it's hilarious watching marco completely forget the mechanic that is literally the tagline to the game (blood is fuel) but then he gets absolutely unbelievable parries like 23:06
I also played it blind, and I scared my cat out of her skin while she was sleeping on my lap with how hard I jumped (someone who doesn’t jumpscare easily)
I had seen the live mannequin reaction before in the trailer teasing the mannequin, but I completely forgot about the room following so that scared me out of my skin
1:09:00 I find it actually beautiful that Marco feels the emotion in this song while fighting the Gutterman and literally gets the whole character and its role in the grand scheme of things just by Hakita's expert-level music design. The Gutterman literally doesn't want to do this anymore, at least the guy inside of him doesn't. It just mindlessly autopilots and shoots at you because that's what it was programmed to do, while the guy in the back is used a battery and kept in eternal agony until you finally put him down. He's quite possibly one of the only enemies in this game that would be doing them a service to kill.
@@a_businessman mhm! Minor spoiler for an easter egg/lore secret: Incase anyone missed it, there's a hidden poem written by a gutterman, thanking its "battery" and calling the person its "mother". It fights so that it can find another blood source to power itself, and then frees it's mother by unhooking them and finally killing them. Very moving poem. I know I shittily summarized it but y'all should find it in 7-2 and read it yourselves if you haven't
I have over 100 hours in this game, and Ultrakill is a game that I’d love to play for the first time again, so it’s cool to see someone’s genuine first-time reaction to stuff I’ve seen a hundred times, not trying to be “Pro”, but just living in the moment and enjoying the game and the music
god the fandom would have a field trip if he was more popular, every character would have a name just by him misremembering what characters are community meme named and throwing out brand new names
@roid I'm not sure, but it seems like he forgot that dealing damage at close range heals you. A lot of the time he's on low health and ends up dying because he's not trying to heal at all. There is a lot to keep track of in this game, so maybe he's just overloaded (understandable), but it's like THE most important mechanic. (nevermind he figures it out after 40m)
@@Tidod honestly I had the same thing on my playthrough until like 1-4. Then v2 kicked my ass and I had to learn and adapt, since I was on normal and not *cough* harmless. Like nothing wrong with playing like that, but the reason I see normal as the *"right"* way to play is that it forces to understand the game or else you die
In the second fight against Gabriel, he is full of "perfect hatred" because he lost to you the first time. Upon returning to the council after the first fight, he was essentially re-indoctrinated into thinking his divine power (God's Light) is impossible to defeat, and he squandered it against you in the first fight. He doesn't understand how he lost against a mere object. He's frustrated. During the first half of the second fight, Gabriel is screaming insults along the lines of "I can't believe I lost to you" However, during the second half he starts to enjoy the fight. He realizes that "God's Light" can be defeated, and you are capable of doing so. The entire doctrine he believed in has been broken, and after the fight he takes some time to understand what that means for him. Then he does something drastic.
was a fun premiere, if you were ever wondering where Minos and Sisyphus are, they are behind the big doors with lots of "P" on them, which require you to perfect every level. i would honestly just get a save file from someone that has everything unlocked including secret levels (unless you wanna find them yourself).
@@pisoros1923 hes playing on harmless, the suffering in prime sanctums are gone. the only suffering is just how long it would take considering how slow he plays
@@paron_YTThe prime sanctums are a pretty sizeable increase in difficulty compared to the rest of the game-even on harmless. The suffering is definitely still there (especially on P-2...) After all, they were intended for people who were able to P-rank every level prior; regardless of difficulty.
People also tend to skip the Minotaur entry cause of the single line of text trick smh Also wow he missed 2 (not counting Minotaur, though I should) unlocked terminal entries I believe
37:43 It makes sense because the machines aren't evil, they were built to kill and then they never got a command saying "Stop". So as far as they know, the war is still going, and they need fuel.
Thing is, they did stop, when the war ended. Humanitys death came all of a sudden that almost drowned the ferryman in Wrath, but before that humanity thrived enough to build the “elevators” in hell, along with the terminals, so the machines did stop at some point after the war. But someone, _some thing_ told them to start killing again. And so they did.
@@glauberjunior9870 Machines started killing on their own (In hell) when Humanity was wiped out "Billions in minutes, as if the throat of the world was cut open" Machines had little to nothing in the ultimate event that caused Mankind to die off.
@@tuvergalarga6144 but then how was humanity wiped? They were at peace, and it lasted long enough for expeditions to hell to be made. So what else could have killed humanity so suddenly and fast other than the machines? They obviously would turn on each other after because no more blood supply, but what would’ve caused humanity’s death if not the machines?
@@glauberjunior9870 read the Arg "It's Hell, It has grown tired of torturing the souls it has. This is not a defense. This isnnot an attack. This is entertaiment. Tom please we need to shut this down before it spre- A N O T H E R D I E S B R I N G M E M O R E I H U N G E R" Machines couldnt have wiped humanity all at once (Billions in minutes is way too much) even if they all turned agaisnt them. It was Hell itself leaking out from prelude, Humanity entered the wolf mouth and they paid the price.
i really like how you can vision how the music mixes with the gameplay. for me, i just sort of go along with it and it subconsciously effects how i play but for you its really nice to see how you can pick apart how it progresses and effects the player. love your content
I want you to know that you're the reason I got into Ultrakill in the first place! A while ago you released a video covering the Death of God's Will and it had me so interested that I had to check out the rest of it. Thank you for introducing me to one of my favorite games of all time, even if you didn't play it back then!
I love the lore Hakita has created for this game. One of my favorites is the lore entry regarding the GUTTERMAN. In case you want to learn about it for yourself I won't spoil the log about them except for one part; the GUTTERMAN is what inspired Hell itself to create the mannequins
@@Greglag_Goose Leviathan was created by the same process demons are but without Hellmass (but instead husk bodies called the sullen) Implying all demons are created intentionally by Hell.
49:37 Exactly, that's the point, the book that you read, you forgot to scroll down, it actually says "SO TAKE UP YOUR BRUSH AND PAINT THE WORLD *R E D* "
For future reference, Marco, a big part of non-success is your lack of healing. Especially with Gabriel. Every time he talks he refuses to attack, so it’s a really good time to get some cheap close shots in and heal up.
