Hey Adam! Please do a video on microtonal keys and try to help me understand why and what Jacob is doing this. That D half sharp just feels so warm and cosy but I don’t understand why
Theres a rule I like to follow, if there's a melodic phrase, there is indeed time, otherwise, its just a cluster of bois warming up and individually practicing.
@@ejb7969 OH GOD imagine in 4/4?!?!?! That 9tuplet would have been... I can't process that right now. It's like when I played Beethoven's Sonate Pathetique and it was grave and had these 8, 7, 9tuplet runs and I asked my teacher, "how do I count this?!" "you don''t"
The named notes was the coolest idea ever! And June getting the last note with a lot of space after the cluster chords was very nice from Jacob's part also
@@HarmoniChris Yeah, maybe it is some wishful thinking, but since Jacob puts so much attention in details, the fact that June appears only once, without anything else happening and has a 'strong' note in the mix to highlight it from the many other voices, makes this probably safe to assume that it was a intentional shoutout to June
@@theol2192 I should mention that June's note is perhaps my favorite of the entire bunch, too. It gives new context at the very end that wraps up the whole ordeal very nicely, and also sets up the next section.
Tournel Henry In the western musical system you usually divide an octave into 12 half tones. But you can also divide it into 24 (then you have quarter tones) or even more. These are called “microtones”. Jacob even uses two microtonal keys in this masterpiece, D half-sharp major (a quarter tone higher than d-major) and e half-flat major (a quarter tone lower than e major).
Steve vai started out doing transcriptions for Frank Zappa in his early age (having auditioned for the band and toured with Frank later on) so he might have a soft spot for June's work!
I'm not sure what's more amazing-that Jacob recorded this without any written arrangement, or that June was able to transcribe it anyway. Absolutely blown away every time I listen.
@@kymasiellis hey man, at the end of the video june lee credits his patreon supporters, and categorised them by their pledge amount. Under the amount $3-15, the first name there is jacob collier's. Hope this clears up any confusion!
@Toby Jonez hey dude! If you look at the end of the video, june credits his patreon supporters, and under the pledge amount $3-15, the first name credited is jacob collier's. Hope that clears things up! Unfortunately the joke probably won't be funny anymore but at least now you're not confused!
June Lee is such an important part of Jacob's legacy. His work helps lay-people like me better conceptualize + contextualize just how insane and brilliant Jacob's stuff is. I learn new things (like the gradual up-tuning in this one) every time June posts a transcription!
Completely agree on that gradual up-tuning. It's insane jumping back and forth between the two sections and hearing the stark difference. Never would've found that myself without June.
I have never commented on a video but just wanted to say thank you so much for the time you put in transcribing this mind blowingly complex music. It helps people like me who don't have the ears that you and Jacob do start to understand what the hell is going on, haha. I've been waiting for this transcription since the song first came out and needless to say, you did not disappoint. Keep up the awesome work!
I was wondering how you would transcribe the run at 6:33 as Jacob split up the interval between Bb and G into 5 steps when there are 3 semitones. Clever!
7:55 thru 8:26 is some of the most exciting, uplifting music I’ve ever heard! After the rising tuning and the amazing progressions during that shift, the chord at 8:18 hits like no other chord. Thank you June for the insane detail of your work!!
@@moonootoo I've never had a chord progression make me suddenly burst into tears before, like out of nowhere, and I've been doing music for years. This kid is magic.
Every time the tuning shifts up, I feel like I'm facing a little bit more upwards, like when you're watching a show at a planetarium or something. Such a neat effect, really!
actually seeing the complexity of the music makes me appreciate it so much more. I knew there were microtonal parts in there but holy shit, 3 different half sharp keys. Jacob is legitimately the greatest musician of the 21st century
I am currently crying as I watch this as a train station. There is something about the work and effort that went into this transcription that makes it even more beautiful than just the song or original music video alone. Amazing June!
I don't know what is more impressive. Jacob Collier making that impossible arrangement using only his ears. Jacob's PC with 4313874 TB of RAM, to make that video. June Lee transcribing every single freaking thing. June Lee knowing the names of each person in the intro in the correct order. Or the entire world not creating statues of them already.
I never got so excited... Songs like this one, bleak midwinter, the end of "don't you know"... are so intense moments, my body can't stand those levels of dopamine
Measures 90-93 make up what very well could be my favorite musical moment ever. There have been few times that music has made me tear up simply because of how beautiful and impactful the music itself is, and that moment makes it happen every time. So incredibly well done by both Jacob and June!
