What a wonderful violin concerto this is. The soloist is given the centre stage, as it should be. Nielsen's other two concertos are more difficult for the listener which is why I'm at a loss to understand why this isn't performed more often. Vera Panitch has a wonderful understanding of this work and it shows in her exemplary performance of it.
I humbly present the 3rd movement of my Piano Concerto No 2, a boisterous jaunt through a fugue, then a gigue, slows down to an arabesque type dance, then becomes an all-out romp. Hope to lift your Autumn spirits! ruclips.net/video/hkrpFBQdxjw/видео.html Thanks!
Las partituras de la orquesta me resultan agradables.... pero el violín..... no se sabe hacia dónde va... parece una improvisación ''sin son ni ton''. (Para el violín pongo un pulgar abajo)
Sadly, you don't understand this piece. I suggest you listen to it a few more times (preferably with the score), then your thumbs down will reverse to thumbs up. 😊😊
@@DavidA-ps1qr -- La melodía orquestal es maravillosa.... pero no me gusta la partitura que ejecuta el violín. Si se sustituyera el violín por un oboe.... creo que los resultados serían excelentes. Si usted se viera enfrentado a elegir entre ésta obra (de éste video) y ''Aires Gitanos'' de Pablo de Sarasate... ¿Cuál seleccionaría?
@@mauriciowilson8829 Ok. Sadly the nearest this composer came to writing an oboe concerto was one each for the flute & clarinet. They might be worth checking out.
@@mauriciowilson8829 Your question is difficult to answer for many reasons. 1. De Sarasate was Spanish & Nielsen was Danish so their composition styles are completely different. 2. De Sarasate (1844-1908) wrote Aires Gitanos in 1877, Nielson's (1865-1931) Violin Concerto was written 34 years later in 1911 - music had advanced rapidly in those 30 years. 3. Both were trained violinists, but De Saraste was known more for performing than he was composing and Nielsen was the reverse of that. So my answer is that I wouldn't choose between the two works in the first place as they are as different as chalk is to cheese.
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Глибокий твір, захоплююче виконання,, Чарівна сила мистецтва. Панує музика.
Mille bravos Madame , la pression doit être énorme !!
What a wonderful violin concerto this is. The soloist is given the centre stage, as it should be. Nielsen's other two concertos are more difficult for the listener which is why I'm at a loss to understand why this isn't performed more often. Vera Panitch has a wonderful understanding of this work and it shows in her exemplary performance of it.
👍👍👍👏👏👏👏Bravo👏👏👏👏👏
Mesterfuldt udført, Vera ❤ fantastisk samarbejde med dirigenten og kollegaerne, bravo 🙏
Meget smuk spillet, Vera ❤🎻🎼 Bravo 👍 Mange tak til den Icelands symfoni orkester under ledelse af Christian Øland 🥰 Godt job‼️
I humbly present the 3rd movement of my Piano Concerto No 2, a boisterous jaunt through a fugue, then a gigue, slows down to an arabesque type dance, then becomes an all-out romp. Hope to lift your Autumn spirits! ruclips.net/video/hkrpFBQdxjw/видео.html Thanks!
Las partituras de la orquesta me resultan agradables.... pero el violín..... no se sabe hacia dónde va... parece una improvisación ''sin son ni ton''. (Para el violín pongo un pulgar abajo)
Sadly, you don't understand this piece. I suggest you listen to it a few more times (preferably with the score), then your thumbs down will reverse to thumbs up. 😊😊
@@DavidA-ps1qr -- La melodía orquestal es maravillosa.... pero no me gusta la partitura que ejecuta el violín. Si se sustituyera el violín por un oboe.... creo que los resultados serían excelentes. Si usted se viera enfrentado a elegir entre ésta obra (de éste video) y ''Aires Gitanos'' de Pablo de Sarasate... ¿Cuál seleccionaría?
@@mauriciowilson8829 Ok. Sadly the nearest this composer came to writing an oboe concerto was one each for the flute & clarinet. They might be worth checking out.
@@DavidA-ps1qr Puedo percatarme que usted le quita el cuerpo a la jeringa... al eludir una respuesta a mi pregunta.
@@mauriciowilson8829 Your question is difficult to answer for many reasons. 1. De Sarasate was Spanish & Nielsen was Danish so their composition styles are completely different. 2. De Sarasate (1844-1908) wrote Aires Gitanos in 1877, Nielson's (1865-1931) Violin Concerto was written 34 years later in 1911 - music had advanced rapidly in those 30 years. 3. Both were trained violinists, but De Saraste was known more for performing than he was composing and Nielsen was the reverse of that. So my answer is that I wouldn't choose between the two works in the first place as they are as different as chalk is to cheese.