Thought experiment: Could this scale help explain Augmented 6th chords? #augmented6th chords such as Italian +6, French +6, German +6 and the "Tristan" Chord.
Lydian#2#6 is the most versatile scale. Maj7, 7, min7, min/maj7, min7b5, min/maj7b5, Maj7b5, 7b5, 7#9, 7#11 It+6 (1 3 #6) 7shell Ger+6 (1 3 5 #6) 7 Fr+6 ( 1 3 #4 #6) 7#11 Tr+6 (1 #2 #4 #6) m7b5 to Fr+6 Thanks for clearing up those NEAP 6TH chords. Every lesson I seen would drag on forever and I never could figure out the difference between the 3. I can see why you added the Triston chord! Nice Find!
Noel your content is so rad I’m pumped every time I see you have a new video! If you haven’t already I think you should check out Barry Harris’s approach to theory and chord movement, there are so many elegant and cool ideas in his approach I bet you would run buck wild with it, I’d love to see what kind of ideas and exercises you could build from it. Thanks so much for being a great teacher!
Correction: Dick Dale didn't write Misirlou. It was a popular folk song. The title is a Hellenized Turkish word referring to an Egyptian woman. The earliest known recording is a Greek one from 1927, but it was already well-known to Ottoman Greeks, Arabic and Jewish people as a folk song. There were also Turkish, Armenian, Albanian, Persian and Indian versions of it later on and before Dick Dale's version. The double harmonic scale is enharmonic to the Byzantine and Arabic Hijaz Kar scale. That's why the song evokes that Arabic or "Oriental" feel.
![ARGENTINA vs. CHILE [3-0] | RESUMEN | ELIMINATORIAS SUDAMERICANAS | FECHA 7](http://i.ytimg.com/vi/De3AWmXzhuA/mqdefault.jpg)
You speak like the cool college professor, and I feel like you’re a shortcut to years of knowledge. Thank you.
Lydian#2#6 is the most versatile scale.
Maj7, 7, min7, min/maj7, min7b5,
min/maj7b5, Maj7b5, 7b5, 7#9, 7#11
It+6 (1 3 #6) 7shell
Ger+6 (1 3 5 #6) 7
Fr+6 ( 1 3 #4 #6) 7#11
Tr+6 (1 #2 #4 #6) m7b5 to Fr+6
Thanks for clearing up those NEAP 6TH chords. Every lesson I seen would drag on forever and I never could figure out the difference between the 3.
I can see why you added the Triston chord!
Nice Find!
Well explained
So much of this reminds of Tom Waits' soundtrack to the Jim Jarmusch film Night On Earth.
I really enjoyed learning this, it got my mind inspired again a little
At different points I said both "whoa" and "ew." Thanks for that. 😃
This inspires me, when I retire, to go back to school to study music theory!
Hey cool man. I’m just slugging on.
the other day I was thinking bout how coool an F7 sounds in key of am. Like in "agua de beber" and looks like im not alone thinking thats a hip sound
Noel your content is so rad I’m pumped every time I see you have a new video! If you haven’t already I think you should check out Barry Harris’s approach to theory and chord movement, there are so many elegant and cool ideas in his approach I bet you would run buck wild with it, I’d love to see what kind of ideas and exercises you could build from it. Thanks so much for being a great teacher!
Thanks Noel, appreciate this stuff. If only you could slap me everytime I watch a how to use a ds-1 video.
i love the rabbit holes i follow you down. once again, thx white rabbit.
Correction: Dick Dale didn't write Misirlou. It was a popular folk song. The title is a Hellenized Turkish word referring to an Egyptian woman. The earliest known recording is a Greek one from 1927, but it was already well-known to Ottoman Greeks, Arabic and Jewish people as a folk song. There were also Turkish, Armenian, Albanian, Persian and Indian versions of it later on and before Dick Dale's version.
The double harmonic scale is enharmonic to the Byzantine and Arabic Hijaz Kar scale. That's why the song evokes that Arabic or "Oriental" feel.
4:09 eargasm