What is the BEST MUSIC STREAMING SERVICE?
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- Опубликовано: 2 авг 2024
- Thanks to AD7OR for letting me use his track! Listen to the original song here: • Funk Heven
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INDEX:
00:00 - Intro
00:24 - The Song
01:16 - How we're testing
04:08 - Spotify
06:14 - Why is there so much missing?
07:03 - Spotify Premium
08:02 - Tidal
11:43 - Apple Music
16:41 - Deezer
19:56 - Qobuz
20:37 - RUclips
21:37 - Conclusion
23:21 - Disclosure
24:08 - Support me! Хобби
Thank you Wytse for featuring “Funk Heven” on your channel! It’s truly an honor to be part of this. Your kindness is very much appreciated!
I would also like to thank everyone that will, have and continued to listen to the song! 🧡
This is only the beginning.
Very nice song! -> oldskool to newskool, love it...
Great song!
Love that Michael Jackson touch!
Yooo dope track! Huge MK/Weeknd vibes!! really dig it!!
Such a great video, absolutely spot-on testing method and easy-to-understand explanations. ALSO... such a surprise to discover such an absolute banger of a tune, I can't stop listening to Funk Heven and simply must have more of this artist's music. How does their video only have 3K views?! Your mix is also superb!
Thanks for investing your time, money, and energy in this. Very useful to get the info coming from someone who has the original master which can serve as a baseline.
I've searched for something like this for months. Thank you very much, what an awesome video.
Best audio comparison method i've EVER seen on a RUclips video. So cool!!
This is for sure one of my top 10 favorite videos on RUclips - very, very well done !!!!!
Your results support my own experiences, I switched to Tidas because of the sound quality AND the much better suggestions what to listen next ...Thanks a lot!
Omg, you did such an amazing and comprehensive video! Thank you for your work, it is greatly appreciated.
An interesting result I hear is when these high frequencies are attenuated via the compression algorithms they apply, it tends to make the stereo image collapse inwards. Which makes sense, typically you have your high frequency information encoded further to the side channels than the mid channel.
I really like that this is an actual test Vs other reviews which just rehash info found online. Good work!
Amazing video and a lot of quality effort in there. Thank you
Bloody interesting
Thanks for all your efforts - Great job !
Absolutely great video. So interesting hearing what is lost through compression with the null testing. It would be great to see Amazon Music included in this too. But very thorough coverage! Thank you
Wow I was just hoping you would do another one of these a few days ago lol. Great stuff
I'm glad at the end you mentioned that there are other factors. I hate spotify for a number of reasons but it's still my go to. The playlists, song recommendations, user communication (public playlists, song sharing, etc.) stuff just makes it the best platform for me. When I make enough money from music that I can pay all my own bills, I'll get Tidal to add on (but by that time Spotify Hi Fi might be ready lol)
Super . Thanks very much. I love your objectivity.
Would appreciate for any future tests of audio fidelity to have a display of the spectrographs of each song using something like spek, its a really good way to visualize the objective losses in audio quality. Otherwise very insightful and well-detailed video as usual!
This is an excellent demonstration, super interesting! Also, hey new glasses!
This is superb work you are doing for the community, and hopefully for the general public too, eventually!
Thanks a bunch!!
There's a hint of Sean Connery in your accent :D
This video is a great and very interesting watch. Fascinating stuff!
Very cool test. Also very awesome in comparison to 2018 that they ALL got better. Especially the ability to have lossless now almost everywhere is amazing. I'm curious to see how the new spotify plan will be turning out.
Great vid and comparison. Thanks for your hard work.
Brilliant! Thank you for this fascinating analysis
Great Topic, thx for the tests, interesting results !
Sir, these are tremendously wonderful mixes and masters.
Excellent video, and song!
Thanks Wytse for making this video it was really informative
Thanks for the video. Very helpful.
Brilliantly done!
I am relieved that Apple Music is truly lossless as I am also fully in the Apple ecosystem. Great explanations of your methodology and introduction to the testing protocols you used. Well done!
Great useful video, thanks!
Great as always
Year 2024 here. After years of using Spotify as sound engineer I decided to switch for Apple Music. The second factor that every test skip is the compression itself. Files are not only compressed for less data but also dynamic changes. Thats why as sound engineers we should listen losless because we just to bad sound, less and destroyde dynamic of band and frequency wise. Not sure if you know what I mean - its like always listen to overdriven guitar and then you don't really know chow clean guitar sounds like and always on your mix try to overdrive your guitar even if it should stay clean but you have your mind template of guitar as overdriven.
