That dip at 700 bpm is fascinating. I think it is caused by the beater moving at a frequency that is close to a resonance mode of the drum skin so the beater and skin end up vibrating in phase, or going in and out of phase. It is a beater frequency beat frequency! I wonder if the frequency where you hear the dip would happen at different bpms if you positioned the beater in different places on the skin? Hmm.
Yeah I think the snare is tuned to around 185Hz which is 3 octaves above the 23.2Hz, that the beater is moving at. Moving the beater towards the center might make it happen at lower octaves (eg. 11.6Hz) because there is more movement at the center.
I live in Los Angeles. Ca. and even here it's hard as F* to find even a moderately skilled drummer and he did use a real drum kit. And God is every where, even in you.
If it goes that high, you could have used the frequency of hits to play notes on the snare, making an actual melody. Just a thought, y'know, for a future video...
nice 7:11 Oh, and the rest was super cool too! When I heard about this tech, I immediately thought about playing rolls so fast that they turn into pitches, which is kind of what happened - but I didn't really think that the resonant frequency of the head would interfere.
@@andrewhuang I wonder if something like a marching quad would work - those drums can get a lot smaller, and their heads are tuned at a lot higher tension. Way too lazy to look further into it, but ya know. Somebody might try it.
@AdamNeely Get EMCproductions on it. If he has the wherewithal to build a spockenspiel (a single-octave glockenspiel but made out of the tiny spock drums you get on tenor sets), he can surely (hopefully) get his hands on a Polyend
@@sophiavhoti4548 You guys can ask all of your favorite drummers in the world and they'll tell you themselves that no human can play that fast with that much consistency.
@@dixiemungus9612 then the robot? probably not but i know drummers that can play 16th notes 260-300bpm a lot of extreme metal is 200bpm+ definitely faster then neil
Yeah I really don't see the point of this at all. This is just a more convoluted, more expensive, more restrictive way to have drums just play through a speaker to accompany your live playing.
Just pointing out that when you double 999 you get 1998 you have a phase issue in the drum skin at 700, so when you are at 1998 you are approaching a multiple of 700 (2100), possibly explaining why it started dropping out again. It is more likely that 1998bpm is just too damn fast to get clear spikes. If you set it even faster you could make a tone, re-sample it and create a melody from incredibly fast snare rolls? go on.
@@felixunknown4347 i'm pretty sure it is something to do with the head. Like, the head is moving down while the robot drummer does so it obviously won't hit anything.
@@OliverMaklott-om I disagree, it's more likely the resonant frequency of the beater itself. Notice how the beater moves around that BPM and doesn't move the rest of the time.
@@metamermusic Well, good point. Thing is, the beater is the active element in the system. The skin is reacting to it within its physical boundaries. The beater acts out the trigger signals sent to it and, from that point of view, does not really have an own resonant frequency. But perhaps I'm seeing that wrong ;) (...and yes, I know, the beater mechanics itself surely have some resonant frequency but I claim that's heavily counteracted by the actuator built into it)
@@OliverMaklott-om The moving head might not have a resonance frequency, but the whole construct has. Whenever the head wants to move forward, the rest moves backwards, as expected from action and reaction. Added to that, the beater hitting the drum also vibrates it from the impact. At 700 bpm, we simply see the beater trying to hit the drum, but the whole equipment is shaking along. The drum skin should have a much higher resonance frequency, above 1kHz. Unless the WHOLE drum piece also has a resonance of 700, then it would also explain it. If that is the case, simply adding weight to it (putting magnets randomly around head, poles, supports and so on), you can change the resonance frequency.
What scares me about this is the amount of deathcore bands that are gonna use this on their kick drums and we’re gonna end up with double bass that is too fast to even be considered rhythmic
At around the 700 bpm level you noted, the frequency of the wave travelling through the drum membrane probably approaches being perfectly out of phase with the frequency of the mallet, so their waves attenuate each other. I think all the hits are happening, but the sound frequencies are being wiped out. I agree (at 5:25), it's bound to be different from drum to drum or even from drum head to drum head because of different sizes and materials having different resonant frequencies. If you tighten the drum head, the attenuation would likely happen at a higher bpm and vise versa if you loosen it. With the right setup, the drum/mallet could be an oscillator.
