Have seen a couple of RUclips channels for Piano over the years, yours is by far the best for value and clarity. 🙌 Thanks a bunch bro. Finally someone who cares more about us learning than just showing off his skills. 👏👏👏👏👏
This is a really good lesson. I've always just played around harmonizing melodies without actually knowing what I'm doing. But this is an eye opener. Thanks a bunch👍
Wooow! I just bumped into this and am smiling ☺️ whilst watching it,,, Bruh offloads every particular in your teaching, can't wait to watch more from you🥺🥰 Thank You for this peace
Very clear instructions unlocking the mystery of what I've been hearing gospel players do all these years. Thanks for this. Can you cover those voicings and small flourishes you add to each chord. You rarely play a simple block chord.
Yeah there's sooooo many recordings that use this technique! Understanding this will definitely make it easier/quicker to pick up these types of movements in songs.
Thanks for this wonderful eye opening lesson. May Jesus Continue to use you for HIS Glory, and for you to continue bless us with such marvelous gift. But can we get a part 2 on this lesson sir?
I love your channel man, I'd like to understand what is the concept that explains the possibility of making the 3rd degree a dominant chord instead of a minor one. Thanks in advance. I play the guitar but I love to learn theory with church keyboardists.
Hey! I'm not sure specifically when your referring to this, could you put the time stamp. But if I understand what you are asking is because of the chord you are passing to. Like if you want to go to the 6 chord (normally minor) you can make the 3 a major and add the dominant 7. In the key of C for instance, E major w/ the dominant 7 to A minor is like doing a 5-1 in A minor. When targeting the 4 chord, you can use the 3 like a 1 chord putting the notes in the 1 chord over the 3 (extensions as well). Many times the passing chord depending on your target chord! Hope that makes sense, feel free to ask if it wasn't clear!
@@leonalexandre1451 Yes exactly! 3 is the 5 of 6 so even though making the 3 a dominant chord is "out of the original key" it works because it leads to the next chord. Infact you can do this with any chord I believe its called "secondary dominant" if you want to look it up.
@@justin.m.drummond ok thanks! Haha I actually already know this concept but I didn't get that it was implied here, for example in jazz and/or in blues a lot of major chords are exchanged with dominant chords and I was wondering how was that even possible, other than just "cuz it sounds good" lol
There is a ” ghost note “ in the major scale. It’s not taught in mainstream music theory. That “ghost note” is the flattened 6th. That makes the 3 a dominant. Reference Barry Harris.👊🏽
This is one of the best videos on showing how to add Harmony to make songs more powerful.
Wow, glad to hear that you're finding use for the lesson!
Awesome video. For years I’ve always work on techniques like this listening to jazz pianist Hank Jones and Barry Harris.
you are crazy brooo sou cool
I even feel guilty for watching this for free.. This is great service
this was wonderful bro....more grace.
🙏🏾
Have seen a couple of RUclips channels for Piano over the years, yours is by far the best for value and clarity. 🙌
Thanks a bunch bro.
Finally someone who cares more about us learning than just showing off his skills.
👏👏👏👏👏
God I love that song.Brings back so many memories. Thankyou
Such a simple but beautiful song.
Talented
🙌🏾
Oh my gosh you’re good.
These are some sweet gems! Thanks Doc🙏🏿💯
Yessir!
I love your studio
This is a really good lesson. I've always just played around harmonizing melodies without actually knowing what I'm doing. But this is an eye opener. Thanks a bunch👍
Yessir, hopefully understanding the concept will allow you use it in more songs and situations!
I like your teachings. They re quit learn - able and simple. thank you so much sir. I appreciate
No problem, we always aim to make complex songs and concepts as simple as possible! Music doesn't ever have to be hard.
I can't stop watching this video
Wooow! I just bumped into this and am smiling ☺️ whilst watching it,,, Bruh offloads every particular in your teaching, can't wait to watch more from you🥺🥰 Thank You for this peace
Awesome! Thanks a lot, Sensei!
Thanks for watching Prince!
SIck Hands!
hallelujah!
Thank you. Lost for words. Thank you!
Your teachings have been awesome and really helped me. Thank you, blessings to you!!🙌🏾💯✝️
Your videos are on point man. Great overlay with keys and staff.
Was! This is great. Thank you
You are good teacher. I am trying to shift from classical playing to contemporary gospel playing. I need your help.
You have really helped me alot
🙌🏾 Glad to hear!
Awesome lesson🔥
the best well explained, I am subscribing
This was very helpful. Saving this for my practice time. Thank you 🙏🏾
Let’s go!
👍😊 I love your videos
That was awesome!!
Thanks for sharing so much knowledge 🇧🇷
This tutorial was amazing! Thank you
Thank you!!
Thanks so much brow.ur blessed.very insightful.
Very clear instructions unlocking the mystery of what I've been hearing gospel players do all these years. Thanks for this. Can you cover those voicings and small flourishes you add to each chord. You rarely play a simple block chord.
