Thank you. Sometimes I wonder how tenured art professors and prof-assistants at fine art academies feel about this kind of videos posted and readily available. Lucky generation of art students, for sure.
Michael, I feel so excited when you’re painting I feel like cheering. You paint quickly you get to the point fast. Your focal points are always great. It’s hard to express what you were talking about. I’ve often tried to say I want to paint the least amount, and still get the impression of what I was feeling down. So leaving it more like a quick sketch is exactly what makes the painting exciting, and allows the viewer so much versatility to complete the story. Just excellent!
It's a WOW, how well you captured the essence so one is drawn to look at it again, and kept it loose. Certainly inspires one to attempt something similar as 'Light' is what does the trick.
It’s so much fun watching your videos. I lived in Sonoma County for years and loved all the old, decrepit barns in our area, especially off River Road heading west to the ocean. Thanks so much again, Michael!✨🙏🏻💕
This is a great painting, Michael. You did indeed catch the light. What I like about the scene is that it takes me in and walks me past the building, Fun!
You are one of my favourite painters to follow…..love your style and brushwork. I also admire your consistent habit of ‘getting out there’ to paint. It takes discipline and focus. Bravo!
I think that the "feeling of light" was very well expressed -- I really see California in this painting and it's very exciting. I also think it would have been fun and interesting to see you channel Fauvism in this subject. A little Andre Derain "wild beast" would really let the creative currents swirl! 😊
Michael , ‘’wild beast’’ , perhaps the painting is of another ‘title name’ , some of the artists work is untitled, a particular painting titled , ‘ The Surprise ‘ , does use lots of ‘’ white ‘’ . Further research explains that color usage most typically of , reds, blues, greens, orange, yellow, exaggerated colors. The term , in French ‘’ les Fauves ‘’ translates into the phrase ‘’ wild beasts ‘’ refers to a ‘’ group of the early 1900’s , artists who emphasized strong color, aka fauvism a post impressionist era, had three exhibitions, the style era 1904 and a little beyond 1910, the fauvism height being 1905 - 1908 . Perhaps the ‘Wild Beast ‘ title is from the ‘’Rococo’’ period .
Michael, this video , and your verbal instruction, narration, teaching about “‘ the artists”’ , the impressionists, ( more, all actually) , led to learning so much more about how artists perceive and express , even artists spanning the centuries, so fascinated. 🙂
Absolutely LOVE this!!! Beautifully done!!! I strive so hard to stay this loose and try to capture a subject in just an hour, this really motivates me!! Really stunning!
That was great- interesting that before you lightened the grasses, they looked like water- standing muddy water, but when you lightened them up they reappeared as dry grasses- fun barn!
Thank you for being such a wonderful teacher. Not only do I enjoy your videos, so very much, but I also learn so much from you. And this painting is amazing too ❤
Amazing painting, sir! You captured the light wonderfully. I mean I just came back from a birthday party and I think I've never seen so much light in my entire life. Fantastic job! Greetings from the EU!
Creating light in the countryside Our intrepid artist is our guide Use both warmth and cool for contrast he seeks Let’s ignore the glove squeaks “Looks unfinished” is the cliche The artist said all he wanted to say Capture the building slant, its rickety Composition authenticity Uses light for the affect primal Pa-tre-on to support YT’s best channel 😁 I love the setting and the painting. Just sensational! I never realized how much of painting was observing carefully until I started watching you work. Thanks for sharing! Peace and love..Suz What ☮️💛
Always a pleasure to watch you paint, Michael. Definitely light-filled. The warm and cool temperatures really make it happen. Gotta work on that myself. Thanks much for the video!
Great job of showing the light. One thing that really amazes me is how you paint with the camera in your hand. Somehow, you manage to keep the painting in full frame so you must be looking at the painting on the screen as you paint? Are you also blind folded and standing on one foot?
What's going on with your brush washer, Michael? It looks like it has spent time on the moon! LOL. Another gorgeous painting. Love the colors and your brushstrokes are always so pretty.
13:54 beautiful painting that feels like the magnificent composition ❤️ ( hearing you at 8:37 exploratory sketch , and 8:56 the impressionists first showing their work, going to try that ) Beautiful Painting 🤔🧐🤔
I continued to be inspired by your work. Thanks for sharing! We will be visiting our son in SF in late Sept, and would love to see your work in person. Is Studio Local Art the best place to see your paintings?