I'm pretty poor at physics, but if we reckon that the mallet is out of phase when playing eight notes at 700bpm, could you work out the resonate frequency of the snare skin to be 5.6kHz? It would be interesting if Andrew could give us the frequency of the snare hit and see if it truly is out of phase, or if there are other magic forces at work.
@@xandergreenwood158 A circular drum has way more than one resonant frequency. An Ideal circular drum head has tons of well defined resonant modes, all with different resonant frequencies. A snare drum is in no way ideal, and is a much more complex system, but the general idea carries over that there are a variety of modal structures that can form at different resonances, any of which could be causing this interaction. I'm also no sure where you got 5.6 kHz from. 700bpm is ~12 Hz, so 700bpm 8th notes would be ~24 Hz.
It would actually make more sense that he hit the resonant frequency of the beater head rather than something to do with the drum skin. You can see the beater head is bouncing a little with each strike and that changes at the point that the sound changes.
This issue can be altered by tuning the drum head. It's almost like a phase issue where the rhythm of the head rebound cancels the stroke. You could probably estimate the note that the drum was tuned to: 700 bpm = a rate of approximately 11.6 strokes per second This equates to 11 or so Hz So the issue is with the drum head vibrating at around 11Hz which is in or around the note of F
you should check adam neely's (him again) masterclass at ableton loop where he speaks about the link between pitch and rythm, using polyrythms to create chords as an example
What I want to hear is this used as a build (increasing drumbeat) and bass drop without actually ever dropping (the polyrhythm being the first bass note). The search for that is actually kind of what led me here.
The potential of this is amazing, the sound of acoustic and the glitchyness and robotic qualities of electronic plus the midi editing... it's really intriguing
The cutouts are probably at the tuning of your drum head where the - 700hz (~F4) is about an octave above where your snare is likely tuned, and so the resonance of the drum head would be in phase with the beater head, and thus not really striking the head so much as following it. Looking at your waveform it looks like there's a less pronounced dip at about half the frequency as well, which would match with that explanation!
It's actually 700bpm (=beats per minute) not 700hz (=beats per second) though. But generally I agree, tuning of the snare seems to be some multiple of 700bpm.
so as long as hes around 600bpm and or above 850bpm or so he couldn't probably make an extremely long and unperformable but legendary black metal track.
I do miss, particularly on the snare, variations in timbre based on where the drummer hit the stick. Really cool and pleasantly surprised at the velocity sensitivity though
i love how the vibes change through the song it starts off like youre in a futuristic city, to the old-skool outskirts, then to the underground base or something. so awesome
Dear Glenn Fricker: Are you happy now that this wasnt recorded on drum machines (only on drummER machine)? Plus finally you have the most precise drummer in studio HAHA!
He's said that he has no problem with session musicians (It's not about authenticity, it's about how good it sounds), but this still kinda falls apart because the beaters are dinky and wouldn't handle metal well. It's not really a huge improvement because they hit the drum the same way every time, so the effect is a lot like a drum sample.
@@drpibisback7680 they also hit at a consistent rate, lacking dynamics,but that can probably be achieved, it just stops feeling organic and therefore feeling alive.
Those were some awesome Snarky Puppy vibes. This was my favorite Andrew Huang video in a while, it would be cool to use more of this machine and more music like this.
1980’s: hey guys check out these cool synth things they’re just like a digital instrument 2000’s: hey man look at this these synths sound quite real 2020’s: nah let’s backtrack on all the progression we made and just have robots play real instruments
Okay, cool... But if you program it as MIDI drums anyway you could just take your MIDI drumtrack and work with that... Saves you the funds for the actual drumset and mics. But it sure as hell looks crazy and fun!
Mr Huang!! Why are you overworking that poor robot on the snare drum,?! He was doing exceptional till you completely overloaded his parameters of reasonable capacity..be kind to the drummer...ok?
