Very well done! This section is incredibly hard to pace yourself with properly and not make it sound overbearing, without even talking about the technical aspect of it, but as usual, Chopin makes it work.
I still find it hard to get the melody through this part, hard to keep quiet with all the chaos. only half-learned it for fun though (my teacher doesn’t know 🤫)
Don't know many who can make that plaintive melody sing through the left hand tempest here as well as Seong-Jin Cho. Only other would be Nikolai Lugansky. One of his old performances in Japan (I think?) is on RUclips.
Can you do it the complete piece? Please, i love this Nocturne with my life... I loved what you did with the colors, the storm and when it trembles, the concept of the colors is incredible, blue when the piece is sad, yellow when it is comforting and red when it is reaching the climax, great idea, I congratulate you bro.
This section is so difficult... I learned to play the whole piece 2-3 years ago and still can't play the Doppio Movimento clean, or at least as clean as these great pianists Seong Jin Cho's interpretation along with Lugansky and Ashkenazy are my favourites >.
I can definitely see the inspiration and influence of Sayeedur123 -- and that's totally cool! I'm glad that you've decided to pick up from where he's (mysteriously) left off. Do you happen to have an inkling of what may have happened to him?
@@wolowolowolowolowolowolowo2417 I can't imagine. I wrote the sheets that the orchestra which I participate uses, and it's só tiering. I can't imagine how much time you spend a animation with those transitions
I’m writing a Sibelius plugin which exports a list of every object sorted by its time (in milliseconds). Some objects like hairpins or pedal lines get an end time as well. This can then be run through another plugin in After Effects to set up all the basic ins/outs, effects, keyframes and expressions for all layers automatically. So the only things left are the fun parts: animating the score position, theme effects, whatever else. All the tiddly stuff can go from taking days or even weeks to just seconds. Just curious, are you using any method like this already? Or just going one by one manually?
@@EricPeelMusic ah i see. It's nothing fancy, I just take a score and take off a pulse of notes one frame at a time and stitch it together in reverse order so the score reveals itself. Sounds interesting though 👍
You need an MS Paint-like software to remove a beat at a time from the score, and a video editor to stitch them together with effects. The softwares I use are Medibang Pro and Davinci Resolve, both are free.
This is my favourite nocturne. I studied it and know how to play it. I especially love this part, as it is very dramatic an full of emotions.
Omg the storm in the background… I’ve always envisioned this whenever hearing this part of Nocturne Op 48 No 1
Very well done! This section is incredibly hard to pace yourself with properly and not make it sound overbearing, without even talking about the technical aspect of it, but as usual, Chopin makes it work.
I still find it hard to get the melody through this part, hard to keep quiet with all the chaos. only half-learned it for fun though (my teacher doesn’t know 🤫)
One of the most beautiful excerpts in the Music History.
Cool concept, cool channel, cool pieces. I gotta say, impressive. I also gotta say, keep doing this and you will be quiet popular soon 🔥
This performance and amimation are astonishing.
This is the perfect piece for this kind of animation!
These edits are incredible. I hope you'll make more of them.
Thanks for sharing, this is awesome
Man you are doing great, good job, keep going and you'll get famous!!
Don't know many who can make that plaintive melody sing through the left hand tempest here as well as Seong-Jin Cho. Only other would be Nikolai Lugansky. One of his old performances in Japan (I think?) is on RUclips.
Never expect a nocturne to be this difficult, agitated and full of chords, double notes.
This should be a section of Chopin's 5th ballade.
Well, congrat to us. We saw the greatest romantic moment of all chopin's pieces (of course, it's my opinion).
keep going with this format.
So tomantic ❤❤❤
This is art!
Can you do it the complete piece? Please, i love this Nocturne with my life... I loved what you did with the colors, the storm and when it trembles, the concept of the colors is incredible, blue when the piece is sad, yellow when it is comforting and red when it is reaching the climax, great idea, I congratulate you bro.
that'll be a bit of work
@@wolowolowolowolowolowolowo2417 think of all the views!
@@purpleowl2075i mean work like this deserves over 100k views. Im a bit disappointed in the algorithm
Actually I might
Please do this and other pieces too
It's wonderful! Make more
Knew it was Seong-Jin Cho the moment it started.
This section is so difficult... I learned to play the whole piece 2-3 years ago and still can't play the Doppio Movimento clean, or at least as clean as these great pianists
Seong Jin Cho's interpretation along with Lugansky and Ashkenazy are my favourites >.
thought the video was gonna be cringe, but turned out to be kinda badass!
I love your visualisation of sheet music. It's a really good idea and Something different. Please keep on making these! Maybe some Rachmaninow next
Its very cool
insane!!1 keep going sir
I can definitely see the inspiration and influence of Sayeedur123 -- and that's totally cool! I'm glad that you've decided to pick up from where he's (mysteriously) left off. Do you happen to have an inkling of what may have happened to him?
I'm not sure, he explained it in a deleted community post.
Right!! I was trying to search his videos but I just couldn’t find any trace
@@wolowolowolowolowolowolowo2417do you remember anything from it
Nice.
Deve ter dado muuuito trabalho sincronizar
Wow!!!!!
By the way, could you do more videos like this with another moments or whole pieces!? I would certally enjoy :D
certainly, they just take a while to make
@@wolowolowolowolowolowolowo2417 I can't imagine. I wrote the sheets that the orchestra which I participate uses, and it's só tiering. I can't imagine how much time you spend a animation with those transitions
Poxa, essa interpretação desrespeitou todas as indicações de como Chopin queria na partirura
Coukd you reupload the 4th ballade but with the polyrythm bit included. I thought it was quite rude to cut it off lol
Actually very scraibin
1:52 - 1:58 Can anyone explain WHY do we have to play a 12th on the left hand?! 😂 Nah jk, I know it's just an octave on the left hand 😅
Make vide9 the Chopin etude No1 Opus 25 pelase
I think chopin could be a great drumer
How can he play the piano that way
His left hand plays 3beats, and right hand plays 4beats
Chopin was a master of polyrythms.
Drummer... hm, no... he prefered softer touch! :D
Pls animate ballade coda 1
ok
Sayeedur deleted all his vids 😢
Yep :(
Yep :'( i like the trascendental etude fusses, liszt
Me too! I also loved the coda videos :(
Hopefully some day they can re-upload what has been deleted
Why did he delete them???
@@Frederic_Francois_Chopin idk
Could u do the allegro de concert and fantasie in f minor as noteblocks
I did half of the fantaisie back in the summer, I might pick it up again and finish it soon.
I started the allegro de concert
@@wolowolowolowolowolowolowo2417 LESGOO
How are you making this videos ? which software ?
what animation tool do you use for these?
Did you use thousands of layers or did you use thousands of mask keyframes?
yes
I’m writing a Sibelius plugin which exports a list of every object sorted by its time (in milliseconds). Some objects like hairpins or pedal lines get an end time as well. This can then be run through another plugin in After Effects to set up all the basic ins/outs, effects, keyframes and expressions for all layers automatically. So the only things left are the fun parts: animating the score position, theme effects, whatever else. All the tiddly stuff can go from taking days or even weeks to just seconds. Just curious, are you using any method like this already? Or just going one by one manually?
@@EricPeelMusic ah i see. It's nothing fancy, I just take a score and take off a pulse of notes one frame at a time and stitch it together in reverse order so the score reveals itself. Sounds interesting though 👍
pls animate fur elise
How do you do that animation with the score? Do you need any specific apps?
You need an MS Paint-like software to remove a beat at a time from the score, and a video editor to stitch them together with effects. The softwares I use are Medibang Pro and Davinci Resolve, both are free.