Yes I have arppegiated almost all the chords in the first couplet. To emphasize the beat accurately, usually the chords in the strong beat should be arppegiated, whereas the chords in the weak beat should be played in time. This is 3/2 time, so only the first half note is strong beat. This way of playing is shown perfectly in Michele Benuzzi's recording(search RUclips for his rendition of this sarabande). However I wanted to emphasize the lute or harp like sonorities, so I chose to arpeggiate most block chords, but for the variations I mostly refrained from arpeggiating the notes in the weak beat so as not to disrupt the beats.
![[Baroque ornamentation and improvisation] G. F. Händel - Passacaille in G Minor - HWV 432](http://i.ytimg.com/vi/2HynpKOlESU/mqdefault.jpg)
![[Baroque ornamentation and improvisation] G. F. Händel - Passacaille in G Minor - HWV 432](/img/tr.png)
Beautiful phrasing and tasteful ornamentation.
Aqui hay una eximia ejecución del clave!!! arte, historia y sensibilidad geniales, gracias por tu trabajo
Très joli, merci
Sublime!
Quite nice; I love it !
Very nice!
안녕하세요 비전공자 아마추어 연주자이신데 프로 처럼 연주가 훌륭하시네요!
Me interesa el Sarabande, es todo arpegiado?
Yes I have arppegiated almost all the chords in the first couplet. To emphasize the beat accurately, usually the chords in the strong beat should be arppegiated, whereas the chords in the weak beat should be played in time. This is 3/2 time, so only the first half note is strong beat. This way of playing is shown perfectly in Michele Benuzzi's recording(search RUclips for his rendition of this sarabande). However I wanted to emphasize the lute or harp like sonorities, so I chose to arpeggiate most block chords, but for the variations I mostly refrained from arpeggiating the notes in the weak beat so as not to disrupt the beats.