Dude. When you play with the ambience like that, you're not just playing with sound frequencies! You're totally setting the feeling that people will be experiencing while listening to your song. It's crazy. That was amazing.
One tip not many are aware of. A bus send is by default set to post pan mode (it’s green), but if you change it to post fader (turns blue) in send menu it can drastically effect the sound you get from a given send. Thanks for a great tip mate! Cheers
Pre-fader is definitely great if you want the original dry signal to be a lot lower than the wet signal. I've already covered this in other videos, so I omitted that here. Thanks.
I see. The only difference between post pan and post fader is that the send does not including panning in post fader. So you actually won’t hear much of a difference between these unless you’ve panned the original track. With pre fader you hear quite a drastic difference though, because the fader level has no effect on the send level.
great vid man, really clever. theres one thing i'll just drop. your master is pushing into the red... this is so common in producer vids. it would be great if people employed proper gain staging techniques. its affecting the tone of your sounds.
Yes, definitely. When some of the frequencies of the dry signal and the reverb are the same, you can get some crazy resonances! Notching them out is a good idea if they are out of control.
I’m stuck with this big white screen that I can’t get rid of covering everything. It appeared when I was testing the ambient sounds between sampled and synthesized. I can’t get rid of it no matter what I click😥😰.
Her name is Christine Luceus, she used to sing for a band called the RXN here in Tampa. Although now she has a new solo act called 'Restless Lioness'. I'm actually working on mixing and producing her first EP right now.
Yes, definitely. When some of the frequencies of the dry signal and the reverb are the same, you can get some crazy resonances! Notching them out is a good idea if they are out of control.
They are there, included with Logic. If you set your global key to a minor key and the step sequencer doesn't show the correct minor key by default, you can select the Minor scale template and it will load up 2 octaves in the key that you've chosen.
That's quite a myopic thing to say, considering that the point of this video is to inspire creativity! I would argue that creating your own custom sound scape reverb effect using samples and loops is more 'creative' than simply 'selecting' a pre-made reverb. The kind of effect you get here may not work for everything, but it's something that you cannot reproduce with any synthesizer alone.
Dude. When you play with the ambience like that, you're not just playing with sound frequencies! You're totally setting the feeling that people will be experiencing while listening to your song. It's crazy. That was amazing.
This is incredible, definitely a game-changer for me.
One tip not many are aware of. A bus send is by default set to post pan mode (it’s green), but if you change it to post fader (turns blue) in send menu it can drastically effect the sound you get from a given send. Thanks for a great tip mate! Cheers
Pre-fader is definitely great if you want the original dry signal to be a lot lower than the wet signal. I've already covered this in other videos, so I omitted that here. Thanks.
@@MusicTechHelpGuy I meant post fader, not pre fader.
I see. The only difference between post pan and post fader is that the send does not including panning in post fader. So you actually won’t hear much of a difference between these unless you’ve panned the original track. With pre fader you hear quite a drastic difference though, because the fader level has no effect on the send level.
This trick totally looks like a Logic's Easter Egg. And highly didactic. Thank you 🍀
This is one of the best tips on Logic Pro X that I have seen this year!!!
Very slick reverb trick. Thank you very much for sharing.
This is a great idea. I never thought of doing this. Thanks for sharing.
this is one of the best ideas ever - more more more
Sick! I’ve only ever used the IR responses in space designer to make guitar amps sound huge. For some reason I haven’t experimented beyond that!
I too had no idea dragging a wav file could be done in this way. Thanks for all the info.
Didn’t know about this - thank you 👍
great vid man, really clever. theres one thing i'll just drop. your master is pushing into the red... this is so common in producer vids. it would be great if people employed proper gain staging techniques. its affecting the tone of your sounds.
Endless inspiration from you!! Thank you so much!
Never knew you could do that!! Thank you!
Amazing random way of finding a mood :) Thanks
How does this guy not have a million subscribers?
you are right. I subscribed !
This is great! Thank you. I had actually completely written off Logic's reverbs, now I think I have a 'goto'!
Yo this is why logic rules man
Wow! So so cool
Hi there. This is amazing. Where are these IR files located? in an external pack? Ta
Very cool! Thanks for sharing this.
Had no idea about this. Amazing. Thank you! 👍🏻👏🏻💪🏻
Interesting idea ... Gotta surgically control those resonant peaks with eq though :)
Yes, definitely. When some of the frequencies of the dry signal and the reverb are the same, you can get some crazy resonances! Notching them out is a good idea if they are out of control.
Who knew! Genius🙏
Now you are going to have a huge audience from india bro
Nice tips - thanks for sharing!
Really cool video 👌
Sooo great 👍🏼
Thank you
Inspired Sir!!!! Superb.
This is pretty amazing! Thank you!
Thanks for the info. I like to watch your videos i learn a lot from them.
Thanks again for another great video.
Nice and thank you for the video
Wow. How cool is that. Thx man.
This is great! I can’t believe this function exists!
Sheesh that's handy
Wow amazing, ill have to try this out today.
Ya tried it , works amazingly, a secret ingredient
Very cool! Thanks!
im so excited now lol
Subbed!! Thank you!
cool
interesting!
I had no idea. Thank you! @dafingaz
I’m stuck with this big white screen that I can’t get rid of covering everything. It appeared when I was testing the ambient sounds between sampled and synthesized. I can’t get rid of it no matter what I click😥😰.
Hey @MusicTechHelpGuy Who Sings The vocals For Losing Ground.
Her name is Christine Luceus, she used to sing for a band called the RXN here in Tampa. Although now she has a new solo act called 'Restless Lioness'. I'm actually working on mixing and producing her first EP right now.
Well, what I get so far is nasty resonances)
Yes, definitely. When some of the frequencies of the dry signal and the reverb are the same, you can get some crazy resonances! Notching them out is a good idea if they are out of control.
Where did you get those scale templates for Pattern Region?
They are there, included with Logic. If you set your global key to a minor key and the step sequencer doesn't show the correct minor key by default, you can select the Minor scale template and it will load up 2 octaves in the key that you've chosen.
whaaaaaaat
Mastargi logic
Landed here after after yash raj mukhate reel
What a sad way to make music..."selecting" rather than "creating".
Selection is a huge part of creative process
That's quite a myopic thing to say, considering that the point of this video is to inspire creativity! I would argue that creating your own custom sound scape reverb effect using samples and loops is more 'creative' than simply 'selecting' a pre-made reverb. The kind of effect you get here may not work for everything, but it's something that you cannot reproduce with any synthesizer alone.