Abolutely mind blowing. Trifonov is our new Beethoven, Prokoviev, Skjrabin, Chopin, Liszt, Rachmaninof, Grieg, Metniev and Bach and Mozart in one brilliant new star. Amazing!!
Easily one of my most treasured memories of the concert hall was hearing this live, performed with Gergiev and the Mariinsky alongside Prokofiev Symphony 6, I made a point to stay behind to buy a CD, get an autograph, and use those precious seconds to ask him about the concerto. He was humble about it, always thinking of his compositions as a side project and of this as just a big project he tinkered with while studying at conservatory, but it is easily my favorite experience of listening to contemporary music. How unbelievable to be so close to the real thing, a composer and a performer driven in both by the unmistakable passion of a musician, how I long to be in a concert hall again.
trifonov is the answer to our prayers for a chopin, or rachmaninov, incarnate in the 21th century, hope everything goes well with him, he's a gift from god to human kind, very precious one
That's why Rachmaninoff is stilled played today, even thought he composed romantic music in a time modern music had already taken over... he wrote something that touches our hearts. I love how Trifonov mixes russian style with Mahler it's precious!
Without a doubt the finest contemporary concerto of the last 30 years I have heard. Trifonov never ceases to amaze, whether as a pianist or as a composer. What a refreshing change from the atonal avant garde works that get regularly premiered. I hope this concerto sticks around and finds a place in the repertoire. The last time I enjoyed a concerto this much was Liebermann's 2nd Piano Concerto. The soloist's part is notoriously difficult and students won't be tackling this anytime soon. The conductor reminds me of Georg Solti.
I was thinking the same thing...Solti-like conductor. But, my goodness, what an astonishing thing of beauty by a man so young and seemingly untouched by our zeitgeist. Though echoed throughout by all the Russian master composers we love, his voice is immediately engaging.
Michael Dunlap Yep. I'd heard his solo things first so I knew this guy had the goods. Incredible concerto. Should be in the modern concerto repertoire.
As a matter of fact I am, especially the 1st Concerto which is wonderful. Very tuneful and expertly orchestrated of course. The Trifonov Concerto though is much more complex than Hoiby's. I'm really astonished that such a great pianist could have this depth in writing so early in his career.
"What a refreshing change from the atonal avant garde works that get regularly premiere". "Atonal avant garde" works haven't been in the mainstream of classical music for at least 30 years. Neotonality is everywhere, so I wouldn't call yet another neotonal work "refreshing". That's not to say it's a bad work of art, although I personally I'm not attracted to neotonality. It's very well written, you can give it that for sure.
This guy is just so "special". I am humble to be able to have him at my time, and hopefully am expecting to grow old with him in my life with his growing art. What a joy. I feel hope. Thank you Daniil.
shades of Prokofiev ,Debussy Ravel,Shostakovich,lots of Gershwin composers we are influensed by many and we steal a lot but this kid has potential and one needs to hear him more in his compositions ,he is a great pianist.
and to thethinkboy.... "50 shades of Daniil"... let us face it. Had it not been for Mozart, there would not have been a Beethoven. And we can even go back to centuries before. They are all influenced by predecessors. The Tchaikovsky piano Concerto I is full of Smetana. But it is all good. Alles Gute, friend.
It is not forbidden to refer to the influence of the past - yes there are hints of Prokofiev and others at the turn of the twentieth century - but Beethoven and Mozart, Brahms and others all began, as did visual artists and the others working in the plastic arts, by using models from their predecessors. This is a young work by a young and wonderful man - it is worthy of his talent and worthy or consideration. Given time this already marvelous artist may gift us with more wondrous works as did those forbears already mentioned. Time alone will tell. Bravo and thanks, dear Mr Trifonov. We are inspired and in awe of your talent as of your artistry. Bless you.
I have always been a serious Trifonov addict but when I heard this at Verbier end July I thought I would have to re-think- Where was my marvellous piano-whisperer? There is a quantity of fury, angst, deep melancholy but when you listen carefully there is also lyricism and an occasional hint of hopeful joy. I would love to hear expert opinions on what, having listened to it about a hundred times, is beginning to sound like a masterpiece . difficult, but a masterpiece.
