I started listening to music late 60s with Moody Blues, then prog rock happened. This track holds that same essence of exploration, energy, edge of the envelope, hunt the new combination of sounds, times, textures. For me Invalids are the carriers of the prog rock flame more than anyone else.
Facts, and always has a huge smile while doing it. From what I understand he showed up initially as a drummer, or something like that and Pete was like, nah, grab a bass, we got drums covered already.
The way this song builds through the last half genuinely touches my soul. All of the songs on the album are so unbelievably unique and well written. You all are truly a gift to music as an art form. I can't wait to see y'all on tour next month!!
next to Tethered, this is my second favourite song on the album! The bassline is very reminiscent of Besaid Village from the FFX soundtrack, coincidentally, and somehow that makes this song so much better.
@@ray.bonanno Wait, Ray, are you serious?! The name is a pun on Besaid based on the bassline?! That melodic line (and song for the matter) stuck with me for such a long time when I was younger. That's super cool holy shit! Honestly I feel like a genius for noticing now thank you for the ego bost!
been following since the first invalids tracks were released to the ether - every time you post another video I have to go back, listen to the whole catalogue again and scream the lyrics in my empty house. Thanks for everything ya'll do - I still have the diagram you made me of the chemical composition of the taste of celery. If you don't know by now, you may never know. Invalids forever.
First off thank you for continuing to create stellar material that keeps slappin’ that dopamine rush. I can really use your music to escape. I listen to you guys on a loop and really appreciate the complexity put into your art.
wasnt expecting this one to be one my favorites on the album. the consistent beat at the end of the song really has a 'hurtling toward inevitable death and despair' type feel magnificent.
Dude, something about the way he rides that slow crash groove on the breakdown at 03:35 and the way everything comes together is a fucking masterclass in transitioning the energy of a song. That breakdown almost has a djent vibe. It's impossible not to bob your head when that hits! I commend all of you folks for cranking out this stuff consistently. It among the most complex, and intricate stuff out there, even as a musician listening I find myself having soooo much to break down in my head and pontificate on what you're doing, or how you're pulling it off. I'm still doing this kind of analyzation everytime I listen to the early pre-band records. I find something new everytime I hear it, or finally fully grasp the timing on something....this stuff is truly a gift, and I appreciate it infinitely.
So .. I'm guessing you all lock to the drummer in like... Almost isolation? And just trust the others are doing the same? Trying to imagine playing at this level of polyrhythms with others and... Yeah been a casual fan for years I still can't figure it out. I love maths, how y'all sync this and internalize it is still insane. Just.... All the hats off.
When playing live yeah at least for me it’s mostly knowing which section requires syncing to which other part (usually something is keeping a consistent rhythm or beat, either drums, bass, or right guitar). Other times it’s mostly just knowing how many counts of a section I do before changing, and beyond that, just playing the same parts a hundred times until they’re second-nature 😅
An absolutely insane, wonderful song! Just wondering, how do you practice tapping, and how were you able to build a technique with such insane speed and accuracy?
I never really set out to practice it specifically, but basically in 2008 I stopped using a pick and never picked one up again lol so it just gradually led to writing faster and harder things. When I pick up a guitar I generally only practice songs we’re learning for recording/touring, or improvise random stuff 👾
It’s not haha; I (Pete (bald one)) write all the music in Tabit and then everyone learns their parts and records them independently. Then we get together to rehearse for live shows 🤖
![Invalids - [Permanence] 05 Let It Be Said (drums)](http://i.ytimg.com/vi/V6uqaBpOZ6Y/mqdefault.jpg)
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
I started listening to music late 60s with Moody Blues, then prog rock happened. This track holds that same essence of exploration, energy, edge of the envelope, hunt the new combination of sounds, times, textures. For me Invalids are the carriers of the prog rock flame more than anyone else.
One of the most consistent bands of all-time. Thanks for all the music!
Guys this is one of the best songs of 2023
4:39 the 13 against 6 polymeter in the bass alone is insane, Ray's a beast 🔥🔥🔥
Facts, and always has a huge smile while doing it. From what I understand he showed up initially as a drummer, or something like that and Pete was like, nah, grab a bass, we got drums covered already.
never really liked this band but this song with its singalong chorus has converted me
The way this song builds through the last half genuinely touches my soul. All of the songs on the album are so unbelievably unique and well written. You all are truly a gift to music as an art form. I can't wait to see y'all on tour next month!!
Guys. So glad I found you years ago. The music is just simply beautiful
next to Tethered, this is my second favourite song on the album!
The bassline is very reminiscent of Besaid Village from the FFX soundtrack, coincidentally, and somehow that makes this song so much better.
That was my influence for the part 🌚 and Pete’s influence for the name!