“No human can do that”
Pfft hold my beer
Kidding, give me my beer
Sorry, Already drank everything
Caz oh snap! You owe me a beer : )
idk why but i suddenly just imagined this scene in my head playing out, it was hilarious the way DJ sat down again and gave that smile
I dont get that phrase, if you was that good you could do it holding a bear
Mike Mitchell & shariq Tucker: hold our beers
We have the tech to make acoustic breakcore now, the future is rad
Yes and uh yes
grixisftw the prodigy but in 3000
check out Squarepusher x Z-Machines!
Acoustic speedcore?
Anybody working on this yet?
Damn... that's screwed....
all my favorite songs are at 740 BPM.
My favorites are 290000000000000000000 bpm
@@GigaJinGaming3711 oh really? mine is 450000000000000000000 bpm :(
I dislike extratone
You must listen to grindcore
my favorite songs are at 10^100 bpm im faster than light
That dip at 700 bpm is fascinating. I think it is caused by the beater moving at a frequency that is close to a resonance mode of the drum skin so the beater and skin end up vibrating in phase, or going in and out of phase. It is a beater frequency beat frequency! I wonder if the frequency where you hear the dip would happen at different bpms if you positioned the beater in different places on the skin? Hmm.
I think taht it would be really similar on all the parts of the drum since it can only make one note
@Satoshi Nakamoto I am hating your pun so far
Yeah I think the snare is tuned to around 185Hz which is 3 octaves above the 23.2Hz, that the beater is moving at. Moving the beater towards the center might make it happen at lower octaves (eg. 11.6Hz) because there is more movement at the center.
Yes exactly! As you move towards or away from the center, the rate of vibration changes. At a nice predictable rate 😊
"That's not music, just an engineer making noise!"
*uses a real drumkit*
Where is your god now?
Bruh
It's just hitting one point on the drum. Lame.
@@teenspirit1 hitting “the spot“ - not as lame as typing comments
I live in Los Angeles. Ca. and even here it's hard as F* to find even a moderately skilled drummer and he did use a real drum kit. And God is every where, even in you.
Jojo Mayer can play this lol
If it goes that high, you could have used the frequency of hits to play notes on the snare, making an actual melody. Just a thought, y'know, for a future video...
Midwinter Minis my first thought on this lmao
Basically making extratone with real drums. These are thrilling times.
YES awesome.
We're reaching Adam Neely levels that shouldn't even be possible
@@humblebumble8192 pal bucko friendo buddy homeslice listen up here you DOUBT these are impossible
The new sound you used on the highfive really messed with my expectation..
Hans Fredrik Oterholt same lol
nothing like a good ol snare drum
It's normally something related to the video
Hans Fredrik Oterholt Well said :))
I wear open back Sennheiser's and thought someone tapped on my window behind me at first. lol
nice 7:11
Oh, and the rest was super cool too! When I heard about this tech, I immediately thought about playing rolls so fast that they turn into pitches, which is kind of what happened - but I didn't really think that the resonant frequency of the head would interfere.
Yeah by the time it falls apart it's somewhere around 40hz. My dreams of turning drums into oscillators have crumbled
@@andrewhuang I wonder if something like a marching quad would work - those drums can get a lot smaller, and their heads are tuned at a lot higher tension. Way too lazy to look further into it, but ya know. Somebody might try it.
@AdamNeely Get EMCproductions on it. If he has the wherewithal to build a spockenspiel (a single-octave glockenspiel but made out of the tiny spock drums you get on tenor sets), he can surely (hopefully) get his hands on a Polyend
4:07 lol
What 😂😂😂
ok
How is there only 3 replies on this
ok
nice to know that people watch canadains
Neil Peart: "but can you play THIS fast?"
Robot drummer: "Hold my flash drive..."
no im pretty sure neil can play faster than that robot
neils great an all but i think an extreme metal drummer would probably be able to play faster
@@sophiavhoti4548 You guys can ask all of your favorite drummers in the world and they'll tell you themselves that no human can play that fast with that much consistency.
