Franz Schubert - Symphony No. 1 (1813)
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- Опубликовано: 1 окт 2015
- Franz Schubert
Symphony No. 1 in D major, D. 82 (1813)
1. Adagio - Allegro vivace
2. Andante
3. Allegro
4. Allegro vivace
Description by Blair Johnston [-]
Franz Schubert was 16 years old when, on October 18, 1813, he put the final touches on his first complete symphony, the Symphony No. 1 in D major, D. 82. An impressively polished product, it doubtlessly benefitted from the young composer's two earlier, abortive efforts in the genre (also in D major) and the handful of symphonic overtures he wrote in 1811 and 1812. Like the rest of Schubert's pre-1820 symphonies, the Symphony No. 1 was not published until the late nineteenth century, when it was included in the original complete works edition. Schubert did, however, have the luxury of hearing it played during his lifetime; the obliging orchestra was possibly that of the seminary school from which the composer had recently disenrolled, or one of the ad-hoc ensembles put together in the house of Viennese music enthusiast Otto Hatwig.
The Symphony No. 1 is by far the finest piece of Schubert's to date. Though it dates from the post-Beethoven era, the Symphony No. 1 proudly displays Schubert's eighteenth century roots, established through his studies with Antonio Salieri (competitor of Mozart and admirer of Haydn). The grandiose Adagio introduction to the first movement and the Mozartian zip of that same movement's Allegro vivace main theme are unmistakably Classical in nature; as with many of Schubert's earliest works, there are countless superficial melodic nods to Beethoven, but the general manner of the work shows that, beyond such similarities of contour and inflection, Schubert yet had little access to the musical operations that lay at the heart of the master's symphonies. 
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![Georges Bizet - Symphony in C (1855) [Haitink Concertgebouw]](http://i.ytimg.com/vi/-xk7TVPyboY/mqdefault.jpg)
Even his first symphony sounds unique
This symphony hits me like nothing else. Especially the first movement
How sure-footed Schubert was even as a boy! The melodies and orchestration are delightful and distinctive, and could be by no one else. He learnt how to manipulate an orchestra from the inside, by playing in one. Each of his symphonies is different from the others and all are equally enjoyable, culminating in the finest symphony ever written. Truly he was a master from the very beginning.
Gregory Roscow listen to the third movement Menuetto. It's really charming, and the trio section features a bird call-like sequence in the flutes. Just astonishing beauty!
His admiration for Beethoven is apparent, however (not that it's a bad thing)!
I. Adagio - Allegro vivace 0:47
II. Andante 11:07
III. Allegro 17:46
IV. Allegro vivace 21:56
Thanks, the timing is helpful.
Such a beautiful SYMPHONY. I dare say this gem can Relieve Stress and Depression.🥰🥰🥰🥰🥰
He did so much in his 31years his first symphony is just one of his masterpieces
21:28 parts like these make me realize how cool chord progressions can be
Una de las hermosas y "redondas" sinfonías del periodo clásico..... bravíssimo Schubert
I've heard people rip on the Hanover band, but I find their recordings to be superb-- dreamlike and almost hallucinatory.
The second subject of Mv 1 is very close to the last movement of the Eroica. That is based on the Prometheus theme, and the first subject of Mv 1 of Schubert's 2nd Symphony is close to the first subject of Beethoven's Prometheus Overture.
Geoff Walker this Schubert symphony was written in 1813, after Beethoven had already completed 8 of his 9 symphonies, and yet it's completely Classical in style--moreso than even Beethoven's first two symphonies.
Nevertheless, it abounds in melodic beauty (like all Schubert), it is perfectly crafted, and is a delight to listen to.
Ending of 4th movement WOWWWWWWWWW
In 1813 Schubert left the Stadtconvikt school where he met others music students . 1815 Schubert wrote over 20,000 bars ! 9 choral works none of which I know.
Гениально!!!!!!!!!!
Who are the orchestra and the conductor? It is played in a charming and convincing way.
Click on the tab "show more" and you see the info. The Hanover Band conducted by Roy Goodman)
0:47 main theme
27:21 ending
What's the thing with the high D's of the trumpets? (end of first mov)
The 3rd movemnet is played like a fast minuet or a slow scherzo.
ruramikael the slow movement is Mozartean and of surpassing beauty. The second theme is somewhat melancholy
20:07 Is this a reference to Mozart's Symphony 40?
According to me, not. Only the stylisation of a bird song.
@@pierreboland8910 Why couldn't it be both? The part right after the high figures is also similar to a passage in Symphony 40, so I think that would indicate they're both references.
NO
Sanctus Mozart's requiem reference at the beginning ??? 😂
sounds more like the Kyrie of the Coronation mass to me
Age 15
Chaos somewhere in measures 159 - 183 of the first movement. Like 20 or so measure written out in the score that just doesn't get played.
Like they jump straight from measure 164 and go straight to measure 183. Confusing as fuck.