Andy is more emulating Joe Pass who used all of his fingers of his right hand. Wes rested his other four fingers on the pickguard and just used his thumb. As a result Wes's tone is really full. Fingertips usually sound more bright than a thumb. Wes was so adept with his right thumb that he could alternate pick with it for faster sections. Here is a clip of Wes playing one his classic tunes Four On Six that has some great closeups of his right & left hand techniques: ruclips.net/video/zxTD1XQTcyk/видео.html
@@joeyjo-joshabadu9636 Except it sounds like Joe Pass playing a Wes Montgomery piece with little swing to it. Those fingertips just sound wrong for Wes's tone. What's Southwest Blues? I am more well versed with Jim Hall as I am not really that much into guitar for jazz. Don't you mean West Coast Blues? I know that piece, and now recognize it except Andy needs to get that 6/4 swing going better which is one reason I didn't recognize it at first. ruclips.net/video/WYDiZcAJY44/видео.html
@@wrayven yeah West Coast Blues. Andy's always played that way with his fingers, and he's primarily a rock guy(at least on Reverb), so it's really(probably) just a coincedence that he would sound like Joe Pass when he plays Jazz.
I would love to see Andy give a tutorial on his tremendous finger style skill. I would bet that many of us would love to know how he achieves that “pick-like” sound without one so effortlessly...
I saw him mention in a comment that the link in his instagram bio elaborates on his pick-less style. I assume it goes to his own website? Been meaning to check it out.
Thank you so much for answering and showing the differences between the types of guitars. It was exactly the kinds of things that I wanted to know. Very clear and to the point. Thank you again from someone who is NOT a musician.
I know they are constructed and sound different, but all of these guitars are equally gorgeous . Also Country Sad Ballad Man! Andy’s taste in Blur songs is fantastic as always :)
Informative just what I needed. Thank you and may God continue to bless you... Loved that technique and playing on that first chambered guitar.I have heard 1000s of great musicians and your style is unique. That is something I don't usually say but the way you played rhythm and bent the lead at the same time was unique. I enjoyed it and your educational production was perfect.
Oliver Cant I’ve tried that with my 137 (Witchcraft also use them) but with a full stack it’s just too hard to have any control over the feedback. My f-holes felt like fans. I even tried foam plugs but it was too much. I still do doom metal with it but just through my Ox or my Kemper at home.
I use a Hagstrom Viking I bought years ago. It's a baritone, so It's great. The stock pickups are so silky smooth. It sounds amazing with a bunch of fuzz and distortion, but it holds it's own playing faster, more technical stuff as well. People look at me like I'm crazy, but it's like, Chris Cornell always had semi-hollows. So many metal players are sleeping on them. The tone is real.
I often use a Gretsch Electromatic G5620T for heavy riffs, thinking i'm somewhat special until i saw Cult of Luna live footage where they use Gibson ES-Series and Gretsch Jet.
@@TybudX let's still funny when I brought my guitar into a workshop to have a setup done, and the guy was like, "Yeah, I love these for playing Blues", Then I said, "Well actually I play in a two piece Punk band", And he looked so perplexed, like it wasn't supposed to be possible to play anything heavier than Blues on a Semi Hollow 😆😂
I play an archtop with floating pickup, but rather than using it for jazz I play punk and new wave stuff. Never had an issue with feedback, but finding a suitable pedal to add dirt was a challenge. I now use a Fuzzrite clone which works really well with the single pickup, and at extreme settings I can get a controllable feedback if I want it.
I play my Malcolm Young Style Gretsch Electromatic for more 20 years now and I never knew it was chambered let alone what that meant. Thanks for enlighting me.
Gretsch Falcon, all the way. When I was a kid, I had no idea what Billy Duffy was playing in the Cult, I just knew it was what I wanted to play one day.
I clicked with the hope of hearing how a chambered guitar (ideally a Gretch “solid”) sounds unplugged. No such luck but still found it to be a good and useful video.
I think we need to also mention the Reese's Cup of combinations: semi-hollow body with P90s. I mean it's like friggin cream in your coffee. Unreal. Fantastic playing, and thanks for sharing the knowledge!
When I think of Hollow Bodies, I think of Gordie Walker of "Killing Joke". The "Lions Roar "tone he gets out of that thing, and feedback is incredible! nobody but him can make it.🎸🎧💫😵👌😎👍
Yep, I have the red 2 knob Starcaster with the ‘wide-range’ humbuckers. Lovely neck, so much so that my 92 Tele has been benched for the last 8 months. The Starcaster has become my #1 for daily playing. I also have a ‘65 Ibanez hollow body with f-holes and a 73 Ibanez Les Paul Recording copy which is chambered.