Thats why losless is so important to audio engineers - to stay in perfect template of sound in our mind and ears.
THX for that video, 2 years old now but still valuable !
Many thanks for your efforts 👌
I wold like to mention that i have many subscriptions to the most popular streaming services. And very high end DAC's Amplifiers and headphones.
Unfortunately i never been able to get any of the streaming services to sound exactly the same on PC because they all use a diferite rendering engine for the file (MQA, FLAC, MP3... ) . And i'm not talking about louder or quite difference. Micro-details and in special the stereo imaging is i bit diferite.
Yes i did make sure it was bit perfect playback.
As an example: in Audirvana (latest version as may 2022) FLAC losses songs brought from Qobuz sound the same as the streamed ones.
Same songs have a touch diferite stereo image and micro-dinamics (not to be confused with micro-detaills) on Tidal.
Even when i have set the output volumes equally or disabled entirely 🤔 🙄
I think the only way to test the differences is by using an streamer ( hardware) that supports all this services ( eventually MQA capable)
I have the RME ADI-2 FS and i will tray to reproduce this on my own. I'm sure is an audible difference between the lossless formats because of diferite playback software. Or at least sounds like because of diferite dinamic range.
One last think i wold like to mention, RME ADI-2 FS doesn't sounds to my ears the same on USB (DragonQuest Carbon USB cable) and SPDIF (optical)
It has better "black background" , quiter background on optical. At least on PC.
Any way great video as always. Many thanks for your efforts 👌
This is an informative video with good explanations, thank you! I personally don't understand why the music industry constantly reduced the sound quality over time. We started with Vinyl, then got used to CDs. After that, we were hijacked to MP3 and ended up with streaming between 128 and 320 kbits. Not to forget the removal of the cable and replacing it with Bluetooth. So, our hearing and brain "learned" to get used to these losses what I think is bad as I am sure we lost the memory about how music sounds. Having lossless sound quality back is the minimum we can expect from the music industry and the streaming services. I have been using Tidal Master (switching over from Spotify) for more than five months now and I am happy with it even I am not always able to hear the differences between Tidal and Spotify I can enjoy music for much longer without getting tired and hear more details and there is a slightly better instrument separation.
idk we been used to bad sounding music since the 60s with 33rpm vinyl and 7" 45 that sounded exactly like 33rpm, then cassette tapes, it only went good when CD was introduced and further improved upon the end of 90s, then ipod in the 2000s went in craphole again... do I think AAC/Opus are quite good enough even for carrying as portable player format these days but be sure to just encode it to the highest bitrate, as carrying FLAC with you on DAPs simply just a pain in the crack especially backing those up. lately I just encode all of my FLACs to AAC VBR highest bitrate then put it to my DAP, while 96khz/24bit hi-res audio will remain as FLAC in it to save storage.
Great job, I like when you do all this research and present the findings. Saves us time, :-) which is a high value you are providing. A thought I had while watching is that it would be great if you did something like this streamed live, giving us notice ahead of time et al, and we could post questions, and you would read and answer them, why? Cause we are many heads, and we may come up with something you have not thought of, and we could all get more out of this type of interaction. Maybe here on YT or on Twitch. I would pay to attend a live stream on an interesting topic. Here are some topics I would love live-streamed. 1. Reaper Walkthrough, where you show us reaper, and we ask hey how you do this and that, and you do a live demo. Would be fab!. 2. Live mastering. 3 Live fix a phase issue. 4. Fix a muddy stem etc etc. I would pay for these, and I'm sure many others wound, especially if we get to ask questions. That artist was amazing and the Master job you did was amazing. Thanks again. 🙏
Thanks this was a really helpful video!
diggin' this technical content, and you're immediate reactions
You are immediate reactions
Excellent video - thanks ! I think that Spotify is very clever: they understand that investing heavily in lossless might not be the highest priority for their very wide client base. They have other more important challenges to meet: expand geographically and stay ahead of the fierce competition from Apple, Amazon and others by offering new services (podcasts, audio books, concert tickets, etc). (PS: subscribed to your channel)
This is so good!
Thank You!
And thanks for another great video.
Best review I’ve seen by far
I am perfectly happy with the RUclips Music paid service for music. Sounds good, best UI, combo of music and video and no video ads.
Thank you sir, you are such a hero!
Best comparison out there, very well done. Would love to have known your thoughts on how Qobuz hi res compared to original master.
