I was there that night! She was super aggressive, she was shoving them. And she kept following them, she wanted to be involved. It had nothing to do with Hells Kitchen, she had a notebook hat
I'm highly greatful for things like this ...I mean you are literally seeing a bit of a show for free!! Yes it's only a minute but say you are in New York,walking about and you see it!! It would make my day !! Yes even for a minute it can put a smile on your face and you don't pay!! I love these new ideas we need them ....especially for people who cant afford or have never been to the theatre !!
Ever since Julie Tamore’s Spider-Man turn off the dark Broadway has been super safe to the point of overly safe sometimes. That is probably why this is an issue.
Her name is spelled, Taymor . . . Julie Taymor. You’ve stated the obvious. But, you’ve not examined or explored WHY? Once Actors and Stage Management step outside the St. James Theatre to present/perform the Act II Opening Number, while the entourage - what? . . . exits the Stage Door, through that back alleyway, and makes their way North across 44th Street, and into and through Shubert Alley, then East on 45t psst One Astor Place to circle back South through Time’s Square to turn West on 44th to head back toward the St. James and, what . . . slip into the building immediately East of the St James to use that secret lobby pass door that opens directly into the SR backstage of the St. James, WHO, exactly is accepting the responsibility to ensure the SAFETY of Actors, SM’s, crew et al while they are outside the St. James alternately on property owned and/or leased, operated and maintained by the City, the Shuberts, the Minskoff, One Astor Place, the Times Square Alliance, the [NY] Department of Transportation, Carmines, and so on, and so on, not to mention the exposure to limousines and cabs and private vehicles and lots and lots of pedestrians? If, god forbid, an actor, crew SM, IS injured, you can be CERTAIN that the employers and Worker’s Compensation insurance are going to do their damndest to place blame on another party. And, if medical treatment and or disability kicks in, and, some provider grabs an Actor’s private insurance to pay for services, while those responsible dispute liability, when it finally DOES get settled, that Stage Manager, those Actors and crew who have been injured on the job, whose private insurance coverage paid for treatment. are going to be on the wrong end of a Subrogation demand. They will PERSONALLY be chased down to repay their medical insurance and:or disability provider. In the meantime, lawyers will have a field day and drag messy claims and lawsuits through the courts. How and when will understudies be safely rehearsed? They can’t be required to perform something they haven’t rehearsed. From a liability, disability, workers’ comp, medical /dental/ vision, unemployment insurance, and OSHA standpoint, this idea sounds very, VERY MESSY, and Really, REALLY EXPENSIVE!!!
What does “overly safe” look like? (I’m thinking of the late Adrian Bailey, R.I.P.💔🙏🏻) You’ve stated the obvious. But, you’ve not examined or explored WHY? There are many, many reasons why theatre shows are rehearsed and rehearsed, including and especially during tech rehearsals. One BIG reason is “Risk Reduction”. The employer is required to provide and maintain a safe & sanitary workplace. Once Actors and Stage Management step outside the St. James Theatre to present/perform the Act II Opening Number, while the entourage - what? . . . exits the Stage Door, through that back alleyway, and makes their way North across 44th Street, and into and through Shubert Alley, then East on 45t psst One Astor Place to circle back South through Time’s Square to turn West on 44th to head back toward the St. James and, what . . . slip into the building immediately East of the St James to use that secret lobby pass door that opens directly into the SR backstage of the St. James, WHO, exactly is accepting the responsibility to ensure the SAFETY of Actors, SM’s, crew et al while they are outside the St. James alternately on property owned and/or leased, operated and maintained by the City, the Shuberts, the Minskoff, One Astor Place, the Times Square Alliance, the [NY] Department of Transportation, Carmines, and so on, and so on, not to mention the exposure to limousines and cabs and private vehicles and lots and lots of pedestrians? If, god forbid, an actor, crew SM, IS injured, you can be CERTAIN that the employers and Worker’s Compensation insurance are going to do their damndest to place blame on another party. And, if medical treatment and or disability kicks in, and, some provider grabs an Actor’s private insurance to pay for services, while those responsible dispute liability, when it finally DOES get settled, that Stage Manager, those Actors and crew who have been injured on the job, whose private insurance coverage paid for treatment. are going to be on the wrong end of a Subrogation demand. They will PERSONALLY be chased down to repay their medical insurance and:or disability provider. In the meantime, lawyers will have a field day and drag messy claims and lawsuits through the courts. How and when will understudies be safely rehearsed? They can’t be required to perform something they haven’t rehearsed. From a liability, disability, workers’ comp, medical /dental/ vision, unemployment insurance, and OSHA standpoint, this idea sounds very, VERY MESSY, and Really, REALLY EXPENSIVE!!!
Safe for the actors… Not so much for the musicians. The New York Times did a whole piece on the injuries sustained by musicians due to lack of preventative measures, give it a read it’s sadly overlooked
@@billyd7898 I was just about to comment on that. From what I've read, the attacks were on musicians who played for the show "Aladdin" at the New Amsterdam Theatre.
My Dear, your ability to deliver virtually breathless, continuous patter is astounding from a purely technical standpoint....Did you ever consider Gilbert and Sullivan or Rossini Opera Buffa?
Saw first preview, and he did it in the rain. Went off without a hitch, and I know that the security is tight and well rehearsed. It seems like they have backup plans, and can adapt things to fit situations.
I was in the audience the night the Hell's Kitchen crowd ran into Tom (October 3rd)! I had no idea that that wasn't a normal occurrence other than the fact that we lost a few lyrics to Tom stumbling into people in front of him. It gave the whole sequence a much more comedic vibe than what I think they were going for, & every time something would go a little wrong the audience would laugh (including me). Seemed to us like a typical run of the show, but of course we were all so absorbed in the spectacle that we didn't know to look for mistakes. Absolutely cannot wait to go back.
The mistakes are what’s most charming about live theater, for me and for many. I love seeing actors improvise through the mess ups. It’s always impressive how they stay cool and in character.
Fun fact: Sunset Boulevard is playing at the same theater where they filmed Birdman, where there’s a famous scene when Michael Keaton made a similar stunt walking across NYC to get back into the theater after being locked out. Wonder if Jamie Lloyd was inspired by that!
I saw the 2nd preview and to see it happen in real time is crazy town, I’m so sad to hear people are actively routing for it to fail because I think it is awesome. There does look like cameras on the roof so it would not surprise me if it is a back up option. But thank you so much for all of your coverage of it because I would have missed a truly mind blowing theatre experience
Thank you for this. As a native NYer I don’t understand when people root for things like this to fail. We as collective theatre lovers, as music and art lovers want more original concepts and productions. I get excited for any great transfers from the UK. Have been looking forward to this and seeing it in a few weeks.
I am a New Yorker too. I don’t love being told I can’t walk down a street, once I was told the street I live on was closed. But tv, film and theater bring billions of dollars to NYC and millions of jobs to the city. So 30 seconds of inconvenience is no big deal. I can deal.
I went to the theater AGAIN just to watch the walk. Security guards and cameraman were pros! It was a great experience and I’ll go back again, out-of-the-way, to watch 😁
Thank you as always for your service. I hadn’t heard the suggestion they were contemplating putting Tom Francis on the back of a scooter and literally howled when you said it 😂 We were robbed of seeing those videos paraded on the internet 😅😂🤣
I’ve seen some really awful comments from people on SM, saying things like they wouldn’t move, they’ll sue if they get touched by the security staff. It’s baffling to me. I mean why wouldn’t you just move out of the way? If I saw someone coming towards me doing something that matters to them, regardless of what it is, I’d move aside and then step back and enjoy being able to witness whatever it is. Why cant people just be helpful? We move aside for people all the time, cos if we didn’t we’d all be bumping into each other. I don’t see how this is any different. Most of us will even move aside to allow tourists to take photos in tourists spots. Just be helpful people, it’s not difficult, you can see they’re doing something that is important to them, so just be helpful and be kind and step aside for those few seconds that it is going to cost you. I worry about society at times I really do. 😢
Exactly! The most stubborn comments just sound so contradictory, "I shouldn't have to move for them, They should move for ME" and they just end up demanding the same thing they are complaining about and it's ridiculous. I can understand the problem for anyone with mobility issues but the people complaining just sound entitled, where did the kindness go? Surely they can't walk everywhere with that mindset, it takes nothing to move for not even a minute of their time
@@Izzy-wl7gl I think a lot of people who don't know what's going on are going to assume that it's someone recording for Tiktok or something, and just get annoyed at what they see as "random person trying to use his money and imaginary fame to push around regular people," and react accordingly.
@serenah6387 British v American culture. We all loved it here and were incredibly supportive, the Savoy walk went past a busy pub as well. Americans start going on about their civil rights being infringed by a musical.
I saw it on Tuesday at St. James, and it was INCREDIBLE. I highly recommend center orchestra seats no closer than Row L for the best experience with all the videos...
The delay question, I know that after COVID began, some musicians actually developed programs that could essentially adjust the delay between input and output so that singers could sing in sync via live feed.
