Was für eine TOP-Interpretation, von beiden, Solistin und dem Jungenorchester (selbstverständlich auch der Dirigentin)!! Alle Sterne nach Prag!!! What a TOP interpretation, by both the soloist and the boys' orchestra (of course also the conductor)!! All stars to Prague!!!
Why so many of these comments refer to the appearance of the soloist? What has that to do with the performance? However, a good rendition on the whole. But, the player is guilty of the modern fault of moving far too much when playing. I have noticed over the last few years almost all young musicians move in extreme ways their bodies whilst playing. Not only is this completely unnecessary but it interferes with the tone and stability of pitch. Notice when the player moves the tone is affected; not in a good way. I am a retired professional bassoon player now 78 years old and can remember when great soloists were perfectly still when performing, directing all of their energy into the musical expression without moving. For wind players the breathing and embouchure muscle control has to be unaffected by movement. Modern players are making a further difficulty to fight against.
Dear Mr. Nissen In this comment I describe one more negative consequence of the performer's movement in front of the microphones. Thank you very,very much for your contribution, really. ABSOLUTELY I agree with your opinion and I very much hope, that as many students as possible read your comment !!! Every time, if I'm recording students individually, (at the Prague Conservatory) I urge them : Not to move in front of the microphone !!! I explain to students the consequences of so-called DOPPLER EFFECT (the change in frequency of a wave in relation to an observer who is moving relative to the wave source) Important addition : In stereo recording the left and right microphones interfere with the CROSSTALK of both microphones and this to generate phenomenon so-called "FADING". (result is an unnatural sound - PHASER EFFECT) Note : I am the author of the video and soundtrack of concert. (also post-production in studio) :o) Thank you. Sincerely, Milan K.
ruclips.net/video/n86xg351B2Q/видео.html Tell Azzolini not to move :))) As recording engineer You need to find solution and adapt, specially if musicians moves doesn't affect music performance, and there are many excellent artists that move too much... in studio conditions however musician will probably make themselves not to move so much. Anyway, if too much moving affects music, than musicians needs to figure out this for themselves. This lady become through last years excellent musician and you can see on recent videos she doesn't move so much anymore.
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
And all from memory? Pretty dang impressive. I love the bassoon, and you did the piece justice. Nice one 🙂
Beautifully played, lovely nuances and timing, very nice sounding thicker-walled bassoon. Thank you for posting this!
So ein wundervolles Soloinstrument . Kaum ein anderes Instrument verbindet Komik und Majestät so wunderbar wie ein vom Könner gespieltes Fagott.
She gets better every time I hear and see this. So wonderful.
Such a rounded sound! Oh my God!! Such a classic execution to listen to!
Was für eine TOP-Interpretation, von beiden, Solistin und dem Jungenorchester (selbstverständlich auch der Dirigentin)!! Alle Sterne nach Prag!!!
What a TOP interpretation, by both the soloist and the boys' orchestra (of course also the conductor)!! All stars to Prague!!!
Danke, danke und danke. Sie hat es wirklich verdient dein lob !!!
Do teď jsem nevěděl ,jak zní fagot.Už to vím,zní dobře,navíc s hezkou obsluhou👍🏿❤
Great performance!!! Best Performance of the Weber concerto I have heard in a long time, please also record the Rondo Hungarese!: can't wait.....
Milá Míšo, krásná nahrávka, nádherně procítěný Weber. velká gratulace, jsi muzikant !!! Přeji Ti vše nejlepší a hodně radosti z hudby,
me as a bassoon player have to say that this was the best performance I have heard thus far . congrats
Zertifiziert intergalaktisch!🌹
Well, young lady, you certainly know how to play the basson. My sincere congratulations.
Felicitaciones exelente sonido y embocadura ❤❤❤❤❤
the most beautiful bassoonist I've ever seen
I think you're right! She's really lovely isn't she! But there are some pretty gorgeous ones around.
Hell, she can play too! Glorious tone, so crisp and clear, expressive too.
I don't know- Charlie Cracknell was pretty gorgeous
@@clt242fg Lovely czech young ladies!
идеально! спасибо милая за прекраснейшее исполнение!!!!!
17. června jsem ji viděl hrát s ČF (Open Air 2015). Vlastně mě to ani moc nepřekvapilo :) Je fakt dobrá.
Great tone, solid dynamics, and perfect runs! Jealous of your playing!
Perfect! its a beautiful performance
A great musical instrument !
A very nice piece by Weber.
Very pretty young lass, excellent player and she's really enjoying herself!
Beautiful bassoonist!
Bella criatura tocando una versión impecable del Cto. en fa mayor de Karl María von W.
Bravo!
Caramba! Que fagotista linda! Conseguiu um timbre muito claro e uma expressão perfeita. Congratulations, Michaela Špačková!
