Netrebko - "Una macchia" - Macbeth - Verdi
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- Опубликовано: 1 авг 2018
- Giuseppe Verdi, Macbeth - atto quarto
Anna Netrebko interpreta la scena del sonnambulismo di Lady Macbeth, con la sua famosa aria "Una macchia è qui tutt'ora". Evelin Novak è la Dama, Dominic Barberi il Medico.
Staatsoper, Berlino, maggio 2018.
Orchestra: Staatskapelle Berlin, dir. Daniel Barenboim. 
Видеоклипы
People comment too much based on sheer personal antipathy, claque behavior or sullen nostalgia in RUclips. This performance is really well sung. Not the best role for her, it clearly stretches her to the very limits of her voice, but she pulls it off even though it is obvious this is not the best role for her voice. She has the stage persona and all the dramatic and musical skills for it, though, and musically her middle voice is lush, dark-ish and dense enough, and her low notes good enough to sing a more dramatic role without sounding completely overparted as many others in the past (including some that are idolized - of course only those that are long retired or even dead). The high pianissimo notes are wonderful, much better than most in the last years. All of that said, I hope she focus more on roles that fit her better, like the lyric and lyric spinto repertory of later Verdi.
She’s a pretty ambitious person, so I don’t know if she will start to do those roles (also she has admitted she could care less about her fach, and she doesn’t even like being compared to a lyric soprano). Her looks also fit the lyric and lyric spinto roles better than this (though Callas was herself quite a looker back in the day).
Idk. It's sung almost like how a lyric soprano would sing the role except her middle and lower notes are throaty and hollow. They have a kind of darkness but no depth, no core. She's too young to be having these kinds of problems here and there are perhaps actual dramatic sopranos that can sing the role and make it more exciting. From what I've seen of her she has the clout to get these roles but she's not vocally or musically prepared to do them justice.
Am I the only one here who actually likes this? Not everyone is perfect.
During the live Met Opera streaming they said that this part called for an "ugly voice" as instructed in the manuscript by Verdi himself, so her voice is not supposed to sound pretty cause she is sleepwalking, and her guilt is being revealed to her.
This is the trouble with people like you who are too literally minded and forget that early and middle Verdi was still a bel canto composer .Verdi was not asking for a *literally* ugly voice .
Well the great Callas had this done to perfection
I love her voice. A healthy, stable sound all over the range. It gives me comfort . There is warmth and little darkness in it. Reminds me of liquid chocolate somehow. Lady Macbeth might require ugliness and brutality, but Ana pulls it off her way beautifully.
Good voice. Decent lower register. No Lady Macbeth.
Best remedy for this nightmare is the mute button.
Scenografia molto d'effetto. Direzione splendida,attentissima, piena di dettagli e la Netrebko è insolitamente brava.
Stupenda meravigliosa bravissima
The best rendition of hers I have ever heard! The low notes are fantastic!
sure, perfect like a vomiting sound. Go check Caballe's Interpretation and tell me now who's fantastic
Barenboim's conducting is horrific also
😭😭😭
Half of her higher range is Gilda and the lower part has somewhat developed in a very interesting way. Unfortunately the timbre itself is not that of a LAdy Macbeth..at least on the vocal level of stamina, vocal attacks and edge of singers HUGE singers of this role like Verrett, Dimitrova and not even Marrocu, Makris...and I am not even gonna mention La Divina because it would be unfair. But Netrebko has the good technique and theatricals that helps....but she just lacks what is most important. The voice quality for THIS specific role. I did not hate it.
She does have the theatrics but I completely agree with what you're saying. I might also add that she sings with absolutely no emotion whatsoever in a role that absolutely demands it.
One can sing something technically, but not be suited for the role. She's no Turandot, Lady Macbeth, Abagaile, Leonora in Trovatore, but she'll do them all to the detrement of her good lyric voice.
Straordinaria, bellissima interpretazione, non vedo l’ora di ammirarla alla Scala! ❤️
Ma quanta invidia riscuote questa bravissima e, un dì, bellissima Cantante! Si consideri lo sforzo vocale che ha compiuto per passare dal soprano leggero di bella voce cremosa, estesa dell'Elisir, Traviata, Puritani, fino ad arrivare a Leonora del Trovatore, Aida e ora perfino Lady Macbeth. da Lirico leggero belcantista a lirico spinto fino al drammatico. Dicano ciò che vogliono gli invidiosi, o comunque i detrattori di Anna! Ma la Netrebko e Francesco Meli, oggi, sono le due più importanti voci liriche attuali; quelle che fanno il tutto esaurito nei più importanti Teatri del Mondo.