On the person in the blue hat: from what I saw (wasn't there, but watched the video a bunch of times to try to figure out what was happening), it looked like, the first time that her group encountered the SB people, her group was heading south and Tom etc. were heading north. She got separated from the rest of her group when she ended up on the Junior's side of the alley and they were on the Hell's Kitchen side. Then Tom etc. stopped, and she tried to rejoin her group by crossing over just south of them, walking through the area they'd just vacated. Usually, that would be a good plan -- rather than getting in the way, walk behind them. But since that happened to be the point where they changed direction, "behind them" became "in front of them" while she was walking through that space. And the camera person was walking backwards, so she couldn't see where she was going, and it looked like there was someone who was supposed to be facing forwards and guiding her, but that person wasn't looking in the right direction to see the oncoming collision. There was also another video from last week where an older woman using a cane wasn't able to move fast enough to get out of the way, and they didn't collide with her, but she nearly fell over trying to step to the side that quickly. That wasn't in the alley, but on the sidewalk on 44th, right where they cross the street. Those points seem to be where most of the issues are coming up -- in London, everybody walking near him was walking parallel to his path. This route has several turns, where he's approaching people from the side, so they have a lot less warning and it's much harder to predict where he's going to be going next. What I see as a possible solution: first, have people stationed at BOTH ends of the alley, telling people that they'll need to step to the side. They can't really expect the people who've just turned into the alley from 45th to figure out what's going on when they see a whole crew of people walking toward them (and very possibly get momentarily blinded by the lights.) And second, a few minutes before the scene starts, put up barriers essentially creating three lanes in the alley. Stage doors and One Shubert Alley on one side, Junior's and passage through the alley on the other side, and space to film in the middle. They could similarly make a narrow lane for him on the sidewalk of 44th. (It seems like they're still experimenting with where he crosses the street -- I've seen videos where he crossed right in front of the St. James, and others where he crossed at the end of Shubert Alley.)
(Basically, whenever I got to the theatre district, I have my entire route planned out ahead of time, where I need to take into consideration whether I'm using my walker or my wheelchair, where the curb cuts are, where there's good visibility around corners and where there isn't, which intersections get deep puddles when the snow melts, and so on. The path he takes there is definitely on the "Looks easy, but there are a ton of issues that you won't think about until you need to think about them" list.)
@@callalily3994 I typically use a rollator. This is really alarming to me in terms of accessibility, and especially because the Shubert theater and a few smaller theaters around there don't have an accessible bathroom and they tell people to use them in restaurants/buildings nearby.
@@michelleb.6877 good point. They once told me to use the one at Sardi’s, which meant crossing the street. Also, the curb at the end of Shubert Alley is a pretty useful place for a car or van to stop and drop off a disabled passenger before the driver goes to park in a less accessible garage. If someone’s in the middle of unloading a wheelchair, they can’t just move on a moment’s notice.
To me, it looked more like the blue cap lady was stopped and then chose to cross over where she did at the risk of walking right behind them. She could see them and they were already going in that direction when she decided to walk across them, but she didn’t seem to care.
This is interestingggg... I've had interest in seeing this musical since you've talked about it and didn't know about this aspect of the show so I'm sure it would be a little jarring to other theatre goers/people in the area who have absolutely no idea. I feel like I always have my guard up around all of midtown and if someone tried to push me out the way for something that appeared to just be a music video or something I'd be pretty pissed off. I wouldn't try to fight it and get in the way of the shot, but they also can't expect people to move in my opinion. Especially in the Times Square area where there are constantly people recording and trolling and pulling pranks and being aggressive, I think that's something they're just going to have to account for. But every little instance also shouldn't be like this social media backlash, that's a bit ridiculous. I think maybe if they put something like "filming in progress" signs visible throughout the alley that could help a little bit, but it's definitely going to continue to be an issue.
I saw the first preview for this in NY and was blown away by the smooth transition out of and back into the theatre. No troubles that night. I missed the show in London so I can’t compare what happened there but it all seemed under control on the streets of New York!
@@TheEevee123456 - Not just that, but when filming takes place in NYC the NYPD is running security. Which does not seem to be the case with “Sunset Boulevard”.
That area of 44th btw Broadway and 8th is 90% tourists. But point taken. We in the city are constantly navigating the obstacle course of active tv and film location shoots. Tourists can adjust.
Saw it last night. The scene was perfectly executed and only one person not in the cast was even visible in the background. Of course, it was Monday, so there weren't a lot of theatregoers out and about. I'm a big Sunset fan and I LOVED the show.
I saw Sunset Boulevard on Broadway last Thursday, October 18th. Wow!! So amazing. The show is breathtaking. It is one of only 3 shows I have ever seen that was interrupted by a standing ovation in the middle of the show. On the night I saw the show, Tom’s journey into Shubert Alley went off without any problems.
I cannot wait to see this production. November can’t come soon enough. I wish I was seeing it in October. Shubert Alley is the perfect place to do the nod to the show. Of course you had to mention Junior’s. I love it.
I just saw Sunset Boulevard on Friday the 12th. It was spectacular. I happen to agree with everything you’ve said and I’m amazed with your ability to articulate the significance of all the production details that make this a completely different Sunset Boulevard . The second Act opening was brilliant. The use of the camera throughout the show was amazing, It brought the reality of film, close-ups and all things “silver screen “ into the stage version of the story that the original production didn’t. The cast was so talented. Nicole Scherzinger is a force of nature. She now owns “With One Look”. If you haven’t seen it, find the clip of her joining Ben Platt at his recent concert to sing “Let Me Be Your Star”.
Saw the show a few nights ago and the jaunt around Shubert Alley went off with out a hitch as far as I could tell. Although he just BAREY made it back on sage for the big high note. I was IMPRESSED. And as a New Yorker we are used to shenanigans going on in mid town whether it's a parade, a street fair, street performers or just tourists behaving badly. Crossing the street to walk to a poster and back is no big deal.
I saw the preview production of “Sunset Boulevard” last night and felt I was watching history in the making. It was the feeling I had seeing Streisand on Broadway in “Funny Girl”, Nicole Scherzinger is riveting as Norma Desmond and we couldn’t get enough of her. How nice to see her singing songs we knew so well with fresh interpretations and a strong voice.. The audience couldn’t stop themselves from giving her an endless well deserved standing ovation after each song. My only complaint was there was something wrong with Tom Francis’ diction, like maybe he bit his tongue earlier in the day? I loved the merging of video with live performance. Nicole was so different when she played for the camera than for to the audience that always gave me a giggle. The show is challenging and redefines what a musical can be in so many ways. Thank you to Jamie Lloyd!
Having now actually watched the video, I’m one of the minority that didn’t enjoy this production however appreciate that most people do, and regardless of that completely agree with your points around the general vibe of people “wanting” this to fail - it’s baffling. I do think there should be a few more controls like barriers or more security further ahead for everyone’s safety, but surely as fans of theatre we should be championing initiatives like this (regardless of whether you like the production or not) - it’s how we continue to get new and exciting things, right? A fair and measured view from you, as always 😊
Forty years ago, the play “Tamara” by John Krizanc, which was staged in an “Italian villa” (the Hollywood American Legion Post 43 built in in 1929, was perfect for the villa), ran for nine years in Hollywood, and it was full of such spectacle. The audience were “guests” in the villa, and followed whatever actor they chose at whim, through three floors of interior performance space, into restrooms, bedrooms, dining halls where an actual meal was served, and outdoors, even as some characters got into period cars and drove away! There is nothing new under the sun.
Saw the show last Thursday loved it so so much. I went back Saturday night and then last night just to watch the Broadway walk. It’s fun and different and I am there for it !
Wow! I just saw this and I can't even BELIEVE that they do that live 8 times a week! Tom Francis should be crowned King of the entire world, because that takes BALLS and more calm under pressure than I can even imagine! Again, WOW! I hope to be able to see this production many MANY more times. I've seen 3 prior productions: Original Broadway, Original Toronto, and Glenn Close revival, and this version was LIFE CHANGING! I've been thinking about it for 2 days! I just flew to Mexico for 3 weeks and I can't wait to back to NY to see it again! Also, they need to have security (and barriers) that keeps people out of the way. Assholes have NO RIGHT to push past security barriers that are approved by the city. This production is incredible and people on the street shouldn't be able to ruin it!!!!
Actually there’s no indication that ANY of this has been approved by the city. That’s the issue. To film, even straight to the stage, you need a film permit. No film permit exists currently for an open ended, 8x per week, disruption of 44th Street (it’s public record and searchable). So this is all done illegally and someone WILL get hurt at some point (simply based on frequency of the situation).
