Thanks for this very helpful video Steve. 17,086 views... people should make an effort to like your vids so you know how good they are. This is GOLD, I cant wait to view the next parts.... which I am going to do right now. Thanks, man!
Whenever Steve breaks this stuff down it always makes sense. Such a great instructor. He explains things in a way that ties everything together. I like the way that he repeats certain things that are important to remember. I used to be a School Psychologist and studied the science of learning for years. While what Steve says might sound a little repetitive, I think what he's doing is overemphasizing it so that you "overlearn" what he's teaching you. That results in mastery. Over learning results in mastery. Many years ago I memorized Act 1 Scene 7 from Macbeth. I over learned it and to this day I can still recite it 40 years later.
It's true, Verdigo, most acoustics aren't set up for soloing in the higher frets. So a lot of what Steve plays here couldn't easily be played on most acoustic guitars. BUT... if, for example, Steve is playing notes around the 15th fret, you can move that exact same pattern down to the 3rd fret, and try creating some melody and licks there. You'll just be playing one octave lower. And yes, it will sound different an octave lower on an acoustic, but you can still get some good out of this lesson, even if you can't play it exactly the same way. Thanks for the feedback! And if you enjoy Steve’s RUclips videos, you'll definitely want to check this out: guitarzoom.com/join When you become a GuitarZoom Member, you get instant access to over 40 of Steve’s best guitar courses, plus access to new courses as long as you’re a member. The courses cover a variety of topics. And there are courses for every skill level, from "just picked up the guitar" to advanced soloing techniques. Plus courses that are all about playing on acoustic, and how to get the best sounds from your guitar and amp, if you use one. Also, each course goes into much more depth than what's available on RUclips. So you can truly understand the concepts and use them to create real music with your guitar. Make sure you check out the membership, and no matter what, keep playing! :-) -- Mike from GuitarZoom
Steve, you’re the best teacher that I have seen on RUclips. Many other guys are great, don’t get me wrong, but the way you simply disaggregate complex ideas and concepts and connect them, much like a skilled weaver, places you above all the rest. Thank you from a very old person who has been inspired by your teaching method to take up the guitar again and learn musical ideas and concepts that I had previously thought were too complex for me to grasp. Keep up the inspiringly great work. From the Caribbean, have a great one!
Thanks for all the kind words, Amir! It's awesome that you've taken up the guitar again! :-) Just wanted to give a heads-up, if you enjoy Steve’s RUclips videos, you should definitely go here and check out the new GuitarZoom Premium Membership → guitarzoom.com/join Members get unlimited streaming of 40+ of Steve’s best guitar courses, including ✔️ CAGED Made Simple ✔️ Barre Chords Made Easy ✔️ Ear Training 2.0 ✔️ Unlocking The Fretboard Connection ✔️ Music Theory Made Easy ✔️ Play Guitar For Life ✔️ Blues Guitar ✔️ Rock Licks ✔️ Acoustic Guitar ... and many more. The courses cover a wide variety of guitar subjects, and there are courses for all skill levels. No matter where you are in your guitar journey, you’ll reach the next level FAST as a GuitarZoom Member. :-) If you want to know more about music theory, Music Theory Made Easy is the perfect place to start. Go here to watch free preview videos from the course: guitarzoom.com/products/music-theory-made-easy-2 Make sure you watch all the videos, and no matter what, keep playing! -- Mike from GuitarZoom P.S. Want to check out video reviews from GuitarZoom Members? Go here → guitarzoom.com/reviews
Also it’s great how you teach in a fashion where you say it’s ok not to get everything in one go and let people take what progresses them from the lesson.
Steve provides the best, clearest explanations I've ever seen. And I've watched many. Another cool trick is connecting your CAGE shapes to its corresponding mode. I.e. if you play the C shape, you're also in Lydian mode. So match it up starting with the pinky on the A string and play that lydian pattern right there. A shape is mixolydian. Etc.
Thanks for the kind words, Will! :-) Make sure you tune in to today’s LIVE Rock Licks Limited Edition Workshop if you can. Steve’s going to answer questions about playing rock licks, so feel free to ask your question in the chat. It’s happening today (Monday, May 24) at 10 AM Pacific. During the workshop, Steve’s going to give away 5 GuitarZoom Memberships, totally free. But you have to attend the live workshop in order to win. Go here to sign up if you haven’t yet → guitarzoom.com/workshop Today is the last time Steve will be giving away free Memberships, so be sure to tune in if you can. Also, you can go here if you want to learn more about the GuitarZoom Membership → guitarzoom.com/join Hope to see you at the workshop! -- Mike from GuitarZoom P.S. Go here to grab Rock Licks Limited Edition on DVD (while supplies last) → guitarzoom.com/rocklickslimitededition/promo/
Omg thanks Steve..yesterday i finaly grasp and play Gmajor do re mi fa...from 3rd freth to 15in fret.. playin up and down on 2,3 string and see some patern to conecting..for 4 hours..and i love ..Today i will go over again but will ad Emajor scale..again big thanks Steve ur lesons are gold at least for me.
👍. Great explanation of mode playing. You don’t have to restrict yourself to starting a mode in certain area or on a specific note on the fretboard . You can play the same pattern/mode all over the fret board just keep to the same pattern no matter where you play or start .
Thanks for the kind words, Recabite! And thanks for sharing your experience! :-) Just a heads-up, if you want to play songs in half the time and the most jaw-dropping solos of your life, check out Steve’s super simple Fretboard Framework course → guitarzoom.com/fretboardframework/promo/ Hundreds of guitarists have already signed up. Click the link to check it out, and no matter what, keep playing! - MIke from GuitarZoom P.S. Not sure? To watch video reviews from real GuitarZoom Members, go here → guitarzoom.com/reviews
Hi I've been trying to improve my guitar playing for years by using various utube videos (no, you're right, I don't practice enough). However, there is something about the way you teach that helps me get it. Thank you so much.