.
"la netrebko e meli, oggi, sono le più importanti voci liriche attuali" Che tristezza
Bloody hell. This is awful. Callas and Nilsson would be spinning in her graves. Her legato is non existent. Si unsuitable for these roles
Crazy organist, so is Verdi.
@@ciociosan exactly
Too much nostalgia in here ! Callas and Nilsson are dead and hopefully there has been many incredible singers therefore ! You don't have to appreciate this interpretation, but it's her personal interpretation ! Stop comparing everything with Callas !
@@adele.t4079 Hope dies last... either that or your standards must be pretty low if you believe "incredible" singers grow on trees .Yep ,it's her personal "interpretation" .It's always "personal" when the singer can't do justice to the composer ,or has terrible taste . Gigli's sobbing was personal too , as was MDM's screaming ,and neither had anything to do with the musical score ,the composer's intentions ,or bel canto .But when the only tool in your toolbox is a hammer...
Callas and Nilsson are both dead and buried. No spinning has been noted.
An acceptable "Una macchia...." , but she would not abuse the depth of the chest voice so much, and work more on breathing and legato. My humble opinion
Brava!
La más grande. Muchas gracias
At first I didn't liked it that much but with time I've started to appreciate her voice much more. She's a great modern soprano.
She's a good lyric soprano. She'll ruin her career with Turandot and early Verdi.
I don't get, why the video got so many dislikes
Well we know its not because of Anna, she’s always fabulous.
because people only watch opera anymore just to criticize
Because her technique is horrible and she wobbles like crazy!
Probably because Netrebko is soo painful to listen to...
@@laurademilio4475 Do you know Verrett and Callas?
There is only one Lady Macbeth. And it is NOT Netrebko...
Quanti frustrati e quante ridicole rosicone che faranno una vita orribile e che quindi devono vomitare cattiverie contro una delle più grandi cantanti del mondo. Leoni e leonesse da tastiera, siete pietosi e buffi.
Definire la signora una delle più grandi cantanti del mondo....io andrei cauto
Orrore
superesperti megacritici: se vi capita andata a teatro per vedere una sua recita, vi assicuro che cambierete idea
Tu l'hai vista? 😳😨
Io l'ho sentita.
Purtroppo. Comunque,de gustibus, ma la Lady no, proprio no...
who believes this is "a healthy stable sound all over the range" needs musical education pretty badly...
Verdi was a genius, MacBeth a masterwork - and here we have again one of these shit productions ... What happend to our sense of culture?
Une respiration pour chaque notes, sans me tromper je peux faire aussi bien....😊😊😊
mdr en toute détente Xavier, hate de vous retrouver sur Arte concert
Lady Macbeth is a dramatic coloratura role. When has Netrebko ever sung roles that prepare her for the Lady, a role that very few singers can do justice to? I can think of Verrett and Zampieri as good examples. And a lot of struggle. Just like here.
Not a Lady Macbeth. Lyric soprano not suited for the role.
Ingolata in modo osceno. Anche se sapesse cantare non potrebbe essere Lady. Verdi si sta rigirando nella tomba.
Maybe the only one Time she sings something properly.... What a scale at the end to keep a high note way to long, so vulgar since Pavarotti....but this Time i must say it is not awfull or ridiculous.
Effettivamente Verdi ho letto che avrebbe preferito che in quest’aria la cantante cantasse male proprio per dare idea del sonnambulismo e per il personaggio. Beh lei ha rispecchiato in pieno il cantar male. Tutta ingolata per carità. Cosa ci vedono per chiamarla sempre e tutte le volte con tutte le bravi cantanti che ci sono. I misteri
This is really very bad singing. Lady Macbeth requires a type of voice that Netrebko doesn't have at all. It is a pity she is now trying to sing dramatic roles unsuitable to her. She should stick to lyrical roles instead.
🤢🤢🤢 povero Verdi
Какой ужас...
Какой изуродованный звук: совершенно неестественный, поддельный, несвойственный певице...
Что же она с собой сотворила!
Успех и скандальность желанны там,где нет гениальности.Эстетика голоса остаётся незыблемым и решающим фактором в искусстве.Остальное псарня .