Happened to read about Sunset Boulevard in a media article and its move to Broadway…which led me to YT…and this video. Thoroughly enjoyed this…without ever getting to see the show, since I live in Christchurch, New Zealand, but I I would love to see Nicole. So pleased she has won an Olivier Award. Thanks, Mickey…an excellent blog. 🐑🐑🇳🇿🇳🇿NZ
While I love the execution of this second act opener, I'm going to agree with both sides here. Francis is absolutely brilliant, and the 'show within a show' aesthetic as usual propels this production. I think some more preparation + coordination realistically, and maybe revision of some aspects would make this less chaotic. I was coincidentally watching the footage of him walking around, and I was absolutely frustrated with how it's been done on Broadway. Only a handful of guys, and every passerby has no idea what's going on - and that's definitely on Jamie Lloyd and some others IMHO. Great video Mickey
Completely shocking and deeply sad - his loss is felt acutely throughout the theatre community and I will treasure the memories I have of seeing him perform onstage and meeting him afterwards.
Watched in theater 2 times in nyc and one time on the street it’s amazing. I came back one day to see it outside - Tom Francis was out and Diago was in as Joe …so he did the walk…he had to carry an umbrella bc it started to drizzle. I asked one of the guys outside before it started - what happens when it snows - they have several versions.
A bit of inside information. I had a zoom call with the sound designer Adam Fisher. They were meeting to discuss this, and also considered other possibilities such as weather, crowd management, and other shows finishing around the similar time I think this may change as we approach winter.
I mean I was indifferent to this musical in general but, the fact that they are doing one long continues shot that's live fed back to the theater is actually really neat.
I went to school in NYC & have spent time in London, and I just think the vibes of the crowds in each city feel different - hard to explain, but NYC feels less accommodating and more like you're expected to know what you're doing. There are definitely lots of people who wouldn't move even if asked politely. On the other hand, Times Square also has lots of tourists who aren't paying attention to the people around them, so that won't help either. The holidays will only make the crowds worse. Still, I hope it goes well for them in the long run!
@@marenmacmichael6988 I think a lot of people see ALW's shows as gimmicky, so having an actual gimmick like the cameras won't help combat that image to them, even if the idea is actually interesting, creative, and related to Jamie Lloyd's interpretation of the cinematic themes of Sunset Boulevard. I've heard other people call his scores overly simple and too reliant on pastiche when compared to Sondheim, Rodgers & Hammerstein, and other composers. Some have always hated his biggest hits like Phantom & Cats (esp after the 2019 movie). The US also hasn't had all of his musicals premiere here and has had fewer revivals of some of his biggest UK hits like Evita and Joseph. Tl;dr, some vocal American theater fans just don't like ALW and won't like anything he does. Maybe they're just Team Patti LuPone! 😆
@@marenmacmichael6988 It's been a thing for a really long time. When I was a teenage theatre kid in the nineties, shows like Cats and Phantom were derisively called "tourist shows," and anybody who said one of those was their favorite show would be roundly mocked. I've mellowed a lot on him since then (and outgrown that teenage pretentiousness), but a lot of people still mostly see him like the theatrical equivalent of junk food -- popular, but not much substance.
@@callalily3994 I agree - a lot of people seem to see his shows as shallow and gimmicky when compared to the works of Sondheim, Rodgers & Hammerstein, Jason Robert Brown, etc. I've seen reviews say he writes 1-2 memorable songs per musical, then phones it in for the rest. That may be true for some of his shows, but I think those critics tend to ignore ANYTHING good he's written in favor of saying EVERYTHING is bad. The fact that this stunt is very attention-grabbing could also seem to those critics like just another gimmick, the one memorable moment in an otherwise boring ALW show. I'm interested in hearing what Broadway critics think of this production, knowing how they can differ from London!
I will be in New York in Nov, but sadly won't have time to see this. Looking forward to hearing the cast album though. But seriously what is this world coming to. They are trying to do something fun and creative. Yet people are so full of themselves and their own importance, are either trying to capitalize on this or sabotage it, ruining it for everyone. Sheesh people.
I saw it last week and I can say that it is just as good in NY as it was in London, if not better. Also, sit on the left side of orchestra *wink wink* 😅 and no one was thrown to the ground when I saw it. I did see a matinee though so it was pretty quiet outside. I will say, my bf didn't particularly enjoy the show but he really enjoys beautiful costumes and set peices, so I knew he would be disappointed with Sunset because this production is NOT that kind of show.
I've been debating if I want to see it when I'm in town next month and I re-watched the video twice after looking at the ticket map trying to remember this tip thinking Mickey said it! Glad I went back through the comments! I love the soundtrack and saw the show as a kid and was enthralled, so I'm going in with the attitude of "I can't criticize it if I don't see it, and maybe I'll like or even love it!"
I think people are being a bit too annoyed about it. I think the concept is so cool. however, ive walked down 44th and almost get hit by a car each time so im hoping it still runs smoothly
That scenario was only from the first day of show I watched three shows just this weekend and the walk outside is now controlled and coordinated and bystanders are behind barricades but are still all queuing to watch Tom Francis Even Thursday with Jimin Moon as Joe Gillis walked outside without any problems , on Friday and Saturday I I noticed that as Tom was going around the dressing rooms enroute to the streets several cast member he was passing by seemed to be alerting personnel outside that Tom was coming out soon hence when he ventured outside the crowds were all giving him space and behind barricades or behind security so that initial issue about crowds has been solved . In fact Tom was posing bedside his pic and Nicole’s as he was singing about her and also about Sunset ditto with the other cast members who joined Tom
I really wasn’t sure what to think as I’m a big fan of the show, seen some awful interpretations but this blew me away, why, you might ask, well, it feels like a fresh interpretation that’s interesting and new and surely theatre should be reflecting changes and pushing boundaries as an art form and I really hope New York embraces it. Also loved the new version of cabaret. Also, controversially I do think it’s snobbery, how many versions of a Shakespeare revival or other “old” play gets lauded as groundbreaking or edgy and that’s ok but a musical, don’t you dare….
I was there last night when yes, just after the entreact, Tom Francis started (backstage) from the top floor of the building which formerly housed the Jujamcyn offices (?) seventh floor and proceeded down, down, down past Nicole in her dressing room that had a gun prominently resting on her dressing room table. Eventually he proceeded out the backstage door onto 44th Street going east past the Helen Hayes Theater and Sardi's, onto what is Seventh Ave. at that point (but Broadway to us) then north one block to 45th Street where he turned west until he arrived at Shubert Alley on his left. He walked south through Shubert Alley and across 44th Street to the entrance of the St. James Theater and proceeded through the house and onto the stage. All the while he was singing "Sunset Boulevard!!" The entire audience went ballistic. I was near tears; for me it was homage to all the people, like myself, who had spent thirty years working backstage prowling those exact hallways nightly!!! Genius!!! And thank you. (Only one thing different: those backstage stairway walls looked newly painted for the occasion.)
I saw it and loved the show. I was kinda taken out of LA tho with the quick walk through Shubert Alley. I liked how they didn't take the show to seriously but! HK ended and It was packed on Shubert with tourists and they were dodging the camera and audience was laughing at that. None of the cast was visible near him at all because of how big the crowds are in NYC. IDK if it really works. Nov/Dec will not be possible there will be no where to walk. Might be better to be on the roof. Yelliing clear a path to a bunch of Americans in Times Square is not going to work and asking for fights. I also don't think people don't want to succeed its just looks messy and unorganized, they can think of other things that amaze people. I don't think people are "Rooting for it to fail." Nicole also came out of the stage door unbloodied, which I appreciated for her sake.
I saw it at the first preview (in the rain) and just again tonight. Both times it went without a hitch.. I do wonder why they they are playing at 8PM instead of 7. With a 7pm curtain there is absolutely no way you'd have to deal with people leaving other shows which I think was the problem the one time they had a problem in the scene. That area is deserted around 830/845. But they absolutely should keep doing it live, it is awe inspiring in the show.
I loved this version of Sunset and was very hesitant to see it because it wasn’t traditional - but it really was jaw dropping in London. I am astonished how irresponsible online theatre reviewers have been and am hugely disappointed. Completely agree with your summation MJ .. sadly a few teething problems and some thoughtless commentary risks overshadowing the magic that is live theatre. Thanks for bringing the common sense ..
I think the NYC theater goers are still upset from the WEST SIDE STORY revival that was like this production. So some people are more than likely just bitter.
I once saw a small stage version of SB in London, where the actors currently off-stage (or rather stage right or left) played the musical instruments for the musical accopaniment and either used the instruments as props while playing a scene or handing them to other actors when going on stage. It was a bit bizarre at first, but I was really impressed how they had to cast people who could act, sing and play multiple instruments. Not sure though how I feel about a contemporary version of SB. I already hate it when operas are being staged in a modern context. Why they think they have to update the stageplay is beyond me, after all, you don't change the classical music to them either.
I know someone who saw this all going on in Schubert Ally (they are not a theater person, and were just there to get cheesecake) and thought the security people were not really security people because there’s never been security in the Alley like that before. I can assume she might not be the only person who doesn’t believe the SB security asking people to move.
I am going to NYC in January and hoping to see it. I am really looking forward to this part of the show and hope that it happens and that this succeeds in NY.