Who wants more Lore from Dante's Inferno? The Sixth Layer of Heresy is within the City of Dis, which resembles fiery red Mosques. Heretics, who speak against the word of God are punished here, trapped in flaming tombs. Not much to say about Ultrakill here, it was very Red. The Seventh Layer, Violence is guarded by the Minotaur. It is then divided into three rings. The First Ring, representing Violence against Neighbors/Others, is for Murderers, War-makers, Plunderers, Tyrants, etc. They are immersed in Phlegethon, a river of boiling blood and fire, while Centaurs patrol and fire arrows at anyone who emerged out of the river higher than they are allowed. The Second Ring, representing Violence against Self, is for those who attempted to take their own lives. They are transformed into gnarled, thorny trees, fed upon by harpies. They are unable to move, and yet feel pain when they are damaged. Unique among the dead, these souls will not be corporeally resurrected after The Final Judgement. The Third Ring, representing Violence against God, Art and Nature. The great plane of Burning Sand, scorched by great flakes of flame slowly falling from they sky. The Blasphemers, Sodomites and Usurers (Violent against God, Nature and Art respectively) are faced with this unbearing desert for eternity. Encountering this layer in Ultrakill is what got me looking into Dante's Inferno. You can clearly feel the three rings of Violence in the game, Violence against Others, Self, then God/Nature. The Minotaur is the guardian of the Labrynth in the Garden of Forked Paths. You missed the final words in the book there: "The World is your Canvas ... So pick up your Brush ... And Paint ... The World ... RED" The Phlegethon takes to the side in Light up the Night, instead focusing on perpetual war between the machines. In No Sound, No Memory, the enemies can be seen fighting each other amidst the forest of gnarled trees. And you take on the 1000-THR in Like Antennas to Heaven. The Pinnacle of the Great War that scorched the Earth, and the machine you were seemingly designed to defeat. If you pay close attention, you can see another 1000-THR off in the distance engaged in combat with the one you are infiltrating. They periodically fire colossal bolts of electrical energy between each other, blocking them with some form of energy shielding.
"ehmm akschually the minotaur got banished to the garden of forking paths after minos got terrified when your mother ("your mother" fits in the blank spaces) sculpted it and presented it to minos and minos got terrified because it represented his mistakes 🤓"
hakita openly said that he would've liked to have put a city backdrop in heresy but he was pressed for time and also thought it ruined the vibe of the music and moment.
I like the part when you enter this long dark corridor in 7-3 and end up in a place where there are already battles going on between different fractions of hell, like different models of machines, types of demons and angels etc., and how it creates the picture of slowly dying world
Another great playthrough! Loved it from the first second. In case you still want more Ultrakill, there's more levels such as the secret missions (requiring some exploration and puzzle-solving... sometimes literally) and Prime Sanctums (that require a P-rank on every level). If you're not up for playing them, there's plenty of videos out there of others doing it themselves. Fraud and Treachery are coming soon, hopefully this year, so it is not the end. I hope to see your playthrough of them too, and thanks for playing!
If it comes to the release of Fraud and Treachery, I'd say: I'd wait another year, maybe next august or july to let hakita and the team perfectly flesh out all ideas and stuff regarding the last 2 layers, the new alt weapon, all the secret missions, the last prime sanctum, and last but not least, the new difficulties, and I'll be waiting, looking forward how gloriously they close this early access game to a full fleshed out game, which made a huge name itself among the indie titles.
1:31:05 I dont know if someone commented this before, but thats actually the suicide woods in the divine comedy. Even if they did, it goes deeper. In the text of the mannequins it says that the ones who escaped the laberinth in the violence layer (Or were close to) ended up still, this is a reference to them becoming trees. So yeah, all rhis time youve fed the trees blood, doing them a favor, as the book in the first level said , its part of their religion, so they ask you to feed them specifically that, blood. "Feed us and we'll grow" their cult will grow. Later, in the 4th level, the trees grow upwards and trap the Earthmover, holding it in place, so yeah, they return yoj the favor, even as still trees.
fun fact! if you read the lore behind the earthmover you will see that it is hinted at that v1 (the robot you play as) was specifically designed to counter the earthmovers! i love the little lore tidbits this game has. glad to see you enjoying ultrakill :)
I honestly don't think Gabriel is particularly evil here. If you read the lore you can see he shows mercy to several of the damned like the ferryman and now that god has vanished he is forced to be a punisher of the wicked, something he most probably hates doing but does it anyway out of duty but no doubt feels a lot of doubt and guilt for the torment that is being put upon the suffering. Then the machine enters and for the first time in his existence he is actually challenged and defeated. Which forces him to stop and take a look at himself and his place in the world which initially brings anger but then gratitude. Anyway thanks for coming to my ted talk!!
Honestly, I'm not sure he's forced to be a punisher of the wicked, but is instead ignorant of the damage that he's causing. Fundamentally, Gabriel believed that his purging and murder was the will of God, the being he worships, and as such, he obeyed without questioning. It's not evil, just ignorance driven by religious manipulation.
I HAVE BEEN WAITING FOR A WHILE FOR THIS IM ACTUALLY EXCITED FOR THE VIOLENCE LAYER!!! Edit: THE MANNEQUIN JUMPSCARE also the fact that Marco easily learned how to parry the mannequins point blank made me fliplol
1:32:36 dont know if you noticed, but from this point forward all enemies in the level are infighting and target each other (although, they will begin to target exclusively you if you get too close or attack them)
You should really check out the secret missions in this game! They added such a charming aspect to the game that really made me fall in love with the game on my first playthrough. The puzzles are super rewarding to solve and there's only really one "combat" secret level so they're not a challenge/hassle or annoying to complete at all in terms of combat because the only time you have to deal with that is when you're finding the secret mission entrance. A lot of the most memorable moments in the game happen during these missions and I think it could be super fun to see you check them out! (or you could do so in your own time of course in case you don't want to publish that experience) ♥
"How many had he killed? Had he ever thought to count? How much cruelty did he embody... and to what end? How many did he condemn to hell and who did it benefit..?" I find this introspection by Gabriel so interesting because he could be talking about V1 (you), but he could just as easily be talking about himself or even God. All three had shown cruelty, and all killed others in vain. Sentencing to hell or just assisting? The fact that Gabriel never mentions V1 as a he, but only as a machine or a thing supports this heavily.
