que eu tenho pra te dar Vem de mansinho à brisa e me diz É impossível ser feliz sozinho Da primeira vez era a cidade Da segunda, o cais e a eternidade Agora eu já sei Da onda que se ergueu no mar E das estrelas que esquecemos de contar O amor se deixa surpreender Enquanto a noite vem nos envolver Da primeira vez era a cidade Da segunda, o cais e a eternidade Agora eu já sei Da onda que se ergueu no mar E das estrelas que esquecemos de contar O amor se deixa surpreender Enquanto a noite vem nos envolver
Not absolutely sure why you would do that. You can play Dmajor (Ionian) over D until Aminor, then think D7 as a V of G (which it is), then play Gmin6 (Gdorian) over Gm6, which can be seen as a IV- of D, then dominant 7th chord until D-7. That’s a bit « long story short » but here it is. Does it help ?
You can play anything that your ear is bent to. you could just play through the changes with a scale idea for each chord it would take a while but you run the risk of sounding like loads of other players.
On F#7 tu peu jouer les notes F#,G#,A#,B#(C),C#,D#,E this is known as the F# lydian dominant scale ou le C# melodic minor scale. C’est la même (my French is rusty)
En vrai tu peux aussi jouer mixolydien de chacun de ces accords 7. Sur le F#7 particulièrement tu peux jouer f# g a# b c# d e. En gros, c’est pour faire ressortir le V7 de B-, qui est en fait un accord 7 de dominante, d’où la surprise. Mais même la, vu le mouvement qu’on a eu avant, je préfère jouer ça mixolydien..!
Hello, very nice playback my friend. I Have a suggestion. According to Jobin The B Section Goes. |Gm7 |C/Bb | Am7 | % | Fm7 | Bb/Ab | Gm7 A7sus4b9 | :) Now it will sound exactly like the recordings. Have a great day.
Thanks for your comment ! Yes, I had to make some choices concerning those chords, some of them differ from some original recordings. I don't know where you found these informations (any video ?) but the recordings don't completely agree with what you say. On the 1967 Jobim version it's |Gm7 |C/Bb | Am7 | % | Bb7sus4 | Bb/Ab | Gm7 A7b13 | , and on Daniel & Luiza Jobim it's FMaj7/A instead of Am7, according to my ears. I chose to stay on inverted II V I for easier improvisation, maybe that's a bad choice, time will tell :-)
![The Smooth Sound of Clarinet Jazz [Smooth Jazz, Relaxing Jazz]](http://i.ytimg.com/vi/5Zvhrj46cQQ/mqdefault.jpg)
So close your eyes
For that's a lovely way to be
Aware of things your heart alone was meant to see
The fundamental loneliness goes whenever two can dream a dream
Together
You can't deny, don't try to fight the rising sea
Don't fight the moon, the stars above, don't fight me
The fundamental loneliness goes whenever two can dream a dream
Together
When I saw you first, the time was half past three
When your eyes met mine it was eternity
By now we know the wave is on it's way to be
Just catch the wave, don't be afraid of loving me
The fundamental loneliness goes whenever two can dream a dream
Together
When I saw you first, the time was half past three
When your eyes met mine it was eternity
By now we know the wave is on it's way to be
Just catch that wave, don't be afraid of loving me
The fundamental loneliness goes whenever two can dream a dream
Together
Together
Together
I've probably played this about 1000 times so far. :)
I have so much fun soloing over this I usually forget to practice playing back-up!
First rate backing track to a beautiful tune. Great for sax soloing. Thanks.
Great Track. Thanks for all your time and effort and talent.
Didn’t even play along lol just listened to this wonderful beat
Amazing, definitely going to use it to practice everyday!
there are 1000 grooves to be found over this tasteful track, well done thank you
Awesome track. Thanks creator.
Muito bom! Quem sabe no futuro um andamento mais lento, e a execução da introduçao,seriam boas para os iniciantes a improvisaçao!
vou te contar🌊
Vou te contar
Os olhos já não podem ver
Coisas que só o coração pode entender
Fundamental é mesmo o amor
É impossível ser feliz sozinho
O resto é mar
É tudo que não sei contar
São coisas lindas que eu tenho pra te dar
Vem de mansinho à brisa e me diz
É impossível ser feliz sozinho
Da primeira vez era a cidade
Da segunda, o cais e a eternidade
Agora eu já sei
Da onda que se ergueu no mar
E das estrelas que esquecemos de contar
O amor se deixa surpreender
Enquanto a noite vem nos envolver
Da primeira vez era a cidade
Da segunda, o cais e a eternidade
Agora eu já sei
Da onda que se ergueu no mar
E das estrelas que esquecemos de contar
O amor se deixa surpreender
Enquanto a noite vem nos envolver
Very good. I play guitar with this hacking track.....thanks
You are a hack!