I have recently discovered this concerto (written in 2014?) ...and have been listening to it over and over again.....it is simply marvelous...I simply cannot get it out of my head...the slow movement (s) are wonderful, whereas the finale is breathtaking....WOW!
Ya dijo Martha Argerich que este chico tiene algo de diabólico.Simplemente fantástico el trabajo de un genio,no descuidó ningún instrumento para que se luciera,es un verdadero concierto para orquesta con piano a mi entender.Trifonov es muy grande..sabéis el trabajo que requiere escribir toda esta orquestación?? No solo inventarla claro,hay que componerla para cada uno de ellos y procurar que los efectos e intensidades sonoras sean las requeridas y imaginadas...un genio!
Trifonov est un visuel et sa composition est une illustration sonore de ses visions. Puissions nous un jour en savoir un peu plus sur leur contenu de sa part. De toute façon on peut aussi imaginer notre propre vision sur sa musique.
Really interesting work, I enjoyed above all the last movement, but also the first and the second are amazing and buautiful... A very nice composition and a lovely interpretation (not only Trifonov's but also the conductor's one)
excellent and mastering ....the influence of Prokofiev and Mahler is crushing the screen. So we go back to the years 1920-1950 and it's moreover the past of classical music which looks granted :-). Much Better anyway than the modern vibrations without any sense or direction...
Astounding. On my first listen I heard some potential intricacies that I believe will be discovered by this enormously talented pianist and composer. I am not sure he recognizes what a masterpiece this is! O how I wish some of the old masters could weigh in on what should be in every pianists arsenal. I am entranced by the journey it takes from start to finish. Simply: wow! Bravo to all performers and congratulations to Mr. Trifonov who should take the concert stage by storm for his gift.
Es en verdad un inmenso placer el descubrir a un nuevo compositor joven, atrevido, poseedor de una formidable técnica interpretativa, y con el don casi divino de la composición. Al diablo con toda esa cantidad de intelectualoides que sólo andan, con su amargura a cuestan, criticando y señalando influencias y tendencias en obras recién estrenadas. Lo que en verdad importa es lo genuino de este bello concierto, que no habla sino de un joven que hace una total reconsideración musical de escuelas, estilos y tendencias. Enhorabuena por Trifonov quien, si ya nos había asombrado por su talento interpretativo, ahora nos asombra por sus cualidades compositivas.
tienes razón es maravilloso como en esta pieza se encuentran tantas influencias pero a su vez tanta originalidad, en ningún arte nada es puro puro la originalidad es de tomar elementos y reinterpertarlos asi es todo arte.
Das ist Genie. Pure and simple. Do not be fooled by my photo. I am really 112 years old. hahahaha... I wish I were 30 years younger. He has my heart. But unfortunately, I believe.... er ist mit dem klavier verheiratet.
Just practice. This is very program oriented music. Can you sing any theme out if this concerto? How about Rach 3? It will be much harder to sing prokofiev out loud, but he has imprints in every opus which gets stuck forever. Does thus concerto get stuck in you head?
Astounding pianism, as always, and there are some truly wonderful moments in it. I need to listen to it a few more times, because my initial impression is that, when considering any of the movements as a single unit, it comes off as very disjointed and unsure of what it wants to be. Just a first impression, though.
After several more listens I actually quite love it now. Still wouldn't call it a masterpiece of the genre, but there's some really great stuff in here once you dig a little bit.
Daniil recapitulates the ontogeny of the great masters in all of his performances. In this, his own composition, the style of paying homage has elaborated to content. I would title this masterpiece “The History of Music.” The only thing missing is a solo passage with a Paleolithic bone flute. The concerto may serve as a thesis statement of the corpus to come. Bravo. Let us hope he has, not only an audience following, but other gifted soloist that believe in his vision. Composition and performance are dialogues between individuals and communities. A golden age is potentially around the corner. Many hear the references to Rachmaninov and Prokofiev; however, Daniil evokes these artists as he believes Liszt would reference them. He is authenticating that he so sufficiently understands what comes before him that his forthcoming vision is a certified valid one.