@@dixiemungus9612 then the robot? probably not but i know drummers that can play 16th notes 260-300bpm a lot of extreme metal is 200bpm+ definitely faster then neil
@@sophiavhoti4548 For sure, I feel like that's because of the genre. I was just talking about the machine
...wait, isn’t it *weird gear?*
Ioann K No it’s cool gear
Musicman928 dope gear 😂
*jacob collier wants to know your location*
hahaha
LOL at (this)
...Lessee them likes boys
I came here to say this
Genuinely cackled at that
LOL at "Jacob Collier wants to know your location"
Austin Brubaker the comment about the comment has more likes 😂
I laughed so hard 😂😂😂
WRAITH it was in the video
that part was hilarious because it's true
i died
his snare's resonance frequency is 11.6 hz, your'e welcome everyone, i know this is such an important piece of information to share
I dont think thats right...
Hes playing eighth notes, so 93.3hz
11.6 hz seems a little low... you sure?
@@QS1597 its in Celsius
Jon Ragan oh wait does he mean 11.6 kHz? I think so because humans can’t hear below 20 hz
At 3:50 it sounds like someone is practacing hi-hat while he is mining some Stone in Minecraft
Underrated xddd
That should be a challenge.
.....
Y'all cant hear a fucking thud anymore...
Metallica should use this instead of Lars.
No Lars, no Metallica
@@hannesborgstrom9941 Why is that? Anyone that has played drums for over a year can play Larses parts.
@Peter Gardas Metallica wouldn’t exist without Lars Ulrich
@@kurafutomine9874 True.
@@detrimend he also was a big part of marketing the band and making deals
seems like the bass drum beater isn't big/heavy enough?
I agree
Yes i definitely don't like that sound.
Those strikes aren't enough to make the snare ring properly, much less the kick. Novelty toy.
Yeah I really don't see the point of this at all. This is just a more convoluted, more expensive, more restrictive way to have drums just play through a speaker to accompany your live playing.
Pandsu Yo maybe you just can’t find a use for it. That doesn’t mean someone else won’t.
brb gonna make my modular synth even more analog.
Technology: taking session drummers jobs
Drummers: being able to play on an actual drum kit
Technology :
At this point, drumming will just become all about stage presence and showmanship
@@hypsin0 maybe this is the beginning of a new ai revolution... oh god...
@@hypsin0 nah it takes a lot of skill to make midi sound a lot like a real drummer, playing alongside a human drummer is so much better than not
Just pointing out that when you double 999 you get 1998 you have a phase issue in the drum skin at 700, so when you are at 1998 you are approaching a multiple of 700 (2100), possibly explaining why it started dropping out again. It is more likely that 1998bpm is just too damn fast to get clear spikes. If you set it even faster you could make a tone, re-sample it and create a melody from incredibly fast snare rolls? go on.
Thats called extratone
Also at bpms that high you start just making pitches by just playing on every beat.
I know I’m years late, but I just realized, doesn’t it hit every other beat at 1998? So theoretically you can play at 700 bpm by setting it to 1998?
So you can play live drums on your keyboard and hear the real ones in your room? 🤔
Apparently so. We don't have to rely on samples anymore I guess?
Maybe
700 bpm might have also been the resonant frequency of the drum and warped the surface so it couldn't be struck as easily.
@@felixunknown4347 i'm pretty sure it is something to do with the head. Like, the head is moving down while the robot drummer does so it obviously won't hit anything.
right answer. it's the resonant frequency of the drum/skin :)
@@OliverMaklott-om I disagree, it's more likely the resonant frequency of the beater itself. Notice how the beater moves around that BPM and doesn't move the rest of the time.
@@metamermusic Well, good point. Thing is, the beater is the active element in the system. The skin is reacting to it within its physical boundaries. The beater acts out the trigger signals sent to it and, from that point of view, does not really have an own resonant frequency. But perhaps I'm seeing that wrong ;) (...and yes, I know, the beater mechanics itself surely have some resonant frequency but I claim that's heavily counteracted by the actuator built into it)
@@OliverMaklott-om
The moving head might not have a resonance frequency, but the whole construct has. Whenever the head wants to move forward, the rest moves backwards, as expected from action and reaction. Added to that, the beater hitting the drum also vibrates it from the impact. At 700 bpm, we simply see the beater trying to hit the drum, but the whole equipment is shaking along.
The drum skin should have a much higher resonance frequency, above 1kHz. Unless the WHOLE drum piece also has a resonance of 700, then it would also explain it.