Jacob is a contemporary musical revolution. He's pushing limits we thought were set to stay where they were. Yes, that's for sure. But your work is a complete revolution on musical notation. You're a huge inspiration to all of us. Yes, that's my statement. Thanks, June.
the named notes and the *insanely* quiet counting around 4:54 being transcribed were the coolest parts to me. I can barely hear those numbers even knowing they are there and watching the notation as they play, I can't imagine actually being able to pick up on that in the first place
The amount of sharps and flats throughout this entire thing made me laugh X3 Additionally, Moon River is an “our song” between my Bf and I. It has been since we were friends and it still is today. I love how you did it so ominously and woozily. I love this woozie style. Thank you so much :3
I'd love to try to do it but where are you going to find a whole bunch of people who can sing like this? With a small group of like 15-20 people it might be possible...
I heard that too, but June Lee didn't mention about it in transcription, and that's why I started wondering is something wrong with my pitch. Thanks, now I can sleep peacefully;)
Thank you so much for the incredible work you do for all of us. It's really a wonderful thing to be able to listen to music like this and understand what's happening. Not having to think about the music and just listening to it really adds extra character to it that you don't get when analyzing it. Your works have inspired me to get into transcribing (I even had an attempt at this song which got the better of me halfway through lol) and I really feel that you have wonderful opportunities coming to you in the future whether it's in transcribing, composing, performing, etc. Good luck to you in anything and everything you do!
Top donator Steve Vai, who got his break transcribing Frank Zappa, Black Page etc to get his audition.. I find that so damn wholesome and beautiful. Congratulations on being part of modern music history June.
Jacob Kittipol that would be awesome to see but unfortunately might not be possible because everyone would need to sing perfectly in tune/ use just intonation for most of the song
Oh. My. God. This piece blew my mind, but seeing the transcription also shows me some of the amazing things I totally missed while my brains were scattered all over the room. Thank you so much.
The intensity of your transcriptions always reminded me of Steve Vai cuz I know he did some wickedly difficult transcribing for Frank Zappa back in the day. So cool that he's taken notice!
I’m actually in awe, you’re amazing and this is much appreciated; I realized that he modulated to d half sharp and ended on c half flat but I did NOT realize there was a gradual pitch bend!!
Hey June, looking at m. 66 - like you I've been a proponent of using four dotted-eighths in 3/4 rather than using a bunch of ties or a quartuplet in notation for a while despite it being against typical convention/Gould advice. What would be your main counterargument when people try to point out that writing it this way is breaking beaming conventions?
Blumen! One argument might be that it conveys the idea of a 4 over 3 polyrhythm in a more visually obvious way - you can see at a glance what the underlying rhythmic concept is.
@@modalmixture Agreed that at a first glance it is a 'cleaner' look initially! But at the end of the day, it hides the underlying pulse/metrical beats, which is one of the prime directives of beaming - beam to the beat, not to the phrase. BUT! The reason I am sometimes I fan of using the series of dotted eighths is if there's another instrument that really sells superimposing the actual beat unit temporarily AS dotted eighths. Like if there were drums in this tune and they played a quick 4 on the floor pattern right when the 4:3 hits, making the actual feel of the dotted eighth being the pulse, then I would probably break the rule and use the dotted eighths. This spot doesn't have a strong enough rhythmic impetus to justify that usage here though, BUT again that's just my hot take and I'm just a rando in the chat so it's all subjective 😂
Ok, transcribing that piece with the names is impressive, but man. It just hit me how many vocalists can sound this beautiful, and how much time and effort it took them to all get together and make it sound this way!! Now, granted, they didn't all obviously cram themselves into a room and record themselves via a phone or something, in fact they did record the voices layer by layer. But even then, it's still very impressive!! Props to you man!!
JUNE LEE 2020
You and Jacob need to Collab
And June Lee!!
Heck yes
@@sethedmonds5996 YES PLEASE, WE NEED AN ADAM NEELY WITH JACOB COLLIER COLAB PLS
Hey Adam! Please do a video on microtonal keys and try to help me understand why and what Jacob is doing this. That D half sharp just feels so warm and cosy but I don’t understand why
holy shit.
Thank you Charles Cornell, very cool!
I know right?!