If we had means to resurrect Rachmaninoff, Prokofiev and Scriabin, first thing they'd probably ask us (apart from what's with all the phones) if we have written a decent piano concerto by the time they were absent. After listening to Trifonov, Prokofiev would get angry his style was mixed with Rach's, Rach would make a joke to throw off Prokofiev even more, and Scriabin would encourage them to make amends and call Danya "bolshoi molodec".
Я согласна,так бы все и было.Проковьев бы злился , Рахманинов шутил,а Скрябин их мирил. Светослав Рихтер рассказывал,что юный Прокофьев подражал рахманиновским этюдам. Узнав,что Даниил уничтожил свой концерт,я ужаснулась,но потом вспомнила об интернете,и по няла,что "подвиги" Гоголя Данюше,слава Богу,не по силам.
Not only Skryabin!...All Russian composer,include Musorgsky-"Месяц едет,котенок плачет"...Естественно,такой русский гений! Невероятно!Удачи и в этом..на подольше!
As far as I am informed, he wrote a little piece "Burattino" when he was 8 years old, 5 pieces "Rachmaniana" and a Sonata. Look it up on my channel! The piano concerto has been published by SCHOTT MUSIC without any number.
great technical piece...but with all do respect no captivating or melody that sticks out like most of the piano concertos in the past... but then again I think would go well with film scenes... sentimental and dramatic maybe not... but that's just my opinion.. again very technical and brilliant in that sense.. 😊
Trifonov as a composer - of course not bad and rather interesting - you may hear rather a similiaity to Rachmanibov in his Russian roots, with American touches (where he lives). Yes, this music prnincipally sounds modern with much feeling - the final takes part in, what in Germany is called, "Spätromantik". - Anyway, his main profession should go further on to be best living pianist of th world...
Извините,Вольфганг,лучшим пианистом в мире даниил уже стал,а вот пианистом уровня Рахманинова он может стать вполне,если бы не такая плотная концертная дея тельность,которая обогащаен только устроителей и всех,кто
Обогащает только всех,кто рядом с ним,а ему достаются копейки. Тут может помочь только главный устроитель жизни Даниила -- Господь Бог. Послал же Он пандемию.И по всему видно,что в ближайшем будущем у Дани будет время для создания собственной музыки,не все же тешиться транскрипциями. Петербург.
Its confusing , I thought he was playing on the bosendorfer because he had written his concerto so that it has to use the extra notes , therefore it must be played on a bosendorfer , but after watching , he doesn't even use them . LOL . I definitely know he is not a Steinway artist .
I saw him play a Fazioli on many occasions. The fact is that pianists have often no real choice of instruments. The biggest part are Steinway. Here in Verbier, they propose many Steinway Ds and for a couple of year this wonderful Bosendorfer model VC 280, their brand new concert grand. Imperials are quite rare unfortunately.
jeffreyFUU Liszt has some pretentious parts in his pieces. Chopin, Rachmaninoff and Prokofiev don’t have this problem. Their pieces don’t have parts that are only supposed to show off skills, they are just very virtuosic. Huge difference. Of course I can’t surely sey if those parts in Trifonov’s concerto are only intended to show off skills, but that’s the way it seems to me.
Mr.Columbo you may take Prokofiev or Rachmaninoff off the list, but Chopin is definitely in the category. Anyways, the problem we have here is that when great masters in the past wrote flashy music, its okay. But if composers nowadays do the same, they get criticism like yours. How does that make any sense?
jeffreyFUU I don’t know Chopin’s pieces very well, but I can’t think of any pretentious example of his pieces atm. My problem is not that Trifonov’s concerto is flashy. My problem is that to me there seem to be some parts that are *primarely* supposed to show how skilled he is. I don’t see what those parts are intended to be in terms of music if you understand what I mean.
Mr.Columbo I understand what parts you are referring to. Those parts contain musical material that dont get developed in the piece, and just stay at the surface level for show off purposes. But again, what im saying is that composers in the past all did this, and its nothing uncommon about it.
It's not about new or old, it's about whether one has anything to say, not because one is a "speaker" but because something needs to be said. There is nothing wrong with romantic music in 21 22 or whatever century... what's missing is the point expressed as music idioms
I actually liked first two movements. A healthy dose of Rach with occasional hints of Proko, but all good in my book. Third mov was atrocious and damaging to the concerto! Completely disconnected from the rest and strictly from a movie score. Works great for pirate battles, perhaps, but definitely not as a piece of classical music being presented as such. It's too bad Trifonov decided to destroy the piece in the end.
