I had no idea George was playing so much electric throughout the entire song until now, I could hear a few electric riffs in the second verse on the official upload but it's way more clear here! The little licks at 1:45, 2:07, and 3:24 are so great, it's a shame they weren't louder in the official mix!
I'm not sure George was on the track at all. I know Paul played the slide part and I don't think George's voice is on this track at all. The only part that may have been George was the acoustic guitar because there is video of him playing it to this song in the 1994 sessions. It's possible they used some of that.
Yes, George and Paul were playing acoustics in 95, George also did those funky little licks on electric that you can hear in the second and last verses.
Yes exactly George played rhythm electric & acoustic on this then Paul McCartney completed the track w a pedal steel slide guitar solo in George’s style as a late late tribute to him as he didn’t get to add it as he quit the 95 sessions saying it was f****** rubbish
Thanks for this. Is there any way you cancel out Paul's slide guitar and just leave George's guitar? That IS him coming in over George's strumming at 2:23 - correct??
The tape was noted by John as "for Paul." Much more of a tribute than a Beatles record. Jeff Lynne would have made sure it stayed a Beatles record. Paul should have listened to George's slide work before recording that "in the style" bit.
I think Jeff Lynne would not necessarily have kept it a "Beatles" sounding record. His overmodulated sound was over the top on the 90s recordings of "Free as a Bird" and "Real Love", and on George's solo work and Traveling Wilburys work of that era, in my opinion. Too much of his "ELO sound"
What are you talking about? George's style was understated and melodic, which is certainly the case for the Paul's slide tribute. I do think it needed to be brought up in the mix though - I have multiple problems with the mix overall.
Where is a full version of acoustic guitar of george harrison of now and then in the anthology sessions .because george hated that song he said rubbish
I have some bad news: you don't understand about Beatles' music (or any music at all). You barely know the difference between production and arrangement. It's incredibly stupid to expect new music from artists who have always been at the forefront to sound like something from the 1960s.
The Beatles performed every genre known to man back in the 60’s, and even invented a couple new ones. They renewed themselves completely from album to album. There simply is no formula describing what they sound like, although a lot of people would probably think about Paul’s innovative bass lines, Ringo’s iconic fills and John’s piercing voice; all of which are featured in this song anyway.
Really,this is a possible way the Beatles would have sounded in the 2020s. Who knows what the group could have accomplished if they stayed together and John and George were still alive.
I had no idea George was playing so much electric throughout the entire song until now, I could hear a few electric riffs in the second verse on the official upload but it's way more clear here! The little licks at 1:45, 2:07, and 3:24 are so great, it's a shame they weren't louder in the official mix!
3:24 is actually Paul’s solo, it’s not George.
@@benwilliams647He's talking about licks, not solo
Thanks for this - nice to hear what George was doing! It's a lovely Lennon track, glad it got to see the light of day with a decent arrangement.
Really cool and beautiful. Thank you so much.
Piano is by Paul. Bass is by Paul. Slide Guitar is by Paul honouring Harrison's style.
First guitar slide is by George, second one is by Paul, piano is rebeat of john's piano
George just plays acoustic guitar, that's all they had to work with. @@rodrixgudol3162
Who else said first guitar slide is by George?@@rodrixgudol3162
@@rodrixgudol3162Both slide parts are Paul. George play rythm guitar
Many thanks.
I'm not sure George was on the track at all. I know Paul played the slide part and I don't think George's voice is on this track at all. The only part that may have been George was the acoustic guitar because there is video of him playing it to this song in the 1994 sessions. It's possible they used some of that.
George's parts are indeed the acoustic, but also a rhythm electric that you can hear quite well : it does little funky bits through the track
@@rbstems how do you know that was George? I thought he had only done the acoustic. I mean, is there any source of Paul saying that?
@@rbstemsguitar be the little electric lick that leads into the chorus
Acoustic, rhythm guitar and vocal harmonies on Here There And Everywhere & Because part.
1:37 1:42 1:52
is the acoustic guitar and the electric guitar in the verses played by George?
Yes, George and Paul were playing acoustics in 95, George also did those funky little licks on electric that you can hear in the second and last verses.
Yes exactly George played rhythm electric & acoustic on this then Paul McCartney completed the track w a pedal steel slide guitar solo in George’s style as a late late tribute to him as he didn’t get to add it as he quit the 95 sessions saying it was f****** rubbish
It's a beautiful song. I'm just not crazy about the official mix or McCartney's voice in it.
Paul,musical genius and all,cannot fool Father Time. His voice is not what it once was.
Thanks for this. Is there any way you cancel out Paul's slide guitar and just leave George's guitar? That IS him coming in over George's strumming at 2:23 - correct??
that’s a good question. it’s probably paul, but we do know that george did some electric guitar
Yes, Macca played all the slide solo on the track, George played electric guitar throughout, Macca and George both played acoustic guitars.
The tape was noted by John as "for Paul."
Much more of a tribute than a Beatles record. Jeff Lynne would have made sure it stayed a Beatles record. Paul should have listened to George's slide work before recording that "in the style" bit.
I think Jeff Lynne would not necessarily have kept it a "Beatles" sounding record. His overmodulated sound was over the top on the 90s recordings of "Free as a Bird" and "Real Love", and on George's solo work and Traveling Wilburys work of that era, in my opinion. Too much of his "ELO sound"
Yaaaaawn.
What are you talking about? George's style was understated and melodic, which is certainly the case for the Paul's slide tribute. I do think it needed to be brought up in the mix though - I have multiple problems with the mix overall.
Idiot. You're really saying that someone else would do more of a Beatle songs that a Beatle himself? LMFAO 😂😂
Such a shame they changed the song from John’s original
Where is a full version of acoustic guitar of george harrison of now and then in the anthology sessions .because george hated that song he said rubbish
Sounds nothing like the Beatles , I mean if you know Beatles music and you've been around 60 years this sounds like who knows
I have some bad news: you don't understand about Beatles' music (or any music at all). You barely know the difference between production and arrangement. It's incredibly stupid to expect new music from artists who have always been at the forefront to sound like something from the 1960s.
Sounds like something they would have sounded like had they stayed together in the 70’s.
Early Beatles doesn’t sound like later Beatles does it?
@@Oceantreasures24 Kokomo sounds nothing like Beach Boys.
The Beatles performed every genre known to man back in the 60’s, and even invented a couple new ones. They renewed themselves completely from album to album. There simply is no formula describing what they sound like, although a lot of people would probably think about Paul’s innovative bass lines, Ringo’s iconic fills and John’s piercing voice; all of which are featured in this song anyway.
Really,this is a possible way the Beatles would have sounded in the 2020s. Who knows what the group could have accomplished if they stayed together and John and George were still alive.