🎹Schimmel K219 Grand Piano Review & Demo - 7-Foot Konzert Series Piano🎹
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- Опубликовано: 8 июл 2024
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#Schimmel #K219 #GrandPiano
Welcome to Merriam Pianos on RUclips. Today, we’re looking at an absolute beast of a 7 foot grand piano as we check out the Schimmel Konzert K219.
Schimmel’s Konzert series pianos are new to the market in the last few years, and represent a higher level of quality than anything Schimmel has put out in the past. As a result, this has to be one of the top 7 foot pianos around.
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Overview
Getting behind a great piano is inevitably going to pull your ear in new directions and inspires you to express yourself in different ways. A sign of a great instrument is that it’s more than just a tool, but an actual musical partner.
This Schimmel K219 fits the above criteria. It’s capable of producing gorgeous, blended texture, and it truly inspires you to play in ways you never have before. Let’s get into sound.
Piano Sound
The first word that comes to mind when playing the K219 is orchestral - it feels like you have an entire orchestra at your fingertips.
It’s actually quite fascinating how different fine German grands are from one another when you really start exploring. The K219 sounds very distinct from a similarly sized C. Bechstein, Hamburg Steinway, Seiler, or Steingraeber for example.
It also sounds very different from the Schimmel Classic C213, and part of this is design-related. The K219 has thicker rims, a wide tail, higher quality soundboard, and a more sophisticated bridge design.
The soundboard size is also approaching some 9-foot pianos here, and the result is a bass register that actually sounds like a 9-foot concert grand.
In terms of rim activation, Schimmel pretty much does it better than anyone. There’s so much engineering that goes into activating the rim and getting the piano resonating, that’s it to the point that the cabinet gets firing even at low volume outputs.
Schimmel also incorporates their own unique Triplex Scaling at the front of the piano, and this results in a ton of harmonic colour.
The bridges are also horizontally laminated which is a unique design choice (most high-end pianos use vertically laminated bridges) so this likely is a big factor in the K219’s unique tone as well.
The tone is ultimately incredibly blended and bursting with shimmer. It lacks the colour of the C. Bechstein B212 7 footer, but it’s a more blended tone.
The bass is less brassy than some smaller Schimmel models, but it’s wonderfully resonant. The break is well-executed, and while you can hear a small shift when the bass string material changes, the transition is still smooth.
The mid-range is very warm, and the treble is super thick with tons of power.
Piano Action
All of the Schimmel Konzert series grands, regardless of size, feature a full concert grand-sized action. This means in the case of the 7 foot K219, you actually get the keystick length of a 9 foot grand, and all of the extra control that entails.
Schimmel uses a unique mineral texture on the keys, and the glide on the key tops is definitely different.
The action itself is supplied by Renner, and it comes regulated perfectly right out of the box.
There’s not much more to say other than that this is a killer action.
Closing Thoughts
What really stands out about the K219 is its overall value. It’s certainly a pricy instrument, but not nearly as expensive as tier 1 grands like a C. Bechstein, Bosendorfer, or Fazioli, yet it can hold its own against a tier 1 grand no problem.
The build quality and musical potential is there without a doubt.
If your musical preferences align with the K219, you’re very much in luck, since it is offering a very unique musical experience.
It plays much bigger than it actually is, and is an all-around musical triumph.
Thanks for watching!
0:00 - Intro
1:02 - Opening Playing Demo
1:39 - Video Overview
3:14 - Piano Sound
13:00 - Bass Sound Demo
14:54 - Mid-range/Treble Demo
17:31 - Piano Action
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Видеоклипы
No one can bring a piano to the listener like you, Stu! I love your channel!
Schimmel has such own sound like no other brand. I love this warm sound (even if I love the Steinway sound even more and therefore switched from Schimmel to Steinway)!
Please more posts from other brands like Blüthner or Steingräber ...
Hi! Brent here! Thanks so much for tuning in! I'll be happy to pass on the kind words to Stu on your behalf. Schimmel's definitely have a distinct and wonderful musical voice. The Konzert series instruments in particular are very exciting. Also, thank you for the suggestions! We will do our best to tackle reviews/comparisons of those brands you mentioned, but, in the cases where we don't deal those particular lines, it gets a little trickier to execute reviews/comparisons. We will try our best though. :)
I just played one in Robert Lowry store today.