I think it's nice try. I think he wanted to show another scene that he can make. Movements are doesn't have to connected each other, isn't it? He just wanted to change the scene unexpectedly.
Based on this, his concerto can hardly be called original and playable, and lately he has been playing classics, especially his latest album about America, is a bit strange and weak, with the exception of the piano concerto
This is a masterpiece without question. Behold the future of classical music, just when we thought it was hopeless! Thank you Daniil.. We love you.
He is so good that he even composed his own concerto. What a legend.
Abolutely mind blowing. Trifonov is our new Beethoven, Prokoviev, Skjrabin, Chopin, Liszt, Rachmaninof, Grieg, Metniev and Bach and Mozart in one brilliant new star. Amazing!!
who's Metniev?
I mean Pletnev
Meinten Sie nicht Medtner? Würde eher in Ihre Liste der Komponisten passen. Mikhail Pletnev ist Pianist und Dirigent !
Думаю,Метнер,русский композитор,друг Скрябина и Рахманинова.Один из любимых композиторов Трифонова.@@simonesala3697
Метнер❤@@simonesala3697
Easily one of my most treasured memories of the concert hall was hearing this live, performed with Gergiev and the Mariinsky alongside Prokofiev Symphony 6, I made a point to stay behind to buy a CD, get an autograph, and use those precious seconds to ask him about the concerto. He was humble about it, always thinking of his compositions as a side project and of this as just a big project he tinkered with while studying at conservatory, but it is easily my favorite experience of listening to contemporary music. How unbelievable to be so close to the real thing, a composer and a performer driven in both by the unmistakable passion of a musician, how I long to be in a concert hall again.
Mindblowing. Today's concert pianists should do this too.
trifonov is the answer to our prayers for a chopin, or rachmaninov, incarnate in the 21th century, hope everything goes well with him, he's a gift from god to human kind, very precious one
Imagine those 100 years from now watching this
Meraviglioso lui, meravigliosa la Musica.
That's why Rachmaninoff is stilled played today, even thought he composed romantic music in a time modern music had already taken over... he wrote something that touches our hearts. I love how Trifonov mixes russian style with Mahler it's precious!
I do agree.
Absolutely agree
a beautiful work....magnificently played..... he's in the grand line of composer-performers....bravissimo!
What a hauntingly beautiful masterpiece. The way he gives importance to every orchestral instrument is really great to see as well.
This concerto truly is the start of something QUITE GREAT! Daniil needs to compose more
often. We need new classical music!
Without a doubt the finest contemporary concerto of the last 30 years I have heard. Trifonov never ceases to amaze, whether as a pianist or as a composer. What a refreshing change from the atonal avant garde works that get regularly premiered. I hope this concerto sticks around and finds a place in the repertoire. The last time I enjoyed a concerto this much was Liebermann's 2nd Piano Concerto. The soloist's part is notoriously difficult and students won't be tackling this anytime soon. The conductor reminds me of Georg Solti.
I was thinking the same thing...Solti-like conductor. But, my goodness, what an astonishing thing of beauty by a man so young and seemingly untouched by our zeitgeist. Though echoed throughout by all the Russian master composers we love, his voice is immediately engaging.
Michael Dunlap
Yep. I'd heard his solo things first so I knew this guy had the goods. Incredible concerto. Should be in the modern concerto repertoire.
Are you familiar with Lee Hoiby's two piano concertos? They are masterpieces.
As a matter of fact I am, especially the 1st Concerto which is wonderful. Very tuneful and expertly orchestrated of course. The Trifonov Concerto though is much more complex than Hoiby's. I'm really astonished that such a great pianist could have this depth in writing so early in his career.
"What a refreshing change from the atonal avant garde works that get regularly premiere".
"Atonal avant garde" works haven't been in the mainstream of classical music for at least 30 years. Neotonality is everywhere, so I wouldn't call yet another neotonal work "refreshing".
That's not to say it's a bad work of art, although I personally I'm not attracted to neotonality. It's very well written, you can give it that for sure.