Hy there! Thanks for the video! Was wondering if you dont mind sharing how long you worked on this painting and usally how long u spend painting outdoor. Further more im intrested to know if you sometimes continue to work on the painting on the studio, adding littel details and fixes, if so why and if not - why not? Sorry for all the question, Thanks in advance :)
As I mentioned in the video I spent about and hour and did no touch ups afterwards. i spend more time if the canvas is bigger but no more than 2.5 hours.
@@chamberlainpaintings seeing creativity’s whisper from the palette mixes 13:01 often have thought this to be one of many ways your artists gift , subliminally spoken to when you create paintings, that and subtle imagery creativity herself, often momentarily shows, in and surrounding the composition area, and some , I get see , before, through, and after composition completion, all is so unique . .💭💭💭
@@chamberlainpaintings. - Michael , at 3:32 to 3:34 ‘’the light dancing off of ‘’both’’ sides of the silvered brush tip is fascinating, thought is “‘ creativity itself charges of energy leap into and out of the you , the composition, the mixed paint ‘’ charged ‘’ , an interpretive gift transferred , play in slow motion, ( goose bumps ) 😎
Michael 8:52 to 9:04 , the critics could not see in quantum , ( like seeing exponentially) , Michael , the chromoluminarism , the pointillist, and it’s not just color(s) , seurat knew , and as you say, , appearing as unfinished sketches, how deep that goes makes a lot of sense, you accent a combined definition of how a completed painting holds more than one visual interpretive perception 🤔🤔🤔
@@deniseshaw3871Hi Denise - Lookup @AndrewBarrowmanArt . He’s down in Cornwall and makes his own panels similarly to how Michael does it. He is super nice and helpful and can tell you what materials to use and where to get them. Like Michael, he also makes wonderful plein air in oil videos. I look forward to watching Andrew & Michael every Sunday morning. (I’m in the states - New Hampshire) 😊
Great job! And honest painting! I have been learning about artists using computers to manipulate the subject, which to me, is cheating and negates the spirit.
Развлечения
Thank you.
Sometimes I wonder how tenured art professors and prof-assistants at fine art academies feel about this kind of videos posted and readily available. Lucky generation of art students, for sure.
Hmm... good question!
Michael, I feel so excited when you’re painting I feel like cheering. You paint quickly you get to the point fast. Your focal points are always great. It’s hard to express what you were talking about. I’ve often tried to say I want to paint the least amount, and still get the impression of what I was feeling down. So leaving it more like a quick sketch is exactly what makes the painting exciting, and allows the viewer so much versatility to complete the story. Just excellent!
Thanks!
Great video I’m new to Plein air. I learned so much.
Mission accomplished! Very nice Michael and you’re right the light (especially in California) is often the main subject. I hope to see it again.
Excellent closing summary on light.
You definetely have a great sense of light!! Love the old barn, I’m a sucker for old buildings!
Thanks Sophie!
Good one Michael. I like the subject matter. Glad you slowed the pace of this video down too.
Cheers
Great feeling of light. Loved the middle value shadows. As alway, you do great drafting in buildings!
Thanks Sherrie!
Nice painting...interesting analogy of music in a movie to light in a painting...thank you!
You really captured the feeling of a warm day and cool shadows. Your painting called to mind the Barn paints of Wolf Kahn.
It's a WOW, how well you captured the essence so one is drawn to look at it again, and kept it loose. Certainly inspires one to attempt something similar as 'Light' is what does the trick.
I love old farm buildings too, you certainly caught the light. yet another informative video, bravo Michael x
It’s so much fun watching your videos. I lived in Sonoma County for years and loved all the old, decrepit barns in our area, especially off River Road heading west to the ocean. Thanks so much again, Michael!✨🙏🏻💕
Love how you get straight into the painting
Nicely done, Michael! Lovely painting.
This is a great painting, Michael. You did indeed catch the light. What I like about the scene is that it takes me in and walks me past the building, Fun!
Thanks!
I appreciate the way you voice your thought process as you work. There's a lot of good advice there.
You are one of my favourite painters to follow…..love your style and brushwork. I also admire your consistent habit of ‘getting out there’ to paint. It takes discipline and focus. Bravo!
Wonderful- very calming somehow.
I think that the "feeling of light" was very well expressed -- I really see California in this painting and it's very exciting. I also think it would have been fun and interesting to see you channel Fauvism in this subject. A little Andre Derain "wild beast" would really let the creative currents swirl! 😊
Thanks Michael. Maybe I'll look at a bunch of Fauvism and then go paint!