Brian was awesome and very helpful!
Indeed, it was an amazing instrument!
I couldn't believe while I was playing! The touch, the sound, the pedal...and the voice!
It was just Wow!
Thanks for great experience! The Schimmel Grand Piano just made my day!
You are such a good communicator, and your keyboard illustrations are colorful and beautiful. You really seem like you are enjoying yourself! Great job!
Great to see you reviewing the model again. I saw the earlier demo and was hooked on this piano then and this one is a winner too. Love the construction and the tone. Thanks for this.
Beautiful
beautiful unique sound. Excellent performance
They are stunning pianos to say the least!
Thanks Stu for another great review. After hearing you play this piano for the first 2 minutes, your following comments were exactly what I felt about it! Pianos and their tones are personal but I now know I prefer this Schimmel to Bechstein. Would love to have a go at one soon! You’re absolutely right about German pianos having very distinct tonal philosophies. Bluthners are also very interesting!!
It really sings! Wow. Love your Schimmel reviews :)
What a sweet sounding, brilliant piano
Great video
Lucky enough to play the baby brother K195. Love it! Good job on the reviews.
You're playing is so colorful.......Sounds Great
Thank you so much for this review! I played a few Schimmel instruments back in the 1980s and was never impressed by any of them. Now, after more than 30 years of not playing, I am taking lessons again - and guess what: they make me sit at an old Schimmel grand that quacks like a duck and is tough (for me) to play, which has confirmed my old disliking of their instruments (I practice on a Roland LX-17 at home). Apparently, I am wrong and a lot has happened in their design during my piano hibernation.
Funny enough, I live in Braunschweig (home of Schimmel and Grotrian-Steinweg) and the Schimmel showroom is less than 5 kilometers from where I work. I guess I'll have to pay them a visit soon. If only I had the house to put one of these into my living room...
You're very welcome! Thanks for tuning in! I would definitely give the modern Schimmel Konzert series pianos a shot. They are amazing instruments with immense musicality. The extra long key sticks also grant these pianos with tremendous responsiveness when it comes to the touch. Thanks again and happy playing! I'm glad to hear that you've found your way back to studying the piano. :)
I absolutely love the sound of this piano. I am completely enchanted by its sound. Hopefully I will cross paths with one soon. Thank you for the exquisite demonstration.
You're very welcome! The K219 has a feel and sound that is an absolute dream to enjoy. I hope you're able to test one out in person. They're truly exceptional pianos. :)
@@MerriamPianosI also want to thank you for how well you mic the piano in these videos. It makes it so much more enjoyable to listen to. I have watched this video with earbuds a number of times just to enjoy the rich sound of this wonderful piano!
Hi Stu, I really enjoy watching your reviews and as an owner of a Schimmel piano I particularly enjoyed this one. I also love to hear your jazzy chords and noodling. Would it be possible to throw in a little classical repertoire along side? I’m sure many viewers play classical repertoire and would like to hear how the instruments respond under your capable fingers. Cheers!
Brilliant… I’ve got a C213 and love it…. But now I need one of these instead! Lol. Thanks for an insightful review.. would love to hear your take on Fazioli some day…
I like your approach to this sensitive Instrument.
Would be wonderful to hear Debussys and Ravels works played on this piano.⭐⭐⭐⭐⭐
Would love to hear a review of the K175.
Nice review as always Stu!
If you could only tell your colleges to tune the pianos little bit better before you do the recording! In many of your videos with acoustic pianos the bass register is really out of tune (like in this video) - so one can not really hear the precise sound color that current piano has...
I am sure you could do this better in future!
I’ve also heard on several recordings that the tuning isn’t perfect, and that makes it pretty hard to judge the tone of the instrument.
Hi Stu, I’ve been listening to your reviews of various pianos and your wonderful, colorful classical and jazz harmonies almost everyday since I discovered your channel. I do have a question, any thoughts on the Schimmel CC213T (7 ft). I’m not sure I understand what the CC stands for. Thank you.