This guy is just so "special". I am humble to be able to have him at my time, and hopefully am expecting to grow old with him in my life with his growing art. What a joy. I feel hope. Thank you Daniil.
21st Century MAGIC with a sensual twist. Bravo! Daniil, we will anticipate more!!!
The cathedral melody is gorgeous in the first movement.
shades of Prokofiev ,Debussy Ravel,Shostakovich,lots of Gershwin composers we are influensed by many and we steal a lot but this kid has potential and one needs to hear him more in his compositions ,he is a great pianist.
Gran trabajo orquestal, estupenda dirección y Trifonov no es de este planeta....su música incomparable!
It's like he took inspiration from all the greatest Russian composers and distilled it into a Piano Concerto. Amazing!
There's some voicings in there that are more Chick Corea then Russian modern classical, too.
What a wonderfully camp piece of music 😊 Way over the top - like all the best piano concertos!
09:25 I love how the violinists connect with each other. Look at their faces, their smiles. It’s a magic moment! ✨🕊
Well spottet. That is an amazing piece of romantic music which is following. They knew what was coming ...
The haunting use of winds is wonderful. Shades of Scriabin.
d'accord!
and to thethinkboy.... "50 shades of Daniil"... let us face it. Had it not been for Mozart, there would not have been a Beethoven. And we can even go back to centuries before.
They are all influenced by predecessors. The Tchaikovsky piano Concerto I is full of Smetana. But it is all good. Alles Gute, friend.
If it touches ´the heart, then all technicalities are superfluous. I love this piece. Thanks¡ Trifonov.
I love the sneeze at the start
It is not forbidden to refer to the influence of the past - yes there are hints of Prokofiev and others at the turn of the twentieth century - but Beethoven and Mozart, Brahms and others all began, as did visual artists and the others working in the plastic arts, by using models from their predecessors. This is a young work by a young and wonderful man - it is worthy of his talent and worthy or consideration. Given time this already marvelous artist may gift us with more wondrous works as did those forbears already mentioned. Time alone will tell. Bravo and thanks, dear Mr Trifonov. We are inspired and in awe of your talent as of your artistry. Bless you.
Wow. Simply stunning in every way. Bravo Daniil.
28:47 the conductor felt that in his soul
Thank you for that wonderful upload! I was waiting for it for a while now.
I taste Rachmaninov and Prokofiev as well. I will place it as a masterpiece, thank you Daniil!
He needs more compositions under his belt. He's frickin' amazing.
I have always been a serious Trifonov addict but when I heard this at Verbier end July I thought I would have to re-think- Where was my marvellous piano-whisperer? There is a quantity of fury, angst, deep melancholy but when you listen carefully there is also lyricism and an occasional hint of hopeful joy. I would love to hear expert opinions on what, having listened to it about a hundred times, is beginning to sound like a masterpiece . difficult, but a masterpiece.
He is a wonder, indeed. I have NO doubt.
Why always analyze? Hear and feel!
I could listen to this for hours on end. Just magnificent!
It took me FIVE listenings, before I could fully analise this. Young Mr. Trifonov. This piece is indeed brilliance.
What do you mean, you made a full harmonic analysis?
Would you mind sharing some of your insights? I'm interested in understanding this piece better myself.
Music is not there to be analyzed. Music is meant to be felt!
I have recently discovered this concerto (written in 2014?) ...and have been listening to it over and over again.....it is simply marvelous...I simply cannot get it out of my head...the slow movement (s) are wonderful, whereas the finale is breathtaking....WOW!
same for me. I'm listening to it over and over like a drug. The more you hear it the more you discover, the more you love it. It is addictive!!
Ya dijo Martha Argerich que este chico tiene algo de diabólico.Simplemente fantástico el trabajo de un genio,no descuidó ningún instrumento para que se luciera,es un verdadero concierto para orquesta con piano a mi entender.Trifonov es muy grande..sabéis el trabajo que requiere escribir toda esta orquestación?? No solo inventarla claro,hay que componerla para cada uno de ellos y procurar que los efectos e intensidades sonoras sean las requeridas y imaginadas...un genio!
Trifonov est un visuel et sa composition est une illustration sonore de ses visions. Puissions nous un jour en savoir un peu plus sur leur contenu de sa part.