I saw it on a night where Hell's Kitchen was out a little later, i think the problem is the crowd for hells kitchen. Also once people get on it i feel the crowds will get larger just to view. Props to the production crew working so hard to clear the people and security. The day we saw it they even stopped a bus with a gate from going through
Schubert Alley is between 44th and 45th rather than 43rd and 44th. It’s a minor detail, but that thoroughfare doesn’t cut between 43rd and 44th Street. Juniors is right across from Hell’s Kitchen at the Schubert-then they walk by both the Broadhurst (where Hills of California is) then the Majestic (where Gypsy is about to begin) . They even go by the Booth, where Patti Lipone is doing The Roommate with Mia Farrow. While you’re in the theater, you’re watching them walk by all of these current Broadway shows, which is pretty unbelievable. I was there tonight and I don’t know how they’re NEVER going to run into trouble. Nevertheless, I thought it was really cool, but I also don’t think it’s wholly necessary. It almost seems like a gimmick but when they do make their entrance after being outside on camera, it’s incredibly exciting! Perfect word for it!
@14:23 yes when I saw NETWORK on Broadway, I had no idea Tatiana Maslany and Tony Goldwyn would kiss outside the Belasco theater during the show in realtime (friends knew I was watching it so a friend and his bf casually walked and also started kissing each other after seeing the actors kiss.) lol.
I’m excited to see it as I bought tickets for 11/16. I hope this outside of the theater issue is solved by then and things are runner more smoothly. Also as a life long New Yorker I’m fine with this as long as they plan it out.
I went to see the Australian production today and after a side by side comparison of Jamie Lloyd’s one is definitely more watchable than the other! I really need a comprehensive review of the Aus show if you have any recommendations of theatre reviewers over here?
Hmmmm…. I’m a New Yorker and looking forward to this revival of “Sunset”. I saw it originally with Glen Close. Actually the first night I went to see it, we sat for almost an hour waiting for the curtain to go up, only to be told the performance was canceled due to a problem with the very elaborate scenery - at least that shouldn’t be a problem with this stripped down production. I loved “Network” both in London and NewYork, so not entirely convinced this moment in “Sunset” is entirely “innovative,” (the street was even featured in that recent Jessica Chastain revival of “A Doll’s House”) but it does sound like a great bit of theater and I hope they work out the kinks.
I work next door at The Hayes and have seen them do it a couple of times. I didn't see it, but I heard that it was a mess on Saturday night because the filming happened as the audience was walking out of The Shubert after HELL'S KITCHEN broke. Our next show at The Hayes, CULT OF LOVE is apparently an hour and forty minutes and will break at the same time as the filming on Tuesday and Thursday nights. I just don't see how it can sustain itself. :(
@16:22 I agree the producers should have thought more about the location of the theatre that has outdoor walk that is not too crowded. I agree Hudson would have been great.
i saw this moment at one of the NY previews and there didn't seem to be any issues at all. i personally found it really exciting to watch and it felt like the entire audience was holding its breath during this sequence - there was a lot of applause when they pulled it off. i knew about this sequence beforehand but i was still shocked when they had him crossing the street during it. i did end up focusing on some of the bystanders in the street because i was curious - one guy seemed baffled, another irritated, mostly people just ignored it lol
I just saw Sunset Blvd tonight and The Walk looked really cool but they have changed his walking path slightly because the Hell’s Kitchen audience gets out when he does his walk.
Wouldn't it be sooo cool if they performed this song on the actual Sunset Boulevard?😎 I'm hoping beyond hoping this show will be successful enough to perform where it actually belongs: in Los Angeles.💖💖💖
@@MondoMiami Never say "never." Sunset Boulevard has already made 1 million dollars since the previews. That's significant. It probably won't be on the actual Sunset Boulevard. (I found out that there are no theaters on that road.) But maybe at Pantages on Hollywood Boulevard. It might.
@@MondoMiami Maybe when or IF a national tour / sit-down production happens in LA, that will be a possibility. I don't think Tom Francis would reprise his role again for that, though (for that matter Scherzinger will be working on something else anyway)
My only gripe with sunset is I left it til closing week to see it, I heard to many bad reviews which I wish I'd never listened to. The choke hold this production has on me. I wish I could go to nyc to see it again
Shubert Alley is a private way, and not public property. The woman probably wanted. To get injured on private property and sue the Shubert Organization.
I saw 'Network' on Broadway and when I met Tony Goldwyn for an autograph after the show (his character walks around the block while it's projected on stage), I asked "Do you go outside even when it's raining?" (I assumed they'd use a videotape during bad weather) & he answered "Yep. Even when it snows!" So you're right - it's been done before. BUT he didn't SING outdoors. That'll make it even more interesting! From your story, it sounds like this woman was a **** who was simply seeking attention. I wouldn't read anything more into it, nor would I presume this will become a regular occurrence.
I saw this on opening night in London, I thought it was pretty cool and really effectively pulled off, loved the use of movie cameras in a musical based on a famous movie about movie stars / script writers ....
In a nutshell, americans can’t have anything nice, now can they? I was floored at The Savoy when Tom finished on that note after his performance. People were beside themselves. It’s different, it’s exciting and it’s LIVE theater. Such a context in the break of the 4th wall, having the busy city as landscape where everyone is trying to make it, which is exactly what the song is about. It will be really pitiful if they remove this segment over something so ridiculous.
I'm a huge Sunset Blvd. fan - I love the soundtrack, the characters, all of it. I will be in NYC in about a month and trying to decide if it's for me or if this staging will just bug me. Regardless, when I first got a notification for this video, I assumed you were going to be talking about the end where (SPOILER ALERT) Norma shoots Joe bc in the "original" or old timey staging, he falls off the balcony (right?). So I was like "this seems like a silly thing to talk about, but I'm curious about this show in general, so let's hear what Mickey has to say..." So to answer your opening question - I think some people just hate fun bc this whole topic is silly - people just need something to gripe about. I'm partly tempted to go see the show just to watch Tom Francis "shove" a pedestrian, lol.
I was in the audience that night. They shut off the street with barriers for incoming traffic, but the crowds pouring out of the Shubert Theatre made me HELLA nervous for Tom. It was a really close call for him in regards to making it back in time to finish the song.
The scene is amazing. I will say though that, as a New Yorker, I am that grumpy person who isn't going to move from a public space because a security guard is barking at me. I wouldn't disrupt things on purpose but I absolutely get people being annoyed.
![Jack Harlow - Hello Miss Johnson [Official Music Video]](http://i.ytimg.com/vi/Q86_nlRoIGw/mqdefault.jpg)
I was there that night! She was super aggressive, she was shoving them. And she kept following them, she wanted to be involved. It had nothing to do with Hells Kitchen, she had a notebook hat
@@CatherineRecart-d5l interesting! The body language certainly read that way but good to hear some confirmation from an eyewitness!
I'm highly greatful for things like this ...I mean you are literally seeing a bit of a show for free!! Yes it's only a minute but say you are in New York,walking about and you see it!! It would make my day !! Yes even for a minute it can put a smile on your face and you don't pay!! I love these new ideas we need them ....especially for people who cant afford or have never been to the theatre !!
“Ayyy I’m Sunset Boulevard’in here!”
A+
"Rooting for this thing to fail is an inherently boring thing to do!" Here! Here! This commentary is brilliant! The show is brilliant!
How did I not know about the "Andrew Lloyd Webber Memorial Pool"??? I thought I knew all the Sunset trivia!
That is so petty and I LOVE it!!
Unconfirmed reports the woman in the blue cap was Patti LuPone getting her SB Broadway moment. Full meta experience.
It was Agatha all along
hahaha!!!!
😂😂😂
She is still nursing that ALW feud.
Ever since Julie Tamore’s Spider-Man turn off the dark Broadway has been super safe to the point of overly safe sometimes. That is probably why this is an issue.
Her name is spelled, Taymor . . . Julie Taymor.
You’ve stated the obvious. But, you’ve not examined or explored WHY?
Once Actors and Stage Management step outside the St. James Theatre to present/perform the Act II Opening Number, while the entourage - what? . . . exits the Stage Door, through that back alleyway, and makes their way North across 44th Street, and into and through Shubert Alley, then East on 45t psst One Astor Place to circle back South through Time’s Square to turn West on 44th to head back toward the St. James and, what . . . slip into the building immediately East of the St James to use that secret lobby pass door that opens directly into the SR backstage of the St. James, WHO, exactly is accepting the responsibility to ensure the SAFETY of Actors, SM’s, crew et al while they are outside the St. James alternately on property owned and/or leased, operated and maintained by the City, the Shuberts, the Minskoff, One Astor Place, the Times Square Alliance, the [NY] Department of Transportation, Carmines, and so on, and so on, not to mention the exposure to limousines and cabs and private vehicles and lots and lots of pedestrians?
If, god forbid, an actor, crew SM, IS injured, you can be CERTAIN that the employers and Worker’s Compensation insurance are going to do their damndest to place blame on another party. And, if medical treatment and or disability kicks in, and, some provider grabs an Actor’s private insurance to pay for services, while those responsible dispute liability, when it finally DOES get settled, that Stage Manager, those Actors and crew who have been injured on the job, whose private insurance coverage paid for treatment. are going to be on the wrong end of a Subrogation demand. They will PERSONALLY be chased down to repay their medical insurance and:or disability provider.