So cool to see all the voicings and everything that I couldn’t discern by just listening.
he here !!
holy shit aging.
Jacob: *intentionally writes without time signature or tempo for a true rubato feel*
June: "yeah uh that's a 32nd note nonuplet run over 3/4"
6:39
Theres a rule I like to follow, if there's a melodic phrase, there is indeed time, otherwise, its just a cluster of bois warming up and individually practicing.
Oh come on. It's still interesting to see what the resulting rhythm would be if you had to write it down.
@@ejb7969 OH GOD imagine in 4/4?!?!?!
That 9tuplet would have been...
I can't process that right now.
It's like when I played Beethoven's Sonate Pathetique and it was grave and had these 8, 7, 9tuplet runs and I asked my teacher,
"how do I count this?!"
"you don''t"
it's how chopin wrote rubato
@@DaveDFFA Triplets in triplets. It's pretty easy once you learn it.
June was the last note of the intro lmao
I'm amazed that you not just got the pitches, but all their names. Huge respect.
seeing that June was the last name was so sweet
It was actually Jacob's idea to make a big score with everyone's name in it! He helped me out with the intro.
@@JuneLee Hi June! Big fan of your work. Hope to be able to transcribe stuff similar to this in the future. Thanks for the inspiration
@@JuneLee Watching this is like strolling down the red carpet before the Grammy's!
June Lee I was shocked by some of the names, like Hanz, Ty dolla $ign and whoever "June Lee" is
The named notes was the coolest idea ever! And June getting the last note with a lot of space after the cluster chords was very nice from Jacob's part also
not gonna lie that almost made me cry
Cynabel Music make me cry
Agreed!
@@HarmoniChris Yeah, maybe it is some wishful thinking, but since Jacob puts so much attention in details, the fact that June appears only once, without anything else happening and has a 'strong' note in the mix to highlight it from the many other voices, makes this probably safe to assume that it was a intentional shoutout to June
@@theol2192 I should mention that June's note is perhaps my favorite of the entire bunch, too. It gives new context at the very end that wraps up the whole ordeal very nicely, and also sets up the next section.
You’re in a field and 100 cows starts to moo in harmony like this
cows be like : it's the most beautiful thing I've ever heard 😍 moooooooooo
💀
P.S. I love the way you notate his microtonal lines without note heads, immediately understandable
Tournel Henry In the western musical system you usually divide an octave into 12 half tones. But you can also divide it into 24 (then you have quarter tones) or even more. These are called “microtones”. Jacob even uses two microtonal keys in this masterpiece, D half-sharp major (a quarter tone higher than d-major) and e half-flat major (a quarter tone lower than e major).
Tournel Henry Intervals smaller than half-step. Imagine having to write the note between G and G#
I love seeing that Steve Vai was your top patron
And Jacob is his 3-15 supporter.
Steve vai started out doing transcriptions for Frank Zappa in his early age (having auditioned for the band and toured with Frank later on) so he might have a soft spot for June's work!
@@LeoFeo824 Did he also play his transcriptions of Frank Zappa (on guitar)?
You're an absolute god at transcribing. I actually can't believe you've done this.
Aw, f*ck, can’t believe you’ve done this
I think he may have just gotten at least some of it directly from Jacob Collier himself
Lol ya
Yes, June.... you are a clever guy. Very, very clever. You are greatly respected around the world by all who follow Jacob Collier.
**gets punched** I can’t believe you’ve done this
I'm not sure what's more amazing-that Jacob recorded this without any written arrangement, or that June was able to transcribe it anyway. Absolutely blown away every time I listen.
$3-15:
Jacob Collier
Or he could just give you the chords he used idk but sure $3-15 is fine too i guess
What do you mean?
@@kymasiellis hey man, at the end of the video june lee credits his patreon supporters, and categorised them by their pledge amount. Under the amount $3-15, the first name there is jacob collier's. Hope this clears up any confusion!
@Toby Jonez hey dude! If you look at the end of the video, june credits his patreon supporters, and under the pledge amount $3-15, the first name credited is jacob collier's. Hope that clears things up! Unfortunately the joke probably won't be funny anymore but at least now you're not confused!
No one is commenting that Steve Vai is the first patron under $100+ 😂 I wanna know what that connection is
LMFAO
June Lee is such an important part of Jacob's legacy. His work helps lay-people like me better conceptualize + contextualize just how insane and brilliant Jacob's stuff is. I learn new things (like the gradual up-tuning in this one) every time June posts a transcription!