If that is the case, simply adding weight to it (putting magnets randomly around head, poles, supports and so on), you can change the resonance frequency.
*JACOB COLLIER WANTS TO KNOW YOUR LOCATION*
haha
Why are there so many similar comments about x wants to know your location? I see it all over youtube now and i don't get it. i feel left out and sad
0:40 gta v mission
lol that's so on point
the cops xD !
Which one
What scares me about this is the amount of deathcore bands that are gonna use this on their kick drums and we’re gonna end up with double bass that is too fast to even be considered rhythmic
Oh please, deathcore bands all switched to GetGood drums in 2016. Nothing is ever playable anymore.
That first track gave me some wonderful early Squarepusher vibes...
Reminded me of Beep Street a bit
Squarepusher actually programmed a robot drummer too -- watch?v=VkUq4sO4LQM
At around the 700 bpm level you noted, the frequency of the wave travelling through the drum membrane probably approaches being perfectly out of phase with the frequency of the mallet, so their waves attenuate each other. I think all the hits are happening, but the sound frequencies are being wiped out. I agree (at 5:25), it's bound to be different from drum to drum or even from drum head to drum head because of different sizes and materials having different resonant frequencies. If you tighten the drum head, the attenuation would likely happen at a higher bpm and vise versa if you loosen it.
With the right setup, the drum/mallet could be an oscillator.
Best way to explain to anyone...it's like stealing your friend's jump from them on a trampoline.
The future of eurorack more analog than analog oscillators
I'm pretty poor at physics, but if we reckon that the mallet is out of phase when playing eight notes at 700bpm, could you work out the resonate frequency of the snare skin to be 5.6kHz? It would be interesting if Andrew could give us the frequency of the snare hit and see if it truly is out of phase, or if there are other magic forces at work.
@@xandergreenwood158 A circular drum has way more than one resonant frequency. An Ideal circular drum head has tons of well defined resonant modes, all with different resonant frequencies. A snare drum is in no way ideal, and is a much more complex system, but the general idea carries over that there are a variety of modal structures that can form at different resonances, any of which could be causing this interaction.
I'm also no sure where you got 5.6 kHz from. 700bpm is ~12 Hz, so 700bpm 8th notes would be ~24 Hz.
It would actually make more sense that he hit the resonant frequency of the beater head rather than something to do with the drum skin. You can see the beater head is bouncing a little with each strike and that changes at the point that the sound changes.
I was going to buy this until that whole 700 bpm debacle.
....Because you're worried that your 700 bpm music won't groove properly? lmao
@@bronsoncarder2491 It's very important to me.
I know, I was gonna have a song going at 720 bpm and couldn't be arsed with it. Guess I'm gonna have to do it manually by now.
This issue can be altered by tuning the drum head. It's almost like a phase issue where the rhythm of the head rebound cancels the stroke. You could probably estimate the note that the drum was tuned to:
700 bpm = a rate of approximately 11.6 strokes per second
This equates to 11 or so Hz
So the issue is with the drum head vibrating at around 11Hz which is in or around the note of F
If you want to play at 700 bpm, you will need a smaller drum head than the 14" snare head.
Aphex Twin - Computer Controlled Acoustic Instruments vol. 2
Lmao
yooooooooooooo imagine
4:28 Sounds like someone starting a motorcycle engine.
Would love to hear polyrhythms at higher speeds to see if you can make harmonies and chords with your drum set...
I was hoping he'd do this.
My first thought
you should check adam neely's (him again) masterclass at ableton loop where he speaks about the link between pitch and rythm, using polyrythms to create chords as an example
@@floriansoi4148 That is the exact video that inspired my comment. I would love to see the same effect on actual drums!
What I want to hear is this used as a build (increasing drumbeat) and bass drop without actually ever dropping (the polyrhythm being the first bass note). The search for that is actually kind of what led me here.
4:30 And that's how you make extratone.
