Henryk Górecki (1933-2010) Symphony No.3 Op.36 Symphony No.3 Op.36 « Symphony of Sorrowful Songs » *Click to activate the English subtitles for the presentation* (just underneath) 00:00 I. Lento - Sostenuto tranquillo ma cantabile 27:10 II. Lento e largo - Tranquillissimo 37:38 III. Lento - Cantabile semplice Bonus: Olden Style Pieces 56:05 Mvt. 1 59:23 Mvt. 3 Soprano : Zofia Kilanowicz Polish National Radio Symphony Orchestra Conductor : Antoni Wit Recorded in 1993 New Mastering in 2020 by AB for CMRR Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr MARY sank to her knees, her agony too deep for words. Still echoing in her ears was her son’s last outcry as he died after hours of torment. The sky had gone dark at midday. Now the earth shook violently. (Matthew 27:45, 51) As the afternoon light dispelled the gloom shrouding Golgotha, or Skull Place, Mary grieved for her son. (John 19:17,25) Memories likely flooded her mind. One that may have surfaced was a recollection from some 33 years earlier. When she and Joseph had just presented their precious baby at the temple in Jerusalem, an aged man named Simeon was inspired to utter a prophecy. He foretold great things for Jesus, but he added that one day, Mary would come to feel as if she were run through by a long sword. (Luke 2:25-35) Only now, in this tragic hour, did she fully grasp the truth of those words. It has been said that the death of one’s own child is the worst, the most painful, loss that a human can face. Still, what words could convey the pain that Mary felt as she saw her son suffer a terrible death on a torture stake? An eyewitness to the execution, the apostle John, later included this telling detail in his account: During the ordeal, Mary was standing “by the torture stake of Jesus.” Nothing could prevent that loyal, loving mother from standing by her son to the very last. Jesus saw her, and though every breath he drew was an agony and every word he uttered cost him dearly, he spoke. He placed his mother in the care of his beloved apostle John. (John 19:25-27) When Jesus’ death at last came, Mary felt the pain foretold so long ago, the piercing long sword of grief. If we find it hard to imagine the extent of her grief, how much more so are we at a loss to imagine the joy she felt three days later! Mary learned of the greatest of all miracles -Jesus had been resurrected! And her joy was compounded, for Jesus later appeared to his half brother James, no doubt in private. (1 Corinthians 15:7) That meeting affected James and Jesus’ other half brothers as well. We later learn that they came to believe in Jesus as the Christ. Soon, they were at Christian meetings with their mother, “persisting in prayer.” (Acts 1:14) We find the last mention of Mary at the meetings with her sons, praying. What a fitting end to Mary’s record. Because of her faith, she survived the sword of grief and received, at last, a glorious reward. (John 10:27,28) Górecki - Symphony No. 3 "Symphony of Sorrowful Songs" (Dawn Upshaw - Ct.rec.: David Zinman) ruclips.net/video/6_ClMrE6AgE/видео.htmlsi=UUkrAHaQ1QE3XqnL Arvo Pärt & Henryk Górecki PLAYLIST (reference recordings): ruclips.net/video/HM_F665dw28/видео.html
There are a few pieces of music that move me. This is top of the list. I'll turn the volume up a bit, sit back in my office chair, close my eyes and just listen. An absolutely beautiful composition. Thank you very much.
Ed il Miserere di Gregorio Allegri? Lo Stabat Mater di Arvo Part ? I Salmi di Davide di Andrea Gabrieli? Le Messe di Palestrina? L' Officium Defunctorum di De Victoria? Missa pro Defunctis di Cristobal de Morales? La Messa Solenne di Cherubini? La Liturgia di Crisostomo di Tchaikovski ? L'Agnus Dei di Barber? Le Troisiemes lecons de Tenebres di F. Couperin ? Il Miserere di Josquin Desprez?Et cetera.....
