I love your content. You are a great artist and teacher. I would love to apply this lesson to my violin and voice, but I can't read it the way it's written. If you could do the same but in a version for violin, we all could read it-guitar, violin, voice, etc. Thank you, and hugs from Brazil.
I would propose a step 4. Repeating step 3 but around 10-20 bpm faster than performance tempo. Running through this a few times, then dropping to performance tempo one more time. Something about doing this tricks the brain into perceiving the performance tempo as more manageable. One of my teachers called it “practicing until the wheels fall off”.
Hello from which part of the book do the phrases in the slow and rubato part of the video are extracted from ? I bought your book Theasurus of bebop but I could not find any of them ?
I ask Joe Viola for lessons and he didn't have time for me. I learn all his book anyway. You just learn their book. David Chesky had a good book he never made any money off of This guy is playi8ng pretty good. He probably study with Joe Viola at Berklee in Boston, MA. See how he makes his intonation. It's hared to do on that horn.
yes, I had a few classes with Joe. However my best sound teacher by far was the awesome Mariano Rey in Buenos Aires. He really knows about sound production and delicacy. I studied clarinet with him for a period of time and applied what I could to the sax.
I doubt there will be tablature, but wouldn't that be amazing if there was?!!! I oftentimes write out the notes A, Bb, C etc. under the notation, with a pen, when I buy a music book or magazine.
I love your content. You are a great artist and teacher. I would love to apply this lesson to my violin and voice, but I can't read it the way it's written. If you could do the same but in a version for violin, we all could read it-guitar, violin, voice, etc. Thank you, and hugs from Brazil.
Excellent video and your new book is very enticing! Is there an audio file (or link to one) that comes with the book?
Great execise, perfect for a good practice!!
I would propose a step 4.
Repeating step 3 but around 10-20 bpm faster than performance tempo. Running through this a few times, then dropping to performance tempo one more time.
Something about doing this tricks the brain into perceiving the performance tempo as more manageable. One of my teachers called it “practicing until the wheels fall off”.
this is great i'm adding it my routine. thank you so much!
What are you using for that sustained backing track in various keys?
pro tools string plug in with some top rolled off
I'm very happy. I have your Book of minor and he is excellente
Hello from which part of the book do the phrases in the slow and rubato part of the video are extracted from ? I bought your book Theasurus of bebop but I could not find any of them ?
triplet bebop phrases part 3 page 117 onwards
Thanks a lot for your answer. Your book is a wonder that every sax player should have
which software are you using in the back to get the chords played ?
love it
I ask Joe Viola for lessons and he didn't have time for me. I learn all his book anyway. You just learn their book. David Chesky had a good book he never made any money off of This guy is playi8ng pretty good. He probably study with Joe Viola at Berklee in Boston, MA. See how he makes his intonation. It's hared to do on that horn.
yes, I had a few classes with Joe. However my best sound teacher by far was the awesome Mariano Rey in Buenos Aires. He really knows about sound production and delicacy. I studied clarinet with him for a period of time and applied what I could to the sax.
Trascricion para guitarra habra😢
I doubt there will be tablature, but wouldn't that be amazing if there was?!!! I oftentimes write out the notes A, Bb, C etc. under the notation, with a pen, when I buy a music book or magazine.
Drink mate?
sip
Excelente!! Y muy bueno el Mate !!!