I’ve just realised that extratone is basically just a drumroll that never comes
Missing 1 beat per minute though :/
Could use some distortion
[music]
THAT IS AWESOME
The potential of this is amazing, the sound of acoustic and the glitchyness and robotic qualities of electronic plus the midi editing... it's really intriguing
4:07 like for jacob collier meme
4:30 Whiplash movie, last scene
but double, he did 400, and here is fkin 999 :P
not quite my tempo
Yes
You can almost play a Death Grips song
Adam Newly in an Andrew Huang video? Now let's wait until their music theory filled collab video
Physics: The dip in volume is due to drum hits nearing the resonant frequency of the material holding the beater head.
"Jacob Collier wants to know your location." Hhahahahahaahah
Seriously though.
Goodness Ikr 😂
I smashed the notification button faster than the robot
ruclips.net/video/fPhsxV6vXT8/видео.html
You smashed the robot
That is not humanly possible why are you lying to so many people that are viewing your comment? What do you achive with such thing?
@@weftdwguyFSUAYGUWOYuiygfuev63j likes
@@Torkee00 ?
The cutouts are probably at the tuning of your drum head where the - 700hz (~F4) is about an octave above where your snare is likely tuned, and so the resonance of the drum head would be in phase with the beater head, and thus not really striking the head so much as following it. Looking at your waveform it looks like there's a less pronounced dip at about half the frequency as well, which would match with that explanation!
It's actually 700bpm (=beats per minute) not 700hz (=beats per second) though. But generally I agree, tuning of the snare seems to be some multiple of 700bpm.
@@stefan1024 derp, absolutely right. That makes it an E, but yeah, still works out to a resonant frequency most likely. Good catch!
Yeah I thought it would be resonance! My favourite physical property (someone somewhere shouts NEEEEEERRRD)
LOOK MUM NO COMP...RESSOR
thats awesome but... does it black metal?
i need to know now.
anything can if you try hard enough
Black metal drum parts aren't hard...
@@theangryginger7582 I'd like to see you play 280 bpm blast beats
so as long as hes around 600bpm and or above 850bpm or so he couldn't probably make an extremely long and unperformable but legendary black metal track.
in conclusion, at 999 bpm your drum becomes a lawnmower.
Squarepusher + Z-Machines
I do miss, particularly on the snare, variations in timbre based on where the drummer hit the stick. Really cool and pleasantly surprised at the velocity sensitivity though
4:19 reminds me of whiplash at first, and then whiplash if andrew was an android sent by cyberlife
I really this comment
As someone who has never heard that 7/11 before, I now know I am one of the people that *ANXIETY*
4:28 the one dude with the motorcycle that passes my house every day at 6 am
I see you've been working on your bass chops, Andrew. 👍 That first track snippet reminds me of Squarepusher. Nice work!
Was about to comment the exact same thing
*opens wallet after payday* "I finally have some money to spend" *watches this video* "I no longer have money to spend"
WOW THAT TRANSITION INTO THE METAL!!!🤩
Also now we can have extra tone played on acoustic drums cool
Combined with robot playing orchestra instruments, we have the power to make acoustic Venetian snares
Whatever game this music is featured in
I WANT IT
1:02 ah yes Davie504 would be proud
1:34 Davie504 has left the chat
lmao
please tell me rhis and the breakbeat jazz from awhile ago are going on the same album... i will buy them. consume them .
I didn't know how badly I wanted this until now.
That song at the beginning is absolutely amazing
jacob collier wants to know your location *Y E S*
Crossing 700 bpm you are the first person to break the musical sound barrier.
M1dy, The Quick Brown Fox, Kobaryo, and Diabarha
I can't wait for the Andrew Huang Extratone album
i love how the vibes change through the song
it starts off like youre in a futuristic city, to the old-skool outskirts, then to the underground base or something. so awesome
Squarepusher vibes on the first track!
Yeah, reminded me of Beep Street
It also sounded a ton like Coopers World
I assumed that was Andrews intention because of that bass guitar
It’s literally vibrating the kit
Still pretty cool coming from a drummer myself
I’m hearing some heavy Squarepusher vibes
1:55 reminds me of the 303 breakdown at the end of Theme from Earnest Borgnine
Someone should make some Grindcore or Brutal Death with one of these things
Agoraphobic Nosebleed have already ordered one, no doubt.
There are bands like this.
The chord progression at 1:31 to 1:34 is just GORGEOUS!!!
