Was so honored to perform this with the Omaha Youth Symphony in 1986. Franz Strauss was a legend of the late 1800s. While I'm a child of Mahler, Bruckner and Nietzsche, Papa Strauss is someone who understood where our foundations belonged.
One of my favourite pieces of horn music, I always want to learn it, but life has got in the way of me of being able to play the horn these past few years.
Forty years ago, the first record I bought was Barry Tuckwell's Strauss. His Franz Strauss concerto was also wonderful, but at the age of 58, I met Mr. Zdeněk Tylšar's performance for the first time, and I remember a trembling impression. he is great From Tokyo.
I've never heard Zdeněk Tylšar play before... this is incredible! His tone is amazing, something I thought I'd never hear on the horn. The way he uses vibrato is just fascinating... not a tone I'd develop for myself, I don't think, but he makes it heart-rendingly beautiful at the beginning. :)
You thought you'd never hear good tone on the horn? jesus listen to some recording then not just your piers. The whole point of the instrument is a round beautiful singing tone
1:14 First horn solo 2:57 a little before piu lento 4:09 hard part 5:42 the pretty part 9:49 repeat of solo 11:03 easy part of M3 12:14 other hard part
oooookookooookkoooooooooooooookoooookookokoooookooooookookkoooooooooooookooookokookkooooooooookoonokoooooooooookoooooooook oook oi kkoooookoonooooooookkoook okkk OK kooooooooooooooookkooooookoookoooookoo ooonooo OK ooooo ok kooooooooooooooooooooooookooooooooooooooo OK okoooookooooo Oook ooooooo OK ok I ok kkookooonooonooookookkoooonkonk ooookoookonko okokooo okkk onokooo okkk o ok ooooooook okkk ooooooookonk oookoo
The measures in the 3rd movement from 100 to the end is the audition material for the Oregon all state auditions and I must say, I LOVE this piece and didn't ever realize it until now😂
Антон Василевский It’s just very normal in the Western style to use a more forward tone without vibrato. After doing some research, it’s just more commonly accepted and used in Eastern European groups. Regardless, this is a fantastic performance.
@@АнтонВасилевский-я5л I think you are right about vibrato, if interpretation is proper logical and ofcourse musical we cannot deny that it might be very effective for listeners. But when you are in a debate, saying who are you is not logical. If a player is even best, that does not prove that we cannot criticize him or her. Being good does not make anyone untouchable.
This work is never played because in a word it's "dull". I think the vibrato actually makes it just about listenable. Thank God his son knew how to write for this instrument.
@@hua_horn: Oh, how nice, you looked it up especially for me :-)) Thank you so much! I've googled the name now - it could really be him, thank you so much! He also plays Christian songs, maybe he believes in God🥰
+Jay Thomas I'd like to help you but I don't understand czech language, maybe you can use google translate: translate.google.com.tw/?hl=zh-TW#cs/en/Zden%C4%9Bk%20Tyl%C5%A1ar
ah just wondering xD I played it for my jury recently and I told my professor "I found this recording, yeah in C minor" and she did a double-take and looked at me weird so I was confused too
I checked the original music sheet and it's C minor indeed in piano part~~then G minor in horn solo part. But the sheet notes that Corno in F, so the piece is still in C minor. Because "G" played by horn in F is "C" in piano.
AS a horn player I'm not fond of the vibrato... Vibrato on horn doesn't sound good for the style. It's too thin and on the edge, I guess. But overall it's really good! It sounds absolutely fantastic.
Wonderful phrasing and style, but the vibrato makes it sound awful, almost like his sound is going to "break away" anytime... Also sometimes just rythmical mistakes which can be easily heard in the fast section of mvt 1 and 3
@@darksithemperor628 Idk I agree I think it's a bit overkill. He does it on almost all held out notes. It makes me sea sick. Makes it so hard to follow the phrases
Was so honored to perform this with the Omaha Youth Symphony in 1986. Franz Strauss was a legend of the late 1800s. While I'm a child of Mahler, Bruckner and Nietzsche, Papa Strauss is someone who understood where our foundations belonged.
One of my favourite pieces of horn music, I always want to learn it, but life has got in the way of me of being able to play the horn these past few years.
Don't give up!
Forty years ago, the first record I bought was Barry Tuckwell's Strauss.
His Franz Strauss concerto was also wonderful, but at the age of 58, I met Mr. Zdeněk Tylšar's performance for the first time, and I remember a trembling impression. he is great
From Tokyo.
The sections are:
I. Allegro moderato
II. Andante
III. Tempo I
Andante: 5:38
Horn solo starts at 1:14
2nd Horn solo starts at 9:49
Beautiful music! You can hear his son in this concerto!!!! Same composing material.
Been lookin for this for 6 months. Literally my favorite horn concerto
I've never heard Zdeněk Tylšar play before... this is incredible! His tone is amazing, something I thought I'd never hear on the horn. The way he uses vibrato is just fascinating... not a tone I'd develop for myself, I don't think, but he makes it heart-rendingly beautiful at the beginning. :)
It is very delicate and fits so well with the piece.
You thought you'd never hear good tone on the horn? jesus listen to some recording then not just your piers. The whole point of the instrument is a round beautiful singing tone
@@PuertoricanPatriot1 that's not what he said at all.
1:14 First horn solo
2:57 a little before piu lento
4:09 hard part
5:42 the pretty part
9:49 repeat of solo
11:03 easy part of M3
12:14 other hard part
Zdeněk Tylšar! What a sound!
