A. Vivaldi: Concerto in D Major, RV 93 for Lute (Score video)

Rolf Lislevand, lute.
One of four works composed by Vivaldi to feature the lute, RV 93 is a chamber concerto scored for solo strings and lute. During Vivaldi's lifetime, the lute was nearing the end of a long and distinguished career as a solo instrument, its final glory achieved in the suites of Bach and his fellow German, Silvius Weiss. The D major Concerto, along with the Trios for violin and lute in G minor, RV 63 and C major, RV 85 was composed in Bohemia during the 1730s. In this short, attractive three-movement work, Vivaldi exploits the instrument's timbres and ability to play arpeggios to appealing affect. It opens with an Allegro giusto whose ritornello contrasts a tuneful opening theme with a more lyrical motif in the minor mode. The soloist enters to the same material, which is worked out with typical alternation between soloists and strings. The central Largo is a reflective meditation by the soloist over sustained violin accompaniment and pizzicato bass, with an exquisitely simple shift from triple to duple meter, while the final Allegro brings a return to the high spirits of the first subject of the opening movement and has a bit of tarantella-like feel with its 6/8 rhythms. As with Vivaldi's other lute works, the concerto in D was not published during Vivaldi's lifetime. The autograph manuscript is preserved in the Biblioteca Nazionale, Turin.
The concerto uses the lute primarily in a high register. The lute parts are written primarily as chords, and the lute player is intended to play arpeggios based on these chords. The piece also includes important parts for the violins.
Score: imslp.org/wiki...)
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Diffussion purposes only.
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[@Remi-B-Goode]

Beautiful concerto ! Thanks for the score, I know well this opus but never saw it !

[@scottkleyla7752]

What a treasure,thanks for share!

[@RumichaCaballero]

Lo más difícil que tuve que aprender cuando estudié laúd fue crear las secuencias de arpegios y trinos en el lugar y momento justo. Espero ansioso que subas el ci concierto en Sol (si es que no está ya hahaha).
Magistral interpretación!!

[@michaeltroke7239]

Beautiful, many thanks for posting. Interesting, in that the lutenist is not playing what's exactly written on the score, he is extemporising intelligently, using the best resources of the instrument. Love it.

[@visitantearte6806]

3:13 II Largo
7:42 III Allegro

[@pavlopakshyn]

Good work!!

[@willgalison]

Why is this one half step lower than written?

[@leiliyamasaki9331]

0:00 Baby Newton ending theme music.🦁

[@ajaytheclassicalmusicfan5752]

Baby Newton

[@dabendan79]

why is this not guitar?

[@dabendan79]

change of content

[@pavlopakshyn]

But also not bad :)

[@miguelcp7993]

Because it's for lute

[@tasmedic]

It'd be great if the score matched the performance. It's all over the place.

[@davidschreiter3513]

Ab lib. ornamentations by the soloist were customary in the Baroque era, especially upon repeat of a section.