Michael , ‘’wild beast’’ , perhaps the painting is of another ‘title name’ , some of the artists work is untitled, a particular painting titled , ‘ The Surprise ‘ , does use lots of ‘’ white ‘’ . Further research explains that color usage most typically of , reds, blues, greens, orange, yellow, exaggerated colors. The term , in French ‘’ les Fauves ‘’ translates into the phrase ‘’ wild beasts ‘’ refers to a ‘’ group of the early 1900’s , artists who emphasized strong color, aka fauvism a post impressionist era, had three exhibitions, the style era 1904 and a little beyond 1910, the fauvism height being 1905 - 1908 . Perhaps the ‘Wild Beast ‘ title is from the ‘’Rococo’’ period .
Michael, this video , and your verbal instruction, narration, teaching about “‘ the artists”’ , the impressionists, ( more, all actually) , led to learning so much more about how artists perceive and express , even artists spanning the centuries, so fascinated. 🙂
Hey MC always happy to see an upload from you and loved your description of light, a worthy subject indeed.
Thank you..I learned a lot from watching you. Beautiful light in your painting.
Thanks Alexis!
Your painting is more beautiful than the photo!
Absolutely LOVE this!!! Beautifully done!!! I strive so hard to stay this loose and try to capture a subject in just an hour, this really motivates me!! Really stunning!
9:49 “‘ so I’m going to keep working from memory ‘’ ( true creativity luv that ) 🖼️ 😆
That was great- interesting that before you lightened the grasses, they looked like water- standing muddy water, but when you lightened them up they reappeared as dry grasses- fun barn!
That window that you added on the top made a huge difference. Love the fast pacing of your videos
Beautiful painting! Always enjoy your videos and your work.
Thank you for being such a wonderful teacher. Not only do I enjoy your videos, so very much, but I also learn so much from you. And this painting is amazing too ❤
Thanks Susan!
@@chamberlainpaintings thank you, I love that you read our comments 😀
Great stuff, Michael. Love the warm and cool relationships and the explanation of how you’re using them.
Nice work, I'm convinced!
Absolutely gorgeous. I always learn so much in your videos and also gives me confidence to try different subjects.
Thanks!
Great painting, you turned an old barn into a work of art.
You certainly achieved your objective in creating light, Michael. Great study!
Amazing painting, sir! You captured the light wonderfully. I mean I just came back from a birthday party and I think I've never seen so much light in my entire life. Fantastic job! Greetings from the EU!
Thanks Olda!
@@chamberlainpaintings Cheers! Have a wonderful day!
I really like this one
Creating light in the countryside
Our intrepid artist is our guide
Use both warmth and cool for contrast he seeks
Let’s ignore the glove squeaks
“Looks unfinished” is the cliche
The artist said all he wanted to say
Capture the building slant, its rickety
Composition authenticity
Uses light for the affect primal
Pa-tre-on to support YT’s best channel
😁
I love the setting and the painting. Just sensational! I never realized how much of painting was observing carefully until I started watching you work. Thanks for sharing! Peace and love..Suz What ☮️💛
Thanks Suz! 😊💛🙏
@@chamberlainpaintings just me waving 👋 ; )p.
Thank you - one of your best!
Thanks!
Always a pleasure to watch you paint, Michael. Definitely light-filled. The warm and cool temperatures really make it happen. Gotta work on that myself. Thanks much for the video!
Thanks Miriam!
True about the light as a subject. Thanks always inspiring!
Michael, once a follower always a follower. Your brushwork is amazing. Loose but does so much to make the scene readable. From Tallahassee Florida 🌴
Thanks Barbra Joan!
Best wishes from Los Angeles blind artist! My husband described to me your painting!
Best wishes to you!
@@chamberlainpaintings ❤️❤️❤️❤️
I love the painting. You did a great job of explaining light!
Very lovely. The light is both comforting and welcoming.
love watching your process!
One of the best videos about light that I have seen. Thank you!
Your studio with the surfboards is so awesome
Haha, thanks! I need to organize
love this!
This is stunning, the light is rendered so beautifully
Thanks!
very inspiring!!
Thank you mr Michael I really enjoyed & as artist i learn more a new things 👏🏻👏🏻👏🏻👏🏻☺️ greeting from Libya
very good painting... warm vs cool... this painting pulls it off very well,
Love it so much
I like the result very much!👍👍
Thats a good looking painting
Nice! I love barns!
Works for me.
Wow wow wow!! C’est trooooppp beau!!! Well done sir! Xx
Great job of showing the light. One thing that really amazes me is how you paint with the camera in your hand. Somehow, you manage to keep the painting in full frame so you must be looking at the painting on the screen as you paint? Are you also blind folded and standing on one foot?
