Why not include a single sound test? The mic was in your hand, not sure why you wouldn't just throw it up on the stand for a second and do a quick demo. Seems like it would have helped the point get across a lot better
I think trash is a bit of an overstatement. With that in mind, it’s a bright microphone. I don’t think it’s an “opinion” thing. There is a reason why the NT1 likely outsells this by many multiples. If you record, you want to capture the source as accurately as possible, then remove the resonances and level the recording out. I purchased the 440 Pure, but I had to send it back. It just wasn’t the sound profile I was going for. I could see some use cases for 440 Pure, but for the vast majority of recordings, the NT1 will get you where you want to go faster.
@@UndergroundSoundProductions hey, I look forward to your videos, so we're even! Truth be told though, I enjoy your thoughts on the audio journey that you're on. I would just tell people to buy the best thing they can afford, and really learn to get the sound you want out of it. Once you master/get close to what you want, when you get really high end stuff, it becomes a whole lot easier. Cheers and keep it up!
Thanks man! Trying some new things out now that I got one of the new M1 MacBooks and can finally do some more intricate editing styles. Always looking to step up the production value anyway I can 🙌
I've never worked with the Pure, but I have the higher-end Lewitt Sub-zero, which is great and not as "bright". Use the various settings and it can become bright, then brighter. I have a Røde NT1A, and it's brighter than the Lewitt Sub-zero, both on a simple interface only (like a tascam us-1x2) or through a dbx 286s.
This mic is the top 2 for its price range and sound ! If you run this mic with the correct pre amp like the warm Audio wa12 ITS GOLDEN it gets it we’ll warm and the brightness sits correct
If someone wanted to send me one to test and use in a future video that’d be clutch 👌 my eyes are set on a preamp/processor atm. Thinking of pulling the trigger sometime this or next month
@@martinoplaya7805 the audient goes hard. I'd go with the id4 if you only plan on recording one mic. It has better specs in basically every way possible too
It’s not bad and I hope people don’t think I hate it. I’m keeping it for sure and plan on using it for more content and recording other people or for specific situations. I just feel like the NT1 suits me better
Merhabalar yaklaşık 1,5 sene önce lewitt540s subzero condenser mikrofon aldım. açık konuşmak gerekirse herkesi uyarmak istiyorum. Çünkü o kadar üzgünümki anlatamam. Türkiyede yaşıyorum ve dolar burada çok pahalı.. Buna rağmen lewitt audio nun sahte pazarlama stratejisine kanarak gidip kendime bu condenser microphonu aldım. vokallerim o kadar iğrenc geliyorki ne kadar mixlesemde o pislikliği alamıyorum. üstelik apollo twin ses kartına sahibim. şu zamana kadar elimden 10' a yakın mikrofon gecmiştir hiç birinden bu kadar şikayetci olmadım . 2 el olarak satmak istiyorum ama kimse yanaşmıyor. gerçekten resmen dolandırıldım. internette gösterilen o videoların hepsi yalan. mikrofon resmen 5 dolarlık bir mikrofon gibi ses veriyor ve evcilleşmiyor Uyarmak isterim. lewitt pişmanlıktır.
Dostum selamlar böyle bir şey nasil olabilir, yorumunu okuyunca çok şaşırdım. Hatalı ürün filan olabilir mi? Çünkü sub zero ile ilgili bir çok ses sample'i ve olumlu yorum var. Cidden aklım almadı böyle bir şey yaşamana da çok üzüldüm sonuçta 30 bin liralik bir alet... marka ile iletişime geçmeyi denedin mi?
maybe if you got a really harsh sounding voice one will cringe over this mic, but honestly you often cringe over most things this year! 🙄🤣 why you not just go with the Shure SM7b and all your issues ate solved!?