MARY sank to her knees, her agony too deep for words. Still echoing in her ears was her son’s last outcry as he died after hours of torment. The sky had gone dark at midday. Now the earth shook violently. (Matthew 27:45, 51) As the afternoon light dispelled the gloom shrouding Golgotha, or Skull Place, Mary grieved for her son. (John 19:17,25) Memories likely flooded her mind. One that may have surfaced was a recollection from some 33 years earlier. When she and Joseph had just presented their precious baby at the temple in Jerusalem, an aged man named Simeon was inspired to utter a prophecy. He foretold great things for Jesus, but he added that one day, Mary would come to feel as if she were run through by a long sword. (Luke 2:25-35) Only now, in this tragic hour, did she fully grasp the truth of those words. It has been said that the death of one’s own child is the worst, the most painful, loss that a human can face. Still, what words could convey the pain that Mary felt as she saw her son suffer a terrible death on a torture stake? An eyewitness to the execution, the apostle John, later included this telling detail in his account: During the ordeal, Mary was standing “by the torture stake of Jesus.” Nothing could prevent that loyal, loving mother from standing by her son to the very last. Jesus saw her, and though every breath he drew was an agony and every word he uttered cost him dearly, he spoke. He placed his mother in the care of his beloved apostle John. (John 19:25-27) When Jesus’ death at last came, Mary felt the pain foretold so long ago, the piercing long sword of grief. If we find it hard to imagine the extent of her grief, how much more so are we at a loss to imagine the joy she felt three days later! Mary learned of the greatest of all miracles -Jesus had been resurrected! And her joy was compounded, for Jesus later appeared to his half brother James, no doubt in private. (1 Corinthians 15:7) That meeting affected James and Jesus’ other half brothers as well. We later learn that they came to believe in Jesus as the Christ. Soon, they were at Christian meetings with their mother, “persisting in prayer.” (Acts 1:14) We find the last mention of Mary at the meetings with her sons, praying. What a fitting end to Mary’s record. Because of her faith, she survived the sword of grief and received, at last, a glorious reward. (John 10:27,28) Górecki - Symphony No. 3 "Symphony of Sorrowful Songs" (Dawn Upshaw - Ct.rec.: David Zinman) ruclips.net/video/6_ClMrE6AgE/видео.htmlsi=UUkrAHaQ1QE3XqnL
Wunderschöne und tiefempfundene Interpretation dieser großartigen Sinfonie mit gut vereinigten Tönen aller Instrumente und himmlischer Stimme der genialen Sopranistin. Der erfahrene und intelligente Dirigent leitet das perfekt trainierte Orchester im relativ langsamen Tempo und mit sorgfältig kontrollierter Dynamik. Wahrlich hörenswert!
This performance’s splendor of words can not The beauty of her singing voice full of sadness , grief and suffering Ìs out of this world, and touches my heart, and stains in my heart, and outclassing From A corner of Tokyo Ì can not listen to this symphony without tears and deep emotion
@@Dr.D.Evidence Wonderful ! Thankyou so much to your wonderful Japanese comment I hope you are well May be Canada glorious and prisperous ありがとう! From A corner of Tokyo
@@shin-i-chikozima Hello again, Shinichi-san^^ ... I hope you are doing well. Autumn was my favorite season in Japan -- I miss it so much! (I was reminded of you when I saw your comment on another Gorecki 3rd performance with Zofia Kilanowicz -- great!) ✌
El 10 de diciembre falleció mi perrita pinscher Olivia a los 14 años y medio de edad. Hoy 02/01/2024 es la primera vez desde entonces que vuelvo a escuchar música y quise hacerlo con esta profundísima obra musical . ¡Olivita, ¿por qué te fuiste de repente casi sin avisar mi amor?!
First Movement: "My son, my chosen and beloved Share your wounds with your mother And because, dear son, I have always carried you in my heart, And always served you faithfully Speak to your mother, to make her happy, Although you are already leaving me, my cherished hope". (Lamentation from the collection of medieval passion poems from Benedictine Monastery of St. Cross on Łysa Góra, Poland. Second half of the 15th century. Author unknown). Second Movement: "No, mother, do not weep. Most chaste Queen of Heaven Support me always. Hail Mary, full of grace". (Prayer inscribed on the wall of cell no. 3 in the basement of "Palace" - the Gestapo's headquarters in Zakopane, Poland; Beneath was the signature: Helena Wanda Błażusiakówna, 18 years old, imprisoned since 26 September 1944"). [Helena Błażusiak survived torture without betraying her comrades and then she managed to escape from deportation train. She died in 1999]. Third Movement: "Where has he gone My dearest son? Perhaps during the uprising The cruel enemy killed him Ah, you bad people In the name of God, the most Holy, Tell me, why did you kill My son? Never again Will I have his support Even if I cry My old eyes out Were my bitter tears to create another River Oder They would not restore to life My son He lies in his grave and I know not where Though I keep asking people Everywhere Perhaps the poor child Lies in a rough ditch and instead he could have been lying in his warm bed Oh, sing for him God's little song-birds Since his mother Cannot find him And you, God's little flowers May you blossom all around So that my son May sleep happily". (The folk song from the period of the Silesian Uprisings of 1919-1921).
