Brahms - The 3 Violin Sonatas / NEW MASTERING (reference recording: Szymon Goldberg, Artur Balsam)
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- Опубликовано: 24 июл 2024
- Johannes Brahms (1833-1897) Complete Sonatas for Violin and Piano.
🎧 Qobuz bit.ly/3AaPw73 Apple Music apple.co/38OzljE
🎧 Amazon Music amzn.to/42cOmVy Tidal bit.ly/3tuR9dc
🎧 Deezer bit.ly/3trjVuZ Spotify spoti.fi/2XcduAe
🎧 RUclips Music bit.ly/3C3Vol4 SoundCloud bit.ly/3k6mVJJ
🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本...
Click to activate the English subtitles for the presentation (00:00-06:58)
Sonate no 1 op. 78 en sol majeur / in G "Regen-Sonate" (1878-1879)
1 Vivace ma non troppo (00:00)
2 Adagio (09:47)
3 Allegro molto moderato (18:09)
Sonate no 2 op. 100 en La majeur / in A (1886)
1 Allegro amabile (26:56)
2 Andante tranquillo (35:04)
3 Allegretto grazioso / quasi andante (42:10)
Sonate no 3 op. 108 en Ré mineur / in D minor "à Hans von Büllow" (1886-1888)
1 Allegro (47:36)
2 Adagio (55:20)
3 Un poco presto e con sentimento (1:00:15)
4 Presto agitato (1:03:08)
Violin : Szymon Goldberg
Piano : Artur Balsam
Recorded in 1953, at New York
New mastering in 2021 by AB for CM//RR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) / cmrr
Goldberg and Balsam had a large joint repertoire but recorded only four works officially, the Brahms Sonatas and Schumann's A minor Sonata. In addition there are broadcast acetates or tapes of another performance of the Schumann, Dvorak's Four Romantic Pieces and one or two encores. Their Brahms interpretations have always been well thought of, especially the more lyrical first two sonatas. The more heroic attitudes of the D minor Sonata did not come so easily, to Goldberg in particular; but all in all, these are treasurable documents of the artistry of two of the most likeable, refined musicians of their era.
Johannes Brahms PLAYLIST (reference recordings): • Johannes Brahms (1833-... 
Видеоклипы
Johannes Brahms (1833-1897) Complete Sonatas for Violin and Piano.
🎧 Qobuz bit.ly/3AaPw73 Apple Music apple.co/38OzljE
🎧 Amazon Music amzn.to/42cOmVy Tidal bit.ly/3tuR9dc
🎧 Deezer bit.ly/3trjVuZ Spotify spoti.fi/2XcduAe
🎧 RUclips Music bit.ly/3C3Vol4 SoundCloud bit.ly/3k6mVJJ
🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本...
Click to activate the English subtitles for the presentation (00:00-06:58)
Sonate no 1 op. 78 en sol majeur / in G "Regen-Sonate" (1878-1879)
1 Vivace ma non troppo (00:00)
2 Adagio (09:47)
3 Allegro molto moderato (18:09)
Sonate no 2 op. 100 en La majeur / in A (1886)
1 Allegro amabile (26:56)
2 Andante tranquillo (35:04)
3 Allegretto grazioso / quasi andante (42:10)
Sonate no 3 op. 108 en Ré mineur / in D minor "à Hans von Büllow" (1886-1888)
1 Allegro (47:36)
2 Adagio (55:20)
3 Un poco presto e con sentimento (1:00:15)
4 Presto agitato (1:03:08)
Violin : Szymon Goldberg
Piano : Artur Balsam
Recorded in 1953, at New York
New mastering in 2021 by AB for CM//RR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CMRR content, please consider membership at our Patreon or Tipeee page.
Thank you :) www.patreon.com/cmrr // en.tipeee.com/cmrr
Goldberg and Balsam had a large joint repertoire but recorded only four works officially, the Brahms Sonatas and Schumann's A minor Sonata. In addition there are broadcast acetates or tapes of another performance of the Schumann,
Dvorak’s Four Romantic Pieces and one or two encores. Their Brahms interpretations have always been well thought of, especially the more lyrical first two sonatas. The more heroic attitudes of the D minor Sonata did not come so easily, to Goldberg in particular; but all in all, these are treasurable documents of the artistry of two of the most likeable, refined musicians of their era.