In the meantime, lawyers will have a field day and drag messy claims and lawsuits through the courts.
How and when will understudies be safely rehearsed? They can’t be required to perform something they haven’t rehearsed.
From a liability, disability, workers’ comp, medical /dental/ vision, unemployment insurance, and OSHA standpoint, this idea sounds very, VERY MESSY, and Really, REALLY EXPENSIVE!!!
What does “overly safe” look like? (I’m thinking of the late Adrian Bailey, R.I.P.💔🙏🏻)
You’ve stated the obvious. But, you’ve not examined or explored WHY? There are many, many reasons why theatre shows are rehearsed and rehearsed, including and especially during tech rehearsals. One BIG reason is “Risk Reduction”. The employer is required to provide and maintain a safe & sanitary workplace.
Once Actors and Stage Management step outside the St. James Theatre to present/perform the Act II Opening Number, while the entourage - what? . . . exits the Stage Door, through that back alleyway, and makes their way North across 44th Street, and into and through Shubert Alley, then East on 45t psst One Astor Place to circle back South through Time’s Square to turn West on 44th to head back toward the St. James and, what . . . slip into the building immediately East of the St James to use that secret lobby pass door that opens directly into the SR backstage of the St. James, WHO, exactly is accepting the responsibility to ensure the SAFETY of Actors, SM’s, crew et al while they are outside the St. James alternately on property owned and/or leased, operated and maintained by the City, the Shuberts, the Minskoff, One Astor Place, the Times Square Alliance, the [NY] Department of Transportation, Carmines, and so on, and so on, not to mention the exposure to limousines and cabs and private vehicles and lots and lots of pedestrians?
If, god forbid, an actor, crew SM, IS injured, you can be CERTAIN that the employers and Worker’s Compensation insurance are going to do their damndest to place blame on another party. And, if medical treatment and or disability kicks in, and, some provider grabs an Actor’s private insurance to pay for services, while those responsible dispute liability, when it finally DOES get settled, that Stage Manager, those Actors and crew who have been injured on the job, whose private insurance coverage paid for treatment. are going to be on the wrong end of a Subrogation demand. They will PERSONALLY be chased down to repay their medical insurance and:or disability provider.
In the meantime, lawyers will have a field day and drag messy claims and lawsuits through the courts.
How and when will understudies be safely rehearsed? They can’t be required to perform something they haven’t rehearsed.
From a liability, disability, workers’ comp, medical /dental/ vision, unemployment insurance, and OSHA standpoint, this idea sounds very, VERY MESSY, and Really, REALLY EXPENSIVE!!!
Safe for the actors… Not so much for the musicians. The New York Times did a whole piece on the injuries sustained by musicians due to lack of preventative measures, give it a read it’s sadly overlooked
@@billyd7898 I was just about to comment on that. From what I've read, the attacks were on musicians who played for the show "Aladdin" at the New Amsterdam Theatre.
My Dear, your ability to deliver virtually breathless, continuous patter is astounding from a purely technical standpoint....Did you ever consider Gilbert and Sullivan or Rossini Opera Buffa?
Saw first preview, and he did it in the rain. Went off without a hitch, and I know that the security is tight and well rehearsed. It seems like they have backup plans, and can adapt things to fit situations.
I was in the audience the night the Hell's Kitchen crowd ran into Tom (October 3rd)! I had no idea that that wasn't a normal occurrence other than the fact that we lost a few lyrics to Tom stumbling into people in front of him. It gave the whole sequence a much more comedic vibe than what I think they were going for, & every time something would go a little wrong the audience would laugh (including me). Seemed to us like a typical run of the show, but of course we were all so absorbed in the spectacle that we didn't know to look for mistakes. Absolutely cannot wait to go back.
It took me like five minutes to realise you said the Hell's Kitchen crowd ran into him and not the Hell's Angels crowd 😂
The mistakes are what’s most charming about live theater, for me and for many. I love seeing actors improvise through the mess ups. It’s always impressive how they stay cool and in character.
Fun fact: Sunset Boulevard is playing at the same theater where they filmed Birdman, where there’s a famous scene when Michael Keaton made a similar stunt walking across NYC to get back into the theater after being locked out. Wonder if Jamie Lloyd was inspired by that!
I completely forgot about that! How interesting....
I was thinking about that movie when I saw the footage of Tom! Can't believe Jamie Lloyd used the same theatre for his walking shot!
I saw the 2nd preview and to see it happen in real time is crazy town, I’m so sad to hear people are actively routing for it to fail because I think it is awesome. There does look like cameras on the roof so it would not surprise me if it is a back up option. But thank you so much for all of your coverage of it because I would have missed a truly mind blowing theatre experience
Thank you for this. As a native NYer I don’t understand when people root for things like this to fail. We as collective theatre lovers, as music and art lovers want more original concepts and productions. I get excited for any great transfers from the UK. Have been looking forward to this and seeing it in a few weeks.
I am a New Yorker too. I don’t love being told I can’t walk down a street, once I was told the street I live on was closed. But tv, film and theater bring billions of dollars to NYC and millions of jobs to the city. So 30 seconds of inconvenience is no big deal. I can deal.
I went to the theater AGAIN just to watch the walk. Security guards and cameraman were pros! It was a great experience and I’ll go back again, out-of-the-way, to watch 😁
I saw the crew rehearsing this on Friday afternoon. We were walking past the St. James with our bag from Schmackeries (thanks for the recommendation).
Hope you enjoyed!
Thank you as always for your service. I hadn’t heard the suggestion they were contemplating putting Tom Francis on the back of a scooter and literally howled when you said it 😂 We were robbed of seeing those videos paraded on the internet 😅😂🤣
The funny thing is.... This... 🛴... Is what I imagine under "scooter" si that's even funnier in my head. " Sunset boulevard... Weeeeeeee....."
I love and appreciate that your editor includes chapters. Helps me share specific moments with friends!
Plot twist: the editor is me 😅
I saw it last night and it was absolutely seamless and a crowd thriller! Wow--I loved it and was floored that it's actually live every day.
I’ve seen some really awful comments from people on SM, saying things like they wouldn’t move, they’ll sue if they get touched by the security staff. It’s baffling to me. I mean why wouldn’t you just move out of the way? If I saw someone coming towards me doing something that matters to them, regardless of what it is, I’d move aside and then step back and enjoy being able to witness whatever it is. Why cant people just be helpful? We move aside for people all the time, cos if we didn’t we’d all be bumping into each other. I don’t see how this is any different. Most of us will even move aside to allow tourists to take photos in tourists spots. Just be helpful people, it’s not difficult, you can see they’re doing something that is important to them, so just be helpful and be kind and step aside for those few seconds that it is going to cost you. I worry about society at times I really do. 😢
The sidewalk is public property. Meaning, the musical is technically outside its rights.
@@ChienaAvtzon It’s quite strange what ‘rights’ Americans seem to care about. I guess it’s argument to be used when it suits. 😏
Exactly! The most stubborn comments just sound so contradictory, "I shouldn't have to move for them, They should move for ME" and they just end up demanding the same thing they are complaining about and it's ridiculous. I can understand the problem for anyone with mobility issues but the people complaining just sound entitled, where did the kindness go? Surely they can't walk everywhere with that mindset, it takes nothing to move for not even a minute of their time
@@Izzy-wl7gl I think a lot of people who don't know what's going on are going to assume that it's someone recording for Tiktok or something, and just get annoyed at what they see as "random person trying to use his money and imaginary fame to push around regular people," and react accordingly.
@serenah6387 British v American culture. We all loved it here and were incredibly supportive, the Savoy walk went past a busy pub as well. Americans start going on about their civil rights being infringed by a musical.
I saw it on Tuesday at St. James, and it was INCREDIBLE. I highly recommend center orchestra seats no closer than Row L for the best experience with all the videos...
The delay question, I know that after COVID began, some musicians actually developed programs that could essentially adjust the delay between input and output so that singers could sing in sync via live feed.
On the person in the blue hat: from what I saw (wasn't there, but watched the video a bunch of times to try to figure out what was happening), it looked like, the first time that her group encountered the SB people, her group was heading south and Tom etc. were heading north. She got separated from the rest of her group when she ended up on the Junior's side of the alley and they were on the Hell's Kitchen side. Then Tom etc. stopped, and she tried to rejoin her group by crossing over just south of them, walking through the area they'd just vacated. Usually, that would be a good plan -- rather than getting in the way, walk behind them. But since that happened to be the point where they changed direction, "behind them" became "in front of them" while she was walking through that space. And the camera person was walking backwards, so she couldn't see where she was going, and it looked like there was someone who was supposed to be facing forwards and guiding her, but that person wasn't looking in the right direction to see the oncoming collision.