First of all, very nice review and very easy and nice layout both in terms of audio and visuals. Now... 14:52 : I can clearly hear just as urself the difference in terms of "Apple Music" using another type of sound fo the percussion in the song and also for thoose really clear and high pitches. I can even hear that they've re-arranged the position from where the vocals emerge from or am I crazy?
I love your take on this and setup when comparing. I think audio is a very induvidual experience to each and one of us and it also comes down to matter of taste. But It's always a extra nice feature to just know that the song that you are currently blasting of is actually not "tampered" with in a sense of that it sounds exactly as the original, atleast to my own ears.
Again, very very professional and skillfull production of this video! *hands down + clap* Also very nice beat/song! Love the MJ dna feel to it! :)
Regards - Marcus Berntssn , Sweden.
Amazing video tnx
Update and comparisons appreciated!
I would have liked to see more analysis of RUclips, though. While I understood why you did the loseless comparison, I feel like we got a teaser of its quality and I am interested in learning more. I had no idea about the fact that we fill in the music--I am 100% with you that music is to be enjoyed. And now I'm wondering if I am tiring myself out more with RUclips (and consider one of the other alternatives)-- or if it's just in my head!
That lossy compressions creates more ear fatigued is a hypothesis which needs proof. AFAIK the opposite is true.
Also our brain AFAIK isn't "filling the missing part's" it is more like "the codec is removing/modifying the part's we probably won't hear in the original".
If you stare in the direction of the sun you probably won't see every minute detail of the surroundings. It's the same with sound. You are unable to hear every minute detail of noise and high entropy part's. You probably aren't able to differentiate between two white/pink noises which share the same frequency curve.
Great video! It would be interesting to see what happens when you play a song that has the "Master" label without a Hifi+ account. According to the headphone show, it'll play in something way less than lossless (MQA without unfolding instead of CD quality)
Brilliant bro!!!! 😮😊
Thanks!
I'm so glad you did the null tests. This proves their lossless claims. The advantages of being a mix engineer!
Superficially they kind of sound the same to the average layperson in the street I guess. But the nulltest is quite the eye opener. I’ll think I stick with reflective silver discs. Never have to worry about connection speed, bandwidth and future availability of my favourite artists. On a streaming platform today, but maybe not tomorrow with some platforms. It can be volatile, some music isn’t always available on the streaming platforms either.
thanks you for that video :). i was thinking about moving to tidal in a while.. this video helped me alot looking for a streaming service ❤
and btw. was the tidal subscription the hifi or hifi plus
Sweet...respect!
Man, I just watched 20+ videos about audio quality even on streaming services and you just teached me to hear the differences even I see this on YT. The metod you showed with audio differences you can litterlaly hear it in the full audio playback. I closed my eyes and listen the music and I heard very clearly the differences. But I have to say I managed to hear that only with 1 specific tone there and its the "electronic drum base" (I dont know how to call it). So its not voice and the "clicking sound" (maybe the volume of the clicking sound as well) but the quality of the "drmmm" was hearable. In losless its much more clearer and satured. I dont think I can recognize 256kbps with losless when Im using the app because my brain imagines the quality of the music even it doesnt hear it :D. Will see. Thanks for teaching that!
I heared the diffrence but or me all sounded fine. Would go ofor the bigger database and suggestions and dj live sets.
Usually you hear the diffrence in live recordings why better then in electronic porduced sounds.
Thanks for the comparisons. My best streaming platform is my CD's and the CD player. Just can't compete when it comes to sound quality. And I don't need to be connected to the internet. I just wish lossless was standard across all streaming platforms with no lower or better options. Then as a mixing/mastering engineer having to worry about different LUFS's to cater for different platforms in case they add artefacts that compromise your songs dynamics. When I listen to music from the internet and then play a CD.... it's night and day difference.
Think of it like this.
You wanna make a fire.
The fire is the digital
In order to produce fire
You'll need equipments or procedures
Physical mediums such as cd, vinyl, etc. are like lighters and stoves
Fire wasn't manually made because this equipments was already made to produce fire on itself
Next is
Dacs
Which will be represented as flint and steel
In order to make it lit a fire, you'll need to manually do it
Dacs indeed does this to your digital
Dacs = Live (QUALITY VARIES)
Vinyl = A Finished Product (FIXED QUALITY)
I'm sorry my english is bad
What I'm trying to say is
All lossless digital files are the same
Analog converters, and converted medium are the ones that affect the audio quality
I haven't mentioned any amps, power, output speakers, sound meters, other sound equipments, bitrate, sampling rate, dsd files, and many other more, cause it will broaden the topic
I just wanted to you to get the idea or concept on why your cd sounds better than your streaming files, a digital file personally and manually ripped from your cd will even sound better than your digital streaming file.