dude the act 2 interlude still gives me chills to this day the entire cutscene is deadass 3 images, and yet it's one of the best cutscenes I've ever seen
27:50 His wrong was failing to kill V1 33:something Gabriel is pissed because he lost to a mere machine, "not even mortal" just a piece of metal. He, a mighty archangel, the rightous hand of the father. Also i think the song Gabriel plays is a Bach song? Im not sure though ///VIOLENCE/// 51:31 (?) The melody here is actually Death Of Gods will (Gabriel's Theme) (I have a short compairson of them, cant link it because the comment will get removed so if you want to see it just check out the third video on my channel) 1:08:00 (?) You can scroll down on the Minotaur entry
to correct something you said in 28:55, at the beginning when he’s enraged he’s desperate to win but as he calms down and the room becomes filled with light he starts getting into it, into the fight, he’s having fun
To elaborate on the crosses in 7-1, they actually don't have the same meaning as they do in typical Christianity. Basically, they're just meant to be a very crude depiction of a tree, specifically the tree of life. Hakita and the dev team didn't want crosses in at first, but then realized Gabriel has a huge one on his head, so they had to come up with a meaning for it
@@addison_v_ertisement1678 Ultrakill, while somewhat based on Dante's inferno, isn't really christian lorewise. No mention of Jesus is made, and all parallels to actual Abrahamic faiths are old testament related, and even then they aren't often specific references to abrahamic theology. Christian cosses wouldn't really make sense in ultrakill's hell, as the context of Jesus' crucifixation isn't relevent to the ingame kingdom of heaven.
Just opened the video, wanna say before it starts that I am SO excited to see his reactions, ESPECIALLY Violence layer. I commented on the last video and I've been waiting for this! Excited to see what happens, reactions, etc. I'll edit this with my thoughts at the end :D 7-1 EDITS: 48:32 was worth EVERY second of the wait lol. 49:38, the blood on white is actually exactly what Hakita was going for when he made the Violence Layer predominantly white! 1:05:25 Bull of Hell (The Minotaur's theme) actually has an Aztec Death Whistle played by Mandalore Herrington (MandaloreGaming) that you can hear here! 1:05:45 BEAUTIFUL foreshadowing, literally perfect lol. 7-2 EDITS: 1:08:07 Scroll down :). 1:09:03 Surprisingly accurate guess on the Gutterman, lore, just a bit off with who specifically is being forced to do something they don't wanna do. 1:09:41 I love seeing people's genuine reactions to moments like this. You've been conditioned to think that the Violence Layer is all going to be similar to 7-1, and even walking into 7-2 you still have that same sense, until those doors open and everything changes. You've just been in the Labyrinth at the edge of the Violence layer, now you're in the actual layer and you're immediately thrown into a completely different, unsettling environment. Amazing work by Hakita, and I love Marco's genuine reactions to moments like this. Watching him do the level outside of the intended order was fun. 7-3 EDITS: He forgot the Gutterman terminal entry, but 1:28:58 tree jumpscare.1:35:15 This scared me lol, I hate mannequins! A little sad he didn't realized exactly what's happening in the big arena rooms. 7-4 EDITS: 1:38:16 The reaction to the reveal of the Earthmover is great, what I was hoping for! 1:42:53 Struggling to remember Maurice's name was really funny. Marco just tanking the flush pool because he's on harmless was hilarious! 1:50:20 the last second escape reaction was amazing, you can see the shock on his face, like "Oh, I was almost there when it exploded."
Hey Marco! Just a bit of a recommendation for your ULTRAKILL journey: Swapping weapons and their variations frequently will boost your style points and help you learn all sorts of stylish synergies. For example, shooting an enemy with lots of nails embedded in them with the railcannon will cause all the nails to explode!
If you look in the controls there's an area to change your arm punches to be different buttons entirely so you can instantly punch with whatever arm you want instead of one button making you swap arms and you have to remember which one you're on, just in case you'd prefer that since the single button swapping can feel awkward at times.
another lovely Ultrakill video... thank you so much for playing more of it!! this has been such a fun "series" to watch - as a "classical music enjoyer" (though, admittedly, i don't know much about the specifics of classical music in general, i must admit...) but especially as an Ultrakill player, this was so damn fun to see. i don't care at all that you chose to play on Harmless difficulty - it's there for a reason! your insights about the music, where it comes from, and what it makes you think about and *feel* - THAT'S what i'm really here for. anything else is secondary! this was a wonderful video, and i'm very glad you've continued to enjoy your experience with this beautifully bloody game. here's hoping layers 8 and 9 live up to this level of polish!
I just realized something The reason why 6-1's title is "Cry for the Weeper" and why its theme sounds sad is because of the people who got ended up in the layer Human souls started to fill Hell full and among those souls gets scorched in Heresy. Some, if not, many of those people who got in that layer were morally righteous and faithful people who were following the wrong belief, aka going pagan. That one part in the theme really sounds like its crying, as if the people who believed so hard in their moral belief are bawling because of the unfair suffereing they got in the end even though they have been kind and good back in Earth. Pair it with the droning music from the start, as Marco said, it's oppressing, like it's silencing the "sinners" of their despair of their situation, taking no heed of their thoughts and regrets. They once sought salvation, but the only way now is death
eh, it's a lot of effort for just two levels. I'd rather he approaches it in a way in which he's comfortable. If he's most interested in experiencing the music in its context, maybe he could review un-narrated gameplay of those levels?
42:47 Bold of you to assume people didn't know this was classical music, even MORE BOLD OF YOU to assume people don't like classical music, people love classical music, me included.
honestly i believe 7-2 shouldve been designed a tad bit differently ive seen so many playthroughs of people playing half the level backwards and then getting stuck at the payload area because they dont have the cart
Love how we absolutely does 7 1 without any confusion of skulls and tunnels (which took me and my friend about 20-30 minutes roaming around like mad men because we cant grapple them from the doors they activate. And how he gets absolutely gets confused in 7-2 which is supposed to be a straightforward level with the payload there
The Ultrakill 7-2 theme (Siren Song of the Dead) sounds at parts a bit like Border of Life from Touhou 7, I encourage you to check it out. i love how ultrakill can be one of the most insanely difficult and skill expressive games at higher difficulties and trying to perfect rank while simultaneously having easier difficulties that allow people to just experience the story and music
52:48 ”it’s like these people really don’t wanna be here you know.” Litterally the twisted bloody remains of souls who tried to escape the labyrinth. They’re still fully conscious, watching their bodies do to fellow sinners what hell has done to them.