SM7B is amazing but it doesnt do everything well sadly (for the most times and most consumers, for example if I was recording billie eillish... That mic and most dynamics mics would be horrible, however if I was recording someone like Post Malone itd probably be amazing) The NT1 could do both decently
Yeah man all depends on the source. That’s why I love the NT1. It’s just stupid versatile and I don’t have to give it much thought when it comes to picking which mic to use. Not to mention, I feel like it sounds great even just plugged into my interface which I almost never feel. I always feel like I need an external preamp to take some of the edge off the recording but with the NT1 I feel like it sounds natural enough to where I don’t need anything else beside my interface. I just love it man keep finding myself coming back to it at the end of the day
@@SimplicityForGood first as I said above, it would be bad for most "consumers" like bedroom studios and etc bc of the gain, Someone who actually sings loud and clear would have no problems with it, but a whispering soft singing like billie eillish as I mentioned first youd have eat the mic and later on youd have to increase the highs and take out the mud in post and that would increase the preamp noise a lotttttttt, having said that sure if you had the best preamp ever it would probably work just fine but you gotta put into consideration that not everyone can afford it, especially most people that are deciding between the the (SM7B or Rode NT1 lol) I guess a dynamic its worth it for a home recordist if he has a noisy bad environment that he cant fix or accoustic treating the room or sound isolation etc... Then yeah a dynamic might just be better for that ocasion. Hope that helps (Also I just woke up my words decisions might not be the best lol)
Why not include a single sound test? The mic was in your hand, not sure why you wouldn't just throw it up on the stand for a second and do a quick demo. Seems like it would have helped the point get across a lot better
I think trash is a bit of an overstatement. With that in mind, it’s a bright microphone. I don’t think it’s an “opinion” thing. There is a reason why the NT1 likely outsells this by many multiples. If you record, you want to capture the source as accurately as possible, then remove the resonances and level the recording out. I purchased the 440 Pure, but I had to send it back. It just wasn’t the sound profile I was going for. I could see some use cases for 440 Pure, but for the vast majority of recordings, the NT1 will get you where you want to go faster.
I always look forward to hearing your responses 👍 always insightful. thanks for stopping by bro 🙌
@@UndergroundSoundProductions hey, I look forward to your videos, so we're even! Truth be told though, I enjoy your thoughts on the audio journey that you're on. I would just tell people to buy the best thing they can afford, and really learn to get the sound you want out of it. Once you master/get close to what you want, when you get really high end stuff, it becomes a whole lot easier. Cheers and keep it up!
@@UndergroundSoundProductions one last reply in this. I really liked the wipe and sound effect intro. It was a good look and could be your thing.
Thanks man! Trying some new things out now that I got one of the new M1 MacBooks and can finally do some more intricate editing styles. Always looking to step up the production value anyway I can 🙌
I've never worked with the Pure, but I have the higher-end Lewitt Sub-zero, which is great and not as "bright". Use the various settings and it can become bright, then brighter. I have a Røde NT1A, and it's brighter than the Lewitt Sub-zero, both on a simple interface only (like a tascam us-1x2) or through a dbx 286s.
Thinking about the lct 540 with avalon vt 737 and maybe Apollo or motu m2 , what do you think?
@@cheynobi to be fair I can't answer that because I don't have an avalon vt 737; I apologize for that "non" answer, but I am a very literal-person.
I own the Lewitt 540 and is an amazing microphone
Idk, I feel like it's better to have little brighter mic and lower it in post than other way around.
It's all up to you and what you prefer. If you like the sound of the 440 then by all means go for that mic instead
I love my 440 pure, but I also have never used an nt1 and would love to own one
440 is still a dope mic and my second favorite in this sub $300 range. For my voice, the NT1 just sounds better
yo i can recommend the austrian audio instead! the oc18 will be better than your tlm103
This mic is the top 2 for its price range and sound ! If you run this mic with the correct pre amp like the warm Audio wa12 ITS GOLDEN it gets it we’ll warm and the brightness sits correct
I'd love to see you review an Aston Origin in the future, I think you'd think it's pretty sick.
If someone wanted to send me one to test and use in a future video that’d be clutch 👌 my eyes are set on a preamp/processor atm. Thinking of pulling the trigger sometime this or next month
@@UndergroundSoundProductions hell yeah, and can't wait for more pre amps vids as well
how can i find the Telefunkin tube its sold out !! i think the other tubes don't sound the same ! any suggestions ? thanks for the great video
I hate the sound of my rode nt1, but I'm recording though cheap mixer.
I'm buying volt 176, will this be a game changer?
bruh. I have several videos advising people to look into other options when it comes to these new volt interfaces lol
@@UndergroundSoundProductions yes and this sent me to a rabbit hole. now Im not sure at all. Im thinking about audient one and it's much cheaper.