Completely agree on that gradual up-tuning. It's insane jumping back and forth between the two sections and hearing the stark difference. Never would've found that myself without June.
June's a guy?
What's a lay-people?
Muito espetacularrrrrr
@@furthings when you explain something in "layman's terms" it means explained in an easy way to understand it for people not familiar with the topic
Who else knew this was coming and was also highly anticipating it?
This is the kind of video you watch 10 times in a row the second it comes out
TheDelahunt darn right!
Both Jacob and June should donate their ears to science. They've clearly transcended our pitiful human abilities.
Amen
shut the fuck up
It‘s not the ears, it‘s the brains, my friend.
@@bazingacurta2567 no u
@@bazingacurta2567 fucking loser
“Edited by June Lee and Jacob Collier”
So now it’s confirmative that June Lee is the legit messenger of God
8:12-8:21 that chord at the end is beyond words one of the most beautiful sounds I’ve ever heard
DA POWER OF JUST INTONATION.
The fact you got all the names and kept their names up as long as they held their note is mighty impressive
He actually got help from Jacob himself with the names. (But this transcription is mighty impressive, nevertheless!)
oh hi! fancy seeing you here
Seeing Steve Vai there in the credits makes me happy. As time goes on, I think June will be to Collier as Vai was to Zappa.
I don’t know what’s more impressive, this transcription of the song or the song itself. Mind blown.
Excuse me, Ty Dolla $ign is on that track?!
(1:16)
now you know why
Aww you were the third of the chord. ❤️
I have never commented on a video but just wanted to say thank you so much for the time you put in transcribing this mind blowingly complex music. It helps people like me who don't have the ears that you and Jacob do start to understand what the hell is going on, haha. I've been waiting for this transcription since the song first came out and needless to say, you did not disappoint. Keep up the awesome work!
I was wondering how you would transcribe the run at 6:33 as Jacob split up the interval between Bb and G into 5 steps when there are 3 semitones. Clever!
7:55 thru 8:26 is some of the most exciting, uplifting music I’ve ever heard! After the rising tuning and the amazing progressions during that shift, the chord at 8:18 hits like no other chord. Thank you June for the insane detail of your work!!
Not gonna lie, that progression was so touching I teared
A I feel that, it’s just sO GOOD
@@moonootoo I've never had a chord progression make me suddenly burst into tears before, like out of nowhere, and I've been doing music for years. This kid is magic.
Steven Naylor The eight tone between both B’s is awesome
Every time the tuning shifts up, I feel like I'm facing a little bit more upwards, like when you're watching a show at a planetarium or something. Such a neat effect, really!
My brain cannot even begin to process what is happening here
Just intonation
Microtones
Overtones
Everything is just so perfect
Welcome back to how the hell did June Lee do this
Jacob: here's your 3-15 dollars, and a few cents change.
Genius.
HAHAHA
ruclips.net/video/3GrV3OZdjP8/видео.html
sensible chuckle
I SNORTED LMAOO
I keep coming back just to watch June’s resolution of the sus chord at 1:18
doesn’t matter how many times I hear it, it floors me every time.
At 4:40... how ass brilliant does a man have to be... raising the cents with the time stamp...hits A 440 and goes up with it...
Dan The Trombone Man Well spotted!
i don't see it :(
Wow, with the timestamp?! Now that is sneaky, in a good way.
OMG! I am literally slack-jawed at this moment.
Can you explain that? He hits the 440 at 8:01, isn't he?
actually seeing the complexity of the music makes me appreciate it so much more. I knew there were microtonal parts in there but holy shit, 3 different half sharp keys. Jacob is legitimately the greatest musician of the 21st century
I am currently crying as I watch this as a train station. There is something about the work and effort that went into this transcription that makes it even more beautiful than just the song or original music video alone. Amazing June!
That last chord though... hits you in your soul. Good lord.
I don't know what is more impressive. Jacob Collier making that impossible arrangement using only his ears. Jacob's PC with 4313874 TB of RAM, to make that video. June Lee transcribing every single freaking thing. June Lee knowing the names of each person in the intro in the correct order. Or the entire world not creating statues of them already.
I’ve never clicked on something so fast
I'm tempted to make a joke... but the only ones that come to mind are far from clean. :-!
Me too!
