Everything perfect, even the photo on the beach, thank you very much for your contribution to the pleasure of music. Yourself are a Masterpiece dear OrzoMondo
Sono d'accordo, ma per me la gara è tra questa e quella in D#m/Ebm del primo libro (No. 8). Ho cominciato a lavorarci e devo dire che più uno la studia più è incredibile: è una doppia fuga, con il secondo tema che è il moto contrario del primo, e tutti e due i temi appaiono anche aumentati all'1.5 e al 2. Praticamente sei temi in tutto. Con sezioni con tre o quattro temi allo stesso tempo. Non so quando riuscirò a trovare le energie per finirla :) Grazie per l'ascolto!!
Mastering is a thing that I discovered late, and I still don't master (pun pun). It's by far the most difficult thing in the whole process for me. When I master I try to tackle three things: 1. Stereo front and positioning 2. Equalization 3. Dynamics and loudness For No. 1 I do very little, my stereo front is usually quite wide already after mixing, so I only use one plugin (Ozone Imager 2) No. 2 is only for few overall adjustments, most of the eq. I do is already on single tracks, but I sometimes bump 1-2 dB up or down on particular frequencies, for example when the overall effect is too boomy or too thin. Best way to check is to listen in the car. No. 3 is the hard one. I use a 4-band compressor first, then another regular compressor, then a limiter. By tightly controlling the dynamics, you get a song that is louder (sometimes even -11 dB LUFS), that does not clip (I allow -0.5 true dB max), and that preserves the "impression" of piano/forte, without really being that much piano ever :) You can find relevant information in the following videos: ruclips.net/video/ZHXD-BlKyL8/видео.html ruclips.net/video/NisDvhx9sv0/видео.html and an example of how it's done here: ruclips.net/video/gV3ps4_sJkM/видео.html
@@OrzoMondo Hi Orzomondo, thanks so much for all of this. Well, unfortunately I didn't understand most of it and will probably send the next mix to a professional and see what results. If there is a significant difference I'll book some lessons with a master masterer.
@@grahamcaldecott There's a product from iZotope that uses AI to do the mastering. Too expensive for me, but worth mentioning. Also, you can go to www.fiverr.com/categories/music-audio/mixing-mastering and try out someone's services. Finally, it's really not that difficult to get into the details, it's difficult to master well :) (I know because I'm trying and I'm making very little progress), If you can spare few minutes, I found this to be a good intro: ruclips.net/video/D1_X0BmgDMM/видео.html
They are actually quite easy, if you haven't already tried, search for the Music Animation Machine. You just have to feed it a MIDI file and you're done :)
![Megan Thee Stallion - Neva Play (feat. RM) [Official Video]](http://i.ytimg.com/vi/TpYTyAaTRts/mqdefault.jpg)
Thanks, OrzoMondo. I can see how it all came together at the end, and - as always - a Bach composition is infinitely more than the sum of its parts!
So true!
Everything perfect, even the photo on the beach, thank you very much for your contribution to the pleasure of music. Yourself are a Masterpiece dear OrzoMondo
Well, thank you, thank you. I confess that I make my videos also for my own pleasure.
Others try to do what you do, but only end up sounding like "Organetto a manovella", your work distinctly shows the difference, Tante Grazie
beautifiul thank you!!
Thank you for listening!
I can hear the dynamics !!!
Ah, you're not supposed to realize they're there, perhaps I exaggerated a bit the effect for show :)
@@OrzoMondo I've been watching the tutotrial series. Slight tempo and dynamics... all for it. Exquisite moderation.
I love this!!! Again, if I open my own disco one day, I will play OrzoMondo! 🙂
One of my favorite fugues!
Completely agree.
This is my fav from WTC BK 2...Badass!
It totally is!
Bravo, Bravissima, Signore Mondo! It all came together very well. Rewarding to listen to. I really enjoyed this. Thank you!
Thank you! I did really enjoy making them too.
Great job, made with immense love. Bravissimo!!!!
Thank you so much!!
Questa è la mia fuga preferita dei due libri. Grazie per la nuova (bellissima) versione
Sono d'accordo, ma per me la gara è tra questa e quella in D#m/Ebm del primo libro (No. 8).
Ho cominciato a lavorarci e devo dire che più uno la studia più è incredibile: è una doppia fuga, con il secondo tema che è il moto contrario del primo, e tutti e due i temi appaiono anche aumentati all'1.5 e al 2. Praticamente sei temi in tutto. Con sezioni con tre o quattro temi allo stesso tempo.
Non so quando riuscirò a trovare le energie per finirla :)
Grazie per l'ascolto!!
This sounds really good!!!❤
Thank you man!
I LOVE IT!
Thank you!!
Love your videos!
Thank you!!
Wonderful - Love it. What are you doing when you master it?
Mastering is a thing that I discovered late, and I still don't master (pun pun). It's by far the most difficult thing in the whole process for me.
When I master I try to tackle three things:
1. Stereo front and positioning
2. Equalization
3. Dynamics and loudness
For No. 1 I do very little, my stereo front is usually quite wide already after mixing, so I only use one plugin (Ozone Imager 2)
No. 2 is only for few overall adjustments, most of the eq. I do is already on single tracks, but I sometimes bump 1-2 dB up or down on particular frequencies, for example when the overall effect is too boomy or too thin. Best way to check is to listen in the car.
No. 3 is the hard one. I use a 4-band compressor first, then another regular compressor, then a limiter. By tightly controlling the dynamics, you get a song that is louder (sometimes even -11 dB LUFS), that does not clip (I allow -0.5 true dB max), and that preserves the "impression" of piano/forte, without really being that much piano ever :)
You can find relevant information in the following videos:
ruclips.net/video/ZHXD-BlKyL8/видео.html
ruclips.net/video/NisDvhx9sv0/видео.html
and an example of how it's done here:
ruclips.net/video/gV3ps4_sJkM/видео.html
@@OrzoMondo Hi Orzomondo, thanks so much for all of this. Well, unfortunately I didn't understand most of it and will probably send the next mix to a professional and see what results. If there is a significant difference I'll book some lessons with a master masterer.
@@grahamcaldecott There's a product from iZotope that uses AI to do the mastering. Too expensive for me, but worth mentioning.
Also, you can go to www.fiverr.com/categories/music-audio/mixing-mastering and try out someone's services.
Finally, it's really not that difficult to get into the details, it's difficult to master well :) (I know because I'm trying and I'm making very little progress), If you can spare few minutes, I found this to be a good intro: ruclips.net/video/D1_X0BmgDMM/видео.html
@@OrzoMondo Thanks again, this is Soooo helpful.
Ever gonna show us how to make these visualizations? As usual.. endless questions. Keep jamming please.
They are actually quite easy, if you haven't already tried, search for the Music Animation Machine. You just have to feed it a MIDI file and you're done :)