Bartók - Concerto for Orchestra (Boston Symphony Orchestra, Seiji Ozawa)
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- Опубликовано: 26 июл 2024
- In this live recording from the Alte Oper Frankfurt, 1992
maestro Ozawa conducts the Boston Symphony Orchestra in a performance of Bela Bartók's Concerto for Orchestra.
Watch more with Seiji Ozawa and the Boston Symphony Orchestra: • Beethoven's Symphony N...
Seiji Ozawa - conductor
Boston Symphony Orchestra
Béla Bartók - Concerto for Orchestra
00:00 I. Introduzione. Andante non troppo - Allegro vivace
10:03 II. "Giuoco delle coppie". Allegretto scherzando
16:36 III. "Elegia". Andante non troppo
23:48 IV. "Intermezzo interrotto". Allegretto
28:22 V. Finale. Presto
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Ozawa is one of my favourite condutors, this performance is exquisit, really ARTISTIC, a pitty Maestro Ozawa is gone...
RIP Seiji Ozawa
wow an incredible performance by the orchestra that commissioned this amazing gift to music and humanity in the first place!
Wow! This performance rocks. Trumpets sound amazing together. Schlueter at the top of his game and Peter Chapman nails the 2nd part like nobody I've ever heard. Everyone sounds glorious. This piece is definitely one of Ozawa's specialties and this performance is brilliant. Thanks for posting it.
You got that right.
That bass gliss in movement 4 hit so hard
this piece itches my brain in a good way
Mine in a bad way.
Fabuleux souvenir de Seijji dirigeant l'Orchestre de Boston....
What I like about this work is that it is not always the principal woodwind and brass players with the solos
One of the best performances of this piece! Bartok at his Best...
S.Celibidache with Munich...and you'll hear real Bartok. use earphones
This is Bartok too...or improove it yourself!
Excellent performance !Maestro Ozawa is a powerful conductor..!!
This work is absolutly fabulous. Nothing else to say...
I agree!!!
Astounding from any angle. Those woodwinds, especially the flute player! Brass! Strings! This was a supremely worthy performance of one of the greatest compositions of the last 150 years!
NO!
@@user-pd7so9cj8fyes
Ozawa at his best. He leaves the world a richer place.
What an orchestra... People talk about the Chicago Symphony brass section, but this orchestra may have been better. Bud Herseth, the principal trumpet of Chicago was fantastic, but Charlie Schlueter here sounds GLORIOUS... So lyrical and beautiful tone, so beautifully singing! The whole orchestra has such an elegant and noble tone. The last movement here is THRILLING!
Keep dreaming.
Both great players, but you can’t say that bud doesn’t have the characteristics of playing you say here.
@@user-rn1lb8sx2c Indeed, Bud also had a beautiful singing tone. Schlueter just even more so… But, this is not a competition, but only a matter of preference. I’m partial to Charlie, since I’ve heard him so many times. I’ve never heard Bud in person…
Yes! I heard the CSO many more times than I did Boston, but I think Boston had a more beautiful overall sound. Chicago was all about power and precision, but just like Da Bears, they could be bruts!
Sections of orchestras... ha! What it takes is what the conductor does with the piece, these musicians are all top rated...the point here is Maestro Ozawa, not the brass or the percussion section...The World lost one of the greatest conductors, pitty never heard him live or studied with him...thanks for posting this
My initial encounter with this composition occurred under the baton of Seiji Ozawa. Given the passage of time, the particulars of that experience have faded from memory, including the identity of the orchestra involved. Nonetheless, it is indisputable that Ozawa's mastery in conducting is unparalleled in its ability to unveil the orchestra's rich tapestry of tonal colors. This rendition of his is quintessentially the most efficacious way to ensure the music's resonance and allure.
I remember this video a long time ago from the RUclips page called HDVideoCollections until it got removed. But now, I still love the perfomance with the great Seiji Ozawa and the BSO. So, thank you very much.
Every time I listen to the Finale I get tears in my eyes, it's just so powerful!
Wonderful performance by the creative conducting, Seiji Ozawa.
Ozawa was an underrated conductor. Excellent performance.
he is not underratted he is one ofthe worlds most famous conductors
who did underrate him?
The underrated conductor became Music Director of Vienna State Opera. Would he be god if he wasn’t underrated?
Was? He's 87 and still going strong.
Obviously he lacks tempo judgement.
I'm so glad that somebody bothered to commission this work.
God Schleuter sounds incredible in this clip
doesn't he? This is a classic era for him. All those Philips Mahler recordings from late 80s to mid 90s. Amazing stuff.
And what a great piece of music!
Curious. Have just finished reading Marukami's book "Absolutely on music" in which he transcribes his conversations with Ozawa but had never seen him conducting. Seen him now and I think I never saw any conductor be so clear and precise in his movements. The orchestra reflects clearly that precision. When he was assistant conductor to Bernstein he chastised him for cueing every instrument saying that the orchestra didn't need that because they know what to do. Anyway he did just that in this piece and I loved it!
Glad someone mentioning Murakami’s book on the conversation with Ozawa. Without the Hungarian writer, Laszlo Krasznahorkai’s praise of this piece in his latest book “Spadework…” , I would have never been exposed to this amazing piece.
The greatest piece of music ever written played well.