You can do some tests if you don't actually believe me. Its up to you anyway in the end.
Your personal preference is what matters.
if it sounds good to your ears, why would you still go for others just because of technical differentialities? What your ears can hear, is what matters the most, atleast i think.
Listening on my Yamaha HS-7's I clearly hear more stereo information on the original master. Surely for Deezer that is the case. But like you said, it's subtle.
I still wouldn't trust Spotify's coding even if I left the normalization turned on and my mixes doesn't overshoot. 😂 Wish you would've bypassed it! 🙁 Nonetheless it's weird that they attenuate the crunchy frequencies rather than the top/transient stuff. Weird. Awesome video btw!!!
Nice one
It was interesting seeing your video. For me personally I find Qobuz seems to sound a little better than Apple Music and I did wanted to know why. Your video suggests there is no difference in the Qobuz quality settings, so lossless at CD or low quality. Which makes sense to me as I have noticed changing to a low setting no speed improvement to downloading tracks. I stream at CD and if I like the track I download at lossless.
I did wondered if there is some way to do a comparison playback of Apple Music to Qobuz and say how they actually differ between each other, rather than just the original recording.
I agree the advantage to lossless is it is less taxing on your mind (ie fills in the gaps) especially on a long car trip.
I like Qobuz as it sounds better, has better music discovery but definitely a buggy app, slower to play tracks. Apple Music better app, quick playback, poorer music discovery (new artists). Really hard to chose between the too.
Thank you for the video.
Great video! Impressive. Have you done a comparison on video streaming video companies and the quality of audio coming from them such as Apple TV , DIRECTV streaming, Hulu, Amazon Prime, etc. ? Your help is appreciated.
The fact apple music has lossless at not additional cost is enough for me. Tidal is double the price. Also Spotify said it will cost more too
Tidal halved its price and you seem to get Tidal HiFi for 9,99 nowadays, you only pay double if you choose the Master pack but i do not recommend that one.
Tidal are one of the best when it comes to paying artists. If you want to support an artist use Tidal.
The problem with Apple Music is that you can only get HIFI through an iPhone or iPad. If you want It on a PC you're screwed. That's why Tidal or Deezer are currently the best option. Because lets be honest no one is going to connect a DAC to an ipad or iphone we all use it on pc. I mean If you wanted to you could but It's just an extra hassle and you can't use the phone normally.
@@timcesnovar978 that's a big thing that they need to change
@@timcesnovar978 I connect an iPad to my DAC via and it works very well.
I know you've said that stuff about Tidal's Master quality and it also needs a special hardware, but I am just curious to see you put it to the test as well whenever you have the opportunity. Maybe in the next video when Spotify HiFi comes out?
GoldenSound did a test last year about the MQA format on his channel. It's not a lossless format, so a reason for me to avoid Tidal from now on
Not sure if it has anything to do with samplerate when it comes to Tidal. When uploading songs through Distrokid you get an option to upload the track for Tidals "Master" program which "Allegedly" processes the track in 24-bit. I think its more about the serverspace that youre occupying than the quality of the recording. I could be very wrong tho.
There are those who say that the minimum requirement for hi-res is 96 kHz . Well, that's the minimum requirement when it comes to certification for Hi-res. DXD is extremely 352.8KHz DSD is well at 2.8 MHz but then it is only one bit Technology used among other things on SACD
Between the quality and military/veteran discount that made it cheaper, Tidal won out after using amazon hd for years.
Great stuff. I’ve been doing this same test since I started using Serato in 2006 and was trying to figure out what setting to use when digitising my collection. The first thing I categorically noticed (first subjectively by ear, then objective nil testing) was that MP3 was vastly inferior to AAC, which is the same codec used in a lot of video compression plus Apple’s own lossless setting which is somewhere around double the top lossy setting (320kbps) & correlates approximately with wav/aiff file sizes. MP3 smears transients & blurs the sound stage/detail/reverbs etc (with that famously horrible watery squeaking balloons artefact) however AAC conveys those elements much better.
So in short, I stopped using mp3 over a decade ago. I also have found Amazon Music does lossless audio which I have been using for the last few years instead of Spotify although it’s interface isn’t as good it does what I need which is allow me to play high quality audio through a chosen soundcard/DAC. Very useful for referencing.