Andy, I have been googeling this one for a while. Want to order g&l s500 custom. Trying to decide semi or solid. And here it is, your video. Thanks man.
I'll probably take a beating for saying this, but plugged in, I'd say the pickups are still the biggest factor in the overall tone, even with these style guitars.
I have been thinking/ believing this for years and years but during the last couple of years I laid my hands on a bunch of very different guitars plus made some serious and in depth a to b experiments like same pickups on different guitars, vice versa, recorded, played live, whatever etc that ultimately convinced me for the complete opposite: construction totally translates into the final tone, electronics aside. All friends having participated agree. Cheers.
When a video like this addresses the differences in resonance of different guitar bodies, and how those differences affect the tone of the instrument, it always make me think of the online "tone wood" wars where some folks claim the undeniable differences in resonance of woods used to make solid bodied guitars have NO effect on the tone of the instrument. Go figure...
@Toxic Potato the issue to me is the fact that there doesn't seem to be any relationship between the fanciness of the wood and the fanciness of the tone. They do sound different. I first played a Pawlonia guitar when I was trying out a bottom-of-the line $100 Dean guitar in the 90s. It felt light and insubstantial, but sounded amazing. Now it's considered "fancy." Some companies call it "Empress." I have old plywood guitars that sound great. The various tone woods do make a difference, but not in the most predictable way.
I usually look at it like this: when using clean/lightly-distorted tones, the nuances of a hollow/semi-hollow instrument come through better. If you're gonna crank it up, you'd ultimately be better off with a straight solid body. That said, whatever floats the boat.
Seriously, omitting Dan Smith’s Fender Robben Ford/Esprit was anathema. I have two, and the Greg Fessler built Fender Custom Shop Ultra is the best guitar I have. It’s so good I have no problem stealing Nigel Tufnel’s line and tell people not to touch or even look at it. 😎
My Hollowbody Epiphone Casino is my go to guitar. I can play her unplugged and enjoy acoustic resonance just like my full bodied 6 string acoustic guitar, except not as loud. Because I play for myself that's fine with me. In fact I play my Casino in bed during the night and my wife enjoys the music and yet she is not disturbed by the volume. So the thin bodied Casino is very nice to have around. More comfortable than a full bodied 6 string or Jazz Hollowbody, and because it has those great P-90's she can be amplified and really wail. It does it all. -Peter age 71
Re: "if you listen to it when you tap it (the top), it's definitely projecting some sound so that means ... just like my finger is tapping that sound, the strings are going to amplify it as well. and that's definitely going to translate into the pickups and to the overall tone of this guitar" Let's be careful that we don't suggest breaking the laws of physics here. ;) Yes, string vibrations can excite less rigid bridge mounting designs to transfer small amounts of string vibration energy to the top. So then there is LESS vibration energy in the strings to be seen by the pickups. But "the strings are going to amplify it as well" doesn't apply. Pickups are not microphones. Direct measurements of semi- and fully-hollow body electrics show the small string vibration losses at particular frequencies to the body, and also the consequent reduction in string vibrations, evident for example in reduced sustain at those frequencies (see ch7 of Zollner's Physics of the Electric Guitar"). So such guitars are indeed tonally different, for well-understood physics reasons.
Regarding chambered electric guitars from a construction perspective; don’t the chambers have connecting holes to pick up or electronic chambers so they can breathe in different climates to reduce the difference in air pressure between the chambers and the environment where the guitar will be played?
Semi Hollow. I own one and would love to have a Tele Thinline, but haven't found one I liked enough in a nice price. Do love the Britt Daniele one, but I want one about 1/3rd of the money. Since there's also a fair chance I would put a Seymour Duncan Little '59 in the bridge...
I love watching Andy's video's, but I think it's a shame during a pandemic Reverb started taking more from us on their website. I buy and sell all the time on there, and when we need every dollar more then ever they raise their rates.
Hi Andy .. just a question about how you're playing (right hand). I noticed you're playing with your fingers (not a pick) in some segments. You get good volume at those points. Any time I play with just my fingers I can't pull the strings hard enough .. due to the tension of the strings ... to get good volume. Do you overcome this by 1) playing with artificial nails to give you "picks" .. or 2) just turning up the volume to compensate? I love fingerstyle playing but haven't found a way (other than turning up the volume) to get and adequate sound/volume when not playing with a pick or fingerpicks. Just wondering how you're doing it. Thanks.
