That's not true though. Resolves "Film looks" luts are specifically expecting the output gamma to be Cineon film log. DCI-P3 and Rec709 are both color spaces. So you would just choose the lut according to the color space you're outputting to, rec709 or dci-p3.
the beginning of the video was great it caught my attention i love hearing about the steps need to make a doc, but in about 10 minutes i started think what am i learning here? - yes color grading is important and i t made me think - i should probably start trying different things in my color grading to appeal to the audience i want - but then i was like is this a color grading tutorial? yes it is so i skipped to the end to see how this video was going to wrap up - and i left thinking how does any of this contribute to filming a NETFLIX doc - i know the audio cut out and that's a shame - so i hope somewhere in there there was a wrap up full circle about how to NETFLIX - hopefully the algorithm suggests you again soon and keep up the good work
Can’t you shoot anywhere you want and do something called ADR (automatic dialogue replacement) in post and re-record the audio so you can get an awesome image in an area where you can’t record good audio?
Amazing video bro. I love the set, the interview audio coming in before the interviewee appears, and the grading. If I can give you a tip, is that I think you should add your CST on the second to last node. When you add it first, you are then editing the colours with a baked in colour space, therefore losing all that information information from your LOG profile. That will massively help when you're doing the keying. Not sure if I explained this well hehehe great job tho
Surprisingly, I just used the 20-60mm 3.5-5.6 kit lens. One way to get the anamorphic look is to frame as if you are using them, then apply a letterbox in post. That is what I did here.
You put a lot of effort on this post mate... appreciated!!! Keep up the good work! Quick question: why did you use the CST at the beginning... ? BMD recommends to use it at the end or towards the end... cheers mate!
@@ronselah8484 CST = Color Space Transform. Making sure you get your editing color space from whatever your camera shoots to REC 709 or whatever output color space you prefer. BMD = Black Magic Design
*correction*
Cineon Output Gamma should only be used for film LUTs beginning with DCI not 709 version of the LUT.
That's not true though. Resolves "Film looks" luts are specifically expecting the output gamma to be Cineon film log. DCI-P3 and Rec709 are both color spaces. So you would just choose the lut according to the color space you're outputting to, rec709 or dci-p3.
@@mrhevi interesting!
the beginning of the video was great it caught my attention i love hearing about the steps need to make a doc, but in about 10 minutes i started think what am i learning here? - yes color grading is important and i t made me think - i should probably start trying different things in my color grading to appeal to the audience i want - but then i was like is this a color grading tutorial? yes it is so i skipped to the end to see how this video was going to wrap up - and i left thinking how does any of this contribute to filming a NETFLIX doc - i know the audio cut out and that's a shame - so i hope somewhere in there there was a wrap up full circle about how to NETFLIX - hopefully the algorithm suggests you again soon and keep up the good work
Wow I like itt!!
I thought this was a parody until you started talking 😁 Cool location!
'A hidden gem'
Thank you!
Can’t you shoot anywhere you want and do something called ADR (automatic dialogue replacement) in post and re-record the audio so you can get an awesome image in an area where you can’t record good audio?
Appreciate you bro! great work
Thank you so much!
Amazing video bro. I love the set, the interview audio coming in before the interviewee appears, and the grading. If I can give you a tip, is that I think you should add your CST on the second to last node. When you add it first, you are then editing the colours with a baked in colour space, therefore losing all that information information from your LOG profile. That will massively help when you're doing the keying. Not sure if I explained this well hehehe great job tho
Yes! That is huge help. Thank you for the kind words as well.
keep up the good work
Did you use anamorphic lenses? I love the super wide aspect.
Surprisingly, I just used the 20-60mm 3.5-5.6 kit lens. One way to get the anamorphic look is to frame as if you are using them, then apply a letterbox in post. That is what I did here.
You put a lot of effort on this post mate... appreciated!!! Keep up the good work! Quick question: why did you use the CST at the beginning... ? BMD recommends to use it at the end or towards the end... cheers mate!
This is something that I've actually learned as well since posting this. Thanks for mentioning and the kind words!
what is cst and what is bmd thanx
@@ronselah8484 CST = Color Space Transform. Making sure you get your editing color space from whatever your camera shoots to REC 709 or whatever output color space you prefer.
BMD = Black Magic Design