Hi! Brent from Merriam Music here! Thanks for supporting our channel! We're glad to hear that you've been enjoying Stu's reviews and playing. The CC is simply an older naming convention from my understanding. The new C213 model is the same scale design with a few design updates, including slightly larger soundboard surface area, shift in the bass bridge position, and extra dampers. The C213 is an extraordinary piano and offers a brighter, more brilliant voice than the Konzert series instruments, which are actually a bit darker/warmer sounding. It all comes down to a matter of tonal preference, but both series are incredible! :)
@@MerriamPianos how does this compare in quality to Yamaha and Kawai? Is quality control just as good
i think he likes it :)
It's like you're John Williams conducting a symphony orchestra with your fingers!
That is a wonderful and accurate analogy in my opinion! The musicality of the Schimmel K series grands is immense. :)
It has beautiful bass tones, but I would prefer the Bechstein A 208 over it, and it’s also much cheaper (here in Europe).
Of course 11 cm smaller.
But for now, it remains just a dream...
And the intonation also leaves something to be desired. There are some outstanding, sharp sounds in the bass...
I am using a pair of Audio-Technica studio headphones to listen to this recording vs a previous SK-3/Estonia recording. Assuming the recordings are a fairly accurate representation of the actual instruments, I would say the Kawai SK-3 sounds like what I get in a digital piano when I boost the 500 Hz - 2 kHz range, which can be described as a bit nasal and blurred, but with a strong presence. The K219 sounds like what I get in a digital piano when I boost around the 4 kHz, which again can be described as a clear, bright, and a bit thinner sound. I think it is important to learn to what kind of sound preference you have in terms of frequencies. Some people seem to like sounds with a rolled-off treble and slightly scooped midrange. Of course, that doesn't sound very appealing. It is more attractive to say you like a "warm", "lush", "relaxing" sound, or whatever word you prefer. So, you might be a "Polk guy". Or maybe you are a "Klipsch guy" (Polk and Klipsch are examples of speakers) and prefer a more pronounced midrange, stronger treble, which some people love while others will say it is "too harsh", "too forward", etc.
Pianos are no different than speakers in certain aspects of the sound. Not everything can be reduced to "bright/dark". However, when people say "Brand A all the way", or "Brand B beats Brand A any day", they are often talking about simple aspects of the sound that have a specific way of being measured frequency-wise. I wish somebody took a bright Yamaha piano and digitally altered its sound to make it dark, then took a dark Kawai and digitally manipulated it to make it sound bright, then made a video playing the Yamaha with the Kawai sound and vice versa and wait for the listener's face when they are told they were tricked. I would bet a lot of people would praise the disguised Yamaha as a "lovely warm Kawai all the way", etc, etc :D
Are Yamahas still that bright? I played a CFX before I couldn't too bright or not because the space it was in was a bit small🎹🎶
@@MERCEDES-BENZS600GUARD_V12 No, they are not. But like Stu has mentioned in other videos regarding Casio, it may take a decade for people to take notice before they stop repeating the same cliché. Even in their digital pianos, they have made a significant change. Take a look at the Yamaha DGX 660 vs DGX 670. The pianos in the DGX 670 are darker, and the demos of both instruments are different: the DGX 660 had pop-style demos with bright energetic pianos, whereas the DGX 670 has calm music featuring darker pianos.
@@Instrumental-Covers thanks for the info just tried a Yamaha GC2 it wasn't too bright it was actually melo and, the action though it was heavy it was very responsive🎹🎶
@@MERCEDES-BENZS600GUARD_V12 Do you mind sharing what kind of speakers you use at home to listen to music or watching RUclips videos? I ask to get a sense of the sound signature you might be accustomed, which may influence your taste in sound.
@@Instrumental-Covers I just use bluetooth headphones with a wire🎹🎶
Question. That piano year is before 2016 rigth?
I don't believe so. I believe it is more recent as this video was shot using a floor model in 2022.
I'm not sure about this piano. My initial impression is it lacks sparkle. But I need to listen to it more. Quality sound but I'm not total taken by it.
Hi Stu, it's a wonderful Christmas treat :-) Would be insanely cool to have someone like Jacob Collier to describe this kind of a beast through playing... And then you could argue with him - through playing.