@@miro.georgiev97Won't be the best, because her Polish is bad. It should be the old Silesian dialect. Recordings with Zofia Kilanowicz only are the gold standard.
@@alexanderson684 To be fair, Polish _is_ hard, so it wouldn't be fair to expect a non-native speaker to sing it with super clear diction. I think Upshaw more than makes up for it with beauty of tone and commitment, and even if you can't follow what she's saying, it's clear she knows what she's singing about.
Why have we lost the ability to produce works like this, where have all the composers gone, all we seem to get is rap and filth, is there no one out there to compose masterpieces with all the instruments of the orchestra. Thankfully the world has a plethora of superb classicaly trained singers but no new material
I’m sure that new material is being composed, Its just obscure & harder to find. I will look into that for you. This particular piece is hard to bear though, it’s long been one of the best I’ve listened to in a while.
I’m like many find religion dangerous there cannot be a supernatural entity they call god but when I listen to this piece I can imagine humanities heaven
Część I: "Synku miły i wybrany Rozdziel z Matką swoje rany; A wszakom Cię, Synku miły W swem sercu nosiła A takież Tobie wiernie służyła, Przemów k Matce Bych się ucieszyła, Bo już jidziesz ode mnie Moja Nadziejo miła". (fragment "Lamentu świętokrzyskiego" z opactwa benedyktyńskiego na Świętym Krzyżu. Lata 70-te XV w. Autor nieznany). Część II: "Mamo, nie płacz, nie. Niebios Przeczysta Królowo, Ty zawsze wspieraj mnie. Zdrowaś Mario, Łaskiś Pełna". (modlitwa wyryta przez młodą łączniczkę ZWZ-AK w celi katowni gestapo. Poniżej modlitwy znajdowała się inskrypcja: Zakopane Palace, cela nr 3, ściana nr 3. Błażusiakówna Helena Wanda, lat 18, siedzi od 25 września 44". [Helena Błażusiak nikogo nie zdradziwszy przeżyła tortury, a także udało jej się zbiec z transportu do hitlerowskiego obozu koncentracyjnego. Zmarła w 1999 r.]. Część III: "Kajze mi sie podzioł moj synocek miły? Pewnie go w powstaniu złe wrogi zabiły. Wy niedobrzy ludzie, dla Boga świętego cemuście zabili synocka mojego? Żodnej ja podpory juz nie byde miała, choćbych moje stare ocy wypłakała. Choćby z mych łez gorzkich drugo Odra była, jesce by synocka mi nie łozywiła. Lezy on tam w grobie, a jo nie wiem kandy choć sie opytuje między ludźmi wsandy. Moze nieborocek lezy kay w dołecku, a mogłby se lygać na swoim przypiecku. Ej, ćwierkajcie mu tam, wy ptosecki boze, kiedy mamulicka znaleźć go nie moze. A ty, boze kwiecie, kwitnijze w około, niech sie synockowi choć lezy wesoło". (ludowa pieśń z czasów Powstań Śląskich 1919-1921).
Correct pronunciation of the Polish language is important, but it cannot be the most important criterion. Please direct your attention to the other recording. Dawn Upshaw / London Sinfonietta / Zinman.
I believe this to a piece of omnipotent power despite current activity in the world. The music itself transcends one into another dimension. God prevails always. The shortcomings come from human frailty. God ssEes us.
Oddaj Boże sprawiedliwość pohańbionym . Ukarz naród sprawców ,który teraz żyje w luksusie ,dzięki temu co zrabowali, i zakłamuje historię,oskarżając Polskę o wybuch 2 WŚ . Amen.