De toute façon on peut aussi imaginer notre propre vision sur sa musique.
Fantastic
This is such an inspired work of art! Gorgeous!
Really interesting work, I enjoyed above all the last movement, but also the first and the second are amazing and buautiful...
A very nice composition and a lovely interpretation (not only Trifonov's but also the conductor's one)
MAGICO!!!!!!!!!!
Daniil is brilliant!
Wow, beautiful and so richly complex
excellent and mastering ....the influence of Prokofiev and Mahler is crushing the screen. So we go back to the years 1920-1950 and it's moreover the past of classical music which looks granted :-). Much Better anyway than the modern vibrations without any sense or direction...
Un arrière parfum de Chostakovitch, qui n'empêche pas ce concerto d'être très réussi...
I think orchestral parts very dynamic and we'll connected with piano 😊
Astounding. On my first listen I heard some potential intricacies that I believe will be discovered by this enormously talented pianist and composer. I am not sure he recognizes what a masterpiece this is! O how I wish some of the old masters could weigh in on what should be in every pianists arsenal. I am entranced by the journey it takes from start to finish. Simply: wow! Bravo to all performers and congratulations to Mr. Trifonov who should take the concert stage by storm for his gift.
The conductor seems very nice!!
Amazing!! Bravo!
magic ...
New modern musical version to my ears. Yes, Trifonov is a very talented pianist and composer.
Es en verdad un inmenso placer el descubrir a un nuevo compositor joven, atrevido, poseedor de una formidable técnica interpretativa, y con el don casi divino de la composición. Al diablo con toda esa cantidad de intelectualoides que sólo andan, con su amargura a cuestan, criticando y señalando influencias y tendencias en obras recién estrenadas. Lo que en verdad importa es lo genuino de este bello concierto, que no habla sino de un joven que hace una total reconsideración musical de escuelas, estilos y tendencias. Enhorabuena por Trifonov quien, si ya nos había asombrado por su talento interpretativo, ahora nos asombra por sus cualidades compositivas.
Oui,tiene razón!
Salut Francoise
tienes razón es maravilloso como en esta pieza se encuentran tantas influencias pero a su vez tanta originalidad, en ningún arte nada es puro puro la originalidad es de tomar elementos y reinterpertarlos asi es todo arte.
Bien comentado amigo Friedrik. Saludos siempre.
Master!
Just saw him play Schumman's Piano Concerto & Metner's Fantasy Op...he was sublime & amazing .
Reminds me a bit of Prokofiev's 2nd concerto. Really nice!
Very far apart. Will you remember themes from this in 3 months? That's what it is all about
Pausing impressions were perfect!!
Концерт Д.О.Трифонова. Драматургия музыкального произведения сложная, глубокая и зрелая. Моя ассоциация по сюжету: " Тихий Дон" М.А. Шолохова.
grand musicien adore du monde entier le plus grand pianiste du monde a 25 ans seulement
Refreshing to hear a contemporary piece with great melodies. Prokofiev reincarnated.
I'm getting a lot of Rachmaninoff, too.
I like it! It’s a complete pastiche of the early 20th century Russians, but a good one. And what a pianist!
22:00 reminds me of Pirates of the Carribean
I agree!
30:30 especially 30:55 onwards is great!
I wonder what the next one will be like?
Das ist Genie. Pure and simple. Do not be fooled by my photo. I am really 112 years old. hahahaha... I wish I were 30 years younger. He has my heart. But unfortunately, I believe.... er ist mit dem klavier verheiratet.
You're 112 years old?
This guy is insane. ok its not Rach or Proko but still, the orchestration is lush, interesting and clever. How does someone think this stuff up??
Genius helps, apparently!
Just practice. This is very program oriented music. Can you sing any theme out if this concerto? How about Rach 3? It will be much harder to sing prokofiev out loud, but he has imprints in every opus which gets stuck forever. Does thus concerto get stuck in you head?
@@odeholon4590да,очень даже застревает.
Astounding pianism, as always, and there are some truly wonderful moments in it. I need to listen to it a few more times, because my initial impression is that, when considering any of the movements as a single unit, it comes off as very disjointed and unsure of what it wants to be. Just a first impression, though.