One thing I've noticed is that absolutely no one realizes the enemies in 7-3 fight eachother after the second tree is fed. Even I only figured that out when I had to look up the level on the wiki to know what the "become marked for death" level challenge was about
Glad to see you've enjoyed your time with this game and had the chance to hear the tracks in their proper context. Let's see what Hakita cooks up for Fraud and Treachery
fun fact: the music for gabriel's second fight, the finalized version of it was done before the update dropped by some hours, confirmed by Hakita. but even for a late finished music, it slaps and fits with gabriel in this state of the story
Moments i wanted to take it out purely on a wall (no offense): 1. Marco not reading the last line on that book on 7-1 2. Not scrolling down to the strikethrough lore on Minotaur 3. Every second when Marco drops the payload without the tram made me ponder on the toliet: "Why do i exist?" "Am i here to just coincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoin?"
![Just When I Think This Game Couldn't Get Better | ULTRAKILL [ VIOLENCE ]](http://i.ytimg.com/vi/RqsYYBgOXos/mqdefault.jpg)
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
11:06 6-1 Gabriel speaks to V1
24:41 6-2 Start
48:12 7-1 Red skull room
48:33 7-1 Mannequin reaction
53:43 7-1 -Minotaur- reaction
1:02:04 7-1 Mannequin terminal entry
1:04:18 7-1 -Minotaur- fight
1:05:54 7-1 Exit room
1:08:52 7-2 Gutterman
1:09:41 7-2 Outside
1:12:35 7-2 Guttertank
1:15:02 7-2 Payload (without cart)
1:19:33 7-2 Book
1:23:46 7-2 *WE’RE GONNA NEED A BIGGER BOOM*
1:24:46 7-2 Payload (with cart)
1:25:32 7-2 Exit room
1:27:54 7-3 Guttertank terminal entry
1:28:44 7-3
1:29:25 7-3 *F E E D. I T .*
1:32:36 7-3 Infighting
1:35:48 7-3 Exit room
1:38:11 7-4
1:43:15 7-4 City on its back
1:43:20 7-4 Defense system
1:44:44 7-4 Flushing Interior
1:47:51 7-4 Earthmover fight
1:49:00 7-4 Critical Failure
1:50:21 7-4 Vent launch escape
1:31:35 benjamin
@@darzord928 That’s closer to being a "Benjamin mention" instead of "Benjamin" itself
Should 7-4 turn into 6”0 vs 5”10
@@mixednarwhal "Edward" mention lol
it's hilarious watching marco completely forget the mechanic that is literally the tagline to the game (blood is fuel) but then he gets absolutely unbelievable parries like 23:06
I loved the part where he read minotaur and just went "unknown no data?, ok " and just left
I'm shidding and pissing and bawling so hard rn fr fr
That was the most legitimate reaction to the mannequins scuttling at you (and the live mannequin reaction) I’ve ever seen
I jumped so hard the first time 😂
I also played it blind, and I scared my cat out of her skin while she was sleeping on my lap with how hard I jumped (someone who doesn’t jumpscare easily)
realest live mannequin reaction fr
I had seen the live mannequin reaction before in the trailer teasing the mannequin, but I completely forgot about the room following so that scared me out of my skin
I think it's even more terrifying when you consider the lore
1:05:47 marco going on about not signing up for a horror game immediately getting followed by a jumpscare is the best part
It's Chains of Harrow all over again
hwalnut??
Its funny how marco almost instantly understands the backtracking of 7-1, but proceeds to complete almost the entirety of 7-2 in reverse.
I was also very confused with 7-2 lol even as a longtime player
don't forget running around on benjamin's knee for 2 full minutes
@@scared1585 And roaming around in Benjamin's interior while drowning in his digestive juices lolll, that kinda stuff can only happen in harmless
Minotaur: No Data
Marco: alright.
Me: NOOOOO
he also missed the "PAINT THE WORLD RED"
@@DamageMaximoYou know, if i had a a cent for every person I watched playthrough who missed the last line of that book, I'd have about 26 cents.
@@balabol1086lmao 😂
IT'S SOOO NERVE RACKING!! IM FUCKIN CRYING 😭😭😭😭😭😭
@@balabol1086Same lmao
“Gabriel seems very scared to win.”
Gabriel: “Nah I’d win.”
the sound is a little off in this one, in game was a little too loud. Sorry about that. See you for Layer 8 after we listen to the music first!
layer 8 aint out yet so take ur time with the music reactions :)
that will be a while
they haven't started work on layer 8 yet
While we all wait on layer 8, you can always try and find the secret levels and bosses that are available in the previous levels.
They don’t wana be there they are trapped in there own bodys
1:09:00 I find it actually beautiful that Marco feels the emotion in this song while fighting the Gutterman and literally gets the whole character and its role in the grand scheme of things just by Hakita's expert-level music design. The Gutterman literally doesn't want to do this anymore, at least the guy inside of him doesn't. It just mindlessly autopilots and shoots at you because that's what it was programmed to do, while the guy in the back is used a battery and kept in eternal agony until you finally put him down. He's quite possibly one of the only enemies in this game that would be doing them a service to kill.
Along with the Mannequins
and corpse of king minos
it's worth noting that it's pretty much outright stated that the guttermen themselves feel guilt over using the human as a battery
@@a_businessman mhm!
Minor spoiler for an easter egg/lore secret:
Incase anyone missed it, there's a hidden poem written by a gutterman, thanking its "battery" and calling the person its "mother". It fights so that it can find another blood source to power itself, and then frees it's mother by unhooking them and finally killing them. Very moving poem. I know I shittily summarized it but y'all should find it in 7-2 and read it yourselves if you haven't
Marco parrying the minotaur to finish it off was a highlight, love seeing you having fun with the systems.
"is this Altars of Apostasy? No..."
That was Altars of Apostasy.
"Oh yeah, this is Altars of Apostasy."
That was Fallen Angel.
CLODSIRE
1:30:18 MarcoMeatball SPOTTED trying to PARRY with the KNUCKLEBLASTER
🤨📸
1:37:20 MarcoMeatball SPOTTED trying to SHIELDBREAK with the FEEDBACKER
Hakita moment
1:39:22 MarcoMeatball SPOTTED trying to SHOOT a YELLOW HOOKPOINT with the PIERCING REVOLVER
OOOOOOOH
I have over 100 hours in this game, and Ultrakill is a game that I’d love to play for the first time again, so it’s cool to see someone’s genuine first-time reaction to stuff I’ve seen a hundred times, not trying to be “Pro”, but just living in the moment and enjoying the game and the music
Marco falling off Benjamin and misnaming Maurice gotta be the funniest moments of the stream, I laughed so hard.