Hello Stu. Would you mind listening to your own video with studio monitors around 4:40 to 4:44? It seems to be a note you play with your left hand pinky or close to that. This is the 3rd video you upload recently that has the same high-pitched buzzing sound in certain notes. I have tested this issue using 3 speaker sources to make sure it is not my speakers, and they all make the noise. It is particularly noticeable with speakers that don't accentuate the bass. For example, my Audio-Technica studio headphones capture it well because they have a flat midrange. I imagine that something in your recording gear is resonating at a particular frequency with certain notes, maybe a microphone frame is ringing at a specific free resonance frequency and it is being recorded. I noticed this in two previous videos with an upright piano, but I thought there was a problem with that piano. Now this is a grand piano and still the same issue.
Very similar sound to c bechstein
There are definitely some parallels for sure! :)
"there is no imperfections, or if there is, theyre so small" yeah no. I restore pianos for steinway, my job is replacing soundboards, pinblocks, re capping the bridge, and more. I restore pianos made both in New York and Hamburg, and I find FAR more imperfections in the hamburg pianos than the New York made pianos, on average. Something neat design wise is the material the bridge is made out of is different in New York vs Hamburg. The hamburgs use a mix of maple and what appears to be oak, whereas the new york only uses a laminate of maple. This difference is also true for the rim of the piano. But the germans are absolutely no better piano manufacturers than the americans. The amount of messed up bridges I've had to fix that came out of Hamburg is not countable. Dont get me wrong, I do plenty of warranty jobs for New York as well, but the idea that German engineering is better is laughable
Anyway, Hamburg Steinways are always more expensive than the ones from New York. So there must be something to that German engineering is better …
Could be the recording that’s lacking, but I find this piano thin sounding with annoying ”buzz” in the high mid range. Bass and treble are pleasant though.
I am listening to this recording with a pair of M-Audio studio monitors and also Audio-Technica studio headphones, and I don't hear the buzzing you talk about. Typically, when you hear buzzing sounds is the tweeter that can't go down low enough to handle the transients of the strong piano attack... are you using home speakers?
@@Instrumental-Covers I also don't hear any buzzing, but what it did do was almost put me to sleep🎹🎶
It was my other pair of headphones that accentuated the higher frequencies too much. With the set that I'm using now, it sounds a little thin in the midrange, but not buzzy.
Hello again Adam. I just realized there is an annoying buzz sound, which I discovered by casually listening to parts of this recording I missed the first time. This time I was listening with my computer speakers and I heard the buzz. To make sure it wasn't the computer speakers, I turned to my studio headphones and the noise was still there. I actually made a similar comment in a previous video, but I thought it was the upright piano he played. Now I believe they have a problem with their recording equipment, maybe a loose part in their microphone that resonates at certain frequencies. The noise I hear is around 4:40, which interestingly is about the same note in a previous video... most likely their gear has a free resonance frequency around that specific note and it is carried in all videos.
I'm sorry, but the lower register doesn't sound good to me. However I'm listening with a laptop with tiny internal speakers. The upper register is fine. In fact very good.
Wow you don't listen this with headphones? Oo
What I find off is the transition point but overall it's still a great sounding bass🎹🎶
Sounds too thin and dry for a piano of this size and brand. Estonia/Shigeru Kawai beat it any day.
You're being influenced more by recording devices (and technique) than the instrument itself. I live a mere 10 minute drive from their store with some really major recording tools, but they never call me.
Reviewing action feel & tone can never give a measure of longevity.
Unlike great violins which grow in value as the wood ages, pianos devalue as they age.
Too many moving and percussive components to wear, felt to harden. Too manybl strings to oxidize.
Not easy to measure the trouble free mileage expected from any maker & model.
Not easy to anticipate tropical climate stresses.
The longevity of an instrument's tonal apex is certainly difficult to analyze and predict. That is mainly due to the fact that it depends on so many different factors, some of which you've addressed. With that said, a well-built instrument like the K219 is far more equipped to stand the test of the time than lower-end pianos. Having a piano properly cared for and maintained by an experienced technician will also play a part in the overall equation too.
This is absolutely incredible. What a shame they are owned by a Chinese company.
?
@@Marklar0 well... There is a lot going on in this short phrase ahaha
Pearl River generally leaves the German Schimmel operations alone, in the same way Yamaha leaves Bosendorfer or Samick leaves Seiler or Parsons HK leaves Grotrian-Steinweg and Wilhelm Steinberg alone. The German boutique piano industry is small, hence these things are bound to happen, all that matters is the owners respect the craftsmanship and heritage of these small but highly-respected instrument makers, then the quality will be all fine and good.