Thanks for watching, Richard! :-) Just wanted to let you know, if you enjoy Steve’s RUclips videos, you should definitely check out the new GuitarZoom Premium Membership → guitarzoom.com/join Members get unlimited streaming of more than 40 of Steve’s best guitar courses, like CAGED Made Simple, Music Theory Made Easy, Play Guitar For Life, Blues Guitar, Rock Licks, Acoustic Guitar, and many more. The courses cover a wide variety of topics, and there are courses designed for all skill-levels. So wherever you are in your guitar journey, you can get to the next level FAST as a GuitarZoom Member. :-) If you want to know more about music theory, Music Theory Made Easy is the perfect place to start. Go here to check it out: guitarzoom.com/products/music-theory-made-easy-2 Make sure you check it out, and no matter what, keep playing! -- Mike from GuitarZoom P.S. Want to check out video reviews from GuitarZoom Members? Go here → guitarzoom.com/reviews
Thanks for watching, Jimmy! Glad Steve's mindset helped you get into modes! :-) Just wanted to let you know, the GuitarZoom 4th of July Freedom Sale is in full swing. From now through July 4th, you can get lifetime access to Steve’s best courses at super-low prices. Go here for all the details → guitarzoom.com/springsale/ Check it out, thanks again for watching, and no matter what, keep playing! :-) -- Mike from GuitarZoom P.S. Make sure you use coupon code FREEDOM50 to get 50% off at checkout!
Thanks a million Steve. This is the best I have ever heard or watch the modes being described and taught. I have taken multiple years worth of in-person lessons with a pretty famous touring musician that I don't want to name and this explanation of the modes lifted about 6 to 8 months worth of fog that I wish I had prior to diving in on the subject.
It's funny most lessons they say the same things and I can never understand it but somehow Steve says the same exact things but in a way that totally makes sense to me thank you
Thanks for watching, Pilgrim! :-) Just wanted to give a heads-up, if you want to play new songs faster, write better songs, and sound more authentic and musical when you solo, make sure you check out Steve’s new Ultimate Song Bundle → www.guitarzoom.com/ultimatesongbundle/promo/ The Ultimate Song Bundle includes: ✅ Acoustic Guitar ✅ Chords Made Easy ✅ Strumming Made Easy ✅ Acoustic Picking Styles ✅ Song Secrets ✅ Songwriting Made Simple ✅ Blues Basics ✅ Slide Guitar ✅ Fretboard Mastery ✅ Ear Training 2.0 …all in one bundle for 95%-Off the regular price. You get Lifetime Access to the courses above, so you can come back to them any time you want to jumpstart your guitar playing. Go here for all the details → www.guitarzoom.com/ultimatesongbundle/promo/ …and no matter what, keep playing! - Mike from GuitarZoom P.S. Want to check out video reviews from GuitarZoom Members? Go here → guitarzoom.com/reviews
Steve your guitar lessons definitely helps us. Because of your lessons, I am now able to create my own song with my band mates. Thanks very much for sharing your valuable knowledge!!!😎😎
Thanks for watching, Mark! :-) Just a heads-up, Steve’s brand new course Guitar Improvisation is now available: guitarzoom.com/improvisation/promo/ ...and it comes with some pretty awesome bonuses you’ll have to see to believe. Including Rock Licks Limited Edition on DVD, at least until they sell out. :-) Click the link above for all the details, and no matter what, keep playing! -- Mike from GuitarZoom P.S. Want to hear from real GuitarZoom Members? Go here → guitarzoom.com/reviews
Dude, I'm so glad I found your channel. When you said you see the fretboard as a web, I had to comment. You just made sense of what I've learned thru seeing a pattern emerge. Now I better know what is going on, or at least put a name to it.
Thanks for watching, Bend TheAtom! And thanks for sharing your experience! :-) Just a heads-up, Steve’s new Fretboard Framework webinar is now available on-demand. Go here to check it out: guitarzoom.com/fretboardframework/webinar/registration/ You’ll discover… ✅ How to combine triads to create satisfying guitar solos. ✅ An easy 4 step method to ignite your soloing creativity so your solos don’t sound like a scale. ✅ How to break out of the pentatonic box and understand how to solo using your entire fretboard. ✅ And a few cool licks you’ll want to add to your arsenal. Be sure to check it out, and no matter what, keep playing! - Mike from GuitarZoom P.S. Go here to check out some free preview videos from Steve’s brand new Fretboard Framework course: www.guitarzoom.com/fretboardframework/promo-2/#videos
I think that Steve Stine is an outstanding teacher. This lesson contradicts a little with what I understand about harmony. I believe that tonality is determined by the semi tone between the leading note and the tonic. This occurs naturally in a major scale but a minor scale requires an accidental. In e minor adding a D sharp making a harmonic minor scale. I have always believed it is this that determines the tonal centre rather than emphasis. Thanks for these lessons. Modes have always been a big gap in my knowledge of harmony.
Thanks for watching, John! I think you're definitely on the right track! And you're right, the leading note before the tonic (or root note) in a scale makes a big difference in how the scale sounds. In major diatonic scales, there's a half-step between the 7th note and the tonic. And in minor diatonic scales, there's a whole step. And you're absolutely right, that changes the sound of the scale a LOT. But don't forget, there are 3 changed notes, going from a major scale to its minor counterpart. For example, here's the C major diatonic scale: C - D - E - F - G - A - B - (C) ...with a half-step between the 7th note B and the tonic C. And here's C minor diatonic, with a whole step between the 7th note (Bb, which has been flattened one half step) and the tonic C: C - D - Eb - F - G - Ab - Bb - (C) ...but the E has also been flattened a half-step to Eb, and the A has been flattened to Ab. And like you said, that requires us to use the accidentals Eb, Ab, and Bb. But here's the thing: there is one minor diatonic scale that has no accidentals, the A minor diatonic scale. It's the relative minor scale of C major, which means it uses all the same notes as the C major diatonic scale. Remember, this is the C major diatonic scale: C - D - E - F - G - A - B - (C) Here's its relative minor scale, the A minor diatonic scale: A - B - C - D - E - F - G - (A) You can find the relative minor scale of any major scale by starting on the 6th note, then playing the notes in the scale. And conversely, you can start on the 3rd note of any minor diatonic scale and find its relative major. Going back to C minor: C - D - Eb - F - G - Ab - Bb - (C) ...if you start on Eb, then play all the notes like this: Eb - F - G - Ab - Bb - C - D - (Eb) ...that's the Eb major diatonic scale. I mention all that to illustrate that all of these scales are based off of one pattern, the C major diatonic scale. The pattern of "whole step, whole step, half step, whole step, whole step, whole step, half step" is used for all major diatonic scales. The difference is in which note you use for