Maurice's cousin, Edward
@@PoshzyJM His uncle, Charlie
@@alternateaccount394 His brother, Bernard.
god the fandom would have a field trip if he was more popular, every character would have a name just by him misremembering what characters are community meme named and throwing out brand new names
i love how Marco puts more effort on having fun than "beating" the game
Still cool to see him learning the mechanics too. Finally picked up the nailgun overheat and that maurice bounces projectiles.
@@RustyDroidi still have faith that he will do a P-ranking stream and then… a Prime Souls Stream
@roid I'm not sure, but it seems like he forgot that dealing damage at close range heals you. A lot of the time he's on low health and ends up dying because he's not trying to heal at all. There is a lot to keep track of in this game, so maybe he's just overloaded (understandable), but it's like THE most important mechanic. (nevermind he figures it out after 40m)
@@Tidod honestly I had the same thing on my playthrough until like 1-4. Then v2 kicked my ass and I had to learn and adapt, since I was on normal and not *cough* harmless. Like nothing wrong with playing like that, but the reason I see normal as the *"right"* way to play is that it forces to understand the game or else you die
better than underthemayo
In the second fight against Gabriel, he is full of "perfect hatred" because he lost to you the first time.
Upon returning to the council after the first fight, he was essentially re-indoctrinated into thinking his divine power (God's Light) is impossible to defeat, and he squandered it against you in the first fight. He doesn't understand how he lost against a mere object. He's frustrated.
During the first half of the second fight, Gabriel is screaming insults along the lines of "I can't believe I lost to you"
However, during the second half he starts to enjoy the fight. He realizes that "God's Light" can be defeated, and you are capable of doing so. The entire doctrine he believed in has been broken, and after the fight he takes some time to understand what that means for him. Then he does something drastic.
Whether it was drastic or not, he did what he needed to do
I really liked your voice acting during the Interlude section with Gabriel and the Councilor
was a fun premiere, if you were ever wondering where Minos and Sisyphus are, they are behind the big doors with lots of "P" on them, which require you to perfect every level. i would honestly just get a save file from someone that has everything unlocked including secret levels (unless you wanna find them yourself).
Him enjoying the main layers are enough, I'd rather not watch him suffer in the prime sanctums.
@@pisoros1923 hes playing on harmless, the suffering in prime sanctums are gone. the only suffering is just how long it would take considering how slow he plays
@@paron_YT It would be like a video per sanctum, with P-2 being 10 hours long or more LOL
@@paron_YTThe prime sanctums are a pretty sizeable increase in difficulty compared to the rest of the game-even on harmless. The suffering is definitely still there (especially on P-2...) After all, they were intended for people who were able to P-rank every level prior; regardless of difficulty.
@@paron_YT*lenient
10:11
The book at 47:43 can be scrolled down to read more
To paint
The world
RED
How did barely anyone even notice that lmao
It was just one word bro😭
@@viceleapored710 completely changes the vibe though
I saw so many youtubers/streamers that skipped the last line of the book because they didn't notice the scrollbar LOL
People also tend to skip the Minotaur entry cause of the single line of text trick smh
Also wow he missed 2 (not counting Minotaur, though I should) unlocked terminal entries I believe
37:43 It makes sense because the machines aren't evil, they were built to kill and then they never got a command saying "Stop". So as far as they know, the war is still going, and they need fuel.
Thing is, they did stop, when the war ended. Humanitys death came all of a sudden that almost drowned the ferryman in Wrath, but before that humanity thrived enough to build the “elevators” in hell, along with the terminals, so the machines did stop at some point after the war.
But someone, _some thing_ told them to start killing again. And so they did.
@@glauberjunior9870 it was me my bad
@@glauberjunior9870 Machines started killing on their own (In hell) when Humanity was wiped out "Billions in minutes, as if the throat of the world was cut open"
Machines had little to nothing in the ultimate event that caused Mankind to die off.
@@tuvergalarga6144 but then how was humanity wiped? They were at peace, and it lasted long enough for expeditions to hell to be made. So what else could have killed humanity so suddenly and fast other than the machines? They obviously would turn on each other after because no more blood supply, but what would’ve caused humanity’s death if not the machines?
@@glauberjunior9870 read the Arg
"It's Hell, It has grown tired of torturing the souls it has.
This is not a defense. This isnnot an attack. This is entertaiment.
Tom please we need to shut this down before it spre- A N O T H E R D I E S B R I N G M E M O R E I H U N G E R"
Machines couldnt have wiped humanity all at once (Billions in minutes is way too much) even if they all turned agaisnt them.
It was Hell itself leaking out from prelude, Humanity entered the wolf mouth and they paid the price.
i really like how you can vision how the music mixes with the gameplay. for me, i just sort of go along with it and it subconsciously effects how i play but for you its really nice to see how you can pick apart how it progresses and effects the player. love your content
I want you to know that you're the reason I got into Ultrakill in the first place! A while ago you released a video covering the Death of God's Will and it had me so interested that I had to check out the rest of it. Thank you for introducing me to one of my favorite games of all time, even if you didn't play it back then!
I love the lore Hakita has created for this game. One of my favorites is the lore entry regarding the GUTTERMAN. In case you want to learn about it for yourself I won't spoil the log about them except for one part; the GUTTERMAN is what inspired Hell itself to create the mannequins
idk, the leviathan is kinda similar to the mannequins and it existed long before
@@Greglag_Goose Leviathan was created by the same process demons are but without Hellmass (but instead husk bodies called the sullen)
Implying all demons are created intentionally by Hell.
@@tuvergalarga6144 i dont get how that changes what i said
@@Greglag_Goose then explain what were you even saying cuz i dont see other way to interpret it
@@tuvergalarga6144 that hell already made demons in pretty much the same way as mannequins way before guttermen came into the scene
1:04:54
"what are you doing here"
ah, it is but a mere generous blood donation.