@@Jplent1 whi?
@@andreabernardinitrumpet8828 you said hacking track instead of backing track lol
@@Jplent1 q000⁰
very well......................................................................................................
Also good for percussion play along.
Pourrais-tu indiquer le nombre de fois que la grille est jouée quand tu publies des backing tracks s'il te plait?
I made a cover using your music :)))❤ so cool btw!
Thank you ! I listened to it, wow you have a great voice ! Congrats for your version !!
I'm trying to use Gmaj scale focusing um C Lydian but, Im not sure about it. Someone for give me some tips?
Not absolutely sure why you would do that. You can play Dmajor (Ionian) over D until Aminor, then think D7 as a V of G (which it is), then play Gmin6 (Gdorian) over Gm6, which can be seen as a IV- of D, then dominant 7th chord until D-7. That’s a bit « long story short » but here it is. Does it help ?
You can play anything that your ear is bent to. you could just play through the changes with a scale idea for each chord it would take a while but you run the risk of sounding like loads of other players.
costaud les modulations
Yep
Hey you : et je me retrouve ici grâce à un élève 👨🎓, la boucle est bouclée ;-)
Haha ! Cool ça :-)
Quelle gammes peut on jouer sur le F#7 et B7? Je ne vois pas quoi jouer a pars les arpeges. Merci
On F#7 tu peu jouer les notes F#,G#,A#,B#(C),C#,D#,E this is known as the F# lydian dominant scale ou le C# melodic minor scale. C’est la même (my French is rusty)
Aussi sur F#7 play F# half-whole diminish scale F#,G,A,A#,C,C#,D#,E
On B7 tu peu faire B mixolydian B,C#,D#,E,F#,G#,A
Jouer aussi la gamme penta mineure blues de f#, comme si ct le 1/4 d'un blues...
En vrai tu peux aussi jouer mixolydien de chacun de ces accords 7. Sur le F#7 particulièrement tu peux jouer f# g a# b c# d e. En gros, c’est pour faire ressortir le V7 de B-, qui est en fait un accord 7 de dominante, d’où la surprise. Mais même la, vu le mouvement qu’on a eu avant, je préfère jouer ça mixolydien..!
excellent ! Mais dur à suivre ....
Hi!
Can I use this backing track in a Instagram video with me playing over it?
Yes ! If you tag me :-)
share a link!
@@Powerslider instagram.com/elliotalexanderofficial/reel/CU5SrluIdXJ/?
@@ElliotAwsome Awesome bro, thanks for sharing!
맛있다
what's the key???
D minor
your best best is to move with the chords
The key is D major but it starts the interlude On D minor and does a 2-5 cadence like D Dorian
Hello, very nice playback my friend. I Have a suggestion. According to Jobin The B Section Goes. |Gm7 |C/Bb | Am7 | % | Fm7 | Bb/Ab | Gm7 A7sus4b9 | :) Now it will sound exactly like the recordings. Have a great day.
Thanks for your comment ! Yes, I had to make some choices concerning those chords, some of them differ from some original recordings. I don't know where you found these informations (any video ?) but the recordings don't completely agree with what you say. On the 1967 Jobim version it's |Gm7 |C/Bb | Am7 | % | Bb7sus4 | Bb/Ab | Gm7 A7b13 | , and on Daniel & Luiza Jobim it's FMaj7/A instead of Am7, according to my ears. I chose to stay on inverted II V I for easier improvisation, maybe that's a bad choice, time will tell :-)
These chords are nice. Thanks!
I like these changes you provided...awesome
What's French for, "Too many chords, man."?
Well, you would have to speak portuguese, because you have to tell that to A.C. Jobim :-)
Yeah, sounds like you should stick to blues in E.
@@Jplent1 No need to be cruel.
Claude Bolling :)
in portuguese: muitos acordes, cara
'm u
Hey, there's a doode that copies this video and claims that he did it.
Link:
ruclips.net/video/zrEoaVcHaFQ/видео.html
It's clearly plagiarized.
Hi Luis, thanks a lot for reporting this !!
@@guitareimprovisation No problem! Happy to help.