Favorite non-solid body? Well, my Cabronita Telecaster Thinline of course - a semi hollow Tele with Filtertrons that I run into an AC30 style amp (Victory “The Copper”); HELLO JANGLE!
I came here because I can't afford a Collings 470 - now I know I can't afford a lot of hollow bodys, but as a jazz guitarists this is what I need. But with 1.000-4.000 bucks budget I'm not able to find what I look for. Any tips for something in that price range? Awesome video - thanks =)
@@jamiehicks7312 thanks for the tip - I'll take a look at the guitar. For now I'm quite broke because I got myself a Taylor T5z and a Fender 65 amp for projection
Wow! Learned so much from this video, thank you, But when I hear" F Hole" I start to giggle, sorry I need to grow up lol Thanks again from sunny Wales 🏴😁
Hollow bodies have the longest history and are tied for most versatile along with semi hollow guitars and solid bodies are tied for least versatile along with chambered solid (chambered) guitars
There are a lot that I didn’t mention. The Epiphone Casino is a Hollowbody that looks like a semi-hollow, so didn’t really want to add confusion in this brief overview. Thanks!
currently at 0:21 If the guy with the hair and the shirt starts by looking at the camera and going "oh, hi, I didn't see you there", I'm done here I don't even care how curious I am Even a man-eating beast's gotta have some standards
OMG, 06:57 - U wanna say, that English maker used the cheap and ugly Chinese after market phone jack bell??? It stands out of the body and looks silly. I do not understand, why nobody uses the original tele bell and just drill 2 holes for 2 screws in its side. And Tele's notorious jack access is solved.
Shoutout for playing Country Sad Ballad Man at 6:05. One of my favorite Blur songs.
Andy been polishing his Jazz chops/Wes Montgomery licks during quarantine!
Andy is more emulating Joe Pass who used all of his fingers of his right hand. Wes rested his other four fingers on the pickguard and just used his thumb. As a result Wes's tone is really full. Fingertips usually sound more bright than a thumb. Wes was so adept with his right thumb that he could alternate pick with it for faster sections. Here is a clip of Wes playing one his classic tunes Four On Six that has some great closeups of his right & left hand techniques:
ruclips.net/video/zxTD1XQTcyk/видео.html
@@wrayven He is literally playing Wes Montgomery's "southwest blues" in this video though.
@@joeyjo-joshabadu9636 Except it sounds like Joe Pass playing a Wes Montgomery piece with little swing to it. Those fingertips just sound wrong for Wes's tone. What's Southwest Blues? I am more well versed with Jim Hall as I am not really that much into guitar for jazz. Don't you mean West Coast Blues? I know that piece, and now recognize it except Andy needs to get that 6/4 swing going better which is one reason I didn't recognize it at first.
ruclips.net/video/WYDiZcAJY44/видео.html
@@wrayven yeah West Coast Blues. Andy's always played that way with his fingers, and he's primarily a rock guy(at least on Reverb), so it's really(probably) just a coincedence that he would sound like Joe Pass when he plays Jazz.
Couldn't agree more, the guitar suits him as well!
I knew the difference but clicked anyway to hear them sweet Andy riffs.
I would love to see Andy give a tutorial on his tremendous finger style skill. I would bet that many of us would love to know how he achieves that “pick-like” sound without one so effortlessly...
Absolutely
He has one on his personal channel "AndyDemos."
I saw him mention in a comment that the link in his instagram bio elaborates on his pick-less style. I assume it goes to his own website? Been meaning to check it out.
Thanks, I made a video about my fingerpicking on my channel 👍🏻
Thank you so much for answering and showing the differences between the types of guitars. It was exactly the kinds of things that I wanted to know. Very clear and to the point. Thank you again from someone who is NOT a musician.
I know they are constructed and sound different, but all of these guitars are equally gorgeous . Also Country Sad Ballad Man! Andy’s taste in Blur songs is fantastic as always :)
Informative just what I needed. Thank you and may God continue to bless you...
Loved that technique and playing on that first chambered guitar.I have heard 1000s of great musicians and your style is unique. That is something I don't usually say but the way you played rhythm and bent the lead at the same time was unique. I enjoyed it and your educational production was perfect.
Reverends are just the coolest guitars right now.
I do love mine
Intro is so good, love the West coast blues and guitar!
"Semi Hollows are good for playing Blues and Rock".