Thanks and I appreciate you for this well explained lesson
Great lesson, thanks.
Thanks for watching and supporting!
This is one of the most useful videos I have seen. Something that I understood and really needed to add to understanding of passing and improvising.
Thanks for this wonderful exposition, bro!❤️
Thanks so much bro.you helped me too much👍👍❤️❤️
Hey Jireh, that's what we're here for!
Im proud of yu bro. ✊🏿😎
Love this!!!!
Thanks ❤️
Awesome tip thanks I knew how to harmonize the interval but hadn't thought of the scale as a path to it...
Super helpful brother, thank you!
I really love your video sir,it was simplified,blessings bro.
🤩 thank you so much
No problem! We hope you find this lesson useful.
Cool💓✌
Definitely a cool technique to use in your playing!
Thank you for what you do bro
Thank you so much Brother
No problem, we hope that it helps unlock something in your playing.
it helps a lot. Godbless bro
Dope!!! I get it.
Woooo!
🔥🔥🔥
Great lesson as usual!
Thanks Rod!
@@thegiftedhandsmusic when are you gonna give us a tutorial to pay for? Take my money!
Thank you so much for this
Thanks for watching Kyle! 🙌🏾
No problem! Thank God for the content you're putting out, way better than anyone I've seen out there!
Yooo that’s cool my brother!! I like how you explain it, I’m able to catch it easily🙏🏾
You are the best!!!!
Not at all! Just here to help my fellow musician community.
This is amazing! It really helps to conceptualize some of the melodic harmonizations heard on recordings/ when others play. Thank you!
Yeah there's sooooo many recordings that use this technique! Understanding this will definitely make it easier/quicker to pick up these types of movements in songs.
Enjoy this lesson,can you do a praise break in Aflat for beginners.
what a lesson, super dope
Glad to hear
Nice one 👍😇✝️
WOW
Really good stuff
🙌🏾
I'm learning so much so fast! many notes taken.
Literally cannot wait to get home to my keyboard
Thank you!!!
I want to be like you gift.🥺
Thanks for this wonderful eye opening lesson. May Jesus Continue to use you for HIS Glory, and for you to continue bless us with such marvelous gift. But can we get a part 2 on this lesson sir?
Yessir
Its realy amaizing brother but can you do juct on the key of F# ? Please its just my request ...i hope it will be granted as my will is,,,
Hii Boss tnks soo mch for this lesson.
Plsss can u do this lesson in key F for me, plssss
hello master. Could you repeat this lesson in the Black chords?
I love your channel man, I'd like to understand what is the concept that explains the possibility of making the 3rd degree a dominant chord instead of a minor one. Thanks in advance. I play the guitar but I love to learn theory with church keyboardists.
Hey! I'm not sure specifically when your referring to this, could you put the time stamp.
But if I understand what you are asking is because of the chord you are passing to. Like if you want to go to the 6 chord (normally minor) you can make the 3 a major and add the dominant 7. In the key of C for instance, E major w/ the dominant 7 to A minor is like doing a 5-1 in A minor.
When targeting the 4 chord, you can use the 3 like a 1 chord putting the notes in the 1 chord over the 3 (extensions as well).
Many times the passing chord depending on your target chord!
Hope that makes sense, feel free to ask if it wasn't clear!
@@justin.m.drummond thank you very much for your reply. Ok I understand better! So 3 would be the 5 of 6?
@@leonalexandre1451 Yes exactly! 3 is the 5 of 6 so even though making the 3 a dominant chord is "out of the original key" it works because it leads to the next chord. Infact you can do this with any chord I believe its called "secondary dominant" if you want to look it up.
@@justin.m.drummond ok thanks! Haha I actually already know this concept but I didn't get that it was implied here, for example in jazz and/or in blues a lot of major chords are exchanged with dominant chords and I was wondering how was that even possible, other than just "cuz it sounds good" lol
There is a ” ghost note “ in the major scale. It’s not taught in mainstream music theory. That “ghost note” is the flattened 6th. That makes the 3 a dominant. Reference Barry Harris.👊🏽
nice1😇
Maravilloso, me gustaría ser tu amigo 👐 me cuesta entender el ingles, pero interpreto lo que decís cuando tocas
What piano sound is this?
Hey bro can u make a piano tutorial on the song to God be the glory gospel on c major
Great idea, we'll definitely have to break that down soon!
@Gifted Hands What piano sound are you useing??
I will preface you play on CSharp so I can learn
sometime in trying to follow you i get confused on the way.
i enioy the way you teach but your also fast at time,
what software are you using to spit out the chords you are playing live?
thanks for the video!
The program we use is called chordie.
@@thegiftedhandsmusic Thank you!
which piano vst is this?
It is hilarious that you let out an “Ooh” every so often as if surprised by the cool chord which you just heard yourself play😂
haha, hey sometimes you just can't help yourself!
I think that may be a Barry Harris A minor 6 scale
What a joke