I’m yet to nil test whether Apple TV delivers true lossless over WiFi but I have been happily using that setting under the assumption it does, which I always think is cool & extremely handy when sampling from my Dropbox sound library or whatever.
Big up for the useful info
Another finding I also wanted to share is that the software doing conversion does actually make a difference and not all converters are equal - the same goes for audio playback from a computer, cross conversion occurs in some programs and only some allow for exclusive access to the soundcard (which sets the dac to the exact res/bit rate as the audio file).
I was partially surprised to find this out but given that I have never felt right with the sound of Logic it may explain what my ear was hearing in those circumstances. A good reference class lossless player is Decibel & XACT is a top encoding program, both ultra basic.
In the case of providers depending on the user's ability to compensate for the loss of quality, maybe it's in the interest of the streaming service provider to discourage subscribers from using the service for too long. Maybe that's how they maximize profit. There should be a point of diminishing return, for the provider, beyond which the cost of the bandwidth begins to significantly diminish the amount of subscription profit. Keep them only happy enough to continue paying.
Thank you White Sea Studio for excellent work - world class!!! Is it just me that feels that hi res streaming services is for people that cannot judge sound quality by them selves...?? I have tested CD format against Spotify Premium streams with highest setting and cannot hear any audible difference nor could I hear any differences between your examples in this video. I think lossy codecs has come a far way in order to keep sound quality and save data traffic. I was close to jump on a Qobuz subscription, but I think I´ll pass due to above said. Is it just me being too honest and really compare things before I jump into "upgrades" in my hi-fi rig?
Awesome test! Although, I think the audio quality differences are pretty trivial. At the end of the day, it's not really going to matter which service is the best, since they are all pretty good in comparison and also since you have no control over how they process the audio. As long as you as the musician/producer upload 24 bit wav files vs uploading a mp3 file, you should be good! 😁👍
Is there any way you can test it with Roon and Audirvana Studio along with all these streaming services with the method you used?
Can casting features, like Chromecast, cast/stream lossless files? Excellent comparisons by the way!
I know nothing about music, stumbled across this video looking for better service than spotify. I feel better informed now ty
Is tidas available in the UK. I cant see it in play store. Also which was best for sound quality overall and recommendations
What is your method of lining up the tracks and getting them all the same volume?
Man i need this video.
I was using YT-Music for a while now. It features the biggest music library - theres nothing i wouldn't find. However, the sound quality is rather "meh", and there is litereally NO way to structure your library except using playlists.
I wanted to switch to Apple or Spotify but didn't really know what I should go for. I guess its Apple after watching this video.
These compression schemes will sum to mono if there is not enough difference between L&R. That for sure will alter your center image.
The Problem is, that you never know which master of a song/album you get. Some older albums from popular badns have so many different versions, that i think it does not matter, what platform you use, as long as they have decent audio quality. If you really want to listen to the smallest subtleties of different masters/pressings, you sould still buy CDs or vinyl.
I normally listen to music in the backround. If i concetrate hard on hearing subtle things in songs or if i listen for instrument seperation etc. i fall asleep after a few minutes :D
Cool to see that 320 mp3 from tidal is better than everyone one else 256 acc. I wonder how a 320 acc would work
If all Tidal, Apple Music and Deezer in lossless pass the null test without any artifacts why do they sound different through the same DAC and hifi system ? Thanks
Great video - Thanks! Question - What is the LUFS level of the files being received by the listener for each of these platforms? My sense is though, for example, if one submits to Spotify at -14 LUFS, they then compress the files to a higher LUFS setting. And that might explain the differences you discovered in this video for some platforms.
Ok, first LUFS is not a setting, it is a loudness measurement. We don't dial loudness, we make music and then check the loudness for technical reasons.
Then, it's the opposite. If you upload an audio file on Spotify with an integrated loudness of -14 dB LUFS and no peak above -1 dB True Peak, then Spotify won't touch the loudness of the file, because it is already within range of what they use. Most platforms use -14 for modern music, because it kind of works, but no value would cut it for everything. Apple uses -16.
Finally, he said at the beginning of the video that the masters had been made with those loudness normalisations in mind, so everything is probably at the same level. The specifications for every platform are well know, so loudness matching would be easy anyway.
@@Mrlultime Hi Jean - Thanks for replying. I hear what you are saying. But I have a situation I can't figure out, hence my comment. Any ideas would be welcome.
I mixed and mastered a song to -9 LUFS in Reaper. One of the output files is mp3 format (yes I know that mp3 at -9 LUFS is not optimal, but I did it anyway).