@@martinoplaya7805 the audient goes hard. I'd go with the id4 if you only plan on recording one mic. It has better specs in basically every way possible too
@@UndergroundSoundProductions That's the point! Thanks man, I made up my mind! Ill go with id4 instead
This is a solid point frfr
I prefer Lewitt all the way
It’s not bad and I hope people don’t think I hate it. I’m keeping it for sure and plan on using it for more content and recording other people or for specific situations. I just feel like the NT1 suits me better
@@UndergroundSoundProductions at least I don't think you hate it. Use whatever makes you happy bro.
Hello bro!! Is it possible that you can own a Beyerdynamic's M90 Pro X condenser mic?
Im singer unfortunately I didn’t like it lewit , never got good voice recording
NT1 is a bargain bucket Microphone
It's your opinion indeed 😁
I like your band aid
pretty fresh peppa pig band aid
Merhabalar
yaklaşık 1,5 sene önce lewitt540s subzero condenser mikrofon aldım.
açık konuşmak gerekirse herkesi uyarmak istiyorum. Çünkü o kadar üzgünümki anlatamam. Türkiyede yaşıyorum ve dolar burada çok pahalı.. Buna rağmen lewitt audio nun sahte pazarlama stratejisine kanarak gidip kendime bu condenser microphonu aldım. vokallerim o kadar iğrenc geliyorki ne kadar mixlesemde o pislikliği alamıyorum. üstelik apollo twin ses kartına sahibim. şu zamana kadar elimden 10' a yakın mikrofon gecmiştir hiç birinden bu kadar şikayetci olmadım . 2 el olarak satmak istiyorum ama kimse yanaşmıyor. gerçekten resmen dolandırıldım. internette gösterilen o videoların hepsi yalan. mikrofon resmen 5 dolarlık bir mikrofon gibi ses veriyor ve evcilleşmiyor
Uyarmak isterim. lewitt pişmanlıktır.
Dostum selamlar böyle bir şey nasil olabilir, yorumunu okuyunca çok şaşırdım. Hatalı ürün filan olabilir mi? Çünkü sub zero ile ilgili bir çok ses sample'i ve olumlu yorum var. Cidden aklım almadı böyle bir şey yaşamana da çok üzüldüm sonuçta 30 bin liralik bir alet... marka ile iletişime geçmeyi denedin mi?
@@mistermind7946 hocam zaten yorumlarda reklamın bir parçası :) 540s podcast microfonu olabilir. ama iyi bir vocal microfonu asla olamaz.
That was a strange review! 😳
👍👍
maybe if you got a really harsh sounding voice one will cringe over this mic, but honestly you often cringe over most things this year! 🙄🤣
why you not just go with the Shure SM7b and all your issues ate solved!?
sm7b isn't bad but I prefer the NT1 much more. If I felt like I could justify having the tlm103 that'd be my go to 👍
SM7B is amazing but it doesnt do everything well sadly (for the most times and most consumers, for example if I was recording billie eillish... That mic and most dynamics mics would be horrible, however if I was recording someone like Post Malone itd probably be amazing) The NT1 could do both decently
Yeah man all depends on the source. That’s why I love the NT1. It’s just stupid versatile and I don’t have to give it much thought when it comes to picking which mic to use. Not to mention, I feel like it sounds great even just plugged into my interface which I almost never feel. I always feel like I need an external preamp to take some of the edge off the recording but with the NT1 I feel like it sounds natural enough to where I don’t need anything else beside my interface. I just love it man keep finding myself coming back to it at the end of the day
@@purpleheart69420 what would make it horrible? the high notes, mid register or how do you mean?
@@SimplicityForGood first as I said above, it would be bad for most "consumers" like bedroom studios and etc bc of the gain, Someone who actually sings loud and clear would have no problems with it, but a whispering soft singing like billie eillish as I mentioned first youd have eat the mic and later on youd have to increase the highs and take out the mud in post and that would increase the preamp noise a lotttttttt, having said that sure if you had the best preamp ever it would probably work just fine but you gotta put into consideration that not everyone can afford it, especially most people that are deciding between the the (SM7B or Rode NT1 lol) I guess a dynamic its worth it for a home recordist if he has a noisy bad environment that he cant fix or accoustic treating the room or sound isolation etc... Then yeah a dynamic might just be better for that ocasion. Hope that helps (Also I just woke up my words decisions might not be the best lol)