@@ray.bonanno Wait, Ray, are you serious?! The name is a pun on Besaid based on the bassline?! That melodic line (and song for the matter) stuck with me for such a long time when I was younger.
That's super cool holy shit! Honestly I feel like a genius for noticing now thank you for the ego bost!
@@madmanadam1let it besaid 🤯🤯
Through all this years - every new song is knocking on a heart. Magnificent and with a lot of catchy moments!
been following since the first invalids tracks were released to the ether - every time you post another video I have to go back, listen to the whole catalogue again and scream the lyrics in my empty house. Thanks for everything ya'll do - I still have the diagram you made me of the chemical composition of the taste of celery. If you don't know by now, you may never know. Invalids forever.
Haha nice! Sedanolide babyyyyy
4:12 That's the best fucking thing I've heard in a while. The whole song is just amazing !
Please, for the love of god, could you guys record a live together version? That would be even more amazing. 😍😍
First off thank you for continuing to create stellar material that keeps slappin’ that dopamine rush. I can really use your music to escape. I listen to you guys on a loop and really appreciate the complexity put into your art.
wasnt expecting this one to be one my favorites on the album. the consistent beat at the end of the song really has a 'hurtling toward inevitable death and despair' type feel
magnificent.
woah, i found this through your tera melos cover from a decade ago, came a long way, this is a masterpiece, deserves a standing ovation
Thanks to you guys fell in love with mathrok 10 years ago!
so fucking good, as always
Huge back end slap
come onnnnn this is so good I've been singing and then replaying this all the time :))
oh hel yea
Dude, something about the way he rides that slow crash groove on the breakdown at 03:35 and the way everything comes together is a fucking masterclass in transitioning the energy of a song. That breakdown almost has a djent vibe. It's impossible not to bob your head when that hits! I commend all of you folks for cranking out this stuff consistently. It among the most complex, and intricate stuff out there, even as a musician listening I find myself having soooo much to break down in my head and pontificate on what you're doing, or how you're pulling it off. I'm still doing this kind of analyzation everytime I listen to the early pre-band records. I find something new everytime I hear it, or finally fully grasp the timing on something....this stuff is truly a gift, and I appreciate it infinitely.
Heck yeah, that section was definitely Tigran-inspired. It was a lot of fun trying to make variations of that same persistent 13/8 rhythm. 💕💕
4:01
that poor drummer
We are blessed 🙏
that was too beautiful
Wow, that was amazing.
funny to see how this was filmed at different times between Brocks hair and Raymonds. Insane work as always 🔥 excited to see y’all in Atlanta
Haha it’s like literally over two years apart 😂 that’s why I keep that timeless cut 👨🏻🦲
Man, I’m gonna have to listen to the new album tomorrow at work. I’m hoping to catch you guys live eventually. Keep up the great work 👍❤️
This song, Overgrowth and Exit 18 are my absolute favorites on this record! If you did a video for Exit 18 I would die
Should get done eventually 😃
I agree overgrowth is my favorite and exit 18 is my second favorite!! Would love both!!
Best Math Song, well maybe ex aequo with Whelk
WOW !!
very good
This album never gets old!!! Absolutely fantastic
Please come to Vancouver! Washington is also close enough
Hoping to reach west coast next year so we’ll see; thanks !!
No clue what’s actually going on 😅 love it all the same ❤
Hell yeah baby
fuk yeah! amazing
Holy shmoly
So .. I'm guessing you all lock to the drummer in like... Almost isolation? And just trust the others are doing the same? Trying to imagine playing at this level of polyrhythms with others and... Yeah been a casual fan for years I still can't figure it out. I love maths, how y'all sync this and internalize it is still insane. Just.... All the hats off.
When playing live yeah at least for me it’s mostly knowing which section requires syncing to which other part (usually something is keeping a consistent rhythm or beat, either drums, bass, or right guitar). Other times it’s mostly just knowing how many counts of a section I do before changing, and beyond that, just playing the same parts a hundred times until they’re second-nature 😅
YESSSSS
An absolutely insane, wonderful song! Just wondering, how do you practice tapping, and how were you able to build a technique with such insane speed and accuracy?
I never really set out to practice it specifically, but basically in 2008 I stopped using a pick and never picked one up again lol so it just gradually led to writing faster and harder things. When I pick up a guitar I generally only practice songs we’re learning for recording/touring, or improvise random stuff 👾
how is the composition process divided between everyone?
It’s not haha; I (Pete (bald one)) write all the music in Tabit and then everyone learns their parts and records them independently. Then we get together to rehearse for live shows 🤖
This might be an unpopular opinion but, y'all are so much better than coldplay
Never heard of him
tabit brought me here.
ATRs for life
RIP the comb-overs