Excellent. La voix est belle et les trois personnages (+ le récitant) sont bien caractérisés et fort expressifs. Le père qui ne voit rien, ne comprend rien, ne croit pas son enfant. Le fils terrifié qui appelle son père à l'aide, mais en vain. Le Roi des Aulnes, pervers et manipulateur, libidineux et violent. Eh oui, lorsque les adultes refusent de voir le prédateur ou bien comprennent trop tard, l'enfant meurt ! J'ai toujours pensé que ce poème de Goethe racontait le viol d'un enfant. Je crois que Schubert le pensait aussi pour avoir écrit une musique si génialement terrorisante. Question : le roi et le père ne sont-ils pas la même personne ? Bravo aussi au pianiste !
@@daniellarue1673 most lieder “tell” stories. The difference here is that the singer has to give life to different characters, which is not very common. It’s not a matter of being right or wrong. I’m just giving my opinion
@@fernandoleitao4469 I would argue that many of Schubert's works lend themselves toward a specific emotion rather than an actual story with dialogue like Erlkonig. Still, you're correct that there really isn't a right or wrong. My bad.
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I’m pretty sure it’s the poor pianists wrists that the erlkonig’s after, not the boy.
That is a glorious open sound you have there.
Wonderful! Impressive rendition.
😊 so nice to see a singer really singing a song with feeling as if a stage work.
Very impressive! Strong delivery!🌹😎🎭🇩🇪❤️❗👍
Nice! Really vivid!
Me parece una interpretación extraordinaria, sumamente deleitable!
Bravissimo Tenore!
Oh my this is absolutely fantastic
Thesele! How are you??
Love it!
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Excellent. La voix est belle et les trois personnages (+ le récitant) sont bien caractérisés et fort expressifs. Le père qui ne voit rien, ne comprend rien, ne croit pas son enfant. Le fils terrifié qui appelle son père à l'aide, mais en vain. Le Roi des Aulnes, pervers et manipulateur, libidineux et violent. Eh oui, lorsque les adultes refusent de voir le prédateur ou bien comprennent trop tard, l'enfant meurt ! J'ai toujours pensé que ce poème de Goethe racontait le viol d'un enfant. Je crois que Schubert le pensait aussi pour avoir écrit une musique si génialement terrorisante. Question : le roi et le père ne sont-ils pas la même personne ? Bravo aussi au pianiste !
Bravissimo l'attacco è molto ricco di musicalità
오호!
Beautifully sung! (The piano needs to be replaced though, I doubt that it can be fixed :) )
Thanks! :-)
Nice voice....Good looking hot bear
Sounds great, very expressive, pronunciation could probably use a little work tho
Good work. But my advice would be to keep studying Fischer-Dieskau. His rendition is supreme.
So it is. I supposed you've seen the video recording. When he sings the Earlking's Daugher his face looks literally evil. Incredible performance.
It’s not an opera aria...there are too many gestures in my opinion .nuances should be conveyed by the voice .
Oh go away
@@TimothyAsbridge_TENOR not only there are too many gestures but they are completely meaningless and stereotyped.
It isn't opera, but unlike many art songs this song is literally telling a story. I think you're wrong.
@@daniellarue1673 most lieder “tell” stories. The difference here is that the singer has to give life to different characters, which is not very common.
It’s not a matter of being right or wrong. I’m just giving my opinion
@@fernandoleitao4469 I would argue that many of Schubert's works lend themselves toward a specific emotion rather than an actual story with dialogue like Erlkonig. Still, you're correct that there really isn't a right or wrong. My bad.