49:37 Exactly, that's the point, the book that you read, you forgot to scroll down, it actually says
"SO TAKE UP YOUR BRUSH
AND PAINT
THE WORLD
*R E D* "
For future reference, Marco, a big part of non-success is your lack of healing. Especially with Gabriel. Every time he talks he refuses to attack, so it’s a really good time to get some cheap close shots in and heal up.
the wiki (I think) says that his pride stops him from attacking while taunting v1
@@NoSignificantHarassment. I think his terminal also says as much? I’d have to double check.
Upon further investigation it does in fact say this in the terminal!
Who wants more Lore from Dante's Inferno?
The Sixth Layer of Heresy is within the City of Dis, which resembles fiery red Mosques. Heretics, who speak against the word of God are punished here, trapped in flaming tombs.
Not much to say about Ultrakill here, it was very Red.
The Seventh Layer, Violence is guarded by the Minotaur. It is then divided into three rings.
The First Ring, representing Violence against Neighbors/Others, is for Murderers, War-makers, Plunderers, Tyrants, etc. They are immersed in Phlegethon, a river of boiling blood and fire, while Centaurs patrol and fire arrows at anyone who emerged out of the river higher than they are allowed.
The Second Ring, representing Violence against Self, is for those who attempted to take their own lives. They are transformed into gnarled, thorny trees, fed upon by harpies. They are unable to move, and yet feel pain when they are damaged. Unique among the dead, these souls will not be corporeally resurrected after The Final Judgement.
The Third Ring, representing Violence against God, Art and Nature. The great plane of Burning Sand, scorched by great flakes of flame slowly falling from they sky. The Blasphemers, Sodomites and Usurers (Violent against God, Nature and Art respectively) are faced with this unbearing desert for eternity.
Encountering this layer in Ultrakill is what got me looking into Dante's Inferno. You can clearly feel the three rings of Violence in the game, Violence against Others, Self, then God/Nature.
The Minotaur is the guardian of the Labrynth in the Garden of Forked Paths. You missed the final words in the book there:
"The World is your Canvas ... So pick up your Brush ... And Paint ... The World ... RED"
The Phlegethon takes to the side in Light up the Night, instead focusing on perpetual war between the machines.
In No Sound, No Memory, the enemies can be seen fighting each other amidst the forest of gnarled trees.
And you take on the 1000-THR in Like Antennas to Heaven. The Pinnacle of the Great War that scorched the Earth, and the machine you were seemingly designed to defeat.
If you pay close attention, you can see another 1000-THR off in the distance engaged in combat with the one you are infiltrating. They periodically fire colossal bolts of electrical energy between each other, blocking them with some form of energy shielding.
"ehmm akschually the minotaur got banished to the garden of forking paths after minos got terrified when your mother ("your mother" fits in the blank spaces) sculpted it and presented it to minos and minos got terrified because it represented his mistakes 🤓"
As someone else with a Divine Comedy hyperfixation, thank you for your service
I heard that 1000 in japanese sounds like sen, so Sen-THR "Earthmover" is to some degree a Centaur
hakita openly said that he would've liked to have put a city backdrop in heresy but he was pressed for time and also thought it ruined the vibe of the music and moment.
@@Nicotrie The THR is thor due to how it shoots a massive lighting bolt. Sen-thor. It is a centaur.
I like the part when you enter this long dark corridor in 7-3 and end up in a place where there are already battles going on between different fractions of hell, like different models of machines, types of demons and angels etc., and how it creates the picture of slowly dying world
Fun fact, if you stand near any of the posing mannequins you can hear them breathing.
And the sounds the trees in 7-3 are actually distorted screaming. That's the forest of the suicides as in Dante's Inferno.
Another great playthrough! Loved it from the first second.
In case you still want more Ultrakill, there's more levels such as the secret missions (requiring some exploration and puzzle-solving... sometimes literally) and Prime Sanctums (that require a P-rank on every level). If you're not up for playing them, there's plenty of videos out there of others doing it themselves.
Fraud and Treachery are coming soon, hopefully this year, so it is not the end. I hope to see your playthrough of them too, and thanks for playing!
If it comes to the release of Fraud and Treachery, I'd say: I'd wait another year, maybe next august or july to let hakita and the team perfectly flesh out all ideas and stuff regarding the last 2 layers, the new alt weapon, all the secret missions, the last prime sanctum, and last but not least, the new difficulties, and I'll be waiting, looking forward how gloriously they close this early access game to a full fleshed out game, which made a huge name itself among the indie titles.
Fraud and treachery are not coming this year
That sounds too hopeful
Maybe the Graphic Overhaul update, but even that has a slim chance of coming out this year. Fraud and Treachery are coming in at least Q3 2025.
1:31:05
I dont know if someone commented this before, but thats actually the suicide woods in the divine comedy.
Even if they did, it goes deeper.
In the text of the mannequins it says that the ones who escaped the laberinth in the violence layer (Or were close to) ended up still, this is a reference to them becoming trees.
So yeah, all rhis time youve fed the trees blood, doing them a favor, as the book in the first level said , its part of their religion, so they ask you to feed them specifically that, blood.
"Feed us and we'll grow" their cult will grow.
Later, in the 4th level, the trees grow upwards and trap the Earthmover, holding it in place, so yeah, they return yoj the favor, even as still trees.
Just wanted to let you know Marco, there is an actual description for the Minotaur. It’s just tucked away at the bottom.
fun fact!
if you read the lore behind the earthmover you will see that it is hinted at that v1 (the robot you play as) was specifically designed to counter the earthmovers!
i love the little lore tidbits this game has.
glad to see you enjoying ultrakill :)
I honestly don't think Gabriel is particularly evil here. If you read the lore you can see he shows mercy to several of the damned like the ferryman and now that god has vanished he is forced to be a punisher of the wicked, something he most probably hates doing but does it anyway out of duty but no doubt feels a lot of doubt and guilt for the torment that is being put upon the suffering. Then the machine enters and for the first time in his existence he is actually challenged and defeated. Which forces him to stop and take a look at himself and his place in the world which initially brings anger but then gratitude.
Anyway thanks for coming to my ted talk!!
Honestly, I'm not sure he's forced to be a punisher of the wicked, but is instead ignorant of the damage that he's causing. Fundamentally, Gabriel believed that his purging and murder was the will of God, the being he worships, and as such, he obeyed without questioning. It's not evil, just ignorance driven by religious manipulation.
I HAVE BEEN WAITING FOR A WHILE FOR THIS IM ACTUALLY EXCITED FOR THE VIOLENCE LAYER!!!