a tonic, or root note. Which means, if you start on C and play that pattern, it's the C major scale. If you start on D and play that pattern, it's the D major scale, and so on. Shifting this pattern around is what creates accidentals. You can see this on a piano keyboard easily: for C major, you play all white keys (no accidentals), but then to play D major: D - E - F# - G - A - B - C# - (D) You need 2 black keys. As a matter of fact, there's only one major diatonic scale that uses all white keys: C major. All of the other ones use at least one black key. Hope this makes sense! :-) Just wanted to let you know, if you enjoy Steve’s RUclips videos, you should definitely check out the new GuitarZoom Premium Membership → guitarzoom.com/join Members get unlimited streaming of more than 40 of Steve’s best guitar courses, like CAGED Made Simple, Music Theory Made Easy, Play Guitar For Life, Blues Guitar, Rock Licks, Acoustic Guitar, and many more. The courses cover a wide variety of topics, and there are courses designed for all skill-levels. So wherever you are in your guitar journey, you can get to the next level FAST as a GuitarZoom Member. :-) If you want to know more about music theory, Music Theory Made Easy is the perfect place to start. Go here to check it out: guitarzoom.com/products/music-theory-made-easy-2 Make sure you check it out, and no matter what, keep playing! -- Mike from GuitarZoom
I use the term brother and sister related g maj pent /e min pent Is what I usually say good on the 5 b note mixing both major and minor is a great approach for freedom 😁👍
Hey guys, little help?! After 20 years of playing I started taking guitar lessons. :) About time I learn how that thing really works. I want to learn how to play solo's and so my teacher is teaching me music theory pretty basically. I learned the intervals of the ionian, aeolian, mixolydian and dorian mode (which he explained are pretty basically all that is used in Western music or what I listen to). He is not a fan of the so called 'boxes' though as he says it is limiting relying on those instead of learning the actual notes and the intervals, if you learn the latter it is easier to combine different modes because you understand how it works. I'm having a hard time though......I'm very auditive and kinestetic so I easily pick up things by ear and feeling them on the fretboard (like boxes for example). His way of learning kind of reminds me of math a bit and I'm wondering if at least for now I'm making things more complicated than I can handle. Any tips or experiences related to this? So I just bite through all that dry stuff or adjust my way of learning? :)
I get what minor and major chords are with regular chords while playing by the nut but how do you differentiate those 2 when playing further up the neck, you were playing in the 14th and 12th fret, g, and e, but how do you know which one is minor or major?
Thanks for watching! :-) Just wanted to give a heads-up, Steve’s 6-Week Soloing Challenge webinar is now available on-demand → guitarzoom.com/6weeksoloingchallenge/webinar/registration/? The webinar is an introduction to Steve’s new 6-Week Soloing Challenge, which starts May 2. You’ll discover how to… ✅ Play creative solos with jaw-dropping speed and fluidity even if you don’t know your fretboard… ✅ Confidently solos over any style of music without sounding like scales… ✅ Effortlessly combine scales, triads, licks, the CAGED system, and modes together without getting lost or confused, and ✅ Synchronize your fretting hand with your picking hand so you nail every note of your solo. It’s guaranteed to help you take your solos to the next level, plus it’s going to be a lot of fun. :-) Go here and check it out if you’re interested → guitarzoom.com/6weeksoloingchallenge/webinar/registration/? …and no matter what, keep playing! - Mike from GuitarZoom P.S. For more details about Steve’s 6-Week Soloing Challenge, go here → guitarzoom.com/6weeksoloingchallenge/promo-2/?
The courses are well-structured and perfect for self-paced and self-taught guitarist like me. I play more or less for 20 years and learned alot because he filled knowledge gaps
Steve you're an awesome teacher! I love your classes... Quick question, I noticed that there is a very big focus on the pentatonic scale. Why is that the focus any more than the diatonic scale, if the diatonic scale represents the full scale? I noticed that the pentatonic scale always seems to be the main point of discussion when discussing modes. I don't understand why. Any insight would be greatly appreciated. Thanks!
just a guess but... pentatonic doesn't really require knowledge of where you're at on the fretboard. It just translates anywhere and has larger jumps. It repeats 5 notes instead of 7.
Just when I think I understand, another person comes along and really adds confusion... I understand the the Major scale and how its constructed, but what confuses me is that in some video's I am told that Modes of GMaj all use 'exactly' the same notes, so if you emphasise G for example, that is Ionian but if you emphasise A, that is A Dorian. Emphasising E would therefore be Aeolian and D would be Mixolydian... Then someone comes along and says its not that simple and start talking about each mode has its own scale and then starts talking about major/minor 3rds, 7ths etc. They then proceed to do 'different' scale patterns in the 'same' place on the fretboard which are obviously not using exactly the same notes with just an emphasis on a different note (like just emphasising the E over a Gmaj Chord) as you have just said. If its just emphasising a different Note, say I target the A for example and play the 'same' notes as a Gmaj scale in the same place I have learned this scale but using A as the 'root' essentially, is this A Dorian? I know that the 'pattern' of a Major scale is T,T,S,T,T,T,S and if you emphasise A but still play the SAME notes as the Gmajor, the intervals between the notes (when targeting A) would be T,S,T,T,T,S,T - A,B,C,D,E,F#,G,A as opposed to G,A,B,C,D,E.F#,G or if I emphasise C, I would still be playing C,D,E,F#,G,A,B,C which would have the intervals of T,T,T,S,T,T,S so is this Lydian? I am totally confused because some say each has it own scale, and some say its just targetting different notes. If you start on G and play the major scale (T,T,S,T,T,T,S) then if you are in F, using the SAME notes as the Fmaj, you would have a different interval to the Gmaj scale if you want to emphasise G - you would be using T,S,T,T,T,S,T if you target G whilst using the Fmaj notes but targeting G instead. Is the confusion because some are trying to teach modes by their intervals, so a Dorian mode is T,S,T,T,T,S,T or a Lydian modes is T,T,T,S,T,T,S, where as you (and others) are keeping the same Major intervals, the T,T,S,T,T,T,S but putting the emphasis a different note within that - like targetting the 2nd (so Dorian) or 5th note (Lydian) in that same 'major' scale?
Learn every mode as different scale . That will end ur puzzle. Just remember the shape like Dorian, Phrygian etc. If u play like this u will find the difference . For example if u play Phrygian look the flat 2nd note creates the Phrygian sound.