There was also another video from last week where an older woman using a cane wasn't able to move fast enough to get out of the way, and they didn't collide with her, but she nearly fell over trying to step to the side that quickly. That wasn't in the alley, but on the sidewalk on 44th, right where they cross the street. Those points seem to be where most of the issues are coming up -- in London, everybody walking near him was walking parallel to his path. This route has several turns, where he's approaching people from the side, so they have a lot less warning and it's much harder to predict where he's going to be going next.
What I see as a possible solution: first, have people stationed at BOTH ends of the alley, telling people that they'll need to step to the side. They can't really expect the people who've just turned into the alley from 45th to figure out what's going on when they see a whole crew of people walking toward them (and very possibly get momentarily blinded by the lights.) And second, a few minutes before the scene starts, put up barriers essentially creating three lanes in the alley. Stage doors and One Shubert Alley on one side, Junior's and passage through the alley on the other side, and space to film in the middle. They could similarly make a narrow lane for him on the sidewalk of 44th. (It seems like they're still experimenting with where he crosses the street -- I've seen videos where he crossed right in front of the St. James, and others where he crossed at the end of Shubert Alley.)
(Basically, whenever I got to the theatre district, I have my entire route planned out ahead of time, where I need to take into consideration whether I'm using my walker or my wheelchair, where the curb cuts are, where there's good visibility around corners and where there isn't, which intersections get deep puddles when the snow melts, and so on. The path he takes there is definitely on the "Looks easy, but there are a ton of issues that you won't think about until you need to think about them" list.)
@@callalily3994 I typically use a rollator. This is really alarming to me in terms of accessibility, and especially because the Shubert theater and a few smaller theaters around there don't have an accessible bathroom and they tell people to use them in restaurants/buildings nearby.
@@michelleb.6877 good point. They once told me to use the one at Sardi’s, which meant crossing the street. Also, the curb at the end of Shubert Alley is a pretty useful place for a car or van to stop and drop off a disabled passenger before the driver goes to park in a less accessible garage. If someone’s in the middle of unloading a wheelchair, they can’t just move on a moment’s notice.
To me, it looked more like the blue cap lady was stopped and then chose to cross over where she did at the risk of walking right behind them. She could see them and they were already going in that direction when she decided to walk across them, but she didn’t seem to care.
This is interestingggg... I've had interest in seeing this musical since you've talked about it and didn't know about this aspect of the show so I'm sure it would be a little jarring to other theatre goers/people in the area who have absolutely no idea.
I feel like I always have my guard up around all of midtown and if someone tried to push me out the way for something that appeared to just be a music video or something I'd be pretty pissed off. I wouldn't try to fight it and get in the way of the shot, but they also can't expect people to move in my opinion. Especially in the Times Square area where there are constantly people recording and trolling and pulling pranks and being aggressive, I think that's something they're just going to have to account for. But every little instance also shouldn't be like this social media backlash, that's a bit ridiculous.
I think maybe if they put something like "filming in progress" signs visible throughout the alley that could help a little bit, but it's definitely going to continue to be an issue.
I saw the first preview for this in NY and was blown away by the smooth transition out of and back into the theatre. No troubles that night. I missed the show in London so I can’t compare what happened there but it all seemed under control on the streets of New York!
As a NYer, I have found London streets much more crowded. Plus, they are constantly filming in NY. Locals are used to being moved due to cameras.
Yeah but a small percentage of those around midtown are actually locals
@@TheEevee123456 - Not just that, but when filming takes place in NYC the NYPD is running security. Which does not seem to be the case with “Sunset Boulevard”.
That area of 44th btw Broadway and 8th is 90% tourists. But point taken. We in the city are constantly navigating the obstacle course of active tv and film location shoots. Tourists can adjust.
Very much on point. Don't nay-say until you have seen it. Thanks for the post.
Saw it last night. The scene was perfectly executed and only one person not in the cast was even visible in the background. Of course, it was Monday, so there weren't a lot of theatregoers out and about. I'm a big Sunset fan and I LOVED the show.
I saw Sunset Boulevard on Broadway last Thursday, October 18th. Wow!! So amazing. The show is breathtaking. It is one of only 3 shows I have ever seen that was interrupted by a standing ovation in the middle of the show. On the night I saw the show, Tom’s journey into Shubert Alley went off without any problems.
I love the Jamie Lloyd adjacent Lighting !!!
Brian the Business Analyst has always been a reactionary. Thank you and Kate Reinking for taking a realistic approach.
I cannot wait to see this production. November can’t come soon enough. I wish I was seeing it in October. Shubert Alley is the perfect place to do the nod to the show.
Of course you had to mention Junior’s. I love it.
I just saw Sunset Boulevard on Friday the 12th. It was spectacular. I happen to agree with everything you’ve said and I’m amazed with your ability to articulate the significance of all the production details that make this a completely different Sunset Boulevard . The second Act opening was brilliant. The use of the camera throughout the show was amazing, It brought the reality of film, close-ups and all things “silver screen “ into the stage version of the story that the original production didn’t. The cast was so talented. Nicole Scherzinger is a force of nature. She now owns “With One Look”. If you haven’t seen it, find the clip of her joining Ben Platt at his recent concert to sing “Let Me Be Your Star”.
11:15 I heard someone on tiktok say that the tech elements of this are incredible and that in and of itself justifies the stunt
I saw it live in NY and it was one of the most thrilling scenes I have ever witnessed on Broadway. I will remember it for a long long time.
Saw the show a few nights ago and the jaunt around Shubert Alley went off with out a hitch as far as I could tell. Although he just BAREY made it back on sage for the big high note. I was IMPRESSED. And as a New Yorker we are used to shenanigans going on in mid town whether it's a parade, a street fair, street performers or just tourists behaving badly. Crossing the street to walk to a poster and back is no big deal.
I saw the preview production of “Sunset Boulevard” last night and felt I was watching history in the making. It was the feeling I had seeing Streisand on Broadway in “Funny Girl”, Nicole Scherzinger is riveting as Norma Desmond and we couldn’t get enough of her. How nice to see her singing songs we knew so well with fresh interpretations and a strong voice.. The audience couldn’t stop themselves from giving her an endless well deserved standing ovation after each song. My only complaint was there was something wrong with Tom Francis’ diction, like maybe he bit his tongue earlier in the day? I loved the merging of video with live performance. Nicole was so different when she played for the camera than for to the audience that always gave me a giggle. The show is challenging and redefines what a musical can be in so many ways. Thank you to Jamie Lloyd!
Since seeing the Twitter backlash, I’ve been waiting for you to make this video 😂
I was sitting on my sofa 2 hours ago and suddenly said aloud: "this is a RUclips video isn't it" and now here we are
@@MickeyJoTheatre we thank you for your service 😂
Having now actually watched the video, I’m one of the minority that didn’t enjoy this production however appreciate that most people do, and regardless of that completely agree with your points around the general vibe of people “wanting” this to fail - it’s baffling. I do think there should be a few more controls like barriers or more security further ahead for everyone’s safety, but surely as fans of theatre we should be championing initiatives like this (regardless of whether you like the production or not) - it’s how we continue to get new and exciting things, right?
A fair and measured view from you, as always 😊
I see Sunset Blvd and loved it. When they go outside is alot a fun. One night I hanged around, to watch outside. I loved this show.
On your next trip, when you go to Junior’s, please try a Black and White cookie. A true NY delicacy!
I've had dozens, I LOVE them!!
Forty years ago, the play “Tamara” by John Krizanc, which was staged in an “Italian villa” (the Hollywood American Legion Post 43 built in in 1929, was perfect for the villa), ran for nine years in Hollywood, and it was full of such spectacle. The audience were “guests” in the villa, and followed whatever actor they chose at whim, through three floors of interior performance space, into restrooms, bedrooms, dining halls where an actual meal was served, and outdoors, even as some characters got into period cars and drove away!
There is nothing new under the sun.
This is also the concept of Sleep No More which has been running for over 12 years.
Saw the show last Thursday loved it so so much. I went back Saturday night and then last night just to watch the Broadway walk. It’s fun and different and I am there for it !
I feel like Schubert Alley is a perfect meta place to do this in NY. I love that idea!
Wow! I just saw this and I can't even BELIEVE that they do that live 8 times a week! Tom Francis should be crowned King of the entire world, because that takes BALLS and more calm under pressure than I can even imagine! Again, WOW! I hope to be able to see this production many MANY more times. I've seen 3 prior productions: Original Broadway, Original Toronto, and Glenn Close revival, and this version was LIFE CHANGING! I've been thinking about it for 2 days! I just flew to Mexico for 3 weeks and I can't wait to back to NY to see it again!
Also, they need to have security (and barriers) that keeps people out of the way. Assholes have NO RIGHT to push past security barriers that are approved by the city. This production is incredible and people on the street shouldn't be able to ruin it!!!!
Actually there’s no indication that ANY of this has been approved by the city. That’s the issue. To film, even straight to the stage, you need a film permit. No film permit exists currently for an open ended, 8x per week, disruption of 44th Street (it’s public record and searchable). So this is all done illegally and someone WILL get hurt at some point (simply based on frequency of the situation).