And then there's me, playing down tuned Doom and Hardcore Riffs on my Epiphone Dot 😂🤣
Josh Homme too.
Oliver Cant I’ve tried that with my 137 (Witchcraft also use them) but with a full stack it’s just too hard to have any control over the feedback. My f-holes felt like fans. I even tried foam plugs but it was too much. I still do doom metal with it but just through my Ox or my Kemper at home.
I use a Hagstrom Viking I bought years ago. It's a baritone, so It's great. The stock pickups are so silky smooth. It sounds amazing with a bunch of fuzz and distortion, but it holds it's own playing faster, more technical stuff as well. People look at me like I'm crazy, but it's like, Chris Cornell always had semi-hollows. So many metal players are sleeping on them. The tone is real.
I often use a Gretsch Electromatic G5620T for heavy riffs, thinking i'm somewhat special until i saw Cult of Luna live footage where they use Gibson ES-Series and Gretsch Jet.
@@TybudX let's still funny when I brought my guitar into a workshop to have a setup done, and the guy was like,
"Yeah, I love these for playing Blues",
Then I said, "Well actually I play in a two piece Punk band",
And he looked so perplexed, like it wasn't supposed to be possible to play anything heavier than Blues on a Semi Hollow 😆😂
thanks for the tip on the reverend club king. love the sound of spruce tops on electrics, but don’t see it very often. would like to see & hear more
Love my semi hollow Epiphone Casino! ❤️ after yrs of a Fender Strat!
I play an archtop with floating pickup, but rather than using it for jazz I play punk and new wave stuff. Never had an issue with feedback, but finding a suitable pedal to add dirt was a challenge. I now use a Fuzzrite clone which works really well with the single pickup, and at extreme settings I can get a controllable feedback if I want it.
That T-type Gray is sooo beautiful!
Love that Country Sad Ballad Man cover Andy!
You have a great voice for voiceovers and radio!
Man Andy plays so smoothly...
Love those Club King 290 sounds! 👍
Revs are sooo good!!
I play my Malcolm Young Style Gretsch Electromatic for more 20 years now and I never knew it was chambered let alone what that meant. Thanks for enlighting me.
Fantastic Chops as always Andy!
Gretsch Falcon, all the way. When I was a kid, I had no idea what Billy Duffy was playing in the Cult, I just knew it was what I wanted to play one day.
Same here - it was Billy Duffy's Gretsch and Killing Joke's Geordie Walker with his trademark Gibson that made me want a hollow body guitar.
I clicked with the hope of hearing how a chambered guitar (ideally a Gretch “solid”) sounds unplugged. No such luck but still found it to be a good and useful video.
Thanks for the class teacher Andy :)! Excellent video!!
I think we need to also mention the Reese's Cup of combinations: semi-hollow body with P90s. I mean it's like friggin cream in your coffee. Unreal. Fantastic playing, and thanks for sharing the knowledge!
Reverend Club King 290 at the 4:52 mark
When I think of Hollow Bodies, I think of Gordie Walker of "Killing Joke". The "Lions Roar "tone he gets out of that thing, and feedback is incredible! nobody but him can make it.🎸🎧💫😵👌😎👍
The Fender Starcaster and Coronado have to take the prize for me in the world of semi hollow
Yep, I have the red 2 knob Starcaster with the ‘wide-range’ humbuckers. Lovely neck, so much so that my 92 Tele has been benched for the last 8 months. The Starcaster has become my #1 for daily playing. I also have a ‘65 Ibanez hollow body with f-holes and a 73 Ibanez Les Paul Recording copy which is chambered.
A hardtail Club 290 is my dream guitar
That green Tele sounds awesome!
Very interesting photos, thanks
Great San Tropez by Pink Floyd rendition at 2:24
Thanks, good catch!
Digging those Blur riffs Andy!
As an owner of a Gretsch hollowbody I can say they do indeed feedback, never really was an issue until I got into higher gain music.
Andy plays Wes. Excellent
Andy, I have been googeling this one for a while. Want to order g&l s500 custom. Trying to decide semi or solid. And here it is, your video. Thanks man.
GREAT VIDEO LOVE REVERB
Damn, Andy!!! do it all!
I'll probably take a beating for saying this, but plugged in, I'd say the pickups are still the biggest factor in the overall tone, even with these style guitars.