After several more listens I actually quite love it now. Still wouldn't call it a masterpiece of the genre, but there's some really great stuff in here once you dig a little bit.
28:47
Now this is a real piano concerto, compared to that contemporary nonsense.
Well he meant the John Cage kind of contemporary i guess.
surely he was avant garde?
Daniil recapitulates the ontogeny of the great masters in all of his performances. In this, his own composition, the style of paying homage has elaborated to content. I would title this masterpiece “The History of Music.” The only thing missing is a solo passage with a Paleolithic bone flute. The concerto may serve as a thesis statement of the corpus to come. Bravo. Let us hope he has, not only an audience following, but other gifted soloist that believe in his vision. Composition and performance are dialogues between individuals and communities. A golden age is potentially around the corner. Many hear the references to Rachmaninov and Prokofiev; however, Daniil evokes these artists as he believes Liszt would reference them. He is authenticating that he so sufficiently understands what comes before him that his forthcoming vision is a certified valid one.
This is awesome.
Thanks
If we had means to resurrect Rachmaninoff, Prokofiev and Scriabin, first thing they'd probably ask us (apart from what's with all the phones) if we have written a decent piano concerto by the time they were absent. After listening to Trifonov, Prokofiev would get angry his style was mixed with Rach's, Rach would make a joke to throw off Prokofiev even more, and Scriabin would encourage them to make amends and call Danya "bolshoi molodec".
Another person who has the taste for both the Trifonov piano concerto and The Final Cut. Nice
@@rachmusic9873 Thank you, good sir!
Я согласна,так бы
все и было.Проковьев бы злился , Рахманинов шутил,а Скрябин их мирил. Светослав Рихтер рассказывал,что юный Прокофьев подражал рахманиновским этюдам.
Узнав,что Даниил уничтожил свой концерт,я ужаснулась,но потом вспомнила об интернете,и по няла,что "подвиги" Гоголя Данюше,слава Богу,не по силам.
И он,конечо,большой молодец! 30:22
Ha ha I don't think so. Instead, each of them will be asking why aren't you playing more of MY music???
Not only Skryabin!...All Russian composer,include Musorgsky-"Месяц едет,котенок плачет"...Естественно,такой русский гений! Невероятно!Удачи и в этом..на подольше!
29:10 that grin of several players because of badassness of music
this is his second,the first was CHOPSTIX
EXQUISITO
intersting
whats the opus number? or how many pieces he composed already?
As far as I am informed, he wrote a little piece "Burattino" when he was 8 years old, 5 pieces "Rachmaniana" and a Sonata. Look it up on my channel! The piano concerto has been published by SCHOTT MUSIC without any number.
Maybe Opus 1
I readd somewhere that he wrote that first piece when he was only 5, before he began playing the piano. At 8 he appeared in his first public concert
Saw and spoke to him this evening in Verona. He was signing cd's - the Liszt Etudes became available here just today
By the way, his Schumann opus 54 was to die for. Cherry on the cake: Fazioli piano.
オーケストラや指揮の部分も彼が作曲したってことよね？バックのプロたちは、この曲どう感じてるんだろう、、、難解だよねこれ、、、、よほどクラシックが好きじゃないと深く解釈するの困難なかんじだ、、、、
great technical piece...but with all do respect no captivating or melody that sticks out like most of the piano concertos in the past...
but then again I think would go well with film scenes... sentimental and dramatic maybe not...
but that's just my opinion.. again very technical and brilliant in that sense..
😊
Trifonov as a composer - of course not bad and rather interesting - you may hear rather a similiaity to Rachmanibov in his Russian roots, with American touches (where he lives). Yes, this music prnincipally sounds modern with much feeling - the final takes part in, what in Germany is called, "Spätromantik". - Anyway, his main profession should go further on to be best living pianist of th world...
Извините,Вольфганг,лучшим пианистом в мире даниил уже стал,а вот пианистом уровня Рахманинова он может стать вполне,если бы не такая плотная концертная дея тельность,которая обогащаен только устроителей и всех,кто
Обогащает только всех,кто рядом с ним,а ему достаются копейки. Тут может помочь только главный устроитель жизни Даниила -- Господь Бог. Послал же Он пандемию.И по всему видно,что в ближайшем будущем у Дани будет время для создания собственной музыки,не все же тешиться транскрипциями.