I dumped the song onto my phone. I also have Spotify running on my phone.
I play my song using the stock music player app (on the phone), then I switch to Spotify and play a reference song. The reference song (or for that matter, any song on Spotify), I perceive as always being at least as loud as the song I mastered at -9 LUFS if not louder. There are no internal volume controls on either the Spotify app or my music player app. And i have not touched the volume nob on my phone when swithcing between Spotify and my music player.
My point being, to me it seems that Spotify, after an artist submits their song at -14 LUFS, Spotify then does some sort of internal processing to level all the songs to something louder than -14 LUFS.
Do you or anyone else have that experience?
And so I took it one step further - I got mp3s of multiple songs running on a current Spotify playlists that were posted in 2022.
I loaded them into Reaper and measured their loudness levels (all were somewhere between -8.8 to -6.0 LUFS - I).
Then I loaded them on my phone and A-B compared the same song played on Spotify. There was zero apparent difference in volume between Spotify and the mp3s.
Not scientific, but the apparent loudness level on Spotify certainly did not appear to be anywhere near -14 LUFS-I.
In fact - to get the mp3s to hit the -14 LUFS-I level I had to significantly reduce the volume of each mastered track, like -8 dB on the loudest track to get Reaper to register it as -14 LUFS-I.
2 specific tracks
Black Keys - Wild Child -8.8 LUFS
Avril Levine - Bite Me -8.1 LUFS
Even though my above process was certainly not specific, I think if Spotify was streaming at -14 LUFS-I, one could certainly hear a difference between that and a -8.X LUFS-I mp3.
My guess is there is some fancy compression/expansion manipulation going on within Spotify.
The only two I use are SoundCloud and RUclips music. Strange to leave those two out
which one was the best in terms of quality?
something that bothers me with Apple Music although it is the one that i use, is how on my windows pc there is no way as of now to stream/download their lossless ALAC quality. on windows 11 you can use the windows android subsystem to get the android app which does offer lossless, but i'm on windows 10 :( thankfully my andoid phone can benefit from the lossless but my pc is where i have my large audio setup and so i find it unfortunate that i'm stuck with AAC files
Another option would be a program that can read ALAC files, or use FLAC instead.
Does anybody know why loopback software wont produce a result that will null correctly? I have been trying to recreate these results with different apps that record the system audio of the computer but every time the result is fractions of a millisecond faster or slower than my source file. I'm assuming this is a clocking issue.
Hi, do you tried RUclips Music? It offers higher Streaming Quality.
If you use the web player, the tidal hifi version should null.
Finally another song than sandstorm!
Wow man. I love you through that Lewitt mic, that sound is like 3 levels up. My Headphones and my ears loves you now haha
god darn I wish Apple Music lossless was available for Windows 10 as I do most of my listening through Laptop, DAC, the headphone amp then Sundara headphones. Deezer has been good sound quality wise but has gaps in the library, I suspect most bands can't be bothered making sure all of their back catalogue is up on Deezer. Spotify is still the best platform in terms of finding new music but have been waiting and waiting for Hi-Fi option to happen!
Amazon HD is great but it's mess to activate in Belgium and I can't use the xbox app
Thanks for another great video.
I'm heavily leaning towards migrating from Spotify to Apple music, since I'm also DJ'ing with rekordbox, which integrates somewhat with iTunes.
Does anyone know good ways to migrate the artists I follow on Spotify onto Apple?
I'm guessing playlists, probably will have to be recreated from scratch...
I used an app called freeyourmusic a while back… it is not perfect, but it helped me a lot…
There's also Soundiiz and Tune Your Music
Is there a website to listen to songs post apple volume drop before uploading?
You didn't show this in the video, but what are the differences between Spotify and RUclips Music? BTW Goede video!
What about a null test with the SoundCloud version?
For me it sounds like this
Spotify is AAC 256 Kbps
Tidal is WAV 1.411 Kbps
Qobuz is FLAC Losless
Apple Music is MP3 256 Kbps
Deezer is MP3
When i record 1 song from Tidal in WAV i convert it to MP3 CBR 320 kbps. with dB Poweramp software, then i use a software called MP3Gain where i gain the music up to 95.0 dB. It sounds a lot better than original 320 kbps. Standard is 89.0 dB and the highes is 105 dB. I found 95 dB is the best volume, with more information and details. especially when it comes to 80s rock, soft rock pop and synth pop music
I hear Deezer loses some stereo image as well as highs. Am I wrong?