The sound of Lisa Weinzierl - 2024 guitar was distinct and outrageously precise. Each note chosen for emphasis sounded distinct and appropriate in the melody. The beautiful individual notes were clear without impairing the wonderful resonance of the guitar. Will be a professional guitarist choice imho.
What can one say! Astohnishing, beautiful! They all are. Such a pleasure to hear such amazing instruments!! SO glad they are still being build and the standard seems to raise continuously. But I have to agree. The 1988 guitar is also absolutely amazing! Thank you for presenting!
Wow, it is hard to say which one I prefer since each one of them is a jewel. I will say that to my ears the Dammann, Weinzierl and Adalid are my favorite!
Интересный обзор- спасибо, понравился. Инструмент Лизы- просто супер! Просьба к любите и Вам- открыл крутое сочетание кедра и клён. Хотелось бы услышать подобный микс у данных мастеров
The Chen is surely great, very clean, balanced, powerful. The Dammann is also great, old world sound with extremely focused sound and bold projection. Interestingly the sixth string side of its saddle is closer to the nut than the first string side, by some 0.5 mm, which is opposite to normal. The Velzen sound seems to be coming from very clean and clear window.
It’s very nice weekly guitar. I am enjoying it so much. Can I ask what is the name of the piece on 19.02 mins by Van Velzen? Also I got impressed by this guitar. Thanks.
What frustrates me is that there is so little variety in classical guitar offerings regarding scale length, number of strings (7 strings), even body shapes. A 64 cm scale length has too little effect and is useless. A 63 cm with a full body size should be more available. That scale length has many advantages and is not just for children. A 7 string offers much, much more harmonic possibilities. A 63 cm scale with 7 strings is perfectly feasible if you tune the lowest string only to D. A cutaway instead of an elevated fretboard is not something specific for a crossover. Etc... . If you don't want to order a custom model from a luthier but prefer a test-before-buy, you can wait forever to get a guitar with those features. Modern guitar builders should move forward. Most innovations concern bracing, choice of woods, not instrument shape.
The Dammann has that same dark sound of his double tops. I saw David Russell play his DT Dammann a few weeks ago at Kings Place in London. I was at the back of this 400 seater hall and it took me 20 mins to atune my ears to the small volume reaching this distance from the stage. So, there isn't such a thing as a loud guitar, would be interesting if you did something on equipment for amplification. (PS. DR's playing was fab!)
To me the damman really shines out, because it keeps it's fundamental even in the high notes. To me it's really not a sign of quality, if the notes decay into their overtones too quickly. So to me the Tacchi-inspired guitar isn't that interresting.
The Chen is outstanding! So responsive! And the overtones ring forever into a swirling cloud of colors..
I really like the mellow full bodied sounds of the Van Velzen!
yes, i would like to see and view both the tacchi and tacchi-inspired guitars.
I hope you have mini concert sessions with each of these guitars, especially the Weinzierl.
The sound of Lisa Weinzierl - 2024 guitar was distinct and outrageously precise. Each note chosen for emphasis sounded distinct and appropriate in the melody. The beautiful individual notes were clear without impairing the wonderful resonance of the guitar. Will be a professional guitarist choice imho.
Love them all, but for me the Van Venzel mellow tone made it my favourite :)
What can one say! Astohnishing, beautiful! They all are. Such a pleasure to hear such amazing instruments!! SO glad they are still being build and the standard seems to raise continuously. But I have to agree. The 1988 guitar is also absolutely amazing! Thank you for presenting!
good ideas as combined top wood to has beautiful sounds
Love the content yall, thanks!
Whoa bro I didn't know David Blaine played the guitar that's awesome!!
Wow, it is hard to say which one I prefer since each one of them is a jewel. I will say that to my ears the Dammann, Weinzierl and Adalid are my favorite!
Интересный обзор- спасибо, понравился. Инструмент Лизы- просто супер! Просьба к любите и Вам- открыл крутое сочетание кедра и клён. Хотелось бы услышать подобный микс у данных мастеров
I would like to hear / see the comparison of the Coclea Thucea`s.
Yes, please do a video comparing Chinese vs. Italian....
The Chen is surely great, very clean, balanced, powerful. The Dammann is also great, old world sound with extremely focused sound and bold projection. Interestingly the sixth string side of its saddle is closer to the nut than the first string side, by some 0.5 mm, which is opposite to normal. The Velzen sound seems to be coming from very clean and clear window.
All three sound amazing! How is the piece at 10:21 called?
Thank you! The piece is called "Soltane Ghalbha". An Iranian folk song arranged by Jouyan.
Thank you!!
Gee, I wonder why the Lisa Weinzier is already sold. No, I don't! All exceptional, the Chen and the Van Helzen exceptionally exceptional.
Yes, very interested in "showcasing",,,
Which piece is he playing at 4:17?
It’s very nice weekly guitar. I am enjoying it so much.
Can I ask what is the name of the piece on 19.02 mins by Van Velzen? Also I got impressed by this guitar. Thanks.
Thank you! The piece is called "Soltane Ghalbha". An Iranian folk song arranged by Jouyan.
@@SiccasGuitars thank you
The Weinzierl is the most musical instrument there.
I can't find the Adalid Traditional CD on the website. What is its price? Where can I find it on the website? Thanks!
It's here: www.siccasguitars.com/shop/guitar/manuel-adalid-tradicional-2024/
4:14 song name???
ruclips.net/video/BjmWCqAZRpM/видео.html
Schubert - Ständchen (arr. Mertz)
Is the Adalid guitar Sold or? I dont see her in shop
Here is the correct link : www.siccasguitars.com/shop/guitar/manuel-adalid-tradicional-2024/
What frustrates me is that there is so little variety in classical guitar offerings regarding scale length, number of strings (7 strings), even body shapes. A 64 cm scale length has too little effect and is useless. A 63 cm with a full body size should be more available. That scale length has many advantages and is not just for children. A 7 string offers much, much more harmonic possibilities. A 63 cm scale with 7 strings is perfectly feasible if you tune the lowest string only to D. A cutaway instead of an elevated fretboard is not something specific for a crossover. Etc... . If you don't want to order a custom model from a luthier but prefer a test-before-buy, you can wait forever to get a guitar with those features. Modern guitar builders should move forward. Most innovations concern bracing, choice of woods, not instrument shape.
I have a concert model 635 scale by German Vazquez Rubio and it is a wonderful guitar. You should check them out.
The Dammann has that same dark sound of his double tops. I saw David Russell play his DT Dammann a few weeks ago at Kings Place in London. I was at the back of this 400 seater hall and it took me 20 mins to atune my ears to the small volume reaching this distance from the stage. So, there isn't such a thing as a loud guitar, would be interesting if you did something on equipment for amplification. (PS. DR's playing was fab!)
I own a coclea inspired guitar made by Bruno Galli, to me one of the best brasilian luthier.
To me the damman really shines out, because it keeps it's fundamental even in the high notes. To me it's really not a sign of quality, if the notes decay into their overtones too quickly. So to me the Tacchi-inspired guitar isn't that interresting.
'R6.08/16 _ jpn .
05:25 listen to the final chord: basses eat trebles.. quickly! More than 10,000 € for this kind of copy? Come on…