Johannes Brahms PLAYLIST (reference recordings): ruclips.net/p/PL3UZpQL9LIxOfigsjIfHNN6AuqZVVmfGR
The great joy of this excellent remastering enables us to appreciate today what was not only a partnership of great refinement, but one of intensity and mutual understanding. These remastered recordings are luminous. Goldberg and Balsam were renowned in their day. Imperative listening. Thank you guys for posting these.
Thank you Michael , You have been following us for a long time now, thanks again :)
I was a student of Szymon Goldberg at Juilliard in the 80s. I would love to talk to you about him and connect. He was a great teacher as well and really changed my life, taught me things that no one else was talking about and made me the violinist I am today.
Well, tell us here. There are many admirers of Goldberg who would be eager to hear more, including myself.
❤ i read his story 😢 i cant believe he couldn't come back to Berliner Philharmoniker ...what a shame for them
Thank you for these gems. They are glorious and the men who played them were all time heroes.
These are superb. Perfect.
Goldberg was like Lipati, loaned to earth from heaven. But this shows a meeting of minds as well. Balsam is the perfect accompanist here. Not just accompanist but equal partner.
Played like this the music is compelling for its sweet honesty rather than sheer power. The power is real, but not the aim. It emerges without diminution, because they play without sentimentality - they get on with it, and play as angels. Just enough flexibility to be natural. These performances are selfless and just present the inspiration of Brahms without "apparent" intervention.
A sort of miracle. I have listened several times now, staggered and unable to add to the comments.
Now I have it is no more than tu'pence worth.
Best wishes from George in Herefordshire, UK.
Thank you for sharing the treasures.
Three great violin sonatas. The 3rd one always gives me goosebumps it's so beautiful. Thank you to these two fantastic artists. And to Mr. Brahms.
Best Interpretation ever heard until now! Thanks for making it available.
Until now my favourite performances have been those of Nathan Milstein. Not any more...these are beyond superlatives and surely worth a full disc recording. Thank you to Classical Recording/ /Reference Recording for these treasures.
You're welcome :)
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
Wonderful performance. Thank you very much!!! 🎵 🎼 🎶
My Lord, what beautiful music these two men play! I’ve only listened to the first sonata so far, but already, I keep having the feeling I’m listening to this sonata for the first time! For me, that’s definitely a sign that I’m going to be listening to as many recordings by Goldberg and Balsam as I can, both together and separately. Thanks so much for uploading these sonatas!
This is a revelation to me! I've known and played the sonatas most of my life, and thought no one could even approach "King" David Oistrakh and S. Richter,
but these give the music a different, and wonderful, kind of intensity and deep feeling. I should have heard both of them during my years in NYC but, sadly, I did not.
Thank you for posting these!
He was my professor for six years; I turned pages at rehearsals with Leonid Kogan as they were rehearsing at his home on Riverside Drive. One of the greatest privileges of my life. Delighted everyone agrees with me on their thoroughly honest and majestic rendition of this masterpiece.
Have you heard Josef Suk and Julius Katchen ? Best I've heard...
This is a fine interpretation, though a bit fast for my taste - a bit too "sunny", not "heavenly" (talking about the gorgeous G-major Sonata...!)
@@rolfschulte4747 I LOVE Suk and Katchen as well!😀
@@EElgar1857 I heard Oistrakh and Richter play the d-minor Sonata in Philadelphia's Academy of Music : much too large hall, of course, and it did not leave much of an impression...! Heard Nathan Milstein with Arthur Balsam in Düsseldorf in the same piece, and that was also not ideal, albeit in a better size hall (the Robert Schumannsaal, I do not remember...?)
Extraordinary!!
what a gem !
Thanks for this. Truly beautiful performances.
Superb musicians playing
such fantastic music!
I love it. Thank you.
Beautiful ! 👋👋👋
Thank you.
