You're giving us the opportunity to hear many sounds and instruments that were buried in the original mix. In the case of this song, the highlight IMO are the strings and the extended end of the song. Love it. Thank you.
@seventyfive4169 yes I did and thank you inordinately It was super awesome Only a shame that Kate can't do reissues on this level of freshness yet faithfulness to the original She came close when she released Director's Cut , but it was kind of filled with material from Red Shoes onward and totally neglected all her really killer first 4 albums material I would like to think you are actually doing these either with her input or are secretly Kate herself, since she reportedly has an insanely complex home studio
@@Merylstreep1949 Kate doesn't seem vey enamoured of her first four albums, which is a shame as they were better in my opinion: before HOL and the bizarre cult of stateliness that built up around her. Her first albums were playful and her accompanying videos and TV appearances hilarious. These extended mixes are superb, so much better than anything on Director's Cut, which sounded like it had been recorded from the bottom of a paper bag, complex studio or not. The person making these has superior talent to Kate in my opinion, after listening to the engineering on the original Sensual World and Red Shoes, she didn't have a clue.
@@millietanner56 Oh thank god, someone who hates DC as much as I do. It sound airless and bland to me for the most part. I agree some of her best work is on those early albums. Pains me she always speaks so badly of them. I think TKI far outranks TRS, for example, in freshness and originality and sheer beauty.
So very playful. Like what the song was asking for. I have always liked the idea for this track but was not so happy with its execution. This version suits the atmosphere so much more! Like the video did.
@@seventyfive4169 This mix brings out so much more drama, like the story promises. Kate was trying to walk a more commercial path in her production? I recognise the joy and creativity you put in your work. Your skills are really impressive. The musical ear shows!
I humbly suggest that when you do Red Shoes, it would be heavy done a 15 or 20 minute dance mix all smashed up with Rubberband Girl, in the fashion you seamlessly blended the two very different versions of Infant Kiss Mrs Bartolozzi would also be suggested as a stand alone and a mash up with another very theatrical song such as Breathing or Cloudbusting or even Experiment 4
Thanks for the suggestions, Chris! If you're referring to the song: I have already done The Red Shoes. At some point, I might do a mash-up or dance mix with different tracks, but for the time being, I'll stick with the kind of remixes I have been doing here.
I´m a little confused about these extended remixes, were they really existed those many years before? I mean the first extended versions I´ve ever heard were from "Hounds of Love" album...
Hello there! No, all the remixes you find here were made by me. I started with Kate's singles, in chronological order, and now I'm doing tracks from her albums and B-sides, etc. I hope you enjoy them! - Jay
I am so glad you're subscribers are growing. You are SO deserving of much more attention. God bless you for the creative work you do, and for keeping us all drooling for more!
You're giving us the opportunity to hear many sounds and instruments that were buried in the original mix. In the case of this song, the highlight IMO are the strings and the extended end of the song. Love it. Thank you.
Thank you for your kind words!
One of my favourite Kate Bush's tracks, inspired by La marièe etait en noir by François Truffaut. And that's yet another gem from seventyfive 😍
Thank you, Marco! And ah yes, that film...
Another great mixing job on one of my favourite songs from the Never For Ever album 💫
Thanks! Glad you like it!
Oh sweet Jesus christ❤❤❤❤❤❤ this is bloody fantastic ❤❤❤❤❤❤❤❤you are definitely doing the Lord's work
Wow wow wow 👌 amazing 👏
Well, that's a relief! I'd have hated to mess this one up. I seem to recall you requested it... 😉Thanks, Chris!
@seventyfive4169 yes I did and thank you inordinately
It was super awesome
Only a shame that Kate can't do reissues on this level of freshness yet faithfulness to the original
She came close when she released Director's Cut , but it was kind of filled with material from Red Shoes onward and totally neglected all her really killer first 4 albums material
I would like to think you are actually doing these either with her input or are secretly Kate herself, since she reportedly has an insanely complex home studio
@@Merylstreep1949 Kate doesn't seem vey enamoured of her first four albums, which is a shame as they were better in my opinion: before HOL and the bizarre cult of stateliness that built up around her. Her first albums were playful and her accompanying videos and TV appearances hilarious. These extended mixes are superb, so much better than anything on Director's Cut, which sounded like it had been recorded from the bottom of a paper bag, complex studio or not. The person making these has superior talent to Kate in my opinion, after listening to the engineering on the original Sensual World and Red Shoes, she didn't have a clue.
@@millietanner56 Oh thank god, someone who hates DC as much as I do. It sound airless and bland to me for the most part. I agree some of her best work is on those early albums. Pains me she always speaks so badly of them. I think TKI far outranks TRS, for example, in freshness and originality and sheer beauty.
Really great job. One of my favourite KB tracks and you've added an extra dimension to it. Keep up the good work.
That's nice to hear. Thank you! And yes, there will be more.
So beautiful. It sounds as a sort of Director's Cut version, especially the drums and for how unadorned it is compared to the original 😊
Thank you, Mat. That's what I was aiming for!
Wonderful as usual!
Thank you!
I love the clarity of her voice in this extended version. Love your work.
Thank you, glad you liked it!
So very playful. Like what the song was asking for. I have always liked the idea for this track but was not so happy with its execution. This version suits the atmosphere so much more! Like the video did.
Thank you! I'm really glad you like it, even though it's quite different from the original.
@@seventyfive4169 This mix brings out so much more drama, like the story promises. Kate was trying to walk a more commercial path in her production? I recognise the joy and creativity you put in your work. Your skills are really impressive. The musical ear shows!
I humbly suggest that when you do Red Shoes, it would be heavy done a 15 or 20 minute dance mix all smashed up with Rubberband Girl, in the fashion you seamlessly blended the two very different versions of Infant Kiss
Mrs Bartolozzi would also be suggested as a stand alone and a mash up with another very theatrical song such as Breathing or Cloudbusting or even Experiment 4
Thanks for the suggestions, Chris! If you're referring to the song: I have already done The Red Shoes. At some point, I might do a mash-up or dance mix with different tracks, but for the time being, I'll stick with the kind of remixes I have been doing here.
I´m a little confused about these extended remixes, were they really existed those many years before? I mean the first extended versions I´ve ever heard were from "Hounds of Love" album...
Hello there! No, all the remixes you find here were made by me. I started with Kate's singles, in chronological order, and now I'm doing tracks from her albums and B-sides, etc. I hope you enjoy them! - Jay
@@seventyfive4169 Well, then let me thank you so much for your wonderful work !!! Many many thanks for these magic songs remixed and extended !!!!!!!
I am so glad you're subscribers are growing. You are SO deserving of much more attention. God bless you for the creative work you do, and for keeping us all drooling for more!
Thanks so much, Gregory! Drooling for more... So no pressure then!
Perfect! Thank you for the incredible amount of work. 👏👏👏
PS. I love the bit “I'm coming Rudy” at 5'10