"just out of range with the beater so you miss some hits"
Bassists who play with a floppy low B know this all too well.
Imagine death metal blast beats with this
Yeah, I wonder why he didn't do that.
Agoraphobic Nosebleed says hello
You are the reason I don't have a job
01:34 that metal riff though....now i don't even like rock music that much but i loved that...hope you will make something of that in the future drew
It's kinda djenty. You might like the style.
ruclips.net/video/ggaz5w6JFGM/видео.html
Impressive, but still cant twirl sticks like i can ;)
It's 15 % of the tone!
Davie504 and the robot drummer should do a duo
DAVIE504 THE BIGGEST GUTARRIST EVER?
ØBatataCósmica ♪ yes indeed
slap the bass
Lord Furryteiro ✔ BASSIST NOT GUITARIST
Andrew Huang finding the optimal frequency for his snare to malfunction.... surprised this hasn't happened WAY before now somehow!
Dear Glenn Fricker:
Are you happy now that this wasnt recorded on drum machines (only on drummER machine)? Plus finally you have the most precise drummer in studio HAHA!
He's said that he has no problem with session musicians (It's not about authenticity, it's about how good it sounds), but this still kinda falls apart because the beaters are dinky and wouldn't handle metal well. It's not really a huge improvement because they hit the drum the same way every time, so the effect is a lot like a drum sample.
@@drpibisback7680 they also hit at a consistent rate, lacking dynamics,but that can probably be achieved, it just stops feeling organic and therefore feeling alive.
I’m hearing “double thaaaaat” in my dreams. Insanely entertaining video dude
I love the track you did before you played with it. Does it have a name and is it on one of your album ? If so I have to buy it.
4:25 oh hey Extratone
You have brother in "Benn and Gear
" another great review for this Polyend masterpiece.Inspiring.
That first song sounded like an anime opening lmao 10/10 would watch.
The rolling shifting song with three very different lighting setups? So casually well done!
He's gonna revolutionize the market.
Salesman: NEW Snare Technology let's you HANDLE up to 47 THOUSAND BPM!
Jeff Waters: "Finally!"
everything was great except for the cop sirens triggering my PTSD.
erik61801 that’s a YOU problem m8
@@MultiFlashNinja13 he never mentioned it was anyone else's problem, dickhead.
RUN THEYRE ON ME RUUUN
Those were some awesome Snarky Puppy vibes. This was my favorite Andrew Huang video in a while, it would be cool to use more of this machine and more music like this.
Andrew, you put so much effort into everything you make, it's honestly amazing
As a drummer...
This scares me.
Squarepusher just spit out his drink
Awh man, if only you had demo'd this device earlier. You might have saved that product line. ;)
Sounds too robotic 0/10
lmao that thing is epic
Aaron Kitchner wants his machine back, tour starts soon
1980’s: hey guys check out these cool synth things they’re just like a digital instrument
2000’s: hey man look at this these synths sound quite real
2020’s: nah let’s backtrack on all the progression we made and just have robots play real instruments
Damn me if this Isn't THE COOLEST MUSIC EVER
In this drummer we trust !!! Wow.. at 999 bpm we have a Mustang V8.
"what are the musical applications of this" b L a S t B e A tS
Imagine you were in a locked room and the fast click was happening and your parents were outside listening in
More COW BELL! It did excellent tapping on cymbal as well.
Okay, cool... But if you program it as MIDI drums anyway you could just take your MIDI drumtrack and work with that... Saves you the funds for the actual drumset and mics. But it sure as hell looks crazy and fun!
Now we all know how drums for Infant Annihilator are recorded
It looks like it’s giving the drums cute kissies :3
where'd you get that Tiget jumper Brah?
Its gorgeous
www.ebay.pl/itm/Zara-Men-Tiger-print-sweatshirt-4087-403-800-/152938111569?Spotern&
My god that track was so awesome
Mr Huang!! Why are you overworking that poor robot on the snare drum,?! He was doing exceptional till you completely overloaded his parameters of reasonable capacity..be kind to the drummer...ok?
So double 999bpm is 33,3Hz. That's a C1 btw.
Man, I'm looking forward to a future where we set the drum speed by a tone...