Wunderschöne Interpretation dieser drei spätromantischen und perfekt komponierten Sonaten in verschiedenen Tempi mit seidigem doch gut phrasiertem Ton der unvergleichlichen Violine sowie klarem und perfekt entsprechendem Klang des ebenso unvergleichlichen Klaviers. Die verbesserte Tonqualität ist auch erstaunlich hoch als originale Aufnahme von fast siebzig Jahren vor. Alles ist wunderbar!
Goldberg and Balsam had a large joint repertoire but recorded only four works officially, the Brahms Sonatas and Schumann's A minor Sonata. In addition there are broadcast acetates or tapes of another performance of the Schumann, Dvorak's Four Romantic Pieces and one or two encores. Their Brahms interpretations have always been well thought of, especially the more lyrical first two sonatas. The more heroic attitudes of the D minor Sonata did not come so easily, to Goldberg in particular; but all in all, these are treasurable documents of the artistry of two of the most likeable, refined musicians of their era. Click to activate the English subtitles for the complete presentation (00:00-06:58)
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Thanks for the info. WHere could I find the Schumann sonata?
Marvellous , Frederic Meinders
I wish to find Goldberg full performance on the Brahms concerto . The last movement is so good
A pleasure to read you again, you are among the first to follow us, thank you :)
@@classicalmusicreference haha your content is quality , of course anyone should follow you.
@@nihilistlemon1995 -- BRAVO from Acapulco!
Wonderful Recording of Brahms Violin Sonatas.Great to listen to,🎶🎶✨✨@Classical Music /Reference =7,10pm ✨⭐️⭐️⭐️✨
Gloriously inspired and beautiful music making by two great artists! This makes me realize just how many recorded performances are nothing more than accomplished mediocrity, even from some famous names.
You certainly mean Karajan, don't you?
@@HansDunkelberg1 Haha!
thanks for posting
Une pure merveille, Goldberg, avec Balsam ou avec Kraus, c'est de l'or. On ne s'en lasse pas. Merci de nous les offrir dans une telle qualité sonore.
Marvelous.
maravillosa musica
I've always thought the Suk/Katchen recordings of these works the best. but these are a revelation.
J'aime beaucoup ; je me laisse emporter par des vagues successives de plaisir intense .
❤️🎵🎶🎶🎶
😍😍😍
👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
デ・ヴィート/フィッシャーもいいけど、こっちもいいね。
Je ne comprends pas l’indication : « Recorded in Moscow in 1953, at New York » .
Highly original and penetrating.
Strange the beginning of the fist sonata had a strange resemblance of Beethoven’s no 10
As good as Perlman/Barenboim/Askenasy. Perhaps even better - even more singing.
At the beginning of the subtitles, the names Karol Lipiński (not Lipifiski) and Paweł Kochański (not Kochafiski) were misspelled.
there has always been something about the Brahms violin sonatas that made them seem somewhat inaccessible/incoherent to me, until now.
Sometimes it's like breaking in a new pair of shoes. Repetition is still the first law of learning. After awhile you begin to understand a piece of music and eventually even grow to love it.
welcome home; perhaps also sample this ruclips.net/video/ihccHvgXbJg/видео.html
It is also that Brahms writes rich, complex music. It challenges us. No one gets it on the first 5 listens.
Этоисполнениепроникнутооткровениемвсутьфилософскогоразмышлениямощиитонкойнюансировки. ШвайнштейнАлександр.
i hate violin
L. Domingos demian -- It's true....many fools feel the same way!
I hate it too! I wish I could express so much beauty as the violin can
An interesting if rather silly remark and causes me to wonder if it means the recorded sound of a violin or the real sound. No matter how well recorded these, despite digital remastering are old recordings. They only approximate the sound of a top class instrument played with consummate skill in an appropriate acoustic, revealing very little of the nuances. Between that and this internet sound there is a microphone, recording machine, recording tape, a presumably vinyl record and digital copy. All are interpretations, which tends to be forgotten in these days of MP3 'songs'. But it is good to have even this of Goldberg's playing.