The key is this: The modes are the same NOTES of the parent major scale. They are not the same SCALE. The reason for that is the difference in structure you get when playing, for example, from G to G in the key of G, or from E to E in the key of G (the minor scale, or aeolian mode). If you change positions, and play the E minor scale rooted from the low E string at the nut or the 12th fret, you are still playing the same notes as the G major scale, you are still in the key of G. The note names haven't changed, but the pattern of tones and semitones, the intervallic structure, the function of each note, is different. A different note is now home, where all the others are measured from. There are 2 ways to look at modes. One is relative, where you look at the modes in terms of their parent major scale. So, G major, A Dorian, B phrygian, etc, all share the same notes - G-A-B-C-D-E-F# The other way is parallel, where you look at each mode from the same root. So, G major, G Dorian, G phrygian, etc. When you do this, YOU ARE NOT IN THE SAME KEY. That is the piece that gets lost, I think. G major is in the key of G. G Dorian is in the key of F (G is the 2nd note of the F major scale), G phrygian is in the key of Eb (G is the 3rd note in the Eb major scale). So, in terms of note names, G major is: G-A-B-C-D-E-F# G Dorian is: G-A-Bb-C-D-E-F (same notes as the F major scale) G phrygian is: G-Ab-Bb-C-D-Eb-F (same notes as the Eb major scale) Any scale fingering can sound like any mode of that scale. What makes it sound major, minor, lydian, etc is the context. Once your ear resolves a set of notes to a "tonal center", that is when the collection of notes becomes a mode. Otherwise, it is just a collection of notes that fit within a key. I hope that helps!
I'm still a beginner, so I could be making som mistakes here, but I'm pretty sure you had i correct in your first paragraph. If you have a G major scale and emphasize the G, then it's G major. If you emphasize the E, then it's the aeolian minor mode, Eminor. You use the same notes, but the scale sounds different (dark) because the distances (tones and semi-tones) between the root, 3rd 5th, etc are different compared to when playing it as Gmajor. You already wrote that in your post, so I think you understand that. The flavor of a scale comes from the notes and the distances between them. A dorian sounds different than G Ionian because (among other things) of the semi tone after the "A root", wheres G Ionian has a full tone after the root. So, you use the same notes as the parent major scale but you start on a different note: However, and this is the key, because you play the same notes, the distances between the 1st, 2nd, 3rd, 5th etc, changes and this is what ads flavour to the mode. Some people say that they have their own scales, but this it not techincally correct. However, just as the minor scales have exactly the same shape as the major scale (just 3 frets up), the other modes have patterns that "match" other minor scales. This can be easier for some people to visualize because most people learn minor shapes first. For instance, if you want to play D dorian, you just have to play A minor and emphasize the D, just as you could do with C major (emphasize the C). I think many people overcomplicate this when trying to teach, however; I have found that when applying this I often have trouble, but just is probably just because I don't understand how to actually use modes. Then again, I'm not really trying to either at the moment.
The difference is parallel modes parallel modes are c ionian c Dorian c phrygian c lydian c mixolydian c aeolian and C locrian they all start on the C but in reality they are different scales they're all just different major scales that you're using but if you want to start all on C on the 6th string you going to play that ionian scale shape for C ionian then you're going to play the C Dorian shape for C Dorian then you can play the C phrygian shape for C phrygian then you can play the C lydian shape for C lydian and so on so forth and by doing that you're playing in different keys so if you took a cord or just a single note and let it ring out and play each one of those over that note each one of those keys would give you a different sound add a different mood or feel or flavor those are parallel modes the modes He's referring to are in a song based modes which say for instance your playing a progression in a song the chords are moving constantly so say it's a 1-4-5 your playing one 1 a couple bars and then 4 a couple bars then 5 for a couple bars so that major (or key) scale that your song is in is going to constantly be changing reference points your going to be emphasizing the 1 then the 4 and then the 5 that's what he's referring to.
Thanks for watching, Pilgrim! :-) Just a heads-up, if you want to play songs in half the time and the most jaw-dropping solos of your life, check out Steve’s super simple Fretboard Framework course → guitarzoom.com/fretboardframework/promo/ Hundreds of guitarists have already signed up. Click the link to check it out, and no matter what, keep playing! - MIke from GuitarZoom P.S. Not sure? To watch video reviews from real GuitarZoom Members, go here → guitarzoom.com/reviews
Thanks for watching! If you want to know more about music theory, Music Theory Made Easy is the perfect place to start. Go here to watch free preview videos from the course: guitarzoom.com/products/music-theory-made-easy-2 Hope this helps! :-) Just a heads-up, Steve Stine’s Christmas Soloing Bundle is still available. It’s 10 of Steve’s all-time best soloing courses for 95% off the regular price. Click here for all the details → www.guitarzoom.com/christmassoloingbundle/promo/ Here’s what you get in the bundle: ✅ Guitar Solos Made Easy 2.0 ✅ Blues Soloing ✅ Unlocking The Soloing Connection ✅ The Creative Fretboard ✅ Guitar Solo Builder ✅ Arpeggios Made Easy ✅ CAGED Made Simple ✅ All About Intervals ✅ Chord Chasing Mastery ✅ Expressive Soloing If you want to take your soloing skills to a much higher level, or even if you’re just making the jump from “rhythm only” to playing lead, the Christmas Sololing Bundle can help you reach your goal FAST. Click the link above to check it out, and no matter what, keep playing! - Mike from GuitarZoom P.S. Go here to watch video reviews from real GuitarZoom Members → guitarzoom.com/reviews
@@stinemusiclessons Awesome. Yeah, I should've been learning 20 years ago but I wasn't writing music until two years ago. I have the speed but I really know where to start a solo, or how to create one.
That's a great question, Olivia! But I am not sure Steve even knows for sure off the top of his head, ha ha. :-) Just wanted to let you know, Steve’s brand-new course Guitar Practice Made Easy is now available. Go here to check it out → guitarzoom.com/guitarpracticemadeeasy/promo/ This course gives you a step-by-step plan to create a fun and productive practice routine that improves your rhythm and lead guitar playing in just minutes per day. You’ll play more of what you want to play, and you’ll sound more authentic when you play it. Which means, you’ll have more fun when you play guitar… and so will the people you play for. :-) Be sure to check it out, and no matter what, keep playing! -- Mike from GuitarZoom P.S. Go here to check out video reviews from real GuitarZoom Members → guitarzoom.com/reviews
I watched 8 minutes now and I'm not sure, if I should continue. My problem is not to understand the modes, my problem is: What is emphasize meaning. I would need 4 parts about how to play to emphasize on a certain note. Is the rest of these 4 parts only about explaining the modes or is there also an explaination about how can I emphasize. I don't want to critisize the video. The explaination is very good but I need to understand emphasizing.
