Rome, Carpe Lux (Eos M Magic Lantern Raw)

/ @emanueleserraino
Recorded in RAW at 1736x738 (HD 1080 p preset) at 10 bits and 2.35:1 ratio
Exported with MLVAPP in CINEMA DNG LOSSLESS,
Color graded and upscaled in DaVinci Resolve
Lens: Samyang Cine 16mm T2.2
Steadycam: Neewer Carbon Fiber 24"/60cm Handheld Stabilizer
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[@LaserDeniz]

Wooow this looks really beautiful and like a movie. Davinci code or something ^^
Whats the trick? The lens, magic lantern or the environment?

[@emanueleserraino]

Hello, that's so kind of you:) Is the uinion of the three I guess. I would add also the camera movements and the Raw development. That said, apart from aliazing, Magic Lantern on the Eos M is phenomenal.

[@IlyaPodnebesmiy]

Phenomenal. Cinematic. and which camera in your experience looks more organic and filmy? bmpcc4k / bmcc 2.5k / Canon EOS M / bmcc 4k production ?

[@emanueleserraino]

I appreciate your kind comments :) Personally I think that the bmcc 2.5k has a special character and it is the winner. The Eos M, used at 1080p is magical, it suffers from aliazing but given his small size, it is the one that you can always put in your backpack. The Bmcc 4k it is sharper and the least organic in my opinion. I never tried the bmcc 4k production so I wouldn't know.

[@IlyaPodnebesmiy]

@@emanueleserraino This is interesting, because many people choose Canon M because of the form factor in order to create an installation that looks like a 16mm movie camera. But I think that if you attach a convenient handle to the bmcc 2.5k from below, and put an optical eyecup on the monitor, you will get an interesting and stylish film camera.

[@emanueleserraino]

@@IlyaPodnebesmiy It looks like a cool idea, I never thought about it :) Thank you.