Buenas noches me suscribí a esta página porque pensé q sería un espacio respetable, pero ya me "desuscribí" pues cuando estaba sintiendo toda la emoción que genera esta extraordinaria obra de Gorecki...¡ZAZ! un anuncio que rompió toda la magia...y a los minutos otro...fue muy grosero. Adiós
Henryk Górecki (1933-2010) Symphony No.3 Op.36
Symphony No.3 Op.36 « Symphony of Sorrowful Songs »
*Click to activate the English subtitles for the presentation* (just underneath)
00:00 I. Lento - Sostenuto tranquillo ma cantabile
27:10 II. Lento e largo - Tranquillissimo
37:38 III. Lento - Cantabile semplice
Bonus: Olden Style Pieces
56:05 Mvt. 1
59:23 Mvt. 3
Soprano : Zofia Kilanowicz
Polish National Radio Symphony Orchestra
Conductor : Antoni Wit
Recorded in 1993
New Mastering in 2020 by AB for CMRR
Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr
MARY sank to her knees, her agony too deep for words. Still echoing in her ears was her son’s last outcry as he died after hours of torment. The sky had gone dark at midday. Now the earth shook violently. (Matthew 27:45, 51)
As the afternoon light dispelled the gloom shrouding Golgotha, or Skull Place, Mary grieved for her son. (John 19:17,25) Memories likely flooded her mind. One that may have surfaced was a recollection from some 33 years earlier. When she and Joseph had just presented their precious baby at the temple in Jerusalem, an aged man named Simeon was inspired to utter a prophecy. He foretold great things for Jesus, but he added that one day, Mary would come to feel as if she were run through by a long sword. (Luke 2:25-35) Only now, in this tragic hour, did she fully grasp the truth of those words.
It has been said that the death of one’s own child is the worst, the most painful, loss that a human can face.
Still, what words could convey the pain that Mary felt as she saw her son suffer a terrible death on a torture stake? An eyewitness to the execution, the apostle John, later included this telling detail in his account: During the ordeal, Mary was standing “by the torture stake of Jesus.” Nothing could prevent that loyal, loving mother from standing by her son to the very last. Jesus saw her, and though every breath he drew was an agony and every word he uttered cost him dearly, he spoke. He placed his mother in the care of his beloved apostle John. (John 19:25-27)
When Jesus’ death at last came, Mary felt the pain foretold so long ago, the piercing long sword of grief. If we find it hard to imagine the extent of her grief, how much more so are we at a loss to imagine the joy she felt three days later! Mary learned of the greatest of all miracles -Jesus had been resurrected! And her joy was compounded, for Jesus later appeared to his half brother James, no doubt in private. (1 Corinthians 15:7) That meeting affected James and Jesus’ other half brothers as well. We later learn that they came to believe in Jesus as the Christ. Soon, they were at Christian meetings with their mother, “persisting in prayer.” (Acts 1:14)
We find the last mention of Mary at the meetings with her sons, praying. What a fitting end to Mary’s record. Because of her faith, she survived the sword of grief and received, at last, a glorious reward. (John 10:27,28)
Górecki - Symphony No. 3 "Symphony of Sorrowful Songs" (Dawn Upshaw - Ct.rec.: David Zinman) ruclips.net/video/6_ClMrE6AgE/видео.htmlsi=UUkrAHaQ1QE3XqnL
Arvo Pärt & Henryk Górecki PLAYLIST (reference recordings): ruclips.net/video/HM_F665dw28/видео.html
IMO, the finest performance of a modern masterpiece. The haunting atmosphere of this stays with you long after it's finished.
Zofia Kilanowicz is by far the best soprano I have heard for this beautiful symphony.
There are a few pieces of music that move me. This is top of the list. I'll turn the volume up a bit, sit back in my office chair, close my eyes and just listen. An absolutely beautiful composition. Thank you very much.
Ed il Miserere di Gregorio Allegri? Lo Stabat Mater di Arvo Part ? I Salmi di Davide di Andrea Gabrieli? Le Messe di Palestrina? L' Officium Defunctorum di De Victoria? Missa pro Defunctis di Cristobal de Morales? La Messa Solenne di Cherubini? La Liturgia di Crisostomo di Tchaikovski ? L'Agnus Dei di Barber? Le Troisiemes lecons de Tenebres di F. Couperin ? Il Miserere di Josquin Desprez?Et cetera.....