바순 특유의 목가적이면서도 탄탄한 소리를 잘 연주하셨습니다.
그리고 연주에 임하는 몸가짐이 매우 훌륭해 보입니다.
바순을 사랑하는 당신이 더 크게 성장하기를 바랍니다.
Excellent,sweet and superb...
Très belle interprétation !
Delightful! ♥♥♥
Bravo super brilliance music concerto
What a great performance!
Nádherné!
Great!!! How not to fall in love!!!
A superb performance!
it takes a lot of aplomb to play solo bassoon and wear a concert gown at the same time - ty for posting! :)
Lovely performance !!
Well done, pretty young lady, quite amazing !
Wonderful czech performance! I like it!
Velmi krasne!
Сказочный и волшебный фагот!
정말 예쁘다 🎉
Bravo! Muito bom.
Muy buen sonido!!!! Felicidades
Wspaniałe wykonanie!
A beautiful composition performed by a beautiful performer. I wonder if she has played the Capriccio for bassoon and orch. by Verdi.
Superrrr----Bravissimo
BRAVA!
Klasse - Super - 👍
Mesmerizing
Gracias a los cuatro de parte de p&m
Very soft, super !!!
Quite superb!
Allegro ma non troppo (00:11)
Adagio (08:40)
Rondo: Allegro (13:12)
nice!!!!
👏👏👏
❤️🚀🎶👍🏻
Красиво звучит
🎼 👍🏼
👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾
brvissima, bravissimi!!!!!!!!!!!!!!!!!!!!!!!!!!
大人なウェーバー！！！美しい、、、！
Proč je tato hudba tak málo populární? :(
🤩🤩💖💖🤩🤩🎼🎼🎼🎼
Korrekt ❤fagott
Me encato
😇😀😁😄😆😊🙂☺😍
Don't see terribly many compositions with a bassoon as the solo instrumentation. Interesting.
Why so many of these comments refer to the appearance of the soloist? What has that to do with the performance?
However, a good rendition on the whole. But, the player is guilty of the modern fault of moving far too much when playing. I have noticed over the last few years almost all young musicians move in extreme ways their bodies whilst playing. Not only is this completely unnecessary but it interferes with the tone and stability of pitch. Notice when the player moves the tone is affected; not in a good way.
I am a retired professional bassoon player now 78 years old and can remember when great soloists were perfectly still when performing, directing all of their energy into the musical expression without moving. For wind players the breathing and embouchure muscle control has to be unaffected by movement. Modern players are making a further difficulty to fight against.
Dear Mr. Nissen
In this comment I describe one more negative consequence of the performer's movement in front of the microphones. Thank you very,very much for your contribution, really. ABSOLUTELY I agree with your opinion and I very much hope, that as many students as possible read your comment !!! Every time, if I'm recording students individually, (at the Prague Conservatory) I urge them : Not to move in front of the microphone !!! I explain to students the consequences of so-called DOPPLER EFFECT (the change in frequency of a wave in relation to an observer who is moving relative to the wave source)
Important addition :
In stereo recording the left and right microphones interfere with the CROSSTALK of both microphones and this to generate phenomenon so-called "FADING". (result is an unnatural sound - PHASER EFFECT)
Note :
I am the author of the video and soundtrack of concert. (also post-production in studio) :o)
Thank you.
Sincerely, Milan K.
Milan Jethro Wisocký O body swayed to music, O brightening glance! How can we know the dancer from the dance?
ruclips.net/video/n86xg351B2Q/видео.html
Tell Azzolini not to move :)))
As recording engineer You need to find solution and adapt, specially if musicians moves doesn't affect music performance, and there are many excellent artists that move too much... in studio conditions however musician will probably make themselves not to move so much.
Anyway, if too much moving affects music, than musicians needs to figure out this for themselves.
This lady become through last years excellent musician and you can see on recent videos she doesn't move so much anymore.
What harness is being used to support the instrument?
It looks like it's there just in case she needs it.
I was wrong; when she takes her bow you can see where it is attached to the bassoon.
🇧🇷
She is looking very close to Klaus Tunemann, but woman edition 😍👍
I think she has that thing figured out...
:))))
Здорово конечно, но кое где проскакивает стаккато не т.. а ..д а так тембр красивый у девушки .. инструмент звучит что сказать 👏👏👏👏
진짜 미인이네
Sorry,not this one..
Anomyus
It’s the worst version of Weber. Listen Matthias Racz 🙂
I tried. It was just boring.
@@unicarrot7757 listen to ARD Winner Christian Kunert: ruclips.net/video/NyPJu_nDds8/видео.html
🤩🤩💖💖🤩🤩💖💖🎼🎼🎼