Thanks for watching! In this case, emphasize means you play that note more than the others. For example, if you play a solo using the C major scale: C D E F G A B And you play the note C more than the others, that means you're emphasizing the note C. It may help to illustrate using chords. For an example, think about a simple chord progression using the chords C, F, and G. To play the song, you strum C for 8 strums, F for 4 strums, G for 4 strums, then start over. You're playing C more than the other chords, and the chord progression keeps coming back to C. So, you could say that you're emphasizing the C chord. And if you used the C major scale to solo, you could emphasize the note C in your solo, and it would sound great. In this example, you would be in the first mode (Ionian) because you're emphasizing the first chord in the key and the first note in the scale. Let's do one more example, for the second mode (Dorian). In the simple chord progression above, instead of playing the chords C, F, and G, play the chords Dm, F, and G instead: Strum Dm 8 times, F 4 times, G 4 times, then go back to Dm. Now, instead of emphasizing C, like in the first chord progression, you're emphasizing Dm. And since Dm is the chord you're emphasizing, you could also emphasize the D in the C major scale to solo. Which means you would play the note D more than the other notes. And when you play the 7 notes in the C major scale, but emphasize D, that's the D Dorian scale: D E F G A B C Hope this helps! :-) Just wanted to give a heads-up, if you enjoy Steve’s RUclips videos, you should definitely go here and check out the new GuitarZoom Premium Membership → guitarzoom.com/join Members get unlimited streaming of 40+ of Steve’s best guitar courses, including ✔️ CAGED Made Simple ✔️ Barre Chords Made Easy ✔️ Ear Training 2.0 ✔️ Unlocking The Fretboard Connection ✔️ Chord Chasing Mastery ✔️ Music Theory Made Easy ✔️ Play Guitar For Life ✔️ Blues Guitar ✔️ Rock Licks ✔️ Acoustic Guitar ...and many more. The courses cover a wide variety of guitar subjects, and there are courses for all skill levels. No matter where you are in your guitar journey, you’ll reach the next level FAST as a GuitarZoom Member. :-) If you want to know more about music theory, Music Theory Made Easy is the perfect place to start. Go here to watch free preview videos from the course: guitarzoom.com/products/music-theory-made-easy-2 Make sure you watch all the videos, and no matter what, keep playing! -- Mike from GuitarZoom P.S. Want to check out video reviews from GuitarZoom Members? Go here → guitarzoom.com/reviews
I remember seeing all these "Guitar lesson guys" they all looked the same and such. I saw steve, and waved him off. BUT I was so wrong, steve is great I was a moron
Thanks for the kind words, Alan! :-) Just a quick heads-up, if you want to play better solos and have more fun with your guitar, go here and check out Steve’s Melodic Soloing Bundle → guitarzoom.com/melodicsoloingbundle/promo/? You get Steve’s best-selling course Melodic Soloing, plus 36 Rock Licks, All About Scales, and Guitar Practice Made Easy. So you can solo with confidence and make progress every day with your guitar. Check it out, and no matter what, keep playing! - Mike from GuitarZoom P.S. Want to check out video reviews from GuitarZoom Members? Go here → guitarzoom.com/reviews
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Thanks for this very helpful video Steve. 17,086 views... people should make an effort to like your vids so you know how good they are. This is GOLD, I cant wait to view the next parts.... which I am going to do right now. Thanks, man!
Whenever Steve breaks this stuff down it always makes sense. Such a great instructor. He explains things in a way that ties everything together. I like the way that he repeats certain things that are important to remember. I used to be a School Psychologist and studied the science of learning for years. While what Steve says might sound a little repetitive, I think what he's doing is overemphasizing it so that you "overlearn" what he's teaching you. That results in mastery. Over learning results in mastery. Many years ago I memorized Act 1 Scene 7 from Macbeth. I over learned it and to this day I can still recite it 40 years later.
Unless your holding an acoustic and he starts out on the 15th fret.
It's true, Verdigo, most acoustics aren't set up for soloing in the higher frets. So a lot of what Steve plays here couldn't easily be played on most acoustic guitars.
BUT... if, for example, Steve is playing notes around the 15th fret, you can move that exact same pattern down to the 3rd fret, and try creating some melody and licks there. You'll just be playing one octave lower.
And yes, it will sound different an octave lower on an acoustic, but you can still get some good out of this lesson, even if you can't play it exactly the same way.
Thanks for the feedback! And if you enjoy Steve’s RUclips videos, you'll definitely want to check this out: guitarzoom.com/join
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Geez. After 24 years of playing the guitar I finally got how modes work! Thanks a lot Steve. That was an eye opener.
Steve, you’re the best teacher that I have seen on RUclips. Many other guys are great, don’t get me wrong, but the way you simply disaggregate complex ideas and concepts and connect them, much like a skilled weaver, places you above all the rest. Thank you from a very old person who has been inspired by your teaching method to take up the guitar again and learn musical ideas and concepts that I had previously thought were too complex for me to grasp. Keep up the inspiringly great work. From the Caribbean, have a great one!
Thanks for all the kind words, Amir! It's awesome that you've taken up the guitar again! :-)
Just wanted to give a heads-up, if you enjoy Steve’s RUclips videos, you should definitely go here and check out the new GuitarZoom Premium Membership → guitarzoom.com/join
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If you want to know more about music theory, Music Theory Made Easy is the perfect place to start. Go here to watch free preview videos from the course: guitarzoom.com/products/music-theory-made-easy-2
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You are the best guitar teacher on RUclips
This is the clearest explanation I’ve heard for relating minor and major pentatonic and for understanding what modes are. Thanks!
Also it’s great how you teach in a fashion where you say it’s ok not to get everything in one go and let people take what progresses them from the lesson.
Steve provides the best, clearest explanations I've ever seen. And I've watched many. Another cool trick is connecting your CAGE shapes to its corresponding mode. I.e. if you play the C shape, you're also in Lydian mode. So match it up starting with the pinky on the A string and play that lydian pattern right there. A shape is mixolydian. Etc.