Haha, yes, sometimes I am looking at the screen.
wonderful
What's going on with your brush washer, Michael? It looks like it has spent time on the moon! LOL. Another gorgeous painting. Love the colors and your brushstrokes are always so pretty.
All my equipment is lunar looking from years of flinging paint! 😂
@@chamberlainpaintings yes! It's hilarious but a testament to all your hard work! ❤️
Great one!!!
Thanks Alvin!
Very nice
13:54 beautiful painting that feels like the magnificent composition ❤️ ( hearing you at 8:37 exploratory sketch , and 8:56 the impressionists first showing their work, going to try that ) Beautiful Painting 🤔🧐🤔
I continued to be inspired by your work. Thanks for sharing! We will be visiting our son in SF in late Sept, and would love to see your work in person. Is Studio Local Art the best place to see your paintings?
Yes, Studio Gallery has my current available work.
ur so adorable :)
Very nice. I love the subject matter and how you captured it. How do you sign your paintings?
Thanks! I sign my last name using a liner brush. I initial smaller paintings.
0:03 - thumb nailed inside the 3rd second 😁😆😃 < -- ( happy cuz I think I found it , )
Hy there!
Thanks for the video!
Was wondering if you dont mind sharing
how long you worked on this painting
and usally how long u spend painting outdoor.
Further more im intrested to know
if you sometimes continue to work on the painting on the studio,
adding littel details and fixes, if so why
and if not - why not?
Sorry for all the question,
Thanks in advance :)
As I mentioned in the video I spent about and hour and did no touch ups afterwards. i spend more time if the canvas is bigger but no more than 2.5 hours.
- ‘’ Good morning Michael, ( love this composition already ) , continued thoughts and prayers all families and you and your(s) 💭💭💭🙂😇😌’’’-
Good morning Mark. Thanks!
@@chamberlainpaintings seeing creativity’s whisper from the palette mixes 13:01 often have thought this to be one of many ways your artists gift , subliminally spoken to when you create paintings, that and subtle imagery creativity herself, often momentarily shows, in and surrounding the composition area, and some , I get see , before, through, and after composition completion, all is so unique . .💭💭💭
@@chamberlainpaintings. - Michael , at 3:32 to 3:34 ‘’the light dancing off of ‘’both’’ sides of the silvered brush tip is fascinating, thought is “‘ creativity itself charges of energy leap into and out of the you , the composition, the mixed paint ‘’ charged ‘’ , an interpretive gift transferred , play in slow motion, ( goose bumps ) 😎
How do you transport your wet paintings? How do you get them to thoroughly dry?
I use a wet panel carrier from Raymar
Sir may Allah bless you.
Like your comment about light and truth
💕💯🎨🎨🎨
8:49
Nice loose painting.
9:11 -( michael, where you say ‘ they stood by it ‘’ , ‘’ to me a single stroke in one of your paintings can be all ‘’’🔍🔭🤔🧐👀
Michael 8:52 to 9:04 , the critics could not see in quantum , ( like seeing exponentially) , Michael , the chromoluminarism , the pointillist, and it’s not just color(s) , seurat knew , and as you say, , appearing as unfinished sketches, how deep that goes makes a lot of sense, you accent a combined definition of how a completed painting holds more than one visual interpretive perception 🤔🤔🤔
Hi what canvas are you using please ? ..I like it
I make my own panels ruclips.net/video/KW1sYp5VhB0/видео.html
@@chamberlainpaintings thank you..what would they be in the UK?
@@deniseshaw3871 I'm not sure what products are available in the UK. I would imagine you have the necessary materials to make your own panels.
@@deniseshaw3871Hi Denise - Lookup @AndrewBarrowmanArt . He’s down in Cornwall and makes his own panels similarly to how Michael does it. He is super nice and helpful and can tell you what materials to use and where to get them. Like Michael, he also makes wonderful plein air in oil videos. I look forward to watching Andrew & Michael every Sunday morning. (I’m in the states - New Hampshire) 😊
@@lisakunish936 I follow Andrews art on RUclips love his style thank you
not toning the canvas these days?
Not lately
8:56 ( audio ) ✨✨✨ ⚡️⚡️⚡️🔮🔮🔮🤔🤔🤔💭💭💭
Great job! And honest painting! I have been learning about artists using computers to manipulate the subject, which to me, is cheating and negates the spirit.
Thanks!
( I’m at vid time 0:00 : )
Michael, I’ve always liked a sketchy look to a painting; after all, we’re pushing paint around not making a photo ( no disrespect to photo realism)…
Me too!
Looks like you are literally inside of a Bob Ross painting