I did I manage never to hear anything by Jean-Efflam Bavouzet before! What a magnificent interpretation of this sonata! This is Haydn "plus grand que nature," taking full advantage of the capabilities of the modern piano without denaturing the composer in any way. I love the exquisite ornamentation, the constant drive and the precise attention to details, both in the small and the larger scale.
it is because you guys like more minor (thats the case for most people)..but the major sonatas reveal his potential in same quality..in fact the best ones are in major (especially his late major ones).. i dont know exactly why, but minor sonatas work much better for people nowadays who are starting their way in understanding classical music. i think the drama in minor sonatas connect with our human suffering (which we all got deeply:)
@@glenngulda Minor key open up more possibilities for modulations because of the flatted sixth and seventh. Try improvising in C#m and see the journey you can embark on..
I heard this on the radio and was immediately drawn to this beautiful piece. Love the clarity, uplifting, spirited movement and crispness present in this expression. I used AI for the first time ever as I HAD to identify what this was and hear it again and again. This music moves me, touches me and inspires me.
@@gaiang247 You’re right that technically it’s within the range of a competent intermediate (though many at this level will not be overly familiar with the notes - apart from scales - involved in playing the Minuet movement in B major which closes at the double bar line in F# major). Henle-Verlag have a degree of difficulty list which is useful as it is universal, and not determined by individual national grading boundaries. Works are graded thus: 1-3 Easy 4-6 Intermediate 7-9 Advanced The b minor sonata Hob. XVI:32 is a Level 6. Interpretively it is more tricky; few pianists are attuned to Haydn in sturm und drang mode as found in this intense sonata published in 1776; there is not really a Mozart equivalent to this sonata (except possibly the first movement of K310 in a minor)), so you have a musical challenge to pull it off that is greater than the technical challenge.
This score is heavily edited but the editor is correctly instructing the player that the first note is to be played on the beat. Later performance practice would have the first two notes before the beat with an accent on the third note but that isn't correct for Haydn.
@@diffugerenives Ah, so you mean a slower trill? Makes sense, though I always just presumed it had to be played similar to how Bavouzet plays it haha. Learn something every day!
@@jordidewaard2937 It's not slower. It's a fast mordant but with the notes written out. Bouzevet plays it correctly with the first note on the beat. His recordings of the complete Haydn keyboard sonatas are excellent.
The Minuet lacks substance. The notes have to be played longer. The transition has to be smothered. It is better to compare to Sokolov's perfect timing.
Haydn is a Genius!!! YES!!! Soooo Beautiful and Melodic!!! May God Bless y'all Richly and Jesus Peace!!! ❤😂🎉😮
Музыка ГАЙДНА ~ это наслаждение для души. Благодарю МАЭСТРО! Прекрасно! Браво! Благодарю Жанну за эту запись!
These uploads by this pianist and composer are truly delightful. Thanks
Thank you for your support and your comment!
Yes, they are wonderful. Thanks again!
I did I manage never to hear anything by Jean-Efflam Bavouzet before! What a magnificent interpretation of this sonata! This is Haydn "plus grand que nature," taking full advantage of the capabilities of the modern piano without denaturing the composer in any way. I love the exquisite ornamentation, the constant drive and the precise attention to details, both in the small and the larger scale.
Excellent playing. The 3rd movement was really impressive.
하이든곡의 아름다움을 어떻게 표현해야하는지 확실히 알수있는 연주입니다.❤
Probably my favourite classical sonata
This was one my pieces for grade 8 exam (Associated Board) way back in 1975-ish.Thanks for letting me hear how it SHOULD have been played!!
Very good idea by the pianist to change the ending of the finale.
I wish Haydn wrote more in minor, i feel like that is where he could relieve his true potential of sonata writing.
I feel the same about Mozart. Some of his most beautiful works are in minor keys.
@@vincentslater6470 Absolutely, i love the adagio of his 23rd piano concerto and his fantaisie in D minor.
it is because you guys like more minor (thats the case for most people)..but the major sonatas reveal his potential in same quality..in fact the best ones are in major (especially his late major ones)..
i dont know exactly why, but minor sonatas work much better for people nowadays who are starting their way in understanding classical music. i think the drama in minor sonatas connect with our human suffering (which we all got deeply:)
@@glenngulda Minor key open up more possibilities for modulations because of the flatted sixth and seventh.
Try improvising in C#m and see the journey you can embark on..
@@vincentslater6470 music is not about beauty.
Non mi stancherei mai di ascoltare Haydn suonato da questo grande pianista.
I heard this on the radio and was immediately drawn to this beautiful piece. Love the clarity, uplifting, spirited movement and crispness present in this expression. I used AI for the first time ever as I HAD to identify what this was and hear it again and again. This music moves me, touches me and inspires me.
Minuetto - 06:40
Trio - 8:02
Minuetto da Capo - 9:07
Presto - 10:36
The Trio (beginning at 8:03 ) has a lot of character.
loving the haydn uploads
Most underrated key
My teacher just assigned me this, wish me luck y'all 🤞
How's it going? I'm thinking of taking it up for the second semester
Good luck btw!
@@danicaignjatovic3956 its not to difficult. Way easier than this doctor gradus ad parnassum im performing
I learnt this for one of my grades It’s so much fun to play!!
@@gaiang247
You’re right that technically it’s within the range of a competent intermediate (though many at this level will not be overly familiar with the notes - apart from scales - involved in playing the Minuet movement in B major which closes at the double bar line in F# major).
Henle-Verlag have a degree of difficulty list which is useful as it is universal, and not determined by individual national grading boundaries.
Works are graded thus:
1-3 Easy
4-6 Intermediate
7-9 Advanced
The b minor sonata Hob. XVI:32 is a Level 6.
Interpretively it is more tricky; few pianists are attuned to Haydn in sturm und drang mode as found in this intense sonata published in 1776; there is not really a Mozart equivalent to this sonata (except possibly the first movement of K310 in a minor)), so you have a musical challenge to pull it off that is greater than the technical challenge.
Very well played!!!❤😮🎉😂
Why there's not the Adagio movement in this sonata? Thanks for the uploading anyway
And I met Bavouzet a few months ago in my conservatory. He s a very kind person
👏👏👏👏👏👏👏
What do those dotted lines in the first 2 measures mean? Dont have them on my Henle sheet
I use imslp.org for the videos and usually the music is heavily edited, but it is in public domain. You probably have an Urtext.
This score is heavily edited but the editor is correctly instructing the player that the first note is to be played on the beat. Later performance practice would have the first two notes before the beat with an accent on the third note but that isn't correct for Haydn.
@@diffugerenives Ah, so you mean a slower trill? Makes sense, though I always just presumed it had to be played similar to how Bavouzet plays it haha. Learn something every day!
@@jordidewaard2937 It's not slower. It's a fast mordant but with the notes written out. Bouzevet plays it correctly with the first note on the beat. His recordings of the complete Haydn keyboard sonatas are excellent.
2:42 note for myself
bit fast 1st mov
Wdym fast its slooooooooooooow
2:40
11:25
0:14 0
Sokolov plays better...for me, of course🙂
Et Pogorelich !!!
The Minuet lacks substance. The notes have to be played longer. The transition has to be smothered. It is better to compare to Sokolov's perfect timing.
Totally wrong articulation in first movement. Second movement half-half. Final in general is ok.
10:36