SCHUBERT Erlkönig, D328 - Karim Sulayman & Yi-heng Yang
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- Опубликовано: 5 сен 2024
- Erlkönig, D328 by Franz Schubert
Karim Sulayman, tenor
Yi-heng Yang, fortepiano
Recorded May 2019, during sessions for Sulayman and Yang's album,
"Where Only Stars Can Hear Us"
Now available from AVIE Records.
In life and music, Grammy Award-winning tenor Karim Sulayman is a master storyteller. Where Only Stars Can Hear Us is a journey through the songs of Franz Schubert, a composer who was able to capture joy and sorrow in a single moment like no other. Karim’s voyage traverses themes of darkness and yearning, guided throughout by moonbeams and shining stars. His partner is historical keyboardist Yi-heng Yang who plays on a fortepiano built by Joseph Simon in Vienna in 1830, adding an air of authenticity from Schubert’s time.
www.avie-record...
Available for purchase on iTunes, Amazon, etc here:
lnk.to/eMROveee
Video: Erica Brenner
Recording, mixing and mastering: Daniel Shores
Goosebumps feeling.. A fantastic duo. thank you very much..🌹🌹
What an amazing pianist and a sensational voice!
Bravo!
Ihr seid so wundervoll, kann mich gar nimmer beruhigen.
Erlkönig is one of my all-time favorites, with its delightful shifts from speaker to speaker as the story unfolds. This performance delivers all of the pathos, tied up in a ribbon by Karim's lovely delivery, Yi-heng's masterful technique, and the manifold advantages of using fortepiano for the (killer) ostinati throughout the accompaniment. Wow!
Thanks for recording it here at Drew! Ellis Hilton
The modern piano is simply incapable of creating the explosive sound of horror in the repeated quadruple octaves (starting at 3:26) that occurs when the boy has just announced "Erlkönig hat mir ein Leids getan!" ["Alder King has done me harm!"]. Before I first heard a historical-instrument rendition (and there are almost none of these!), I had never even noticed that anything particularly musically striking was going on at that moment. This recording of Erlkönig seems likely to be the best that currently exists.
J'ai honte pour la France qui ne vous a pas encore donné la place et le succes qui vous sont dus , à tous deux , merci pour cette interprétation aussi passionnée que superbe ,
Wonderful Performance..both .. language phantastic....can not be done better...
wonderful performance, thank you for posting
Wunderbach pianist
I am now deceased
Exactly. I'm a shadow of my former self.
Wunderbar ganz einmalig. Muss es dauernd anschauen.
Schon 1.000 mal angeschaut. 😂💞❤️
...wonderful performance..!!
Wonderful!
SO. Lovely. Thank you!
Prima
💕💕
Well done and so intense! (I know this was a promo, but I wish they hadn't broken the tension after it was over by showing artists' chummy walk-off. Really broke the spell.)
I agree for 100% with your comment.
Naah-it’s their business how they interact after the performance.
I like it, actually. It breaks the spell, but that only underscores how tense we were up to that point. I mean, one wouldn’t want it as the standard ending to all great performances. But it happened that time, and I find it effective.
I can't figure out how she's turning the pages
Probably with a foot switch
Hallo 7E :D
Great voice, great accompaniment. But the operatic stye - no, no, no. This is Lieder, not opera. Let the music and the quality of Innigkeit get the message across. Histrionics belongs to opera.
The style perfectly reflects the dramatic expressivity of the song. This is not an “innig” work.
He doesn't just sing the songs, he experiences them.I love Karim Sulayman's radiance with his soulmate Yi-heng Yang..