Edit: THE MANNEQUIN JUMPSCARE
also the fact that Marco easily learned how to parry the mannequins point blank made me fliplol
13:18 shoutout to eggs benedict
1:32:36 dont know if you noticed, but from this point forward all enemies in the level are infighting and target each other (although, they will begin to target exclusively you if you get too close or attack them)
You should really check out the secret missions in this game! They added such a charming aspect to the game that really made me fall in love with the game on my first playthrough. The puzzles are super rewarding to solve and there's only really one "combat" secret level so they're not a challenge/hassle or annoying to complete at all in terms of combat because the only time you have to deal with that is when you're finding the secret mission entrance. A lot of the most memorable moments in the game happen during these missions and I think it could be super fun to see you check them out! (or you could do so in your own time of course in case you don't want to publish that experience) ♥
Okay just the fact that Marco made Gabriel stop playing the organ right before it would have looped, that made my day.
Even on harmless, Apostate of Hate Gabriel is an absolute shitshow
And this man almost got him first try
He is too powerful
I was so excited to see his reaction to Beethovens seventh during the “Death stains the auditorium” story. My favorite song of all time
"How many had he killed? Had he ever thought to count? How much cruelty did he embody... and to what end? How many did he condemn to hell and who did it benefit..?"
I find this introspection by Gabriel so interesting because he could be talking about V1 (you), but he could just as easily be talking about himself or even God. All three had shown cruelty, and all killed others in vain. Sentencing to hell or just assisting? The fact that Gabriel never mentions V1 as a he, but only as a machine or a thing supports this heavily.
It would be pretty weird for him to be referring to someone else in his *introspective* scene, so Gabriel is definitely talking about himself.
thats kinda dumb, hes obviously talking about himself
1:22:06 lore accurate trench warfare
dude the act 2 interlude still gives me chills to this day
the entire cutscene is deadass 3 images, and yet it's one of the best cutscenes I've ever seen
"isnt the heads name benjamin or something"
whos gonna tell him
27:50 His wrong was failing to kill V1
33:something Gabriel is pissed because he lost to a mere machine, "not even mortal" just a piece of metal. He, a mighty archangel, the rightous hand of the father.
Also i think the song Gabriel plays is a Bach song? Im not sure though
///VIOLENCE///
51:31 (?) The melody here is actually Death Of Gods will (Gabriel's Theme) (I have a short compairson of them, cant link it because the comment will get removed so if you want to see it just check out the third video on my channel)
1:08:00 (?) You can scroll down on the Minotaur entry
I forgot you were a VA for a moment there lol. Great acting in that lore dump after act 2, really nailed it
to correct something you said in 28:55, at the beginning when he’s enraged he’s desperate to win but as he calms down and the room becomes filled with light he starts getting into it, into the fight, he’s having fun
Great video! I'd also highly reccomend reading the terminal entries for the guttermen and the earthmover, very... *interesting* stuff to say the least
To elaborate on the crosses in 7-1, they actually don't have the same meaning as they do in typical Christianity. Basically, they're just meant to be a very crude depiction of a tree, specifically the tree of life. Hakita and the dev team didn't want crosses in at first, but then realized Gabriel has a huge one on his head, so they had to come up with a meaning for it
Why didn't they want crosses for it?
@@addison_v_ertisement1678 Ultrakill, while somewhat based on Dante's inferno, isn't really christian lorewise. No mention of Jesus is made, and all parallels to actual Abrahamic faiths are old testament related, and even then they aren't often specific references to abrahamic theology.
Christian cosses wouldn't really make sense in ultrakill's hell, as the context of Jesus' crucifixation isn't relevent to the ingame kingdom of heaven.
Just opened the video, wanna say before it starts that I am SO excited to see his reactions, ESPECIALLY Violence layer. I commented on the last video and I've been waiting for this! Excited to see what happens, reactions, etc. I'll edit this with my thoughts at the end :D
7-1 EDITS: 48:32 was worth EVERY second of the wait lol. 49:38, the blood on white is actually exactly what Hakita was going for when he made the Violence Layer predominantly white! 1:05:25 Bull of Hell (The Minotaur's theme) actually has an Aztec Death Whistle played by Mandalore Herrington (MandaloreGaming) that you can hear here! 1:05:45 BEAUTIFUL foreshadowing, literally perfect lol.
7-2 EDITS: 1:08:07 Scroll down :). 1:09:03 Surprisingly accurate guess on the Gutterman, lore, just a bit off with who specifically is being forced to do something they don't wanna do. 1:09:41 I love seeing people's genuine reactions to moments like this. You've been conditioned to think that the Violence Layer is all going to be similar to 7-1, and even walking into 7-2 you still have that same sense, until those doors open and everything changes. You've just been in the Labyrinth at the edge of the Violence layer, now you're in the actual layer and you're immediately thrown into a completely different, unsettling environment. Amazing work by Hakita, and I love Marco's genuine reactions to moments like this. Watching him do the level outside of the intended order was fun.
7-3 EDITS: He forgot the Gutterman terminal entry, but 1:28:58 tree jumpscare.1:35:15 This scared me lol, I hate mannequins! A little sad he didn't realized exactly what's happening in the big arena rooms.
7-4 EDITS: 1:38:16 The reaction to the reveal of the Earthmover is great, what I was hoping for! 1:42:53 Struggling to remember Maurice's name was really funny. Marco just tanking the flush pool because he's on harmless was hilarious! 1:50:20 the last second escape reaction was amazing, you can see the shock on his face, like "Oh, I was almost there when it exploded."
chat backseating Marco thinking it was a stream disappointed me 😭
im actually glad Marco didnt stream this tho otherwise it coulda not end well
DID YOU KNOW YOU CAN PUNCH BULLETS IN REAL LIFE TO LOSE YOUR LIMBS FASTER
Its youtube live chat, it has like, a good comment every year or so
23:33 marco hits a successful freezecharge
absolute fire seeing your gameplay man! love to see you enjoying the game! Loved the video so much! You did great!
I love how you casually parry your way through the level, while discussing the music.
13:17 "any eggs Benedict enjoyers in chat?"
because it came up later: i thoroughly enjoy you going on tangents
YOU ALMOST FIRST TRIED GAYBRIEL HOW OMG
Hey Marco! Just a bit of a recommendation for your ULTRAKILL journey: Swapping weapons and their variations frequently will boost your style points and help you learn all sorts of stylish synergies. For example, shooting an enemy with lots of nails embedded in them with the railcannon will cause all the nails to explode!
