Quality of the voices is comparable to the Tallis Scholars. Kudos, and keep that slight rebato under control. On a side note, was this transposed upwards?
please help me, I really would like to know what exact technique the tenors use to hit their highest notes. is it falsetto or mix/head voice or belted chest voice, I am trying to learn it and cant seem to get it correct especially those lines with Ab and G
Hi! Tenor here. For me, a 1st Tenor, I use a mix of my head/chest voice. It may be different for others, but it's what I find easier for myself. Whatever is more comfortable on your voice works!
In my senior year in the School of Music I selected this piece to dissect, take apart, and put back together... to research Josquin's earlier works and what came after. I hereby give your vocal group an A+ on the performance of this very, very difficult piece. IMHO, Josquin is second only to Mozart. Oh BTW I got an A on my thesis.
What a magnificent performance. Delightfully unassuming, and gorgeous singing.
Wow, thanks so much for your very kind comment!
Beautiful song. So happy for this elective class at my school. I thought I've heard all beautiful things already
It's great isn't it? Happy to hear you came across it in your class.
Saint Padre Pio ora pro nobis
Très belle interprétation, bien équilibrée, de ce chef-d'œuvre incomparable de Josquin.
Merci beaucoup!
Post the rest of the mass!
Maybe one day! This is all we have so far...
Great!
Saint Charbel Makhlouf ora pro nobis
Quality of the voices is comparable to the Tallis Scholars. Kudos, and keep that slight rebato under control. On a side note, was this transposed upwards?
Help; I couldn't find a definition for rebato. Is rebato a type of rubato?
Maybe rebato is a slight rubato?
@@dancollison1 I think I meant to type rubato but was corrected rebato.
please help me, I really would like to know what exact technique the tenors use to hit their highest notes. is it falsetto or mix/head voice or belted chest voice, I am trying to learn it and cant seem to get it correct especially those lines with Ab and G
Hi! Tenor here. For me, a 1st Tenor, I use a mix of my head/chest voice. It may be different for others, but it's what I find easier for myself. Whatever is more comfortable on your voice works!
In my senior year in the School of Music I selected this piece to dissect, take apart, and put back together... to research Josquin's earlier works and what came after.
I hereby give your vocal group an A+ on the performance of this very, very difficult piece.
IMHO, Josquin is second only to Mozart.
Oh BTW I got an A on my thesis.
Ha! Thank you!