Thanks for the kind words, Will! :-)
Make sure you tune in to today’s LIVE Rock Licks Limited Edition Workshop if you can. Steve’s going to answer questions about playing rock licks, so feel free to ask your question in the chat.
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Omg thanks Steve..yesterday i finaly grasp and play Gmajor do re mi fa...from 3rd freth to 15in fret.. playin up and down on 2,3 string and see some patern to conecting..for 4 hours..and i love ..Today i will go over again but will ad Emajor scale..again big thanks Steve ur lesons are gold at least for me.
👍. Great explanation of mode playing. You don’t have to restrict yourself to starting a mode in certain area or on a specific note on the fretboard . You can play the same pattern/mode all over the fret board just keep to the same pattern no matter where you play or start .
Thanks for the kind words, Recabite! And thanks for sharing your experience! :-)
Just a heads-up, if you want to play songs in half the time and the most jaw-dropping solos of your life, check out Steve’s
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Hi
I've been trying to improve my guitar playing for years by using various utube videos (no, you're right, I don't practice enough). However, there is something about the way you teach that helps me get it.
Thank you so much.
Thanks for watching, Richard! :-)
Just wanted to let you know, if you enjoy Steve’s RUclips videos, you should definitely check out the new GuitarZoom Premium Membership → guitarzoom.com/join
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The courses cover a wide variety of topics, and there are courses designed for all skill-levels. So wherever you are in your guitar journey, you can get to the next level FAST as a GuitarZoom Member. :-)
If you want to know more about music theory, Music Theory Made Easy is the perfect place to start. Go here to check it out: guitarzoom.com/products/music-theory-made-easy-2
Make sure you check it out, and no matter what, keep playing!
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Using the mindset of pentatonic shapes and major/relative minor is really an excellent approach to getting into modes. Great lesson. Thanks
Thanks for watching, Jimmy! Glad Steve's mindset helped you get into modes! :-)
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Thanks a million Steve. This is the best I have ever heard or watch the modes being described and taught. I have taken multiple years worth of in-person lessons with a pretty famous touring musician that I don't want to name and this explanation of the modes lifted about 6 to 8 months worth of fog that I wish I had prior to diving in on the subject.
Best guitar teacher ı have evet watched
Shout out from Spokane Washington USA. Steve thanks for the next level without to much hair loss
Hey neighbor, I'm studding Steve's guitar course south of you here in Moscow, Idaho.
It's funny most lessons they say the same things and I can never understand it but somehow Steve says the same exact things but in a way that totally makes sense to me thank you
Thanks for watching, Pilgrim! :-)
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Steve your guitar lessons definitely helps us. Because of your lessons, I am now able to create my own song with my band mates. Thanks very much for sharing your valuable knowledge!!!😎😎
Thank you Steve
Thanks for watching, Mark! :-)
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i watch all the old videos and i'm happy,because i begin to ustand guitar much,much better w/steve's help.great musician and tutor.grasias
Great lesson Steve.
I understand even better the need to know the fretboard and the diatonic notes T.T It'll be hard workd but it will be worth it. Thanks!!
Great lesson as usual Steve. You've been a key player in helping me unlock the theory behind modes. Thanks for that from England!
Great lesson.. Thanks Steve!!
Thank you 🙏
Dude, I'm so glad I found your channel. When you said you see the fretboard as a web, I had to comment. You just made sense of what I've learned thru seeing a pattern emerge. Now I better know what is going on, or at least put a name to it.
Thanks for watching, Bend TheAtom! And thanks for sharing your experience! :-)
Just a heads-up, Steve’s new Fretboard Framework webinar is now available on-demand. Go here to check it out:
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Thanks Steve! Reall great course!
I think that Steve Stine is an outstanding teacher. This lesson contradicts a little with what I understand about harmony. I believe that tonality is determined by the semi tone between the leading note and the tonic. This occurs naturally in a major scale but a minor scale requires an accidental. In e minor adding a D sharp making a harmonic minor scale. I have always believed it is this that determines the tonal centre rather than emphasis. Thanks for these lessons. Modes have always been a big gap in my knowledge of harmony.
Thanks for watching, John! I think you're definitely on the right track!
And you're right, the leading note before the tonic (or root note) in a scale makes a big difference in how the scale sounds.
In major diatonic scales, there's a half-step between the 7th note and the tonic. And in minor diatonic scales, there's a whole step. And you're absolutely right, that changes the sound of the scale a LOT.
But don't forget, there are 3 changed notes, going from a major scale to its minor counterpart.
For example, here's the C major diatonic scale:
C - D - E - F - G - A - B - (C)
...with a half-step between the 7th note B and the tonic C. And here's C minor diatonic, with a whole step between the 7th note (Bb, which has been flattened one half step) and the tonic C:
C - D - Eb - F - G - Ab - Bb - (C)
...but the E has also been flattened a half-step to Eb, and the A has been flattened to Ab. And like you said, that requires us to use the accidentals Eb, Ab, and Bb.
But here's the thing: there is one minor diatonic scale that has no accidentals, the A minor diatonic scale. It's the relative minor scale of C major, which means it uses all the same notes as the C major diatonic scale.
Remember, this is the C major diatonic scale:
C - D - E - F - G - A - B - (C)
Here's its relative minor scale, the A minor diatonic scale:
A - B - C - D - E - F - G - (A)
You can find the relative minor scale of any major scale by starting on the 6th note, then playing the notes in the scale. And conversely, you can start on the 3rd note of any minor diatonic scale and find its relative major.
Going back to C minor:
C - D - Eb - F - G - Ab - Bb - (C)
...if you start on Eb, then play all the notes like this:
Eb - F - G - Ab - Bb - C - D - (Eb)
...that's the Eb major diatonic scale.
I mention all that to illustrate that all of these scales are based off of one pattern, the C major diatonic scale. The pattern of "whole step, whole step, half step, whole step, whole step, whole step, half step" is used for all major diatonic scales. The difference is in which note you use for a tonic, or root note.
Which means, if you start on C and play that pattern, it's the C major scale. If you start on D and play that pattern, it's the D major scale, and so on.
Shifting this pattern around is what creates accidentals. You can see this on a piano keyboard easily: for C major, you play all white keys (no accidentals), but then to play D major:
D - E - F# - G - A - B - C# - (D)
You need 2 black keys. As a matter of fact, there's only one major diatonic scale that uses all white keys: C major. All of the other ones use at least one black key.