MARY sank to her knees, her agony too deep for words. Still echoing in her ears was her son’s last outcry as he died after hours of torment. The sky had gone dark at midday. Now the earth shook violently. (Matthew 27:45, 51) As the afternoon light dispelled the gloom shrouding Golgotha, or Skull Place, Mary grieved for her son. (John 19:17,25) Memories likely flooded her mind. One that may have surfaced was a recollection from some 33 years earlier. When she and Joseph had just presented their precious baby at the temple in Jerusalem, an aged man named Simeon was inspired to utter a prophecy. He foretold great things for Jesus, but he added that one day, Mary would come to feel as if she were run through by a long sword. (Luke 2:25-35) Only now, in this tragic hour, did she fully grasp the truth of those words.
It has been said that the death of one’s own child is the worst, the most painful, loss that a human can face. Still, what words could convey the pain that Mary felt as she saw her son suffer a terrible death on a torture stake? An eyewitness to the execution, the apostle John, later included this telling detail in his account: During the ordeal, Mary was standing “by the torture stake of Jesus.” Nothing could prevent that loyal, loving mother from standing by her son to the very last. Jesus saw her, and though every breath he drew was an agony and every word he uttered cost him dearly, he spoke. He placed his mother in the care of his beloved apostle John. (John 19:25-27)
When Jesus’ death at last came, Mary felt the pain foretold so long ago, the piercing long sword of grief. If we find it hard to imagine the extent of her grief, how much more so are we at a loss to imagine the joy she felt three days later! Mary learned of the greatest of all miracles -Jesus had been resurrected! And her joy was compounded, for Jesus later appeared to his half brother James, no doubt in private. (1 Corinthians 15:7) That meeting affected James and Jesus’ other half brothers as well. We later learn that they came to believe in Jesus as the Christ. Soon, they were at Christian meetings with their mother, “persisting in prayer.” (Acts 1:14)
We find the last mention of Mary at the meetings with her sons, praying. What a fitting end to Mary’s record. Because of her faith, she survived the sword of grief and received, at last, a glorious reward. (John 10:27,28)
Górecki - Symphony No. 3 "Symphony of Sorrowful Songs" (Dawn Upshaw - Ct.rec.: David Zinman) ruclips.net/video/6_ClMrE6AgE/видео.htmlsi=UUkrAHaQ1QE3XqnL
Although I am not a Christian, I can feel what love is from Górecki-Symphony No. 3 music.
One doesn’t have to be Christian to feel the pain and suffering of all mankind. Love is a universal language.
@@brantdeb1- Disse tudo, Debra.
Absolutely one of my favorite pieces of classical music ever. Thank you.
Same
You are introducing me to a wide array of composers.
Thank you:)
Wunderschöne und tiefempfundene Interpretation dieser großartigen Sinfonie mit gut vereinigten Tönen aller Instrumente und himmlischer Stimme der genialen Sopranistin. Der erfahrene und intelligente Dirigent leitet das perfekt trainierte Orchester im relativ langsamen Tempo und mit sorgfältig kontrollierter Dynamik. Wahrlich hörenswert!
Too beauty and sublime. Thanks for posting. Cheers from São Paulo, Brazil.
Why I can't stop to cry.....
This performance’s splendor of words can not
The beauty of her singing voice full of sadness , grief and suffering Ìs out of this world, and touches my heart, and stains in my heart, and outclassing
From
A corner of Tokyo
Ì can not listen to this symphony without tears and deep emotion
よく言った(カナダ人より)
@@Dr.D.Evidence
Wonderful !
Thankyou so much to your wonderful Japanese comment
I hope you are well
May be Canada glorious and prisperous
ありがとう!
From
A corner of Tokyo
どういたしまして... ずっと前に私は東京で英語の先生をしていました...今は日本が恋しいです ...
幸運をお祈りしています 🙂
@@Dr.D.Evidence
Thankyou
your wonderful and heartfelt comment
Hang in there!
Tokyo Ìs already in Autumn
@@shin-i-chikozima Hello again, Shinichi-san^^ ... I hope you are doing well. Autumn was my favorite season in Japan -- I miss it so much! (I was reminded of you when I saw your comment on another Gorecki 3rd performance with Zofia Kilanowicz -- great!)