Pure schmaltz in the slow movement. Love it! Will have a stab at learning this. Lovely piece.
very epic jams im doing this for my solo this year :)
also congrats on 500 subs brosef ;)))))
The Spook good luck!
I'm too
oooookookooookkoooooooooooooookoooookookokoooookooooookookkoooooooooooookooookokookkooooooooookoonokoooooooooookoooooooook oook oi kkoooookoonooooooookkoook okkk OK kooooooooooooooookkooooookoookoooookoo ooonooo OK ooooo ok kooooooooooooooooooooooookooooooooooooooo OK okoooookooooo Oook ooooooo OK ok I ok kkookooonooonooookookkoooonkonk ooookoookonko okokooo okkk onokooo okkk o ok ooooooook okkk ooooooookonk oookoo
i did it last may, and it was fun!
The measures in the 3rd movement from 100 to the end is the audition material for the Oregon all state auditions and I must say, I LOVE this piece and didn't ever realize it until now😂
EmJMars SAME, except this for Washington, I guess it is an audition for all NorthWest
Julia Kraynak hey i was in the concert band! Did you make it in?
The whole first movement is our All-State audition in Massachusetts
Minnesota’s was 120-144 last year as an “etude”
The whole work is the MA this year
Beautiful, beautiful, beautiful!!
Великолепное исполнение!!!
LOL i’m gonna die while playing this bestie 😄
Sehr gut!
Love this!!
L'influenza di papà Strauss si sente ancora fino al Concerto n. 2 di Richard... (1942)...!
So much vibrato for a horn
Czech style :)
+DavidvonSztankovHorn Fascinating tone quality though... kind of shocked me at first but now I really like it.
Andrew Acomb if you can use great vibrato why not?it’s a one of great horn players in the world . And who are you my friend ?)))
Антон Василевский It’s just very normal in the Western style to use a more forward tone without vibrato. After doing some research, it’s just more commonly accepted and used in Eastern European groups. Regardless, this is a fantastic performance.
@@АнтонВасилевский-я5л I think you are right about vibrato, if interpretation is proper logical and ofcourse musical we cannot deny that it might be very effective for listeners. But when you are in a debate, saying who are you is not logical. If a player is even best, that does not prove that we cannot criticize him or her. Being good does not make anyone untouchable.
I love it!
magnifique
How dare he be better than me!
This work is never played because in a word it's "dull". I think the vibrato actually makes it just about listenable. Thank God his son knew how to write for this instrument.
damn savage
Please listen to Nocturno.
@@natureangel9470 Thank you, I shall.
@@natureangel9470 Just Have............Nothing wrong with that at all. Hardly complicated but nicely written. Point taken. 🙂
danke!!
Wow!
3:12 (Piu Lento) aka best part of the song
Nev Permel I think you know what im about to say
Ain't a song dude... Yet indeed, it's amazing!
Maybe anyone knows the name of the flutist at the Czech Orchestra? One of the best flutists I ever heard :-))
@@Saleccia59 Maybe the flutist is Radomir Pivoda, just found it online, I’m not really sure😅
@@hua_horn: Oh, how nice, you looked it up especially for me :-)) Thank you so much! I've googled the name now - it could really be him, thank you so much! He also plays Christian songs, maybe he believes in God🥰
4:09
Yeahh
1:13 & 4:08 - marking this for an audition!!
12:12 just for my own practicing purposes lol
B: 1:13
C: 1:47
E: 2:57
Sheet music for horn?
hornmatters.com/solo-parts/Strauss-F-Concerto-Op-8-horn.pdf
F : 4:08
H : 5:41
joué par qui ? Il a un son pas tres sec ce qui est plaisant à écouter
played by Zdeněk Tylšar
+華先李 Would it be possible for you to give me a phonetic pronunciation?
+Jay Thomas I'd like to help you but I don't understand czech language, maybe you can use google translate:
translate.google.com.tw/?hl=zh-TW#cs/en/Zden%C4%9Bk%20Tyl%C5%A1ar
C Minor?
Yes, I found it on the album, it's C minor~~
It does indeed say that when I checked online.. but it's in G Minor, no? It's got 2 flats.. or am I missing something?
Maybe it's G minor for horn in F? I will check later ٩(^‿^)۶
ah just wondering xD I played it for my jury recently and I told my professor "I found this recording, yeah in C minor" and she did a double-take and looked at me weird so I was confused too
I checked the original music sheet and it's C minor indeed in piano part~~then G minor in horn solo part. But the sheet notes that Corno in F, so the piece is still in C minor.
Because "G" played by horn in F is "C" in piano.
Who is this?
고병훈 Zdenêk Tylšar
This sounds like the most noble thing's contempt for having to incarnate into a world of filth for some greater reason.
12:11
1:10
4:05 ah hum.
AS a horn player I'm not fond of the vibrato... Vibrato on horn doesn't sound good for the style. It's too thin and on the edge, I guess. But overall it's really good! It sounds absolutely fantastic.
This sounds exactly like a brass band,too sentimental.
Wonderful phrasing and style, but the vibrato makes it sound awful, almost like his sound is going to "break away" anytime... Also sometimes just rythmical mistakes which can be easily heard in the fast section of mvt 1 and 3
Actually, European hornists tend to add vibrato to their playing. They tend to exaggerate their vibrato, unlike hornists in America.
The hornist is doing too much vibrato
Jon Yopp lol no he’s not
@@darksithemperor628 Idk I agree I think it's a bit overkill. He does it on almost all held out notes. It makes me sea sick. Makes it so hard to follow the phrases
4:33
1:13
5:38
6:38
5:38
5:38
1:06
5:40