Hope this makes sense! :-)
Just wanted to let you know, if you enjoy Steve’s RUclips videos, you should definitely check out the new GuitarZoom Premium Membership → guitarzoom.com/join
Members get unlimited streaming of more than 40 of Steve’s best guitar courses, like CAGED Made Simple, Music Theory Made Easy, Play Guitar For Life, Blues Guitar, Rock Licks, Acoustic Guitar, and many more.
The courses cover a wide variety of topics, and there are courses designed for all skill-levels. So wherever you are in your guitar journey, you can get to the next level FAST as a GuitarZoom Member. :-)
If you want to know more about music theory, Music Theory Made Easy is the perfect place to start. Go here to check it out: guitarzoom.com/products/music-theory-made-easy-2
Make sure you check it out, and no matter what, keep playing!
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Great explanation as always! Thank you!
great video man!
I like the camera switch, it's a cool visual feature.
Excellent lesson!
I use the term brother and sister related g maj pent /e min pent
Is what I usually say good on the 5 b note mixing both major and minor is a great approach for freedom 😁👍
i thank you that GOD use you THAt i earned more knowledge and wisdom.
Hi Steve. You opened my eyes one again. Big data to learn. :o) You are one of the best in this stuff. Cheers from Poland. :o)
Hey guys, little help?!
After 20 years of playing I started taking guitar lessons. :) About time I learn how that thing really works. I want to learn how to play solo's and so my teacher is teaching me music theory pretty basically. I learned the intervals of the ionian, aeolian, mixolydian and dorian mode (which he explained are pretty basically all that is used in Western music or what I listen to).
He is not a fan of the so called 'boxes' though as he says it is limiting relying on those instead of learning the actual notes and the intervals, if you learn the latter it is easier to combine different modes because you understand how it works.
I'm having a hard time though......I'm very auditive and kinestetic so I easily pick up things by ear and feeling them on the fretboard (like boxes for example). His way of learning kind of reminds me of math a bit and I'm wondering if at least for now I'm making things more complicated than I can handle.
Any tips or experiences related to this? So I just bite through all that dry stuff or adjust my way of learning? :)
I get what minor and major chords are with regular chords while playing by the nut but how do you differentiate those 2 when playing further up the neck, you were playing in the 14th and 12th fret, g, and e, but how do you know which one is minor or major?
your the man
Thanks for watching! :-)
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Great video. Yeah!
Good stuff. I've been seeing Steve's stuff here and there on youtube. Anyone buy his course? Thoughts?
The courses are well-structured and perfect for self-paced and self-taught guitarist like me. I play more or less for 20 years and learned alot because he filled knowledge gaps
Sir am a intermediate player
What guage strings are better and company sir
On jumbo guitar
Steve you're an awesome teacher! I love your classes... Quick question, I noticed that there is a very big focus on the pentatonic scale. Why is that the focus any more than the diatonic scale, if the diatonic scale represents the full scale? I noticed that the pentatonic scale always seems to be the main point of discussion when discussing modes. I don't understand why. Any insight would be greatly appreciated. Thanks!
just a guess but... pentatonic doesn't really require knowledge of where you're at on the fretboard. It just translates anywhere and has larger jumps. It repeats 5 notes instead of 7.
Thx Steve
Just when I think I understand, another person comes along and really adds confusion...
I understand the the Major scale and how its constructed, but what confuses me is that in some video's I am told that Modes of GMaj all use 'exactly' the same notes, so if you emphasise G for example, that is Ionian but if you emphasise A, that is A Dorian. Emphasising E would therefore be Aeolian and D would be Mixolydian...
Then someone comes along and says its not that simple and start talking about each mode has its own scale and then starts talking about major/minor 3rds, 7ths etc. They then proceed to do 'different' scale patterns in the 'same' place on the fretboard which are obviously not using exactly the same notes with just an emphasis on a different note (like just emphasising the E over a Gmaj Chord) as you have just said.
If its just emphasising a different Note, say I target the A for example and play the 'same' notes as a Gmaj scale in the same place I have learned this scale but using A as the 'root' essentially, is this A Dorian?
I know that the 'pattern' of a Major scale is T,T,S,T,T,T,S and if you emphasise A but still play the SAME notes as the Gmajor, the intervals between the notes (when targeting A) would be T,S,T,T,T,S,T - A,B,C,D,E,F#,G,A as opposed to G,A,B,C,D,E.F#,G or if I emphasise C, I would still be playing C,D,E,F#,G,A,B,C which would have the intervals of T,T,T,S,T,T,S so is this Lydian?
I am totally confused because some say each has it own scale, and some say its just targetting different notes. If you start on G and play the major scale (T,T,S,T,T,T,S) then if you are in F, using the SAME notes as the Fmaj, you would have a different interval to the Gmaj scale if you want to emphasise G - you would be using T,S,T,T,T,S,T if you target G whilst using the Fmaj notes but targeting G instead.
Is the confusion because some are trying to teach modes by their intervals, so a Dorian mode is T,S,T,T,T,S,T or a Lydian modes is T,T,T,S,T,T,S, where as you (and others) are keeping the same Major intervals, the T,T,S,T,T,T,S but putting the emphasis a different note within that - like targetting the 2nd (so Dorian) or 5th note (Lydian) in that same 'major' scale?
Learn every mode as different scale . That will end ur puzzle. Just remember the shape like Dorian, Phrygian etc. If u play like this u will find the difference . For example if u play Phrygian look the flat 2nd note creates the Phrygian sound.
The key is this:
The modes are the same NOTES of the parent major scale. They are not the same SCALE. The reason for that is the difference in structure you get when playing, for example, from G to G in the key of G, or from E to E in the key of G (the minor scale, or aeolian mode).
If you change positions, and play the E minor scale rooted from the low E string at the nut or the 12th fret, you are still playing the same notes as the G major scale, you are still in the key of G. The note names haven't changed, but the pattern of tones and semitones, the intervallic structure, the function of each note, is different. A different note is now home, where all the others are measured from.