Happened to read about Sunset Boulevard in a media article and its move to Broadway…which led me to YT…and this video. Thoroughly enjoyed this…without ever getting to see the show, since I live in Christchurch, New Zealand, but I I would love to see Nicole. So pleased she has won an Olivier Award. Thanks, Mickey…an excellent blog. 🐑🐑🇳🇿🇳🇿NZ
We went on 10/1 and they shut down Shubert alley!! Stunned. I hope it continues.
While I love the execution of this second act opener, I'm going to agree with both sides here. Francis is absolutely brilliant, and the 'show within a show' aesthetic as usual propels this production. I think some more preparation + coordination realistically, and maybe revision of some aspects would make this less chaotic. I was coincidentally watching the footage of him walking around, and I was absolutely frustrated with how it's been done on Broadway. Only a handful of guys, and every passerby has no idea what's going on - and that's definitely on Jamie Lloyd and some others IMHO. Great video Mickey
Some folks just need something to be angry about.....
An informative and entertaining episode as always, MickeyJo. I presume you have heaard the sad news regarding Gavin Creel? Such a shock.
Completely shocking and deeply sad - his loss is felt acutely throughout the theatre community and I will treasure the memories I have of seeing him perform onstage and meeting him afterwards.
Watched in theater 2 times in nyc and one time on the street it’s amazing. I came back one day to see it outside - Tom Francis was out and Diago was in as Joe …so he did the walk…he had to carry an umbrella bc it started to drizzle. I asked one of the guys outside before it started - what happens when it snows - they have several versions.
A bit of inside information. I had a zoom call with the sound designer Adam Fisher. They were meeting to discuss this, and also considered other possibilities such as weather, crowd management, and other shows finishing around the similar time I think this may change as we approach winter.
Saw this on Friday. FANTASTIC. Nicole KILLED IT (literally lol). And the opening of second act was incredible. Already bought tix to see again :)
I mean I was indifferent to this musical in general but, the fact that they are doing one long continues shot that's live fed back to the theater is actually really neat.
I went to school in NYC & have spent time in London, and I just think the vibes of the crowds in each city feel different - hard to explain, but NYC feels less accommodating and more like you're expected to know what you're doing. There are definitely lots of people who wouldn't move even if asked politely. On the other hand, Times Square also has lots of tourists who aren't paying attention to the people around them, so that won't help either. The holidays will only make the crowds worse. Still, I hope it goes well for them in the long run!
Also, there are enough NYers who hate Andrew Lloyd Webber and would love to see any project of his perish in any way possible lol 🤷♀
@@gbam3939 why is that?
@@marenmacmichael6988 I think a lot of people see ALW's shows as gimmicky, so having an actual gimmick like the cameras won't help combat that image to them, even if the idea is actually interesting, creative, and related to Jamie Lloyd's interpretation of the cinematic themes of Sunset Boulevard. I've heard other people call his scores overly simple and too reliant on pastiche when compared to Sondheim, Rodgers & Hammerstein, and other composers. Some have always hated his biggest hits like Phantom & Cats (esp after the 2019 movie). The US also hasn't had all of his musicals premiere here and has had fewer revivals of some of his biggest UK hits like Evita and Joseph. Tl;dr, some vocal American theater fans just don't like ALW and won't like anything he does. Maybe they're just Team Patti LuPone! 😆
@@marenmacmichael6988 It's been a thing for a really long time. When I was a teenage theatre kid in the nineties, shows like Cats and Phantom were derisively called "tourist shows," and anybody who said one of those was their favorite show would be roundly mocked. I've mellowed a lot on him since then (and outgrown that teenage pretentiousness), but a lot of people still mostly see him like the theatrical equivalent of junk food -- popular, but not much substance.
@@callalily3994 I agree - a lot of people seem to see his shows as shallow and gimmicky when compared to the works of Sondheim, Rodgers & Hammerstein, Jason Robert Brown, etc. I've seen reviews say he writes 1-2 memorable songs per musical, then phones it in for the rest. That may be true for some of his shows, but I think those critics tend to ignore ANYTHING good he's written in favor of saying EVERYTHING is bad. The fact that this stunt is very attention-grabbing could also seem to those critics like just another gimmick, the one memorable moment in an otherwise boring ALW show. I'm interested in hearing what Broadway critics think of this production, knowing how they can differ from London!
I will be in New York in Nov, but sadly won't have time to see this. Looking forward to hearing the cast album though. But seriously what is this world coming to. They are trying to do something fun and creative. Yet people are so full of themselves and their own importance, are either trying to capitalize on this or sabotage it, ruining it for everyone. Sheesh people.
It’s probably as simple as coordinating the curtain times with the other shows on 44th st. I loved it in London and I’m sure I will again in New York
Sense!
I saw it last week and I can say that it is just as good in NY as it was in London, if not better. Also, sit on the left side of orchestra *wink wink* 😅 and no one was thrown to the ground when I saw it. I did see a matinee though so it was pretty quiet outside.
I will say, my bf didn't particularly enjoy the show but he really enjoys beautiful costumes and set peices, so I knew he would be disappointed with Sunset because this production is NOT that kind of show.
I've been debating if I want to see it when I'm in town next month and I re-watched the video twice after looking at the ticket map trying to remember this tip thinking Mickey said it! Glad I went back through the comments! I love the soundtrack and saw the show as a kid and was enthralled, so I'm going in with the attitude of "I can't criticize it if I don't see it, and maybe I'll like or even love it!"
I've got a ticket for this Saturday. I'm really looking forward to this part of the show
Oh my gosh i need to see this in person!
I think people are being a bit too annoyed about it. I think the concept is so cool. however, ive walked down 44th and almost get hit by a car each time so im hoping it still runs smoothly
Perhaps this is why I dislike walking down 44th but LOVE walking down 45th?
@@MickeyJoTheatre literally…i risk my life trying to grab a juniors cheesecake
"that was a lot of gay references at the beginning of the video" and I loved every single one of them
Honestly I think this works better in New York. There are constant films and tv shows filming here and people generally stay out of the way.
I love you Mickey Jo. Your takes are always so correct.
That scenario was only from the first day of show I watched three shows just this weekend and the walk outside is now controlled and coordinated and bystanders are behind barricades but are still all queuing to watch Tom Francis Even Thursday with Jimin Moon as Joe Gillis walked outside without any problems , on Friday and Saturday I I noticed that as Tom was going around the dressing rooms enroute to the streets several cast member he was passing by seemed to be alerting personnel outside that Tom was coming out soon hence when he ventured outside the crowds were all giving him space and behind barricades or behind security so that initial issue about crowds has been solved . In fact Tom was posing bedside his pic and Nicole’s as he was singing about her and also about Sunset ditto with the other cast members who joined Tom
I really wasn’t sure what to think as I’m a big fan of the show, seen some awful interpretations but this blew me away, why, you might ask, well, it feels like a fresh interpretation that’s interesting and new and surely theatre should be reflecting changes and pushing boundaries as an art form and I really hope New York embraces it. Also loved the new version of cabaret.
Also, controversially I do think it’s snobbery, how many versions of a Shakespeare revival or other “old” play gets lauded as groundbreaking or edgy and that’s ok but a musical, don’t you dare….
I was there last night when yes, just after the entreact, Tom Francis started (backstage) from the top floor of the building which formerly housed the Jujamcyn offices (?) seventh floor and proceeded down, down, down past Nicole in her dressing room that had a gun prominently resting on her dressing room table. Eventually he proceeded out the backstage door onto 44th Street going east past the Helen Hayes Theater and Sardi's, onto what is Seventh Ave. at that point (but Broadway to us) then north one block to 45th Street where he turned west until he arrived at Shubert Alley on his left. He walked south through Shubert Alley and across 44th Street to the entrance of the St. James Theater and proceeded through the house and onto the stage. All the while he was singing "Sunset Boulevard!!" The entire audience went ballistic. I was near tears; for me it was homage to all the people, like myself, who had spent thirty years working backstage prowling those exact hallways nightly!!! Genius!!! And thank you.
(Only one thing different: those backstage stairway walls looked newly painted for the occasion.)
I saw it and loved the show. I was kinda taken out of LA tho with the quick walk through Shubert Alley. I liked how they didn't take the show to seriously but! HK ended and It was packed on Shubert with tourists and they were dodging the camera and audience was laughing at that. None of the cast was visible near him at all because of how big the crowds are in NYC. IDK if it really works. Nov/Dec will not be possible there will be no where to walk. Might be better to be on the roof. Yelliing clear a path to a bunch of Americans in Times Square is not going to work and asking for fights. I also don't think people don't want to succeed its just looks messy and unorganized, they can think of other things that amaze people. I don't think people are "Rooting for it to fail." Nicole also came out of the stage door unbloodied, which I appreciated for her sake.
I saw it at the first preview (in the rain) and just again tonight. Both times it went without a hitch.. I do wonder why they they are playing at 8PM instead of 7. With a 7pm curtain there is absolutely no way you'd have to deal with people leaving other shows which I think was the problem the one time they had a problem in the scene. That area is deserted around 830/845. But they absolutely should keep doing it live, it is awe inspiring in the show.
