This interpretation of Never Let Me Go is certainly one of the most sublime moments of the trajectory of this brilliant pianist Keith Jarrett is. Keith has excelled and provided magical moments of the highest musical level. Wonderful!
You can tell when Keith loves deeply a particular Song... Here's one for all... Boz Scaggs recorded Never Let Me Go also with a deeply felt 'nocturne' emphasis.... Both are favorites of mine... 🎹🎹👁️♾️👁️💓🌹💃🌅
A factor nobody mentioned is the advance in sound reproduction technology from the 1970's to 2010. This piano sounds unbelievably beautiful - due to Jarrett AND recording technology advance. I know that Evans' recordings would be every bit as beautiful sonically had there been this recording technology in the '70's.
Ok,ok. For Garner, as if the music is floating in the air and passed through his body like lightning, until the piano. Genial. According to the assessment of Peterson, another big. regards,
This is lovely and would be even better if you didn't have to watch Jarrett's ridiculous grimaces and gyrations. Roy Hargrove has also done two excellent versions that I know of. Bill Evan's version, however, is the definitive one.,
+noah -- that little rectangle with the picture is an option. When I listen to music I conveniently put that window somewhere where I can't see it. Music is for my ears, not my eyes. You can either minimize it or drop it down out of sight.
I heard it many years ago, long before the video was available and I play it frequently. I respect that tastes vary and comparisons are often rather pointless but ,with ballads, I look for simplicity and a passionate rendering rather than "excitement" and find excessive improvisation often takes away from what the composer intended to convey. I find the same problem with Peterson, a technical genius, but little passion in many ballads where Garner displays it in abundance.
I would like to have Bill Evans left hand and keith’s right. That would be God playing. But Keith is sublime nevertheless. And The sound qualitativa is astonishing.
I think what is unique in this interpretation is the accompaniment Jarret and feeling among musicians.Try listening to Jarret without seeing the video, only sound. Better Evans.
It’s natural to compare this to the famous solo version of Bill Evans. However, we should remember that it’s deep art and difficult to compare two souls. For me, just from a language perspective, I prefer Bill’s harmonically, clearer bebop derived language versus Keith’s more modern harmonically impressionistic/chromatic phrases. Secondly, I think Bill succeeds in getting more of his personal emotion into his rendition whereas Keith is an expert of letting an external energy flow from a zen state. Those are totally different approaches. These two factors very subjective, and I realize other people likely to have different views. These two factors also not a criticism of one versus the other but an attempt to try to articulate why they are different.
This interpretation of Never Let Me Go is certainly one of the most sublime moments of the trajectory of this brilliant pianist Keith Jarrett is. Keith has excelled and provided magical moments of the highest musical level. Wonderful!
I simply love Keith Jarrett's music, and this ballad is right at the top of the list. Does it get any better than this, I think not!!!!
Music is for the ears not the eyes. The criticism of Keith Jarretts movements is irrelevant.
Wow ❤
The quality of this performance is astounding and with so much depth of detail it is on the highest level !!!
Keith Jarretts grimaces are irrelevant. What is most important is the quality of his music !!!
The absolute best performance of this great song !!!
stunning as Jarrett always is....
Jarrett's interpretation is stunning and beautiful - played with an extraordinary depth of feeling unmatched by Evans or anyone else.
Takes Me Away-So Wonderful A Trio!
thanks too much !!!!
The first time I have ever experienced a masterpiece like this recording being voiced on the piano. All I can say is wow !!!
This is a Masterpiece... sí una obra Maestra
You can tell when Keith loves deeply a particular Song... Here's one for all... Boz Scaggs recorded Never Let Me Go also with a deeply felt 'nocturne' emphasis.... Both are favorites of mine... 🎹🎹👁️♾️👁️💓🌹💃🌅
BLISS...
7:41 of pure magic !! THANK YOU !!
Brillaqnte ¡¡Sublime¡¡ Ya ,me quedo sin adjetivos¡¡ Me encanta este genio .GRACIAS KEITH ; muchas gracias por tu musica ,gracias ¡¡¡ jnb
Ошеломительно! 😍
Наслаждение ...
A factor nobody mentioned is the advance in sound reproduction technology from the 1970's to 2010. This piano sounds unbelievably beautiful - due to Jarrett AND recording technology advance. I know that Evans' recordings would be every bit as beautiful sonically had there been this recording technology in the '70's.
jarrett is an alien...
both versions are quite differents but both really beautiful!!
Y do agree. Wonderfull
Muy simple.Porque no tienen la sensibilidad frente a esta mùsica y los grandes que te la ofrecen .
Ok,ok. For Garner, as if the music is floating in the air and passed through his body like lightning, until the piano. Genial. According to the assessment of Peterson, another big. regards,
Qué fabuloso es
Piano is playing Keith Jarrett...
¿Cómo la gente no se dá cuenta que es superior a cualquier político, arquitecto, notario, carnicero, etc... etc...?
Jarrett ganó..
This is lovely and would be even better if you didn't have to watch Jarrett's ridiculous grimaces and gyrations. Roy Hargrove has also done two excellent versions that I know of. Bill Evan's version, however, is the definitive one.,
+noah -- that little rectangle with the picture is an option. When I listen to music I conveniently put that window somewhere where I can't see it. Music is for my ears, not my eyes. You can either minimize it or drop it down out of sight.
Yes, Bill Evans always. And in "Never Let Me Go" is much more exciting.
I heard it many years ago, long before the video was available and I play it frequently. I respect that tastes vary and comparisons are often rather pointless but ,with ballads, I look for simplicity and a passionate rendering rather than
"excitement" and find excessive improvisation often takes away from what the composer intended to convey. I find the same problem with Peterson, a technical genius, but little passion in many ballads where Garner displays it in abundance.
I would like to have Bill Evans left hand and keith’s right. That would be God playing.
But Keith is sublime nevertheless. And The sound qualitativa is astonishing.
I think what is unique in this interpretation is the accompaniment Jarret and feeling among musicians.Try listening to Jarret without seeing the video, only sound. Better Evans.
It’s natural to compare this to the famous solo version of Bill Evans. However, we should remember that it’s deep art and difficult to compare two souls.
For me, just from a language perspective, I prefer Bill’s harmonically, clearer bebop derived language versus Keith’s more modern harmonically impressionistic/chromatic phrases.
Secondly, I think Bill succeeds in getting more of his personal emotion into his rendition whereas Keith is an expert of letting an external energy flow from a zen state. Those are totally different approaches.
These two factors very subjective, and I realize other people likely to have different views. These two factors also not a criticism of one versus the other but an attempt to try to articulate why they are different.
I prefer the version of Bill Evans, with difference.