✌
this is a master s work
Adoro esta música que conmueve mi ser y transforma el momento presente, gracias!
A very deep and touching work :-) I think I'll even buy a CD from it. Happy new Year Classic Music Team :-)
Truly a revelation! Gorecki was unknow for me and now I desire to discover all your compositions. Thanks for propose this stunning Symphony
El 10 de diciembre falleció mi perrita pinscher Olivia a los 14 años y medio de edad. Hoy 02/01/2024 es la primera vez desde entonces que vuelvo a escuchar música y quise hacerlo con esta profundísima obra musical . ¡Olivita, ¿por qué te fuiste de repente casi sin avisar mi amor?!
Zofia Kilanowicz > Dawn Upshaw. This is the best recording of this symphony, period.
Um deleite de múica para inicio de um novo ano !...
Incredible work and voice......Is this the way the world ends?????
My sweetheart happy new year, blessings, big hug and one kiss... Thanks for your music😘🎶🎼🎵🌹🙏👍🍀🎉🎊🍷🍾🍸😊
Hello how are you doing today 💖
@@nicolaswalter6996 hi!!! Dance first an then cook 🤓💃🌹
@@anitarauld lol 😅 so where are you from if I may ask?
Como siempre, obra e intérpretes insuperables. Feliz Año Nuevo.
Hoy 02/01/2024 la estoy escuchando en memoria de mi perrita Olivia fallecida el 10/12/2023
J adore plus que tout cette symphonie
Un capolavoro. Grazie! Buon anno!
First Movement:
"My son, my chosen and beloved
Share your wounds with your mother
And because, dear son,
I have always carried you in my heart,
And always served you faithfully
Speak to your mother, to make her happy,
Although you are already leaving me, my cherished hope".
(Lamentation from the collection of medieval passion poems from Benedictine Monastery of St. Cross on Łysa Góra, Poland. Second half of the 15th century. Author unknown).
Second Movement:
"No, mother, do not weep.
Most chaste Queen of Heaven
Support me always.
Hail Mary, full of grace".
(Prayer inscribed on the wall of cell no. 3 in the basement of "Palace" - the Gestapo's headquarters in Zakopane, Poland; Beneath was the signature: Helena Wanda Błażusiakówna, 18 years old, imprisoned since 26 September 1944").
[Helena Błażusiak survived torture without betraying her comrades and then she managed to escape from deportation train. She died in 1999].
Third Movement:
"Where has he gone
My dearest son?
Perhaps during the uprising
The cruel enemy killed him
Ah, you bad people
In the name of God, the most Holy,
Tell me, why did you kill
My son?
Never again
Will I have his support
Even if I cry
My old eyes out
Were my bitter tears
to create another River Oder
They would not restore to life
My son
He lies in his grave
and I know not where
Though I keep asking people
Everywhere
Perhaps the poor child
Lies in a rough ditch
and instead he could have been
lying in his warm bed
Oh, sing for him
God's little song-birds
Since his mother
Cannot find him
And you, God's little flowers
May you blossom all around
So that my son
May sleep happily".
(The folk song from the period of the Silesian Uprisings of 1919-1921).
jugo de dolor hecho musica sublime
Πόσο επίκαιρο ηχεί αυτό το ανεξάντλητα ανθεκτικό έργο σήμερα πάλι....
Dawn Upshaw also does this and what a wonderful voice she has. But both these ladies are great.
Dawn Upshaw's will always be the best as well as the most famous, but this recording easily competes with it.
@@miro.georgiev97Won't be the best, because her Polish is bad. It should be the old Silesian dialect. Recordings with Zofia Kilanowicz only are the gold standard.
@@alexanderson684 To be fair, Polish _is_ hard, so it wouldn't be fair to expect a non-native speaker to sing it with super clear diction. I think Upshaw more than makes up for it with beauty of tone and commitment, and even if you can't follow what she's saying, it's clear she knows what she's singing about.
Why have we lost the ability to produce works like this, where have all the composers gone, all we seem to get is rap and filth, is there no one out there to compose masterpieces with all the instruments of the orchestra. Thankfully the world has a plethora of superb classicaly trained singers but no new material
I’m sure that new material is being composed, Its just obscure & harder to find. I will look into that for you. This particular piece is hard to bear though, it’s long been one of the best I’ve listened to in a while.