While I agree, I would say that it has a larger impact than the type of wood used.
tbh try not to overthink about it
I have been thinking/ believing this for years and years but during the last couple of years I laid my hands on a bunch of very different guitars plus made some serious and in depth a to b experiments like same pickups on different guitars, vice versa, recorded, played live, whatever etc that ultimately convinced me for the complete opposite: construction totally translates into the final tone, electronics aside. All friends having participated agree. Cheers.
I feel the same way. Like, what realistically is the difference between a Les Paul and a Es-335, if the pickups, bridge, and pots are the same?
@@Anjohl call me crazy but i prefer my 335 for loud noisy shit. hollowbody makes it way easier to feed back
When a video like this addresses the differences in resonance of different guitar bodies, and how those differences affect the tone of the instrument, it always make me think of the online "tone wood" wars where some folks claim the undeniable differences in resonance of woods used to make solid bodied guitars have NO effect on the tone of the instrument. Go figure...
@Toxic Potato the issue to me is the fact that there doesn't seem to be any relationship between the fanciness of the wood and the fanciness of the tone. They do sound different. I first played a Pawlonia guitar when I was trying out a bottom-of-the line $100 Dean guitar in the 90s. It felt light and insubstantial, but sounded amazing. Now it's considered "fancy." Some companies call it "Empress." I have old plywood guitars that sound great. The various tone woods do make a difference, but not in the most predictable way.
I usually look at it like this: when using clean/lightly-distorted tones, the nuances of a hollow/semi-hollow instrument come through better. If you're gonna crank it up, you'd ultimately be better off with a straight solid body.
That said, whatever floats the boat.
Internet: argue about tone woods and how exotics are better....
Real world: always plays with the fuzz box cranked.🤪🤪
@Toxic Potato - I'm not charging you for anything. And different woods don't have to be "fancy" or "exotic" too sound different from one another...
@@eddievhfan1984 -Solid maple - solid swamp ash - solid plexiglass -solid mahogany - or?
Lovely Andy
Duesenberg Caribou. Amazing tone, PRS-like playability and the best tremolo system BY FAR!
EXCELLENT VIDEO
Well done✌
West Coast Blues!!!! The bes' by Wes
Loved my Gretsch 5420 but got gnarly feedback when pushing a amp and I wasn't about to pack it with foam or cover the f holes so I gave it up.
Loving hearing the Wes Montgomery
Great video!
Seriously, omitting Dan Smith’s Fender Robben Ford/Esprit was anathema. I have two, and the Greg Fessler built Fender Custom Shop Ultra is the best guitar I have. It’s so good I have no problem stealing Nigel Tufnel’s line and tell people not to touch or even look at it. 😎
Nice work Andy! I own an Epiphone Sheraton Pro II myself. Hey, what pickups are in that custom beauty from Gray guitars?
If you ever decide to sell that Gray Guitars tele, let me know!
hey ty for the analysis, also... what are you playing 6:00 ? sounds so cool
My Hollowbody Epiphone Casino is my go to guitar. I can play her unplugged and enjoy acoustic resonance just like my full bodied 6 string acoustic guitar, except not as loud. Because I play for myself that's fine with me. In fact I play my Casino in bed during the night and my wife enjoys the music and yet she is not disturbed by the volume. So the thin bodied Casino is very nice to have around. More comfortable than a full bodied 6 string or Jazz Hollowbody, and because it has those great P-90's she can be amplified and really wail. It does it all. -Peter age 71
Wes Montgomery my dad’s favorite guitarist
Re: "if you listen to it when you tap it (the top), it's definitely projecting some sound so that means ... just like my finger is tapping that sound, the strings are going to amplify it as well. and that's definitely going to translate into the pickups and to the overall tone of this guitar"
Let's be careful that we don't suggest breaking the laws of physics here. ;)
Yes, string vibrations can excite less rigid bridge mounting designs to transfer small amounts of string vibration energy to the top. So then there is LESS vibration energy in the strings to be seen by the pickups. But "the strings are going to amplify it as well" doesn't apply. Pickups are not microphones. Direct measurements of semi- and fully-hollow body electrics show the small string vibration losses at particular frequencies to the body, and also the consequent reduction in string vibrations, evident for example in reduced sustain at those frequencies (see ch7 of Zollner's Physics of the Electric Guitar").
So such guitars are indeed tonally different, for well-understood physics reasons.
Great info, especially for beginners or the less experienced guitarist
great video, thanks for sharing, what is the brand of that chambered green guitar? it sounds amazing!