0:10 "should be pretty easy"
If you look in the controls there's an area to change your arm punches to be different buttons entirely so you can instantly punch with whatever arm you want instead of one button making you swap arms and you have to remember which one you're on, just in case you'd prefer that since the single button swapping can feel awkward at times.
another lovely Ultrakill video... thank you so much for playing more of it!!
this has been such a fun "series" to watch - as a "classical music enjoyer" (though, admittedly, i don't know much about the specifics of classical music in general, i must admit...) but especially as an Ultrakill player, this was so damn fun to see. i don't care at all that you chose to play on Harmless difficulty - it's there for a reason! your insights about the music, where it comes from, and what it makes you think about and *feel* - THAT'S what i'm really here for. anything else is secondary! this was a wonderful video, and i'm very glad you've continued to enjoy your experience with this beautifully bloody game. here's hoping layers 8 and 9 live up to this level of polish!
29:58 I LOVE HOW ACCURATE IS THIS DEATH
marco harmonizing with the music is honestly kind of relaxing despite the aggressive drums
I was waiting so patiently for that jumpscare. I knew that shit was coming and it still scared the fuck out of me
I just realized something
The reason why 6-1's title is "Cry for the Weeper" and why its theme sounds sad is because of the people who got ended up in the layer
Human souls started to fill Hell full and among those souls gets scorched in Heresy. Some, if not, many of those people who got in that layer were morally righteous and faithful people who were following the wrong belief, aka going pagan. That one part in the theme really sounds like its crying, as if the people who believed so hard in their moral belief are bawling because of the unfair suffereing they got in the end even though they have been kind and good back in Earth. Pair it with the droning music from the start, as Marco said, it's oppressing, like it's silencing the "sinners" of their despair of their situation, taking no heed of their thoughts and regrets.
They once sought salvation, but the only way now is death
no screenshake, low FOV, harmless mode. MY GUY. You stole the real experience from yourself!
Ya: throwing up
i love the part were he tries to lower the payload 800 times in a row lol
i wonder if he will ever p-rank the levels so he can fight minos and sisyphus, its perfectly fine to do it on your comfortable difficulty
eh, it's a lot of effort for just two levels. I'd rather he approaches it in a way in which he's comfortable. If he's most interested in experiencing the music in its context, maybe he could review un-narrated gameplay of those levels?
He said he probably wouldn't
@@ahb8648 Nausea:
0:07 words before tragedy.
42:47 Bold of you to assume people didn't know this was classical music, even MORE BOLD OF YOU to assume people don't like classical music, people love classical music, me included.
just was about to eat and this popped up, made my whole day , youre such a cool and fun dude marco
honestly i believe 7-2 shouldve been designed a tad bit differently
ive seen so many playthroughs of people playing half the level backwards and then getting stuck at the payload area because they dont have the cart
1:07:31 was genuinely the best minotaur kill I've ever seen
Thanks for this playthroughs! Im happy to see you having fun
"that isn't altars of apostasy"
- song playing is altars of apostasy
"this is altars of apostasy"
- song playing is not altars of apostasy
1:37:14 "this is too much" he says as he clears the level without dying once
Love how we absolutely does 7 1 without any confusion of skulls and tunnels (which took me and my friend about 20-30 minutes roaming around like mad men because we cant grapple them from the doors they activate. And how he gets absolutely gets confused in 7-2 which is supposed to be a straightforward level with the payload there
55:23 and here, everyone, we observe the instinctual desire of everyone who plays Ultrakill for more than an hour to shoot an enemy in the pinos.
i love how he walks out of the elevator in layer 7-4 and sees earth mover '' Oh my fu-''
Not sure if Marco noticed at all, but the enemies in 7-3 were infighting in the last 3 rooms! (That is, until he decided to hit everything)
I would recommend before act 3 (if you havent already) you go and get the Alternate weapons in the game, love the vids, keep it up!
5:08 it was at this moment that V1 realized that he wasn't sent to hell to be punished, rather he was the punishment
I noticed you are playing on harmless difficulty
I envy you, my dumb ego cant let me enjoy a single game without playing at the hardest diff
looks like slowmotion after playing brutal difficulty
"It's too many slices!"that got me lol
The Ultrakill 7-2 theme (Siren Song of the Dead) sounds at parts a bit like Border of Life from Touhou 7, I encourage you to check it out.
i love how ultrakill can be one of the most insanely difficult and skill expressive games at higher difficulties and trying to perfect rank while simultaneously having easier difficulties that allow people to just experience the story and music
I love how aggressive Gabriel 2's exclamations are in his first phase
It was, indeed, altars of apostasy
Now we are waiting for Minos Prime boss fight /joke
52:48 ”it’s like these people really don’t wanna be here you know.”
Litterally the twisted bloody remains of souls who tried to escape the labyrinth.
They’re still fully conscious, watching their bodies do to fellow sinners what hell has done to them.
One thing I've noticed is that absolutely no one realizes the enemies in 7-3 fight eachother after the second tree is fed. Even I only figured that out when I had to look up the level on the wiki to know what the "become marked for death" level challenge was about
Glad to see you've enjoyed your time with this game and had the chance to hear the tracks in their proper context. Let's see what Hakita cooks up for Fraud and Treachery
1:09:05 its funny that he says that the gutterman looks like he doesn't want to work but is forced because the guy strapped in the coffin can relate.
fun fact: the music for gabriel's second fight, the finalized version of it was done before the update dropped by some hours, confirmed by Hakita. but even for a late finished music, it slaps and fits with gabriel in this state of the story
i absolutely lost it when marco didn't scroll down and read "THE WORLD RED."
The most chill ultrakill gameplay yet
His reaction to the mannequins crawling at him was so real rofl. I had that same reaction cuz I have a full on phobia of mannequins
5:30 I love it when streamers do the Combat Version in the perfect timimg
For ppl wondering what the song is for 6-1 "Cry for the weepers" its called Altars of Apostasy
Moments i wanted to take it out purely on a wall (no offense):
1. Marco not reading the last line on that book on 7-1
2. Not scrolling down to the strikethrough lore on Minotaur
3. Every second when Marco drops the payload without the tram
made me ponder on the toliet: "Why do i exist?" "Am i here to just coincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoincoin?"