Петербург.
Не пианистом,а композитором
I thought he was a Fatzioli artist ?????
No, I don't think. I often see him play on different Pianos.
Its confusing , I thought he was playing on the bosendorfer because he had written his concerto so that it has to use the extra notes , therefore it must be played on a bosendorfer , but after watching , he doesn't even use them . LOL . I definitely know he is not a Steinway artist .
He has also played the Steinway and others many, many times.
I saw him play a Fazioli on many occasions. The fact is that pianists have often no real choice of instruments. The biggest part are Steinway. Here in Verbier, they propose many Steinway Ds and for a couple of year this wonderful Bosendorfer model VC 280, their brand new concert grand. Imperials are quite rare unfortunately.
Never saw him on a yamaha though
Однако финал концерта удивил контрастностью к общей теме.
20:55-21:07 heavenly peace!
Especially 21:04-21:06!
**to take on an episode so jam-packed with crazed scampering, hallucinated dances, and brute stomping in time with drum and low brass.**
Hilarious.
Anybody else hear large influence by Rachmaninoff?
Yes, and a lot of complexity without idea
It sounds like an AI tried to create an original Rachmaninoff piece after analyzing all his other works
not really
I like it, but there are some moments that seem pretty pretentious to me.
if you are talking about part that are intended to show off skills, then you might as well call chopin liszt rachmaninoff prokofiev pretentious
jeffreyFUU Liszt has some pretentious parts in his pieces. Chopin, Rachmaninoff and Prokofiev don’t have this problem. Their pieces don’t have parts that are only supposed to show off skills, they are just very virtuosic. Huge difference. Of course I can’t surely sey if those parts in Trifonov’s concerto are only intended to show off skills, but that’s the way it seems to me.
Mr.Columbo you may take Prokofiev or Rachmaninoff off the list, but Chopin is definitely in the category.
Anyways, the problem we have here is that when great masters in the past wrote flashy music, its okay. But if composers nowadays do the same, they get criticism like yours. How does that make any sense?
jeffreyFUU I don’t know Chopin’s pieces very well, but I can’t think of any pretentious example of his pieces atm.
My problem is not that Trifonov’s concerto is flashy. My problem is that to me there seem to be some parts that are *primarely* supposed to show how skilled he is. I don’t see what those parts are intended to be in terms of music if you understand what I mean.
Mr.Columbo I understand what parts you are referring to. Those parts contain musical material that dont get developed in the piece, and just stay at the surface level for show off purposes. But again, what im saying is that composers in the past all did this, and its nothing uncommon about it.
Come to think of it, this is more likely the resurrected Wolfgang Amadeus Mozart.
[ S'évanouit ]
Very beautiful, Rachmaninov-esque, but brings nothing new to the table. I'd love to see him explore a more modern approach.
It's not about new or old, it's about whether one has anything to say, not because one is a "speaker" but because something needs to be said. There is nothing wrong with romantic music in 21 22 or whatever century... what's missing is the point expressed as music idioms
Это его сочинение?
Da
@@olzhan а я ещё не могу выучить мазурку
😊@@negan556
Great performer. Sounds like discount Rachmaninoff.
I actually liked first two movements. A healthy dose of Rach with occasional hints of Proko, but all good in my book. Third mov was atrocious and damaging to the concerto! Completely disconnected from the rest and strictly from a movie score. Works great for pirate battles, perhaps, but definitely not as a piece of classical music being presented as such. It's too bad Trifonov decided to destroy the piece in the end.
I think it's nice try. I think he wanted to show another scene that he can make.
Movements are doesn't have to connected each other, isn't it?
He just wanted to change the scene unexpectedly.
Interesting - third movement was the best for me
Based on this, his concerto can hardly be called original and playable, and lately he has been playing classics, especially his latest album about America, is a bit strange and weak, with the exception of the piano concerto
Hope something got lost in the translation here, because this post is completely incomprehensible.
Mindblowing. Today's concert pianists should do this too.
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@@sergiovetrone466 I love how the violinists connect with each other. Look at their faces, their smiles! It’s magic✨🕊❤️
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