Regarding chambered electric guitars from a construction perspective; don’t the chambers have connecting holes to pick up or electronic chambers so they can breathe in different climates to reduce the difference in air pressure between the chambers and the environment where the guitar will be played?
Semi Hollow. I own one and would love to have a Tele Thinline, but haven't found one I liked enough in a nice price. Do love the Britt Daniele one, but I want one about 1/3rd of the money. Since there's also a fair chance I would put a Seymour Duncan Little '59 in the bridge...
very helpful Gracias!!
All are favorites! :)
great info here
Andy rules!
Was that a bit of Tom Petty’s “Swinging” at the end? Great song!
Fascinating.
Great channel Andy...you dont babble on its all imformation...
I love watching Andy's video's, but I think it's a shame during a pandemic Reverb started taking more from us on their website. I buy and sell all the time on there, and when we need every dollar more then ever they raise their rates.
Agree 100%
Hi Andy .. just a question about how you're playing (right hand). I noticed you're playing with your fingers (not a pick) in some segments. You get good volume at those points. Any time I play with just my fingers I can't pull the strings hard enough .. due to the tension of the strings ... to get good volume. Do you overcome this by 1) playing with artificial nails to give you "picks" .. or 2) just turning up the volume to compensate? I love fingerstyle playing but haven't found a way (other than turning up the volume) to get and adequate sound/volume when not playing with a pick or fingerpicks. Just wondering how you're doing it. Thanks.
Thank you
Favorite non-solid body? Well, my Cabronita Telecaster Thinline of course - a semi hollow Tele with Filtertrons that I run into an AC30 style amp (Victory “The Copper”); HELLO JANGLE!
Oh, that sounds nice!
Love Teles...Love Gretsches...and Cabs are the perfect offspring of the two..👍👍
I came here because I can't afford a Collings 470 - now I know I can't afford a lot of hollow bodys, but as a jazz guitarists this is what I need. But with 1.000-4.000 bucks budget I'm not able to find what I look for. Any tips for something in that price range?
Awesome video - thanks =)
Take a look at Godin 5th Avenue!
@@jamiehicks7312 thanks for the tip - I'll take a look at the guitar. For now I'm quite broke because I got myself a Taylor T5z and a Fender 65 amp for projection
2:24 San Tropez by Pink Floyd??
Gordie Walkers tone is badass
Next video: what about bass hollow semihollow ?
Wow! Learned so much from this video, thank you,
But when I hear" F Hole" I start to giggle, sorry I need to grow up lol
Thanks again from sunny Wales 🏴😁
Hollow bodies have the longest history and are tied for most versatile along with semi hollow guitars and solid bodies are tied for least versatile along with chambered solid (chambered) guitars
I have only owned solid body guitars, but I’d really like to own a semi hollow PRS C 24.
I looked this one up but it said it was a solid body??
@@Harold710 CE24
Wes Montgomery! Nice!
Thanks for blur
Blur 🤘🏻
I’ve never heard a good-sounding D’Angelico. Must be the pickups.
Soo cool
Just when you thought Andy couldn't be more useful...
Andy are you gonna buy me this semi hollow reverend for my birthday? It's in May 24th
whats a gretsch 5420t?
Country SAAAD I’m a ballad man
Coz I’m a country saaaaaaad ballad maaan
My Gretsch Country Gentleman is my number one, with its silly painted on F holes.
no mention of casino. come on guy.
There are a lot that I didn’t mention. The Epiphone Casino is a Hollowbody that looks like a semi-hollow, so didn’t really want to add confusion in this brief overview. Thanks!
Natural hh tele thinking for sure!
"Electric Spanish" guitars are the ES series and are mostly semi-hollows, with just a couple full hollow bodies.
Wes!!
Wes!
currently at 0:21
If the guy with the hair and the shirt starts by looking at the camera and going "oh, hi, I didn't see you there", I'm done here
I don't even care how curious I am
Even a man-eating beast's gotta have some standards
OMG, 06:57 - U wanna say, that English maker used the cheap and ugly Chinese after market phone jack bell??? It stands out of the body and looks silly. I do not understand, why nobody uses the original tele bell and just drill 2 holes for 2 screws in its side. And Tele's notorious jack access is solved.
wtf 20,000$ !?!? and 50,000$ !?! is this from their website? what a rip off!
ES 335
Why do all these people telling you about something to do with guitars, force us to hear them play them, instead of getting to the point of the video?
Huh 🙀
he said F-hole
Blur!
1:69
Hollow bodies are 5% better.
Probably about 1.5% more expensive, totaling a 5% seller fee