Divine music.
Absolut 3, perfect for our elevation from 4.
The highest state of consciousness
Lovely
Desde la primera vez que la escuché me llegó. La compré en cassette.
I’m like many find religion dangerous there cannot be a supernatural entity they call god but when I listen to this piece I can imagine humanities heaven
Nice one
🌌magic🌠
Best
Wielbi tusza swego Pana 😢
Wonderful
does anybody know where I can download this? it isnt on amazon
Część I:
"Synku miły i wybrany
Rozdziel z Matką swoje rany;
A wszakom Cię, Synku miły
W swem sercu nosiła
A takież Tobie wiernie służyła,
Przemów k Matce
Bych się ucieszyła,
Bo już jidziesz ode mnie
Moja Nadziejo miła".
(fragment "Lamentu świętokrzyskiego" z opactwa benedyktyńskiego na Świętym Krzyżu. Lata 70-te XV w. Autor nieznany).
Część II:
"Mamo, nie płacz, nie.
Niebios Przeczysta Królowo,
Ty zawsze wspieraj mnie.
Zdrowaś Mario, Łaskiś Pełna".
(modlitwa wyryta przez młodą łączniczkę ZWZ-AK w celi katowni gestapo. Poniżej modlitwy znajdowała się inskrypcja:
Zakopane Palace, cela nr 3, ściana nr 3. Błażusiakówna Helena Wanda, lat 18, siedzi od 25 września 44".
[Helena Błażusiak nikogo nie zdradziwszy przeżyła tortury, a także udało jej się zbiec z transportu do hitlerowskiego obozu koncentracyjnego. Zmarła w 1999 r.].
Część III:
"Kajze mi sie podzioł
moj synocek miły?
Pewnie go w powstaniu
złe wrogi zabiły.
Wy niedobrzy ludzie,
dla Boga świętego
cemuście zabili
synocka mojego?
Żodnej ja podpory
juz nie byde miała,
choćbych moje stare
ocy wypłakała.
Choćby z mych łez gorzkich
drugo Odra była,
jesce by synocka
mi nie łozywiła.
Lezy on tam w grobie,
a jo nie wiem kandy
choć sie opytuje
między ludźmi wsandy.
Moze nieborocek
lezy kay w dołecku,
a mogłby se lygać
na swoim przypiecku.
Ej, ćwierkajcie mu tam,
wy ptosecki boze,
kiedy mamulicka
znaleźć go nie moze.
A ty, boze kwiecie,
kwitnijze w około,
niech sie synockowi
choć lezy wesoło".
(ludowa pieśń z czasów Powstań Śląskich 1919-1921).
Reminds me dead can dance and Arno pärt
Should any of you out there have the privilege/opportunity to see Andrea Bocelli live please do
Transcending at the very least.
Correct pronunciation of the Polish language is important, but it cannot be the most important criterion.
Please direct your attention to the other recording.
Dawn Upshaw / London Sinfonietta / Zinman.
pain's juice made music
16:48
Too much ads
they stick adds every 3 min
So intense on magic mushrooms 😰😰😭😭
Foreshadows God’s wrath and its aftermath over the next century.
what a horrible comment
I believe this to a piece of omnipotent power despite current activity in the world. The music itself transcends one into another dimension. God prevails always. The shortcomings come from human frailty. God ssEes us.
Sees us as we are. Imperfect beings. We must rely on Him.
And He gave us this gift to transcend our spirits unto Him
Oddaj Boże sprawiedliwość pohańbionym .
Ukarz naród sprawców ,który teraz żyje w luksusie ,dzięki temu co zrabowali, i zakłamuje historię,oskarżając Polskę o wybuch 2 WŚ .
Amen.
Buenas noches me suscribí a esta página porque pensé q sería un espacio respetable, pero ya me "desuscribí" pues cuando estaba sintiendo toda la emoción que genera esta extraordinaria obra de Gorecki...¡ZAZ! un anuncio que rompió toda la magia...y a los minutos otro...fue muy grosero. Adiós
Awesome after a 5g mushroom dose.