Same
I never got so excited... Songs like this one, bleak midwinter, the end of "don't you know"... are so intense moments, my body can't stand those levels of dopamine
Measures 90-93 make up what very well could be my favorite musical moment ever. There have been few times that music has made me tear up simply because of how beautiful and impactful the music itself is, and that moment makes it happen every time. So incredibly well done by both Jacob and June!
I'm in tears...
THE A TO G SLIDE AT 3:36 IS AN UNSUNG HERO (WELL... SOFTLY SUNG) THANK YOU FOR PUTTING IT IN WRITING ❤
Thank you for pointing it out. :-)
Jacob is a contemporary musical revolution. He's pushing limits we thought were set to stay where they were. Yes, that's for sure. But your work is a complete revolution on musical notation. You're a huge inspiration to all of us. Yes, that's my statement. Thanks, June.
7:50 I knew there is something special going on besides the beautiful harmony... The tuning! What a genius...
the named notes and the *insanely* quiet counting around 4:54 being transcribed were the coolest parts to me. I can barely hear those numbers even knowing they are there and watching the notation as they play, I can't imagine actually being able to pick up on that in the first place
Don't know if they were meant to be heard in the first place
Ladies and gentlemen, June Lee. What an absolute MONSTER!!
Insane harmonies
The amount of sharps and flats throughout this entire thing made me laugh X3
Additionally, Moon River is an “our song” between my Bf and I. It has been since we were friends and it still is today. I love how you did it so ominously and woozily. I love this woozie style. Thank you so much :3
not me crying at 1:19 when June is the last note
such a tender moment
I really wanna see this with a whole choir
I'd love to try to do it but where are you going to find a whole bunch of people who can sing like this? With a small group of like 15-20 people it might be possible...
The ending of this song just touches deep into my soul and makes me weep tears of joy... and covered in goose bumps :)
I just read this comment and though, that's exactly how I feel, but then realized it was my own comment 😂
Awesome how you've updated your process of notating his microtonal techniques based on all the new info from interviews, etc. Mad respect man
4:40 In bar 64 he is definetely sharpening his tuning a few cents
So 4:40 is becoming 4:45 ;-)
@@engelbertschoormans As it passes, each second raises a cent...
Yes, thank you! I knew I'm not crazy.
I could be wrong, but I think it's the same idea as the D432 to D440 in hideaway where he pivots on the equal tempered C# to make a just C# in A440
I heard that too, but June Lee didn't mention about it in transcription, and that's why I started wondering is something wrong with my pitch. Thanks, now I can sleep peacefully;)
Thank you so much for the incredible work you do for all of us. It's really a wonderful thing to be able to listen to music like this and understand what's happening. Not having to think about the music and just listening to it really adds extra character to it that you don't get when analyzing it. Your works have inspired me to get into transcribing (I even had an attempt at this song which got the better of me halfway through lol) and I really feel that you have wonderful opportunities coming to you in the future whether it's in transcribing, composing, performing, etc. Good luck to you in anything and everything you do!
Wow hi
@@homerles ren hi
@@jasonfieler who's ren
@@homerles k
this is so cool to see looking at the incredible work you do you now! cheers
what an achievement, congrats! I hope you get to perform on more of his tracks! What an honor for you to resolve the suspended 4th!!!! I'm jealous :)
I need this to be a ballad in a dci show
Imagine a trombone solo playing the melody from when they start singing
Now the blue devils are doing it.
Blue Devils 2022 is playing this
Top donator Steve Vai, who got his break transcribing Frank Zappa, Black Page etc to get his audition.. I find that so damn wholesome and beautiful. Congratulations on being part of modern music history June.
I'm glad to share the same last name with this insane dude.
I was fortunate to be a kid around this era. Beautiful arrangement!
Absolutely legendary mate.
Thanks, now everyone can sing this!
I laughed out really loud, so underrated comment!!!
Jacob: I've made an untranscriptable song!
June Lee: Hold my beer....
Frozen in awe and tears I felt like I had just heard the very voice of God
Congrats June Lee! After long "sus" voices, at 1:17 you got the final Leading-tone!!!
Toward the resolving first notes of the song.
Jacob's best acapella yet
8:39 Sure let me just get my bass friend who can casually sing an A1
he used an octave pedal to get the low notes he wanted, so he would've actually been singing an A2
Your ears are like a musical satellite system. Ultimate Precision. Bravo.
People gona find you when they raid area 51
This makes me tear up every time I hear it. So much emotion packed into one song. Amazing.
