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Behind the Scenes of Netflix's 'The Killer' With Adobe Premiere Pro | Adobe Video

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  • Опубликовано: 18 авг 2024
  • Go behind the scenes with editor Kirk Baxter and his team and learn how they used Adobe Premiere Pro to enable seamless post-production collaboration.
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    Behind the Scenes of Netflix's 'The Killer' With Adobe Premiere Pro | Adobe Video
    • Behind the Scenes of N...

Комментарии • 44

  • @daniyalamjad
    @daniyalamjad 8 месяцев назад +25

    Wow! I’ve didn’t know, this film is edited on Adobe ecosystem. I thought the post production work was done on Avid media composer.
    I don’t know why I feel proud to be a premiere editor 😅❤

    • @AdobeVideo
      @AdobeVideo  8 месяцев назад +2

      @Daniyal Amjad Thank you for the kind words!

    • @YuenXii
      @YuenXii 8 месяцев назад +7

      David Fincher and his team have been using Premiere since Gone Girl.

    • @botbot3698
      @botbot3698 8 месяцев назад

      colored in baselight probably

  • @patrickfitzsimmons2130
    @patrickfitzsimmons2130 8 месяцев назад +27

    Why isn't this 10 minutes long?? (or in 4K!?)

  • @carloalcos
    @carloalcos 8 месяцев назад +4

    Cool to see a pro editor using a tablet as well :)

    • @AdobeVideo
      @AdobeVideo  8 месяцев назад

      @carloalcos they do amazing things!

  • @linedpaper5374
    @linedpaper5374 8 месяцев назад +6

    they didn't state it. did they actually use lumetri to grade the film?

    • @richardsontwain6283
      @richardsontwain6283 8 месяцев назад +5

      Features like these will never be graded using Lumetri. It's either Baselight or Resolve. At 1:42, you can see the colorist using Baselight.

    • @anilaboutme
      @anilaboutme 8 месяцев назад

      @@richardsontwain6283 Ok but he also uses Premiere Pro or how did he access the footage as I believe Baselight is not compatible with Premiere Pro??

    • @UnofficialRoughCuts
      @UnofficialRoughCuts 8 месяцев назад +3

      @@anilaboutmewhat do you mean? Baselight just renders out graded clips that will get imported into premiere or any other piece of software.

    • @anilaboutme
      @anilaboutme 8 месяцев назад

      @@UnofficialRoughCuts Ah ok. So it's a stand alone program and a plugin perse?

  • @ongakuyaro
    @ongakuyaro 8 месяцев назад +1

    gonna watch today

  • @editedbytuhin
    @editedbytuhin 8 месяцев назад +25

    Children are complaining how premiere crashes all the time while the adults are cutting brilliant films in it.

    • @joshbloome801
      @joshbloome801 8 месяцев назад +1

      a better machine translates to minimal or rare crashes lol

    • @JeffDrake704
      @JeffDrake704 8 месяцев назад

      The right knowledge goes a long way - using Productions and proper codecs is a good start. But I don't want to give away all of my secrets! @@joshbloome801

    • @mr.morales0707
      @mr.morales0707 8 месяцев назад +2

      Well, it does chrash sometimes

    • @joshbloome801
      @joshbloome801 8 месяцев назад +3

      @@mr.morales0707 my M2 Max gets a little wobbly every now and then with AE and Pr - so not perfect, but also not really a huge dealbreaker

    • @mr.morales0707
      @mr.morales0707 8 месяцев назад

      @@joshbloome801how interesting. I got a m2 max speced out MacBook and I can confirm it lags every now and then. Especially with premier pro

  • @kubolor1234
    @kubolor1234 8 месяцев назад +2

    yeah I am still using Davinci Resolve.

  • @joblo7
    @joblo7 8 месяцев назад +1

    AdobeVideo, any chance of a Baselight Editions connection?

  • @muhammeduluslu
    @muhammeduluslu 8 месяцев назад +1

    perfect

  • @adrianch4074
    @adrianch4074 8 месяцев назад +3

    Did I understand correctly? Was 'The Killer' colored in Premiere?😲

    • @tiburc10
      @tiburc10 8 месяцев назад +5

      No. They didn't show the software he was using on purpose because it wasn't Premiere.

    • @Video_Maestro
      @Video_Maestro 8 месяцев назад

      No, color is in Filmlight Baselight @Menc4 @adrianch4074

    • @KarlSoule
      @KarlSoule 8 месяцев назад +2

      The color pipeline is via Baselight, but the important takeaway is that the Dailies, the editing media files, are graded for High Dynamic Range (HDR), so that Kirk, David Fincher, the producers, etc, are watching everything in HDR from the first day of editorial. Normally, the HDR grade is done very late in the process.

    • @YuenXii
      @YuenXii 8 месяцев назад +4

      No, Fincher’s team uses Baselight for grading.

    • @umitbulutt
      @umitbulutt 8 месяцев назад

      @@KarlSoule Thank you for the information. Quick question: Do you know if they transform HDR to Rec.709 after the picture locked?

  • @pratikparmar1411
    @pratikparmar1411 8 месяцев назад

    Class ❤

  • @seaque.
    @seaque. 8 месяцев назад +2

    imagine your software is used in hundreds of million dollars movies yet still not optimized and efficient.

  • @marksummers666
    @marksummers666 8 месяцев назад

    uh oh 0:54 2:06 somebody didn't have their duplicate frame markers turned on!

  • @anilaboutme
    @anilaboutme 8 месяцев назад +1

    What did they use to color grade? Lumitri?

    • @AxTechs
      @AxTechs 8 месяцев назад

      Baselite

  • @charliegamezmedia
    @charliegamezmedia 7 месяцев назад

    That's right suck it avid!!! 😅😅😅 premiere for the win!!

  • @Tritoon710
    @Tritoon710 8 месяцев назад +1

    Now I know why I didn’t like this film.

  • @iam_nick
    @iam_nick 8 месяцев назад

    Unfortunately the show is bad..

  • @Lostinthemoors
    @Lostinthemoors 8 месяцев назад

    What’s the deal with all the vision layers? Leaving everything to do in post is god awful annoying. Production is just getting lazier and lazier. I wouldn’t be surprised if they shot everything wide on 8K and framed every shot too.
    This is coming from an edit assist.

    • @UnofficialRoughCuts
      @UnofficialRoughCuts 8 месяцев назад +1

      What do you mean by vision layers? Do you mean video?

  • @muhammetaliyozgat7614
    @muhammetaliyozgat7614 8 месяцев назад

    perfect