I’m not even 6 minutes into this post and it’s already like driving past a car pile up where you can’t help but slow down to stare at the carnage. . .
I think it’s … interesting that this has bubbled up the week that tickets go on sale for Lloyd’s Much Ado in London
I loved this version of Sunset and was very hesitant to see it because it wasn’t traditional - but it really was jaw dropping in London. I am astonished how irresponsible online theatre reviewers have been and am hugely disappointed. Completely agree with your summation MJ .. sadly a few teething problems and some thoughtless commentary risks overshadowing the magic that is live theatre. Thanks for bringing the common sense ..
New York is far worse than west end London for crowds
I think the NYC theater goers are still upset from the WEST SIDE STORY revival that was like this production. So some people are more than likely just bitter.
I saw it yesterday. it's really fun.
Thank you for this!
I once saw a small stage version of SB in London, where the actors currently off-stage (or rather stage right or left) played the musical instruments for the musical accopaniment and either used the instruments as props while playing a scene or handing them to other actors when going on stage. It was a bit bizarre at first, but I was really impressed how they had to cast people who could act, sing and play multiple instruments.
Not sure though how I feel about a contemporary version of SB. I already hate it when operas are being staged in a modern context. Why they think they have to update the stageplay is beyond me, after all, you don't change the classical music to them either.
Blue Man Group did something similar in the 90s no singing but cameras following them outside backstage to Lafayette street and back
Loved the opening of this video 😅
I know someone who saw this all going on in Schubert Ally (they are not a theater person, and were just there to get cheesecake) and thought the security people were not really security people because there’s never been security in the Alley like that before. I can assume she might not be the only person who doesn’t believe the SB security asking people to move.
That is a fair point. I think they need to send people out in advance to clear a path.
@@yankee04 from my understanding they did, but people thought they were fake security/ just being annoying
I am going to NYC in January and hoping to see it. I am really looking forward to this part of the show and hope that it happens and that this succeeds in NY.
I saw Diego Andres Rodriguez understudying for Tom yesterday afternoon. It totally worked for me.
I just saw the show. It was perfect!
I saw it on a night where Hell's Kitchen was out a little later, i think the problem is the crowd for hells kitchen. Also once people get on it i feel the crowds will get larger just to view. Props to the production crew working so hard to clear the people and security. The day we saw it they even stopped a bus with a gate from going through
There are also two more shows opening on that block within the next few months, which will just add more people.
Schubert Alley is between 44th and 45th rather than 43rd and 44th. It’s a minor detail, but that thoroughfare doesn’t cut between 43rd and 44th Street. Juniors is right across from Hell’s Kitchen at the Schubert-then they walk by both the Broadhurst (where Hills of California is) then the Majestic (where Gypsy is about to begin) . They even go by the Booth, where Patti Lipone is doing The Roommate with Mia Farrow. While you’re in the theater, you’re watching them walk by all of these current Broadway shows, which is pretty unbelievable.
I was there tonight and I don’t know how they’re NEVER going to run into trouble. Nevertheless, I thought it was really cool, but I also don’t think it’s wholly necessary. It almost seems like a gimmick but when they do make their entrance after being outside on camera, it’s incredibly exciting! Perfect word for it!
I saw it last night and the street was empty.
@14:23 yes when I saw NETWORK on Broadway, I had no idea Tatiana Maslany and Tony Goldwyn would kiss outside the Belasco theater during the show in realtime (friends knew I was watching it so a friend and his bf casually walked and also started kissing each other after seeing the actors kiss.) lol.
I’m excited to see it as I bought tickets for 11/16. I hope this outside of the theater issue is solved by then and things are runner more smoothly. Also as a life long New Yorker I’m fine with this as long as they plan it out.
I went to see the Australian production today and after a side by side comparison of Jamie Lloyd’s one is definitely more watchable than the other! I really need a comprehensive review of the Aus show if you have any recommendations of theatre reviewers over here?
I’m actually going tonight to see this on Broadway
Hope you enjoy!
Hmmmm…. I’m a New Yorker and looking forward to this revival of “Sunset”. I saw it originally with Glen Close. Actually the first night I went to see it, we sat for almost an hour waiting for the curtain to go up, only to be told the performance was canceled due to a problem with the very elaborate scenery - at least that shouldn’t be a problem with this stripped down production. I loved “Network” both in London and NewYork, so not entirely convinced this moment in “Sunset” is entirely “innovative,” (the street was even featured in that recent Jessica Chastain revival of “A Doll’s House”) but it does sound like a great bit of theater and I hope they work out the kinks.
I work next door at The Hayes and have seen them do it a couple of times. I didn't see it, but I heard that it was a mess on Saturday night because the filming happened as the audience was walking out of The Shubert after HELL'S KITCHEN broke. Our next show at The Hayes, CULT OF LOVE is apparently an hour and forty minutes and will break at the same time as the filming on Tuesday and Thursday nights. I just don't see how it can sustain itself. :(
It's crazy and in a way, quite shambolic!! I totally see where you're coming from
@16:22 I agree the producers should have thought more about the location of the theatre that has outdoor walk that is not too crowded. I agree Hudson would have been great.
i saw this moment at one of the NY previews and there didn't seem to be any issues at all. i personally found it really exciting to watch and it felt like the entire audience was holding its breath during this sequence - there was a lot of applause when they pulled it off. i knew about this sequence beforehand but i was still shocked when they had him crossing the street during it. i did end up focusing on some of the bystanders in the street because i was curious - one guy seemed baffled, another irritated, mostly people just ignored it lol
I just saw Sunset Blvd tonight and The Walk looked really cool but they have changed his walking path slightly because the Hell’s Kitchen audience gets out when he does his walk.
People should move when they are asked to no?
Wouldn't it be sooo cool if they performed this song on the actual Sunset Boulevard?😎 I'm hoping beyond hoping this show will be successful enough to perform where it actually belongs: in Los Angeles.💖💖💖
It won’t be.
@@MondoMiami Never say "never." Sunset Boulevard has already made 1 million dollars since the previews. That's significant. It probably won't be on the actual Sunset Boulevard. (I found out that there are no theaters on that road.) But maybe at Pantages on Hollywood Boulevard. It might.
@@throughthelookingglass5973 The Dolby would give the opportunity for views of the Hollywood sign.
@@MondoMiami Maybe when or IF a national tour / sit-down production happens in LA, that will be a possibility. I don't think Tom Francis would reprise his role again for that, though (for that matter Scherzinger will be working on something else anyway)
My only gripe with sunset is I left it til closing week to see it, I heard to many bad reviews which I wish I'd never listened to. The choke hold this production has on me. I wish I could go to nyc to see it again
Shubert Alley is a private way, and not public property. The woman probably wanted. To get injured on private property and sue the Shubert Organization.
I saw 'Network' on Broadway and when I met Tony Goldwyn for an autograph after the show (his character walks around the block while it's projected on stage), I asked "Do you go outside even when it's raining?" (I assumed they'd use a videotape during bad weather) & he answered "Yep. Even when it snows!" So you're right - it's been done before. BUT he didn't SING outdoors. That'll make it even more interesting!
From your story, it sounds like this woman was a **** who was simply seeking attention. I wouldn't read anything more into it, nor would I presume this will become a regular occurrence.
I saw this on opening night in London, I thought it was pretty cool and really effectively pulled off, loved the use of movie cameras in a musical based on a famous movie about movie stars / script writers ....
In a nutshell, americans can’t have anything nice, now can they? I was floored at The Savoy when Tom finished on that note after his performance. People were beside themselves. It’s different, it’s exciting and it’s LIVE theater. Such a context in the break of the 4th wall, having the busy city as landscape where everyone is trying to make it, which is exactly what the song is about. It will be really pitiful if they remove this segment over something so ridiculous.
I'm a huge Sunset Blvd. fan - I love the soundtrack, the characters, all of it. I will be in NYC in about a month and trying to decide if it's for me or if this staging will just bug me. Regardless, when I first got a notification for this video, I assumed you were going to be talking about the end where (SPOILER ALERT) Norma shoots Joe bc in the "original" or old timey staging, he falls off the balcony (right?). So I was like "this seems like a silly thing to talk about, but I'm curious about this show in general, so let's hear what Mickey has to say..." So to answer your opening question - I think some people just hate fun bc this whole topic is silly - people just need something to gripe about. I'm partly tempted to go see the show just to watch Tom Francis "shove" a pedestrian, lol.
also the Patti Lapone story sends me - I'm watching a 2nd time to pay attention to all the little details!
I was in the audience that night.
They shut off the street with barriers for incoming traffic, but the crowds pouring out of the Shubert Theatre made me HELLA nervous for Tom. It was a really close call for him in regards to making it back in time to finish the song.
This makes me wonder what the contingency plan is for if he's not able to make it back in time.
The scene is amazing. I will say though that, as a New Yorker, I am that grumpy person who isn't going to move from a public space because a security guard is barking at me. I wouldn't disrupt things on purpose but I absolutely get people being annoyed.