I had the greatest when I had the greatest yrs of my years of my time with the SF Symphony when Ozaw
Amazing ❤❤
Charlie Schlueter rocks!Incredible!!!!!!!
That is the power of Montte Trumpet!!!
31:24 for those looking for the big trumpet excerpt
Bravo!
It's a very fresh, good performance.
I wore out my DG LP of this as a child, along with my dad's LP of the Hindemith string trios. Still have my dog-eared old pocket scores.
Wonderful music played wonderfully. I have always loved the BSO going back to Leinsdorf and Munch. It's still a great orchestra.
La obra orquestal Béla Bartók, es arrolladora y enérgica, todos los colores de cada timbrico instrumental. La tumba me ha impactado.
Mi espíritu lleno de energía
Bravo el director
Strong solid performance.
BSO should be at its best here, the piece was commissioned by the BSO's music director and premiered by BSO in 1945. BSO "owns" this Bartok.
Unbelievable performance.
I never heard this piece in my life. First 10 min. allures me to picture of movie characters playing their part in every aspect of our emotion lets to.
Harold Wright 🤩
❤❤ 👏🏼👏🏼
11:26 flute excerpt
32:22 amazing how only half the second violin section sounds so full bodied
31:22 trumpet!!!!
Flub!
❤❤❤
Rest in peace maestro
ボストン交響楽団、11月11日、大阪で聴けます。何年ぶりになるのでしょうか。非常に楽しみです。内田光子さんも登場します。ショスタコーヴィチ【革命】、ベートーヴェン【皇帝】の2曲です。指揮は【アンドリス・ネルソンス】さんです。
25:56 $12,000 Bass Trombone gliss
Without bassoon nerds, where would we be?
Just went to BSO a few days ago to listen this piece. I feel sad that they are no longer as brilliant as their old time.
BSO, Chicago, and the Milwaukee Symphony were the Cat's meows in the early 70-ties to mid- 80-ties. This piece and Rite of Spring were played by the latter one Saturday night, October (I believe) 1972, by the great German-Jew conductor that re-electrified the whole county from Waukesha to Green Bay.
Japan seems to have the knack of turning out great conductors. In Vancouver we were privileged to have Kazuyoshi Akiyama at the helm. Kazuyoshi Uemura is another great Japanese conductor. Chiaki from Nodame Cantabile for good measure. 🙃
モネットの音最高
パリのアメリカ人ならぬ、
ハンガリーのアメリカ人
みたいな印象ですから、
何とも不思議です。
ボストンシンフォニーは、
同曲を日本公演でも演奏した。
その節は、この映像のような
記憶はない。
so this song reminds me so much of Daryl Hall & John Oates - I Can't Go For That (No Can Do)
I love the Boston Pops!
👏🏽👏🏽👏🏽👏🏽👏🏽🌹🌹🌹🌹
14:15
25:55
Odd seating-- Joseph Silverstein appears to be in the 2nd violins. Was he brought in after he'd left for Utah, just for this recording?
Based on the orchestra roster, this appears to be from the early 90’s.
1992 :)
Thanks for adding to the description.
So cool
日本の誇れる指揮者、小澤征爾‼️
9:30 excerpts
3:41 excerpts
24:48 Timpani Excerpt
Trumpet momets:
32:20
🤘😝
25:56
31:20
11:05
16:36 Jar Jar Binks theme
7:38
31:10
ボストンシンホニーってキレイな音のするオーケンスラなんだね。アメリカのオーケストラだから人種差別とか貧富の差とか核爆弾とか国内外の矛盾を爆発させる、不協和音のオーケストラかとおもったけど、そうじゃないみたい。セイジもバルトークらしさがまったくないおとなしい指揮だ。
I could've sworn it was in D minor.
Sounds more like a sound track than a symphony. Where's the melody?
It’s Bartok. Go figure
En esta ocasión no me ha convencido la versión que de este concierto hace el gran Maestro japonés, ni tampoco la de Eschenbach, ni la orquesta XXI aunque sean buenas versiones las tres. Si Vds. son forofos de este maravilloso, bello y singular concierto les recomiendo la versión de la orquesta Philharmonia Slavonica dirigida por Carlo Pantelli de Classical Masterworks que dura SÓLO 36minutos.
I mean it's well performed but it still sounds like a whole lot of noise to me. It's curious music, interesting intellectually perhaps but with zero emotional content. Listening to it is about as satisfying and meaningful as the sounds of the Underground Rail while standing at a station in London. Call me a philistine.
@Romain Alberi Yeah. And some people like death metal ¯\_(ツ)_/¯ Don't get me wrong I've heard atonal performances and compositions that I loved. This isn't one of them. Different strokes...
@@noeldacosta7621 First of all, it's FAR from atonal. Nobody understood true tonality and harmony better than Bartok in the 20th Century. And to write this, literally, on his deathbed, thumbing his nose at leukaemia - well, it's one of the great FEATS of any human, in any age or medium. Bartok is probably the greatest composer of the 20th Century, if I had to choose.
Nope-too fast. It's like they are racing to get to the end of each section.
Ozawa follows Bartok's tempo and metronome markings very carefully. There are performances by Leinsdorf, Kocsis, and Dorati (Minneapolis), that are faster than this but very convincing.