... I would love to see any choir/vocal group try to do it. I'm sure it could be done, but just how they'd do it would be fun to see.
Jacob Kittipol that would be awesome to see but unfortunately might not be possible because everyone would need to sing perfectly in tune/ use just intonation for most of the song
This piece makes me feel something I can’t quite put my finger on and that’s the beauty of it
Jacob: here I am again with my half-sharps. Try translating this.
June (again): hold my beer
Oh. My. God. This piece blew my mind, but seeing the transcription also shows me some of the amazing things I totally missed while my brains were scattered all over the room. Thank you so much.
The shout-out to the patrons at the end = very cool
Thank you both for this clear testimony to how far the beauty of music can be taken by people. You are our voices.
The intensity of your transcriptions always reminded me of Steve Vai cuz I know he did some wickedly difficult transcribing for Frank Zappa back in the day. So cool that he's taken notice!
This is insane in the best possible way, we all love you.
I’m actually in awe, you’re amazing and this is much appreciated; I realized that he modulated to d half sharp and ended on c half flat but I did NOT realize there was a gradual pitch bend!!
I watch this every time it's in my recommended
This will make a grown man cry
This (the piece and also the transcription) is history in the making. !!!!!!!!!!
There is one patreon named jacob per tier. Damm these bois be organized
You are equally genius! Awesome.
Hey June, looking at m. 66 - like you I've been a proponent of using four dotted-eighths in 3/4 rather than using a bunch of ties or a quartuplet in notation for a while despite it being against typical convention/Gould advice.
What would be your main counterargument when people try to point out that writing it this way is breaking beaming conventions?
I’ve never liked it when used in 4/4 but I’m still not decided on in 3/4.
I'm also interested in knowing this!
Yes!!! Same here
Blumen! One argument might be that it conveys the idea of a 4 over 3 polyrhythm in a more visually obvious way - you can see at a glance what the underlying rhythmic concept is.
@@modalmixture Agreed that at a first glance it is a 'cleaner' look initially! But at the end of the day, it hides the underlying pulse/metrical beats, which is one of the prime directives of beaming - beam to the beat, not to the phrase.
BUT! The reason I am sometimes I fan of using the series of dotted eighths is if there's another instrument that really sells superimposing the actual beat unit temporarily AS dotted eighths. Like if there were drums in this tune and they played a quick 4 on the floor pattern right when the 4:3 hits, making the actual feel of the dotted eighth being the pulse, then I would probably break the rule and use the dotted eighths. This spot doesn't have a strong enough rhythmic impetus to justify that usage here though, BUT again that's just my hot take and I'm just a rando in the chat so it's all subjective 😂
Transcribing skills so on point he even hears the singer's names, ggwp
June - I’m a bit speechless. Your transcription is a work of art in its own right. Thank you!
When you crank the spice to 11 and it still sounds pleasent!
Jacob Collier: *exists*
June Lee: "I'm going to transcribe this mans career"
He let you resolve...This is so beautiful
Both the arrangement and transcription are at another level. Bravi!
OH MY GOD YOURE IN THE OPENING I LOVE IT
Ok that's it I've done everything I want to in life
Thank you, June Lee. Bless up 🙏
The frequencies changes are awesome holy crap
This is absolutely amazing.
The fact that your even transcribed the "sing it, boy" part... I... Amazing!!! Major props to you, June!!!
Is the tuning going slightly up at 4:40 ? ( It would be funny beacuse 4:40= 440 hz xD)
Anyway this transcription is unreal! Very great job June!!
Yes!!! I don't hear anyone talking about this!! It goes back sometime after. "such a lot of world"
I'm really not sure if is a change of tune or a natural tuning of the chord (with this B on the tenor voice)
When I'm about to overcome mindblowing delight from Jacob's pieces, June comes and makes this incredible job to keep the delight flowing. Thanks!
Picking my jaw off the floor *again*. Outstanding work June!
LEGEND
Dude, your work is just mind blowing. Words don't exist to express how amazing this is. Thank you, June.
Ok, transcribing that piece with the names is impressive, but man. It just hit me how many vocalists can sound this beautiful, and how much time and effort it took them to all get together and make it sound this way!! Now, granted, they didn't all obviously cram themselves into a room and record themselves via a phone or something, in fact they did record the voices layer by layer. But even then, it's still very impressive!! Props to you man!!