There are 2 ways to look at modes. One is relative, where you look at the modes in terms of their parent major scale. So, G major, A Dorian, B phrygian, etc, all share the same notes - G-A-B-C-D-E-F#
The other way is parallel, where you look at each mode from the same root. So, G major, G Dorian, G phrygian, etc. When you do this, YOU ARE NOT IN THE SAME KEY. That is the piece that gets lost, I think. G major is in the key of G. G Dorian is in the key of F (G is the 2nd note of the F major scale), G phrygian is in the key of Eb (G is the 3rd note in the Eb major scale).
So, in terms of note names, G major is: G-A-B-C-D-E-F#
G Dorian is: G-A-Bb-C-D-E-F (same notes as the F major scale)
G phrygian is: G-Ab-Bb-C-D-Eb-F (same notes as the Eb major scale)
Any scale fingering can sound like any mode of that scale. What makes it sound major, minor, lydian, etc is the context. Once your ear resolves a set of notes to a "tonal center", that is when the collection of notes becomes a mode. Otherwise, it is just a collection of notes that fit within a key.
I hope that helps!
I'm still a beginner, so I could be making som mistakes here, but I'm pretty sure you had i correct in your first paragraph. If you have a G major scale and emphasize the G, then it's G major. If you emphasize the E, then it's the aeolian minor mode, Eminor. You use the same notes, but the scale sounds different (dark) because the distances (tones and semi-tones) between the root, 3rd 5th, etc are different compared to when playing it as Gmajor. You already wrote that in your post, so I think you understand that. The flavor of a scale comes from the notes and the distances between them. A dorian sounds different than G Ionian because (among other things) of the semi tone after the "A root", wheres G Ionian has a full tone after the root. So, you use the same notes as the parent major scale but you start on a different note: However, and this is the key, because you play the same notes, the distances between the 1st, 2nd, 3rd, 5th etc, changes and this is what ads flavour to the mode.
Some people say that they have their own scales, but this it not techincally correct. However, just as the minor scales have exactly the same shape as the major scale (just 3 frets up), the other modes have patterns that "match" other minor scales. This can be easier for some people to visualize because most people learn minor shapes first. For instance, if you want to play D dorian, you just have to play A minor and emphasize the D, just as you could do with C major (emphasize the C). I think many people overcomplicate this when trying to teach, however; I have found that when applying this I often have trouble, but just is probably just because I don't understand how to actually use modes. Then again, I'm not really trying to either at the moment.
The difference is parallel modes parallel modes are c ionian c Dorian c phrygian c lydian c mixolydian c aeolian and C locrian they all start on the C but in reality they are different scales they're all just different major scales that you're using but if you want to start all on C on the 6th string you going to play that ionian scale shape for C ionian then you're going to play the C Dorian shape for C Dorian then you can play the C phrygian shape for C phrygian then you can play the C lydian shape for C lydian and so on so forth and by doing that you're playing in different keys so if you took a cord or just a single note and let it ring out and play each one of those over that note each one of those keys would give you a different sound add a different mood or feel or flavor those are parallel modes the modes He's referring to are in a song based modes which say for instance your playing a progression in a song the chords are moving constantly so say it's a 1-4-5 your playing one 1 a couple bars and then 4 a couple bars then 5 for a couple bars so that major (or key) scale that your song is in is going to constantly be changing reference points your going to be emphasizing the 1 then the 4 and then the 5 that's what he's referring to.
Research parallel modes
Steve 🌍
Yeah gold
I like how I said the positions could be its own video is it not because if not not only could it be but it should be
Thanks for watching, Pilgrim! :-)
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Please play ddlg song #Tujhe dekha toh ye jana sanam
🙏🙏🎸🎸Rocksan Request
Your Opportunity To Learn That This Could Very Well Be The Most Rewarding Party That You Will Ever Be Invited To.........Without The Fallout.
I think what I need first, is the definition of mode and scale. Can anybody provide?
Thanks for watching! If you want to know more about music theory, Music Theory Made Easy is the perfect place to start. Go here to watch free preview videos from the course: guitarzoom.com/products/music-theory-made-easy-2
Hope this helps! :-)
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@@stinemusiclessons Awesome. Yeah, I should've been learning 20 years ago but I wasn't writing music until two years ago.
I have the speed but I really know where to start a solo, or how to create one.
I want an honest answer to this question. How many guitars do you have Steve?
That's a great question, Olivia! But I am not sure Steve even knows for sure off the top of his head, ha ha. :-)
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I need a 7 hour lesson..lol
😂
Love ur hair and tats
I watched 8 minutes now and I'm not sure, if I should continue.
My problem is not to understand the modes,
my problem is: What is emphasize meaning.
I would need 4 parts about how to play to emphasize on a certain note.
Is the rest of these 4 parts only about explaining the modes or is there also an explaination about how can I emphasize.
I don't want to critisize the video. The explaination is very good but I need to understand emphasizing.
Thanks for watching! In this case, emphasize means you play that note more than the others.
For example, if you play a solo using the C major scale:
C D E F G A B
And you play the note C more than the others, that means you're emphasizing the note C.
It may help to illustrate using chords. For an example, think about a simple chord progression using the chords C, F, and G.
To play the song, you strum C for 8 strums, F for 4 strums, G for 4 strums, then start over. You're playing C more than the other chords, and the chord progression keeps coming back to C.
So, you could say that you're emphasizing the C chord. And if you used the C major scale to solo, you could emphasize the note C in your solo, and it would sound great.
In this example, you would be in the first mode (Ionian) because you're emphasizing the first chord in the key and the first note in the scale.
Let's do one more example, for the second mode (Dorian). In the simple chord progression above, instead of playing the chords C, F, and G, play the chords Dm, F, and G instead:
Strum Dm 8 times, F 4 times, G 4 times, then go back to Dm. Now, instead of emphasizing C, like in the first chord progression, you're emphasizing Dm.
And since Dm is the chord you're emphasizing, you could also emphasize the D in the C major scale to solo. Which means you would play the note D more than the other notes.
And when you play the 7 notes in the C major scale, but emphasize D, that's the D Dorian scale: D E F G A B C
Hope this helps! :-)
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@@stinemusiclessons Thank you.
This is very helpfull.
I remember seeing all these "Guitar lesson guys" they all looked the same and such. I saw steve, and waved him off.
BUT I was so wrong, steve is great I was a moron
Thanks for the kind words, Alan! :-)
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Not from moco, and most definitely when they know who you're not.
I think I got a 'deez E's'...
This is a no clicker if your holding an acoustic
Ppl
Thanks for watching, James! :-)
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You loves moist sandwiches?