Use the VC on each track to group the vocals and add the mix buss on the buss instead of another VC. Also adding a tape machine at the beginning of each chain adds more richness.
In this case it's on the groups. So there are three of them: Lead Vox , Doubles and Choir.When it comes to vocals I don't use VCC as a send. However if you want more harmonics on the doubles for example , you absolutely can use it as a direct insert (experiment with different settings for each take) and then add another VCC on the group to glue it all together.
I like it but plz i have problem when i mixing urban vocals im use magg EQ and ap500 busting 10k but when i put limiter on master track for cheking haw sound will be on mastering im find a louuuuut of hursh
Contrary to many vocals mixing tutorials on RUclips, your particular vocals (what kind of voice you have + what microphone you use) might not need that 10kHz boost. Have you considered that 10kHz for your vocals - is in fact the very source of the harshness? But before you boost any other frequency … I would suggest trying this: - Focus on the low-mids and mids of your vocals first. If you balance them right with subtractive EQ (static, dynamic) and compression the top end in your vocals might sound more open on its own. - Before you apply compression, however, you also might want to look for resonant frequencies in the range between 3 to 12 kHz and cut them out using either narrow band EQ, or use Soothe2. - Only now you might want to try boosting some frequencies up. Try out different frequency bands: 12.5kHz, 7kHz or even 5kHz. Listen to what sounds better and find a sweet spot not only for the frequency band but for the amount you boost as well. - Try saturation as a tool for brightening up your vocals. You can also put a limiter on your master while you mix your vocals - there is nothing wrong with that. If limiter on the master will help you make better mixing decisions - why not. Experiment and listen carefully to what happens to your vocals when you apply eq/compression/saturation…etc. Try to analyse what your vocal needs are and what tools you have at your disposal to achieve it. These are just general suggestions on how to approach vocal processing. But I hope through careful listening and experimentation you’ll find the solution.
Oh, VCC stands for Virtual Console Collection. This little plugin is designed to emulate the sound of 6 famous hardware mixing consoles. Basically, it adds an analogue touch to any signal (vocals, synths, bass, drums) you run through it and as a result helps it sound warmer and less digital.
I love Slate Digital. Thank you for the sauce, really helped. Charming voice!!!
Thanks for the sauce ❤
You have a dope voice, both singing and speaking ❤ I love slate digital all access, it’s literally everything you need to produce top quality music
Thank you so much!) Indeed, Slate Digital's All Access is a gem
this was in my recommendations .. good stuff fam 👍
Use the VC on each track to group the vocals and add the mix buss on the buss instead of another VC. Also adding a tape machine at the beginning of each chain adds more richness.
I'll try it out. Thanks 😉
trident console is not only good for vocals but also any strings section to get the air without any eq.
Thank you for the tip. I'll make a note 🙏 💜
I don't know anything about this but, it does look cool.
Thanks 😍
Thank you 🙏
You’re welcome 😊
Is this song not out yet? I just searched your catalogue on apple music and don't see it. Really love your vocals! Cheers
Thank you. Song isn't out yet, but I hope it will be.
R u using this as a send or as an insert?
In this case it's on the groups. So there are three of them: Lead Vox , Doubles and Choir.When it comes to vocals I don't use VCC as a send. However if you want more harmonics on the doubles for example , you absolutely can use it as a direct insert (experiment with different settings for each take) and then add another VCC on the group to glue it all together.
I like it but plz i have problem when i mixing urban vocals im use magg EQ and ap500 busting 10k but when i put limiter on master track for cheking haw sound will be on mastering im find a louuuuut of hursh
Contrary to many vocals mixing tutorials on RUclips, your particular vocals (what kind of voice you have + what microphone you use) might not need that 10kHz boost.
Have you considered that 10kHz for your vocals - is in fact the very source of the harshness? But before you boost any other frequency … I would suggest trying this:
- Focus on the low-mids and mids of your vocals first. If you balance them right with subtractive EQ (static, dynamic) and compression the top end in your vocals might sound more open on its own.
- Before you apply compression, however, you also might want to look for resonant frequencies in the range between 3 to 12 kHz and cut them out using either narrow band EQ, or use Soothe2.
- Only now you might want to try boosting some frequencies up. Try out different frequency bands: 12.5kHz, 7kHz or even 5kHz. Listen to what sounds better and find a sweet spot not only for the frequency band but for the amount you boost as well.
- Try saturation as a tool for brightening up your vocals.
You can also put a limiter on your master while you mix your vocals - there is nothing wrong with that. If limiter on the master will help you make better mixing decisions - why not.
Experiment and listen carefully to what happens to your vocals when you apply eq/compression/saturation…etc. Try to analyse what your vocal needs are and what tools you have at your disposal to achieve it.
These are just general suggestions on how to approach vocal processing. But I hope through careful listening and experimentation you’ll find the solution.
@@IrisYuvelir This is Gold. Thank you.
How do you apply the pluggins into logic?
Not really sure what you are asking :
1. How do I add new plugins into Logic?
OR
2. How do I pick which plugins I'll use in the project?
😦😯😯😯😯😲
I hope this means this short was informative 😉
I don't know anything about this but, it does look cool.
Oh, VCC stands for Virtual Console Collection. This little plugin is designed to emulate the sound of 6 famous hardware mixing consoles. Basically, it adds an analogue touch to any signal (vocals, synths, bass, drums) you run through it and as a result helps it sound warmer and less digital.